Images at Librifly

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Study of Siena Cathedral, Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite and watercolor on wove paper, Sketches of the interior of the Siena Cathedral. View in the choir behind the high altar from the right bay. Shown are details,

Desk for Mrs. Allen, Henry J. Allen Residence, Wichita, Kansas, George Mann Niedecken, 1878–1945, Henry J. Allen, Elsie J. Nuzman (Mrs. Henry J.) Allen, Graphite on cream tracing paper, Page divided into two registers horizontally about

Africa, Design for a Pendentive in the Baptismal Vestibule of St. Peter’s, Rome, Francesco Trevisani, Italian, 1656 - 1746, Pen and brown ink, brush and brown wash, white gouache, traces of black chalk on white laid paper, A seated figure

Fishing boats, Japan, Robert Frederick Blum, American, 1857–1903, Pastel crayon on wove paper, Recto: Sketch of fishing boats on a river; Verso: Sketch of two sailboats., Japan, 1891–1892, seascapes, Drawing, Drawing

Three South-Italian Women, Bartolomeo Pinelli, Roman, 1781 - 1835, Pen and gray ink with watercolor and black chalk on off-white wove paper, Two women are standing, the third sitting near a fountain, in a cave. A boy is giving something to the

Sheet of a Drawing Book: Two Pitchers and Bowl, Giuseppe Valadier, Italian, 1762–1839, Black chalk, pen and black ink on paper, The three vessels form a group. A pitcher with a handle, composed of two snakes, stands in front and partially

Sketch of Female Nude, James Wells Champney, American, 1843–1903, Graphite on paper, Nude female figure lying front downward, resting head on right hand, with left arm raised., USA, ca. 1890, figures, Drawing, Drawing

Design for Berlin Wool Work, Spitz, P. Trübe, Berlin, Germany, Brush and gouache over etching on blue-gray wove paper, Embroidery design featuring a white Spitz-type dog, seen in left profile, lying on a red cushion, trimmed with yellow

Women doing washing near a cow-herd, Jean-Baptiste Huët, (French, 1745–1811), Red chalk on white paper, Two women doing washing by a stream are shown conversing with a cowherd, lying on the ground, back to the spectator; near him are two

Decorated Ceiling and Wall, Felice Giani, Italian, 1758–1823, Pen and dark brown ink over traces of graphite on blue laid paper, Horizontal rectangle. At left, ceiling. In center, sun-face framed by garlands forming oval. Radially, burning

Wing of a Black-capped Kingfisher, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, Study of the wing of a black-capped kingfisher. Both sides of the wing shown, with color notations., USA, ca. 1895, animals, Drawing,

Sketches for Portrait of Marguerite Burrows, Daniel Huntington, American, 1816–1906, Graphite on grey-brown paper, Sketch of the doll 'Sarah' held in a right hand. Verso: Two right hands, upper left. One left hand, lower left. Girls legs

Landscape Sketch, Mount Desert, Maine, Daniel Huntington, American, 1816–1906, Black and white crayon, graphite on grey-brown paper, Pond in foreground and shore, right. Mountain beyond. Notation below with date., August 19, 1856,

A Domestic Dispute in Tivoli, Bartolomeo Pinelli, Roman, 1781 - 1835, Pen and gray ink with watercolor and black chalk on off-white wove paper, Vignette of four figures struggling with a dagger, one of which is a woman with a baby slung across

Design for Magazine Cover, Kenyon Cox, American, 1856–1919, Graphite on paper, Sketch of a female figure draped in a gown and holding a staff with her right hand., USA, ca. 1900, graphic design, Drawing, Drawing

Design for the Embroidery of a Man's Waistcoat of the Fabrique de St. Ruf, Fabrique de Saint Ruf, Lyon, France, Graphite, brush and gouache on paper, A flower festoon, suspended from two bow-knots thorugh which peacock feathers are stuck,

Design for a Painted Wall Decoration, Walter Shirlaw, American, b. Scotland, 1838–1909, Black, purple, and rose crayons pastel on grey paper, The upper part of design cut out along the outlines, painted on top. Children seated upon the

Design for a Bed, Pen and brown ink, brush and brown wash, traces of graphite on off-white laid paper, Elevation of a bed composed of scrolling acanthus leaves, shells and fantastic female figures. Large overhanging canopy, and inclined

