Images at Librifly

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Design for the Embroidery of the Left Bottom Corner of a Man's Waistcoat of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and gouache on glazed tracing paper, The lateral and bottom edges of the flap of the pocket and the

Adoration of the Shepherds, Antonio de' Dominici, Italian, ca. 1730–after 1800, Reddish-brown chalk on cream laid paper, In a rustic structure, Mary, semi-reclining, is adjusting a covering over the infant Christ, at center. The two are

Wall Elevation, probably for the Banqueting Room, Royal Pavilion, Brighton, Frederick Crace, English, 1779–1859, Pen and red ink, brush and watercolor, graphite on white wove paper, trimmed along left margin, Elevation of a wall, with a

Design for Architectural Moldings, Black chalk, pen and ink, brush and brown watercolor on paper, Horizontal rectangle showing design for architectural moldings. At left, hanging bell flowers; at right, the shaft of a fasces., Italy,

Design for Three Woven Flower Boughs, Brush and gouache on oily tracing paper, Top row, left: a pending bough with a great blossom. Right: a curved bough with four leaves on top. Bottom: a horizontally dispersed bough with leaves and seeds. Bottom

The Love of Helen and Paris, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash on cream laid paper, Italy, 1813–18, figures, Drawing, Drawing

Niagara Falls in Evening Light, Frederic Edwin Church, American, 1826–1900, Brush and oil paint on paperboard, Horizontal view of Horseshoe Falls and the river below., USA, September 1856, landscapes, Drawing, Drawing

Drawing, Charcoal, pen and ink on paper; verso: charcoal, pen and ink, brush and watercolor on paper, Blank center rectangle is framed by term figures terminating in acanthus leaves. Above, a grotesque frieze with putti and satyrs. Below, a

Study for 'Wedding Procession', Elihu Vedder, American, 1836 – 1923, Pastel crayon on paper, Almost full figure of a young man in costume, standing, turned slightly toward the right, the head looking to the left. Briefly indicated,

Study for a procession, “Vintage Festival, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Pastel crayon, graphite on paper, Sketch of male and female figures in procession through an arcade with

Design for the Entrance Hall, the East Wall, the Royal Pavilion, Brighton, Frederick Crace, English, 1779–1859, Watercolor, pen and black ink, traces of graphite (?) Support: paper, Horizontal rectangle. Elevation of a wall, with a

Studies of a Kneeling Figure, Carlo Maratti, Italian, 1625 - 1713, Chalk on paper, A kneeling woman shown from behind, lifting a cloth with her right hand. Detailed studies for the drapery and hand., Italy, 1775–1800, figures, Drawing,

Man, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a male figure dressed in a uniform, with long waistcoat, short pants, hat., USA, 1876–1877, figures, Drawing, Drawing

Figural Studies, Black chalk, brush and wash on paper, Three large studies of standing men. Below, smaller figures of women and children, Italy, 1635–1650, figures, Drawing, Drawing

Study of Angel's Hand for 'Mercy's Dream', Daniel Huntington, American, 1816–1906, Graphite, white chalk on cream wove paper, Study of a raised left hand pointing upward., USA, 1841, figures, Drawing, Drawing

Project of a twisted column, Pen and brown ink with gray wash, white heightening and traces of graphite Support: off-white laid paper, Below in a 1/3 and 2/3 height calyces of small upright leaves are running around the column. A garland of leaves

Portrait of a man, Felice Giani, Italian, 1758–1823, Graphite on cream laid paper, A man in profile wearing a cap and robe., Italy, ca. 1820, figures, Drawing, Drawing

The American Falls, Niagara River, Frederic Edwin Church, American, 1826–1900, Graphite on paper, Horizontal view of the American Falls on the Niagara River with the tower in the right rear., New York, USA, possibly 1858, landscapes,

Design for a Monument, Carlo Marchionni, Italian, 1702–1786, Pen and sepia ink, brush and gray watercolor on laid paper, Shield with a crown above, upon a base; stones and trees., Italy, ca. 1730, ornament, Drawing, Drawing

Design for a Chandelier, Richard de Lalonde, French, active 1780–96, Pen and black ink, brush and wash on cream laid paper, Center element consists of a quiver filled with arrows supported by four ropes. Four arms, with flowing candles, are

