Images at Librifly

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Narrow Street with Houses, Arnold William Brunner, American, 1857–1925, Brush and watercolor on paper, A narrow street lined with houses. A small street bridge with arched opening below and a single window facing the spectator, is seen in the

View of Venice, Italy, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a gondola on the lagoon in Venice., Venice, Italy, 1880–1881, seascapes, Drawing, Drawing

Salutation of a Hermit, Bartolomeo Pinelli, Roman, 1781 - 1835, Pen and gray ink with watercolor and black chalk on off-white wove paper, A little girl kisses the hand of a Hermit, the group being similar to plate 22, loc. cit. The women are

Study of arm, Elihu Vedder, American, 1836 – 1923, Pastel crayon on gray paper, Two sketches of a male figure's right hand holding a circular object, possibly a dish or saucepan., USA, ca. 1885, figures, Drawing, Drawing

Divinité Chinoise, Gabriel Huquier, French, 1695–1772, Antoine Watteau, (French, 1684–1721), Black chalk, brush and black ink, wash, traces of stylus on cream laid paper, lined, An enthroned chinaman is surrounded by topiary in

Elevation of a Fountain, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, A low basin with a circular podium with seated figures below a sphere from which water flows. Additional

The right half of a frieze, Pencil, brush, sepia, yellow watercolor, paper, Horizontal rectangle. The half-figure of a griffon with a rinceau standing beside a foliated candelabrum with a burning fire on top. Framing border., Europe,

From Our Window Granada, Arnold William Brunner, American, 1857–1925, Graphite on paper, Looking up a slope, past houses and foliage to a tower, USA, 1892, architecture, Drawing, Drawing

Three Figures In Front of a Church, Charles Nicolas Ransonnette, French, 1793 - 1877, Graphite on paper, France, 1793-1877, Drawing, Drawing

Classical Temple in a Landscape, Felice Giani, Italian, 1758–1823, Pen and ink, brush and watercolor washes on cream laid paper, Temple structure seen from backside. Stands upon base and has window at its long side, pilasters at corners.

Sketch of Angel Kneeling Before a Cross, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, Sketch of angel kneeling at left before a radiant cross. Below, a geometrical border., USA, ca. 1895, religion, Drawing, Drawing

Design for the Embroidery of a Man's Waistcoat of the 'Fabrique de St. Ruf', Unfinished, Fabrique de Saint Ruf, Lyon, France, Graphite, pen and ink, brush and gouache on paper, Left bottom corner: 'Running dogs', from which, alternately,

Portrait of Florence Johnson, James Henry Moser, Canadian, 1854–1913, Graphite on paper, Young girl sitting formally in profile in a folding chair, facing left, with her hands in her lap., USA, May 8, 1883, portraits, Drawing, Drawing

Design for a Book Cover, Alice Cordelia Morse, American, 1863–1961, Brush and gouache, gold paint on paper, On dark gray ground, green swirling vines, blue flowers; at center gold empty box. Verso has a small graphite sketch., USA, ca.

Rendering of Two Stone Lanterns, from the Castle in Amboise, France, Whitney Warren Jr., American, 1864–1943, Graphite, brush and watercolor on paper, Left, elevation showing three sides of an octagon with pointed base and roof. Upper

Exterior of Westminster Hall, Ernest Clifford Peixotto, American, 1869–1940, Charles Scribner's Sons, New York, New York, USA, Brush and grey watercolor, white gouache on cream wove paper, The entrance to the palace, left. At right,

Design for Massive Library Table with Open Shelves at Sides, A.N. Davenport Co., Carbon tracing, graphite, blue and red color pencil on thin cream paper, 1900–05, furniture, Drawing, Drawing

Design for Decorated Writing Table 'A' in Satinwood, A.N. Davenport Co., Graphite on thin cream paper, Oblong top with serpentine front having single central drawer flanked by 2 small drawers on either side; raised on 4 straight legs terminating

Pink, Red, Blue, and Black Bird on Branch with Blossoms and Butterflies, Pen and ink, graphite on coated wove paper, Pink, Red, Blue, and Black Bird on Branch with Blossoms and Butterflies, ca. 1800–1830, Drawing, Drawing

Group of Angels, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on laid paper, Group of angels, moving toward the right. The first one carries a bundle, possibly a child., USA, ca. 1895, figures, Drawing, Drawing