Polychrome floral group c, Herman A. Elsberg, (American, 1869–1938), Gouache, blue tassel (silk?) Support: ivory paper, Lyon, France, France, 1915, textile designs, Drawing, Drawing

Allegory of the Four Seasons, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of an allegorical composition depicting the four seasons., USA, n.d., architecture, interiors, Drawing, Drawing

Design for Sideboard with Top Shelf Supported by Volutes, A.N. Davenport Co., Graphite on thin cream paper, Rectangular sideboard with four straight tapering legs; tri-partite front with three drawers in two rows at center, flanked by

Study of Dr. Mott for 'Scientific Group', Daniel Huntington, American, 1816–1906, Graphite on lined white laid paper, Probably a study for the scientific group, never painted. Man facing towards the right, his right arm behind his back in

Man, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a male figure draped in a cloth., USA, 1877, figures, Drawing, Drawing

Floral design for printed textile, Louis-Albert DuBois, Swiss, 1752–1818, Brush and gouache, graphite on pale green wove paper, Floral border design, pink flowers, green and brown leaves, scattered buds on field above. White ground.,

Project for a Herm, Pen and ink, brush and grey-brown watercolor on laid paper., Vertical rectangle. Half-figure of a bearded man with an Ionic capital turned toward right. Base is a volute., Italy, 1725-50, architecture, Drawing, Drawing

Design for panel with carved trophies, Gilles Paul Cauvet, French, 1731–1788, Pen and Chinese ink, black chalk, brush and watercolor, A crouching lion holds a sphere in its right forepaw at the foot of a palm tree, to which arms are

Kneeling Man, Domenico Gargiulo, called Micco Spadaro, Italian, 1609 - 1675, Black chalk, pen and ink on paper, A man in the act of kneeling, seen from the back, his arms outstretched, possibly carrying a large object., Italy,

Project for the Coat of Arms of a Cardinal, Pencil, pen, black ink watercolor washes on paper, The escutcheon shows two eyes; it is topped by a diadem and two pastoral staffs and is held by two angels. Maltese cross behind the escutcheon. An

figure study for a fountain design, Elihu Vedder, American, 1836 – 1923, black crayons, white chalk, on buff paper, vertical rectangle. The nude figure of a boy, standing, turned sharply to the right. The arms are uplifted, the left arm

Altar Lamp, Luigi Righetti, Italian, 1780 - 1819, Pen and gray ink, brush and watercolor, graphite on white laid paper, Vertical rectangle. Design for an altar lamp hung from three chains, starting from calyces upon the heads of birds. Two

Blue-Black Bird on Rose Branch with Spider, Pen and ink, graphite on coated wove paper, Blue-Black Bird on Rose Branch with Spider, ca. 1800–1830, Drawing, Drawing

Design for a Painted Ceiling, Francesco Saverio Mergolo, Italian, 1746–1786, Brush and black wash, black chalk on paper, Octagonal. A cupid sits upon clouds, raising with his right hand a burning heart. At right are two heads of cupis.

On the Rocks, Mt. Desert, Arnold William Brunner, American, 1857–1925, Graphite and white heightening on brown paper, Three sketches. Rocks on the sea shore, with figures seated there; sailboats. Upper left, figures sitting with hats. Lower

Sketch of a Right Hand, Red crayon on brown paper, Sketch of right hand curving downward with index finger slightly extended., Italy, early 18th century, figures, Drawing, Drawing

Design for a Chimney Piece and Adjoining Bays with Alternative Suggestions, Nicolas Pineau, French, 1684-1754, Pen and brown ink, brush and brown and gray wash on cream laid paper, The left half includes a candle bracket showing a child holding

Design for an Embroidered or Woven Vertical Border, Brush and blue, white gouache on glazed tracing paper, An undulated stem with big indented leaves, and small flowers of opposite directions in alternate horizontal rows, rises beside a strip,

Study of a Hinge from Orvieto Cathedral, Arnold William Brunner, American, 1857–1925, Graphite on beige paper, A hinge in grillework, shaped like a hand in a glove, holding onto a bar. Light sketch of hand holding bar upper right., USA,

Study of Bending Nude Figure Holding Cup, Louis Schaettle, American, 1867–1917, Charcoal and chalk on light brown paper, Bending female nude with head, torso and arms shown from the back. Left hand holds cup. Upper right, study of hand

Variant Design for Side Serving Table with Cabriole Legs, A.N. Davenport Co., Pen and black ink on thin, cream paper, Alternative to -.96: Table surface with curved skirting supported by four cabriole legs., 1900–05, furniture, Drawing,