Study of foliage, Trachselwald, Bern, Switzerland, William Trost Richards, American, 1833–1905, Graphite on paper, Sketch of rocks and flowering plants., Trachselwald, Bern, Switzerland, August 2, 1867, nature studies, Drawing,

Design for stained glass, Alice Cordelia Morse, American, 1863–1961, Graphite on illustration board, Design of vines with central oval medallion and two circular medallions containing flowers., USA, late 19th century, architecture,

Design for Two Decorative Vases, Graphite, pen and black ink, brush and wash on paper, A top, a full vase in elevation with serpentine handles and the suggestion of a mask. Below, the lip of a vase with scrolls., Europe, 1600–1650,

Stage Design, A Pavilion with Trophies of War, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and gray wash, slight traces of black chalk on blue-white laid paper, Horizontal rectangle. Stage design for a pavilion with broad

Stained glass window: three part design, John C. Wolf, Brush and watercolor, graphite on illustration board, Design for pointed stained glass window with central section composed of yellow ovals, large four-petalled blossom in pink framed in

Decoration of a Frieze, Pen and brown ink, brush and brown wash on off-white laid paper, lined, The top half is an assembly of plants and an eight-pointed star is visible to the right. The bottom half depicts a male head with plant ornaments

Design for a panel, Gilles Paul Cauvet, French, 1731–1788, Pen and black ink on paper with brush and ink wash, Animal's heads support festoons of hides. Trophies of Dionysiac objects are suspended from the heads. Medallions with Bacchic

Design for a clock, Brush and yellow, red watercolor, pen and black ink, on cream laid paper, Base of clock on cushion feet. Lower portion of case decorated with egg and dart pattern. Leaf design at four corners of case. Sitting boy, in

Floral design for printed textiles, Louis-Albert DuBois, Swiss, 1752–1818, Brush and gouache, graphite on white wove paper, Orange, purple, pink and white flowers on dotted brown and black ground., France, 1800–1818, textile designs,

Stage Design, Entrance to an Oriental Temple, Karl Josef Koebel, German, active Italy, 1796 - 1850, Pen and black ink, brush and watercolor, ruled border in pen and black ink on white wove paper laid down on blue paper mounted on cardboard,

Design for an Outdoor Birdcage, Graphite, pen and black ink, brush and watercolor and gold paint on paper, Front elevation of a design for a large, Neo-Gothic birdcage within a niche. Plan and scale below., France, 1841, furniture, Drawing,

Design for Round Oak Dining Table, A.N. Davenport Co., Graphite on thin, cream paper, Round molded table top raised on fluted columnar support sitting atop molded base raised on 4 splayed legs with casters., 1900–05, furniture, Drawing,

Landscape with Temple Ruins, Carlo Marchionni, Italian, 1702–1786, Pen and ink, brush and bistre on paper, Landscape view. The upper parts of the columns and the entablature of two sides are shown over the horizon. Mountainous country with a

Wallpaper Design, Brush and gouache, graphite on heavy white paper, A dado is shown at the bottom, an entablature showing a laurel staff on top. Suggested are rows of palmettes consisting of leaves or of bunches of leaf boughs arranged like

Brown Bird on Apple Branch, with Caterpillar, Pen and ink, graphite on coated wove paper, Brown Bird on Apple Branch, with Caterpillar, ca. 1800–1830, Drawing, Drawing

Design for Painted Decoration of a Wall, with Alternate Suggestions, Unknown, Austrian, Brush and watercolor, graphite on white laid paper, A dado is at the bottom, a high entablature with a colored ovolo [convex molding] at the bottom, on

Inkstand, Pen and brown ink, brush and gray wash, graphite on off-white laid paper, lined, Design for an inkstand with alternative suggestions. At center, a male nude supports a clock on his shoulders. He stands on a stepped platform at the

Design for an Embroidery, Pen and ink, brush and gouache on paper, A tall border is formed by a seesaw motif, intertwined with a ribbon on top and at the bottom. A rinceau is shown over the bottom border. It consists of a waved ribbon with

Bacchus, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash over traces of graphite on cream laid paper, Bacchus shown in mountainous country holding thyrsus in his right hand and with left hand, pouring wine into bowl

Design of a Mausoleum, Pen and grey ink, brush and ink washes, graphite on paper, Rustic central section with a closed folding door and a trophy as an overdoor. Stone posts and benches stand before the dado. The receding corners are formed by