Sketches at Marlborough, Arnold William Brunner, American, 1857–1925, Graphite and white heightening on brown paper, Upper left, view of Marlborough, rooftops of house and steeple. Below and right, sketches at a lakeside, boats, and a

Altar, Graphite, gray wash Support: laid paper, Rome, Italy, Italy, 1775, architecture, Drawing, Drawing

studies of two hands holding flutes (?), Elihu Vedder, American, 1836 – 1923, black crayon, white chalk on blue-gray paper, Two hands holding flutes, USA, ca. 1890, Drawing, Drawing

Design for a door, Pen and brown ink, brush and water color, graphite on paper, Folding door with a similar lunette section over a horizontal beam. The decoration consists of two tablets on pedestals and molded framings; square rocaille motifs.,

Sketches in Turkey, Arnold William Brunner, American, 1857–1925, Graphite on paper, Above, landscape of Windmills, Dardanelles. Below, sketches of figures praying, profile views., USA, ca. 1883, landscapes, Drawing, Drawing

Design for Embroidered Waistcoat, pattern 1819 of the Fabrique de St. Ruf, 'Gilet' design, Mademoiselle Montalent, Graphite, pen and ink, brush and gouache on white laid paper, A plant grows from the bottom edge, the left side boughs of which

Landscapes on Road to Bartlett, New Hampshire, Daniel Huntington, American, 1816–1906, Graphite on paper, Two sketches of landscapes, one above the other. Above, coach on road at center, with banks at left and right with trees and wood

Architectural Details and Figure Study, Filippo Marchionni, Italian, 1732–1805, Pen and ink, brush and gray watercolor on laid paper, Top row: left corner of an entablature. Left upper side of a door case; a console. An oblong hexagonal

The Printer, Joseph J. Gould, American, ca. 1876–after 1932, Charles Scribner's Sons, New York, New York, USA, Pen and black ink, brush and watercolor on illustration board, Three-quarter length figure of a man, turned toward the left,

Philodendrum [?] Growing Above a Rock, Jamaica, Frederic Edwin Church, American, 1826–1900, Graphite on greenish-gray wove paper, Vertical view of a plant with large leaves growing upon a rock., Jamaica, June 1865, nature studies,

Design for Four-Legged Cabinet with a Curtain, A.N. Davenport Co., Pen and black ink on thin cream paper, Rectangular cabinet with molded top and open front, raised on 4 scroll-like legs; three inside shelves, partly hidden behind curtain at

The Prelate and Stool-Bearers and Women near Them in 'Expulsion of Heliodorus' after Raphael Sanzio, Felice Giani, Italian, 1758–1823, Pen and ink, brush and sepia wash over traces of graphite on laid paper, Italy, ca. 1820, graphic design,

Design for Embroidery, Gentleman's Waistcoat Pocket, Fabrique de Saint Ruf, Lyon, France, Brush and gouache, watercolor, and graphite on cream laid paper, Embroidery design for a waistcoat or gilet featuring olive-colored edges with rows of

Passing Shadow and Rainbow, Frederic Edwin Church, American, 1826–1900, Graphite on brown paper, Recto: Cloudy sky and rain over mountain ridges., Verso: Graphite scratchings., USA, ca. 1853, landscapes, Drawing, Drawing

Ave Maria at Tivoli, Bartolomeo Pinelli, Roman, 1781 - 1835, Pen and gray ink with watercolor and black chalk on off-white wove paper, The setting except for the house at right, the people standing in the entrance of the chapel and the man upon

Basket of Blooms on Earth, Pen and ink, graphite on coated wove paper, Basket of Blooms on Earth, ca. 1800–1830, Drawing, Drawing

Design for a Chandelier, Pen and black ink, brush and yellow-brown, green-blue watercolor, graphite on paper, Vertical rectangle. Design for a chandelier. Below are four metal rings of increasing diameter, each with glass drops. The fourth ring

Clouds Over Hills, Jamaica, Frederic Edwin Church, American, 1826–1900, Brush and oil on cardboard, Hilly country at dusk. Trees are shown in the foreground., August 1865, landscapes, Drawing, Drawing

Floral field and border, White on glazed paper, France, 1780–1815, textile designs, Drawing, Drawing

Milford, Va., Arnold William Brunner, American, 1857–1925, Graphite and white heightening on brown paper, Sketch of rooftops, roof of church with steeple, with shrubbery around., USA, 1887, architecture, Drawing, Drawing

Beach Scene, Winslow Homer, American, 1836–1910, Crayon on paperboard, Recto: Vertical view of a woman kneeling on beach, facing right, with her left arm raised and a fleet of fishing boats in the background., Verso: View of girls' legs

Drawing project: the elevation of a chest, Incised lines, pencil, pen, ink and yellow watercolor on paper, Horizontal composition of a chest. The central section has a twelve cornered quatrefoil subdivided with spoks and a cherub in the center.