Design for Mahogany Dining Table, A.N. Davenport Co., Graphite and yellow color pencil on thin, cream paper, Round table top raised on short cylindrical support sitting on round base on four splayed legs terminating in brass animal-paw feet on

Doorway, Pen and brown ink, gray wash, black chalk Support: white laid paper, Italy, Italy, ca. 1765, architecture, Drawing, Drawing

Project for a Ceiling Frieze, Pen and brown ink, brush and brown wash, white heightening on off-white laid paper, Trapezoid. At left is a cloth, next to a shield and a trophy of arms., Italy, mid- 17th century, interiors, Drawing, Drawing

Sketches in the Harbor of Catania, Arnold William Brunner, American, 1857–1925, Graphite on paper, Sailboats, and boats with big cargos with figures, standing, standing or sitting on cargo, rowing. Center sketch of a man facing forward,

Pilgrims at St. Sophia, Arnold William Brunner, American, 1857–1925, Graphite on paper, Men in robes seated or kneeling., USA, ca. 1883, figures, Drawing, Drawing

Project for a Brooch, Pen and ink, brush and watercolor, sepia on paper, Ribbons composed of leaves adn volutes, form a kind of heart, with four drops of diamonds and two blossoms of diamonds., Italy, 1750–1775, jewelry, Drawing,

Design for a Round Four-Legged Dining Table with Bun-Feet, A.N. Davenport Co., Pen and black ink on thin, cream paper, Round molded table top wth dividing stretcher across center; four fluted columnar legs elaborately carved at bottoms and

Design for a Chandelier, Brush and watercolor, pen and black ink, graphite on paper, Design for a chandelier, suspended as in 1938-88-727. Glass chains and drops are fastened above in the shape of a canopy. One row of eighteen candles (ten are

Canoe with Three Men, Winslow Homer, American, 1836–1910, Crayon on paper, Sketch of three male figures in a canoe., Quebec, Canada, 1897, landscapes, Drawing, Drawing

Personification of Theology, After Raphael, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and watercolor washes, on paper, Italy, 1815, figures, Drawing, Drawing

Stage Design, View of Castle, Pen and brown ink, brush and sepia wash, graphite on paper, Horizontal rectangle. Square castle with towers at the corners. Unfinished figures acting in the foreground. The action takes place before the ducal castle

Painted Wall Decoration, Mauro Gandolfi, Italian, 1764–1834, Pen and brown ink, brush and watercolor on white laid paper, squared in graphite and lined, A herme with a woman's bust supporting the entablature, rises from a dado in front of

Design for a Painted Porcelain Serving Vessel, Les Sorbets (Sorbets) from the Service des Objets de Dessert (Dessert Service), Jean Charles Develly, French, 1783 - 1849, Pen and brown, black ink, brush and brown, black wash, white gouache,

Woman, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a female figure., USA, 1881, figures, Drawing, Drawing

Design for Frame Surrounding the Portrait of Edward Seymour, Duke of Somerset, Gravelot, French, 1699 - 1773, active in England, Pen and black ink, brush and black wash, red chalk on paper, Design for frame surrounding the portrait of Edward

Catafalque, Pen and brown ink, brown wash Support: white laid paper laid down, Venice, Italy, Italy, ca. 1631, architecture, Drawing, Drawing

Design for a Round Table on Scrolling Base, A.N. Davenport Co., Pen and black ink on thin, cream paper, Round molded table top raised on reeded columnar supports, atop a molded base terminating in scroll-like feet with carved rosettes.,

Project for the Interior of the Sacristy of St. Giovanni de’ Florentini in Rome, Giuseppe Palazzi, Italian, 1740 - 1810, Pen and ink, brush and watercolor on paper, Section. A variation of 1901-39-1593 in heavier and more austere form,

Brown Bird with Red Head on Carnation Stem with Butterflies, Pen and ink, graphite on coated wove paper, Brown Bird with Red Head on Carnation Stem with Butterflies, ca. 1800–1830, Drawing, Drawing

Design for a Sepulchral Monument, Antonio Gherardi, 1644–1702, Pen and brown ink, brush and brown wash, black chalk on cream laid paper, Vertical rectangle. Framed by architectural motifs. Below is a dado with a sarcophagus at center. The

Sketches for wall paintings: Arts and Sciences, Giuseppe Bernardino Bison, Italian, 1762 - 1844, Pen and ink on paper, Above at left: a woman as a sculptor. At right: a group of four flying putti with a globe. At right: similar group with a

Design for a Cross, Pietro Belli, Italian, 1780–1828, Pen and ink, brush and watercolor, graphite on paper, Vertical rectangle. Spear and sponge staffs are crossed in front of a cross, their bottom and top parts being held by pairs of

Design for a Mausoleum, Pen and ink, brush and watercolor on paper, Heavily rusticated arched doorway flanked by urns in niches surmounted by busts, and flanked by rusticated columns. Above, a balustrade ornamented with statuary, a low attic

Elevation of a Candlestick, Pen and ink, brush and sepia wash, graphite on paper, The foot is decorated with beads and festoons. A satyr couple seated on pilaster strips support the socket in which a burning candle sticks. Reverse; horizontally.

Design for Decoration of a Ceremony, Carlo Marchionni, Italian, 1702–1786, Black crayon, brush and gray watercolor on laid paper, A podium is erected above a pediment bearing seven burning candles. Festoons of garland hand upon it, and two

Floral design for printed textile, Louis-Albert DuBois, Swiss, 1752–1818, Brush and gouache, graphite on white wove paper, Spikey green cactus-like forms, red flowers, blue berries on purple twisted branches on white ground. Graphite lined

Frieze in Classical Style, A Villa Upon a Hill, Romolo Achille Liverani, Italian, 1809 - 1872, Pen and black ink, brush and bistre, gray watercolor, graphite on paper, Vertical rectangle. At left, horizontally, a fragment of an entablature

Sketches of Army Encampments, Winslow Homer, American, 1836–1910, Recto: Graphite, brush and watercolor on paper Verso: Graphite on paper, Recto: Vertical view of three registers, with the upper and lower registers showing a camp, and the

Botanical Studies, Frederic Edwin Church, American, 1826–1900, Oil on cardboard, Plants and bushes are seen on the slope of a hill. Creamy grounding color at bottom., USA, October 1865, nature studies, Drawing, Drawing

Drawing, Brush and gouache, graphite on cream paper, mounted on cream paper, Two horizontal bands; both bordered by gold frame, purple curved lines around red and gold floral medallion motifs on black ground. Left band is wider., USA, Europe,

Panel of Trophies, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash, graphite on laid paper, Vertical rectangle showing design of military trophy. At center, a shield with a Medusa and crossed quivers. At bottom, a

Mrs. Rutherford B. Hayes Standing, with Separate Left Hand Study, Daniel Huntington, American, 1816–1906, Graphite on off-white wove paper, Standing female figure, turned towards right, gazing upwards towards left. Her left hand sketched in

Design for Candelabrum Motif and Strapwork Escutcheon, Pen and brown ink, black chalk, brush and violet watercolor on off-white laid paper, A smoking baluster candelabra decorated with masks, swags and sphinxes. At right, strapwork with masks

Tarus, Lunette for Ceiling, Sala Ottagonale, Palazzo Milzetti, Faenza, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and light brown wash over graphite on white laid paper, Winged putto clinging to flying bull in demi lune.,

Design for a Stomacher, Brush and brown, black ink, gouache, graphite on cream laid paper, Design in overall shape of an elongated triangle pointing downward. Three bows hang from one another along a central axis. At center of each bow is a

Design for Berlin Wool Work, Stag, Thomas Wilhelm Meister, Brush and gouache on pre-printed squared paper, A stag’s head, facing half-left., Germany, ca. 1850, textile designs, Drawing, Drawing

Crouching Female Nude, James Wells Champney, American, 1843–1903, Graphite on paper, Vertically rectangular plate-mark enclosing an area of yellow matte coating. Crouching nude female figure, head bent over undefined object in left hand.,

Design for Semi-Circular Writing Table with Four Drawers and Small Lamp Atop, A.N. Davenport Co., Pen and black ink on thin cream paper, 1900–05, furniture, Drawing, Drawing

The Rear Elevation of a Villa in Benoille, Pen and ink, brush and watercolor on paper, France, 1725, Drawing, Drawing

Sketch for Design, Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite on brown paper, A seated male nude shown obliquely from the left, with head in three-quarter profile turned toward right. The left forearm is shown as leaning on

Floral design for printed textile, Louis-Albert DuBois, Swiss, 1752–1818, Brush and gouache, graphite on white wove paper, Scattered flower and leaf designs accented with fine dotted pattern., France, 1800–1818, textile designs,

Studies from a Bridge in Florence, Italy, Walter Shirlaw, American, b. Scotland, 1838–1909, Black crayon on cream laid paper, The central part of one railing is obliquely shown. A niche with a statue rises over a double row of balusters.