Bald Porcupine Island, Arnold William Brunner, American, 1857–1925, Graphite and white heightening on brown paper, Rock shore, sailboat and island; trees, left., USA, 1887–88, seascapes, Drawing, Drawing

Portrait of Samuel P. Avery, Thomas Charles Farrer, British, 1839 - 1891, Portrait of Samuel P. Avery. Half-tone reproduction of the pencil sketch drawing made from life at 48 Beekman Street, New York, by Thomas C. Farrer, 1860., New York,

Return From The Vintage, Bartolomeo Pinelli, Roman, 1781 - 1835, Pen and gray ink with watercolor and black chalk on off-white wove paper, Five 'Mozzatore, ' a young man and a boy dance. The pose of the main girl is a variation of that, plate

A Winged Victory Inscribing the Date 1805 on a Shield, Felice Giani, Italian, 1758–1823, Pen and black ink on paper, A female genius is shown in profile turned toward right and writing upon a shield, “1805, ” which like other weapons

Gemini, Lunette for Ceiling, Sala Ottagonale, Palazzo Milzetti, Faenza, Felice Giani, Italian, 1758–1823, Pen and brown ink, light brown wash, over graphite on white laid paper, Two putti embracing in a demi lune., Faenza, Italy,

A Village Square, Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite and black crayon on rough grey paper, A square is bordered at left and at the back by houses, at right by a garden wall. A tree is shown in the center. An oxcart

Square in Tangiers, Arnold William Brunner, American, 1857–1925, Graphite and white heightening on cream paper, Low houses behind walls. An open space to left; figure below, walking in alley, foreground. Vegetation scattered throughout.,

Design for stained glass, Alice Cordelia Morse, American, 1863–1961, Brush and gouache, watercolor on paper mounted on tan illustration board, Design of arched window with separate panels, all framed by orange and red; two vertical panels

Small Church in Sion, Switzerland, Daniel Huntington, American, 1816–1906, Graphite and white chalk on brown paper, Church at left and rocks at right, with mountain outlined beyond. Verso: Mountains outlined., August 1843, architecture,

Two Flying Putti with Weapons, Felice Giani, Italian, 1758–1823, Felice Giani, Italian, 1758–1823, Pen and ink on paper, Vertical rectangle showing two loosely drawn putti in an oval frame. The left putto raises a helmet; the right putto,

Design for Serving Table with Two Drawers with Round Pulls, A.N. Davenport Co., Graphite on thin cream tracing paper, Rectangular body with 2 drawers at front, each with pair of round pulls; raised on 4 straight tapering legs; conforming lower

Designs for Painted Panels with Fortune and Jacques Necker, Claude-Louis Desrais, (French, 1746–1816), Pen and ink, brush and white gouache and sepia washes, black chalk on two pieces of off-white laid paper, joined, At top is a radiant sun

Street Scene, Arnold William Brunner, American, 1857–1925, Graphite on paper, Narrow street, road curves to the left. Houses and figures walking on sidewalk., USA, ca. 1881, architecture, Drawing, Drawing

Design for a decorative panel, Gilles Paul Cauvet, French, 1731–1788, Pen and ink, brush and watercolor on paper, Arabesque panel composed of an urn in the center, springing from a base made up of acanthus leaves and vine tendrils., France,

Study of foliage, William Trost Richards, American, 1833–1905, Graphite on paper, Sketch of a tree with foliage., USA, 1865–1870, nature studies, Drawing, Drawing

Elevation of a Door Case, Filippo Marchionni, Italian, 1732–1805, Black chalk, brush and sepia wash on laid paper, Broken pediment with shells beneath cornices. What seems to be a grotesque mask is in the center of the attic., Italy,

Sheet with Sketches, Giuseppe Bernardino Bison, Italian, 1762 - 1844, Pen and ink, brush and watercolor on paper, At top, a hilly countryside with three trees and a monastery at left. Below, from left to right: a group of men, a woman with

Ornamental Motif, Graphite, pen and ink, brush and wash on paper, Baluster form with a socket on top, hung with swag and calix., Italy, 1825–1830, metalwork, Drawing, Drawing

Schooner Near a Rocky Coast, Winslow Homer, American, 1836–1910, Graphite on paper, Horizontal view from rocky shore out to sea, with three-masted schooner., USA, ca. 1880, seascapes, Drawing, Drawing

Drapery Study, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on cream wove paper, Drapery study for a standing figure., USA, ca. 1895, figures, Drawing, Drawing

Project for a Window Case, Pen and brown ink, brush and gray wash on off-white laid paper, Elevation of door frame with a straight entablature supported by two consoles with triglyphs. Below is a dado with scale., Italy, 1650–1700,

Project for an Alter, Graphite, pen and ink, brush and bistre on paper, Curved palm boughs in an escutcheon at the front side of the mensa. Obliquely standing embedded columns supported small cornices of a broken pediment. Laterally pilasters and

Sketch for Portrait of a Standing Woman, Daniel Huntington, American, 1816–1906, Graphite on paper, Standing woman with flowers in her right hand and her skirt held in her left hand. She looks toward the right. Her right hand repeated, at

Design for Two Chairs, Jean Démosthène Dugourc, French, 1749–1825, Brush and watercolor, pen and black ink, graphite on white laid paper, Left, armchair in curule style characterized by x-shaped front legs, terminating in goat hoofs.

Nature Study, Walter Shirlaw, American, b. Scotland, 1838–1909, Black crayon on cream laid paper, Study of edible plants from nature., USA, 1875–80, nature studies, Drawing, Drawing

Buttresses on City Walls; Loches, Arnold William Brunner, American, 1857–1925, Graphite, brush with blue wash and white heightening on blue-grey paper, Stone or brick buttress juts from right, Houses below, right and left., USA, 1883,

Study of a Wing, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on tracing paper, A wing outstretched to the right., USA, ca. 1895, nature studies, Drawing, Drawing

Design for a Corsage, Pen and ink, brush and brown, green, gray watercolor on wove paper, Jewelry design for a corsage brooch intended to be executed with diamonds and enamel. Five stems, ending in three blossoming and two budding flowers with

Cotopaxi Seen from Ambato, Ecuador, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on paperboard, The smoking cone of a volcano is seen at left. An outlined ridge borders the view at lower edge, and a range of old

Landscape, Bautzen, Germany, William Trost Richards, American, 1833–1905, Graphite on paper, Sketch of a river in a valley with a bridge in the center and mountains in the background., Bautzen, Germany, May 16, 1867, landscapes,

Lunette with Allegory of Painting, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and greyish-brown wash, black chalk, traces of graphite on laid paper., Woman painting Diana of Ephesus has turned around to listen to Minerva.

Design for Massive Library Table with Two Stretcher Shelves, A.N. Davenport Co., Graphite and blue stamp ink on thin cream paper, 1900–05, furniture, Drawing, Drawing

Designs for two doorknockers, Richard de Lalonde, French, active 1780–96, Pen and black ink, brush and watecolor on white laid paper, Knocker seen in right profile in the form of an arabesque decorated with acanthus leaf motifs. Rosette

Design for Serving Table on Wheels, A.N. Davenport Co., Graphite on thin cream paper, Side view of serving table on wheels with 2 large and one small rectangular shelf; large spoked front wheels and small rear wheels; large 'S' shaped steering

St. Mary's Church, Huntingdon, Ernest Clifford Peixotto, American, 1869–1940, Charles Scribner's Sons, New York, New York, USA, Pen and ink on illustration board, View of the church, with its square tower. Church yard in foreground.,

Design for a Jug, Brush and watercolor, gold gouache, graphite on cream paper, Design for a partial jug with squared upward handle. Body depicts large green and purple grapes on vines against a blue background., Japan, 1880–1910, tableware

Study of a Hand, Leon Dabo, American, 1868–1960, Charcoal on cream laid paper, Study of a man's left hand, slightly clenched with tendons and veins apparent., USA, 1881–92, figures, Drawing, Drawing