Man, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a seated male figure wearing a turban., USA, 1877, figures, Drawing, Drawing

Design for an Inkstand, Brush and watercolor, black wash, graphite, on cream laid paper, Rectangular box on cushion feet, drawer in open position, at right. Front panel decorated with swans, scrolling leaves and masks. Top of box shows a

Painted Decoration with Alternate Suggestions, Graphite, pen and ink, brush and watercolor on paper, Wall elevation with grotesque decoration. Two doors with alternative surrounds. Wall decorated with griffins and candelabrum. Entablature shows

Elevation and Plan of a Country House, Graphite on paper, Elevation of a single-storied house with a classical central portico and two flanking wings, with oval windows in the pediments. Arcades join the wings with the central block. Below, a

Costume Design: A Turk for a Ballet, Pen and brown ink, brush and violet watercolor, over black chalk, Vertical rectangle. Shown standing, in three-quarter profile, turned toward right. The left hand rests upon the sword hilt, the lowered

Study for 'From Paradise to Purgatory, Newport', William Trost Richards, American, 1833–1905, Graphite on paper, Sketch of cliffs leading to the sea in the background., USA, ca. 1878, landscapes, Drawing, Drawing

Drawing, Brush and gouache on cream paper, mounted on cream paper, Two rinceaux of purple and green flowers on tan ground., France and USA, late 19th century, textile designs, Drawing

Insects, Rice paper, Detailed representation of five butterflies, a flying grasshopper, caterpillar and a beetle. Insects and butterflies in brilliant colors., China, 18th century, Drawing, Drawing

Stage Design: Kitchen Interior, Pen and bistre, brush and sepia wash on paper, Vertical rectangle showing the interior of a kitchen. An animal hangs from the ceiling. In the background, a broom is propped up against a cooking range., Italy,

Staircase—Mossley Hall, Arnold William Brunner, American, 1857–1925, Graphite and white heightening on brown paper, Left, desk with flower vase, bust of a woman, and books on top. Next to desk, chair with fabric thrown on, behind chair,

Floral design for printed textile, Louis-Albert DuBois, Swiss, 1752–1818, Brush and gouache, graphite on white wove paper, Multi-colored sprigs of flowers, green leaves on white ground, lined graphite border., France, 1800–1818,

Study of Right Foot, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on tracing paper, Lower part of right foot shown., USA, ca. 1895, figures, Drawing, Drawing

Capitals from Abbey Church of St. Len D’Esserent, Oise, Arnold William Brunner, American, 1857–1925, Graphite on paper, Four sketches of stonework in outline., USA, 1879–80, architecture, Drawing, Drawing

Costume Design: No. 145, Sketch of Tytel, from Blue Bird, Boris Anisfeld, Russian, active USA, 1879–1973, Metropolitan Opera, New York, New York, USA, Brush and watercolor on board, USA, 1919, theater, Drawing, Drawing

Evergreen Tree Near the Shore with a Detail of the Lighthouse and a House, Mount Desert, Maine, Frederic Edwin Church, American, 1826–1900, Black and white crayon on light olivish paper, Horizontal view of showing on right half an evergreen

Tailleur d'Habits, outils, from Diderot's Encyclopaedia, J.R. Lucotte, French, 1750–84, Robert Bénard, French, 1734–1772, Engraving on white paper, Drawing divided into two registers. On top, a view of a tailor shop. On far left

Elevation of an altar in an apse, Black chalk, pen and black ink, gray and brown wash on white laid paper, Italy, ca. 1775, architecture, Drawing, Drawing

Vigilance, Design for a Stained Glass Window, Francis Augustus Lathrop, American, 1849 - 1909, Brush and watercolor, gouache, graphite on tracing paper, Tall, vertical composition with top arched. Center, man in a helmet holding a spear and

Pair of Brown Birds with Blossoms, Berries, and a Butterfly, Pen and ink, graphite on coated wove paper, Pair of Brown Birds with Blossoms, Berries, and a Butterfly, ca. 1800–1830, Drawing, Drawing

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