Study after a Funeral Monument and Study after Frieze, Felice Giani, Italian, 1758–1823, Graphite on gray-green wove paper, Study of funeral monument with personification of poetry, urn and dog; frieze of base of funeral monument; study of

Cornelia, Mother of the Gracchi, Palazzo Cavina, Faenza, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and light brown wash over black chalk on rolled paper, Italy, 1816, figures, Drawing, Drawing

One of a set of designs for a title page and decoration of a horizontal panel, Pen and ink, brush and sepia wash on paper, The panel has an elaborated frame, the outermost borderline of which is framing the drawing., Italy, 1675–1700,

Design for a Library Bookcase, Thomas Chippendale, 1718 – 1779, Pen and black ink, brush and gray wash, A front elevation of a breakfront bookcase in Gothic style at right. Side elevation and section of moulding 'a' at left, England, ca.

Study: A left hand, Pencil on brown paper, Horizontal composition of an outstretched left hand receiving something., Italy, 1750–1800, figures, Drawing, Drawing

Out of Doors, Direct Method, Foot ot 17th Street, James Henry Moser, Canadian, 1854–1913, Brush and watercolor, graphite on paper, Brick house with wooden sheds, left. Two figures, and furniture in front. Telephone pole, right., USA,

Chocorua Mountain from Cara's Pond, New Hampshire, Daniel Huntington, American, 1816–1906, Graphite on cream wove paper, Pine trees at left on the shore of Cara's Pond, with slopes beyond and mountain in the distance., New Hampshire, USA,

Stage Design, Palace Interior, Pen and brown ink, brush and gray ink wash on paper, Horizontal rectangle. View into halls with stairs in Gothic palace. Male figure stands in middleground., Italy, late 18th century, theater, Drawing, Drawing

Design for the Embroidery of a Man's Waistcoat, Graphite, brush and watercolor on paper, Lower left ection of a waistcoat. Below the pocket, following the line of the lower edge, a repeat design using an adaptation of the palmette; with their

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper pasted on paper, Undulating flower boughs stand in a row over a border

Design for a woven fabric, Graphite, brush and gouache on cream paper, Rising, broadly waved rose stem and two parts of another are shown., France, 1830–50, textile designs, Drawing, Drawing

Designs for a Necklace and Four Earrings, Pen and ink, brush and red, olive, gray watercolor on wove paper, Jewelry designs for a necklace and four earrings. In the upper row the earrings, numbered from left to right: No1, No2, No3, No4.

Drapery Study, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on tracing paper, Lower part of drapery of standing figure., USA, ca. 1895, figures, Drawing, Drawing

Valley of El Yemen, Frederic Edwin Church, American, 1826–1900, Graphite on gray paper, Horizontal view oblique view of the right wall of the valley and the right cleft, with the central rear wall visible in the left middle distance; a

Landscape at Montauk, Long Island, New York, Samuel Colman, American, 1832–1920, Graphite and charcoal on cream-colored paper., Horizontal bird's eye view of a valley with a winding road, and a pond, and a wood in the central middle

Studies of Two Left Hands, Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite on paper, Both hands are shown raised and in profile, making a loose fist. Top: the thumb is not shown; bottom: the point of the thumb is shown., USA,

Arabesque Design for a Panel, Pen and ink, brush and wash, pencil on paper, Candelabrum with two lateral framing growths. The central stem consists of a calyx section, a base with crouching lions flanking an ovoidal medallion, an urn, a

A Landscape, Charcoal, pen and ink on paper, Incomplete view of a town with conical roofs situated in a valley bordered by mountains. In the foreground, a tree and a bridge crossing a brook., Italy, early 17th century, landscapes, Drawing,

Design for a Monument, Felice Giani, Italian, 1758–1823, Pen and ink, brush and wash on paper, Vertical rectangle showing design for a monument with steps leading to a niche with figure. Above, two putti hold the wings of a canopy; on top,

The elevation of the entrance wall of a drawing room with alternative suggestions, Jean-Charles Delafosse, French, 1734–1791, Pen and black ink, brush and grey wash with red crayon on off-white laid paper, Folding door in arched door frame,

Archangel Michael, Felice Giani, Italian, 1758–1823, Pen and ink, brush and brown wash on paper, Italy, 1813–18, figures, Drawing, Drawing

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