Floral design for printed textile, Louis-Albert DuBois, Swiss, 1752–1818, Brush and gouache, graphite on white wove paper, Multi-colored pansey-like flowers, green leaves on bamboo branches. Lined graphite border., France, 1800–1818,

Drawing, Brush and gouache, graphite on cream paper, mounted on cream paper, Partial design. String of pearls with large floral gold pendant with pearls, emeralds, and rubies. Left, curved band framed by gold chains and filled with blue

Sketches and Script, Carlo Marchionni, Italian, 1702–1786, Pen and black ink on laid paper, Two sketches of a door with a niche in the upper floor. The latter is framed in rectangle and has a shell above. One sketch gives the measurements for

Design for Embroidered Waistcoat, pattern 1691 of the Fabrique de St. Ruf, Mademoiselle Baulieu, Brush and gouache on laid paper, The lower left is shown. Plants and leaves grow from the edges of the waistcoat and from the lateral and bottom

Elevation of a Writing Desk [Bureau Plat], André-Charles Boulle, French, 1642 – 1732, Red chalk on cream laid paper, lined, Flat writing desk with scrolled legs composed of lions feet. Women's heads with wings support desk top. Front panel

Elevation and Plan for Sideboard with Reeded Pilasters, A.N. Davenport Co., Graphite and yellow pencil on thin cream paper, Elevation: front of sideboard with tri-partite front divided by four reeded pilasters; central front has four horizontal

Section of a wall showing portion of Flemish tapestry, Tapestry room, Palace of Fontainebleau, France, Frederick Marschall, Brush and watercolor, tempera on heavy paper, Section of wall, showing portion of one of seven Flemish tapestries set

Seaport, Leon Dabo, American, 1868–1960, Blue crayon on paper, View across a sand bank, with tufts of grass. Buildings and sailing ship in the distance., USA, ca. 1890, seascapes, Drawing, Drawing

Rocking, Arnold William Brunner, American, 1857–1925, Graphite and white heightening on brown paper, Three sketches. Center, figures sitting on rocks on sea shore, boats sailing in background. At right, two boxes; upper, canoe; lower, a

Floral Ornament, Pen and brown ink, brown wash Support: white paper laid down, Italy, Italy, 1650–75, architecture, Drawing, Drawing

Design for Fountain in Niche, Edmé Bouchardon, French, active Rome and France, 1698 - 1762, Red chalk on off-white laid paper, Fountain consisting of a pedestal of two dolphins and a mask which support the basin in which water flows. A shell

Design for the Embroidery of the Left Bottom Part of a Man's Waistcoat of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and gouache on glazed tracing paper, Lilac edges parts of which are to be paralleled by leaf staffs.

Study for 'The Beneficence of the Law, ' Essex County Courthouse, Newark, NJ, Kenyon Cox, American, 1856–1919, Graphite on paper, Two sketches of a bird., USA, 1906, animals, Drawing, Drawing

Seashore, Newport, RI, William Trost Richards, American, 1833–1905, Graphite on paper, Sketch of the seashore with rocks in the foreground and sailboats on the horizon., Newport, Rhode Island, USA, October 18, 1877, seascapes,

Nude Male Figure, Study for 'Communion of the Sick', Daniel Huntington, American, 1816–1906, Graphite, white chalk on cream wove paper, Nude male figure kneeling with clasped hands, praying, turned slightly to the right., Rome, Italy,

Venetian Fishing Boats, Arnold William Brunner, American, 1857–1925, Graphite and white heightening on grey paper, Eight sketches, upper half of small boats, each with one sail. Two sketches, below, of several boats. Bottom, large boats

Design for a Candlestick, Pietro Belli, Italian, 1780–1828, Pen and ink, brush and gray watercolor, graphite on green-gray paper, Vertical rectangle. Design for a candlestick. Below is a base in whose upper moulding the designer inscribed in

Two Flying Putti with Attributes of Dionysus, Felice Giani, Italian, 1758–1823, Felice Giani, Italian, 1758–1823, Pen and ink on paper, Vertical rectangle showing two loosely drawn putti in an oval frame. The left putto raises a pitcher

A woman drawing, Pencil and grey and white washes on brown paper, Vertical rectangle. A woman, probably a Cooper Union female student, seen turned three quarters to the right, seated at a slant-top table, drawing. Verso: outline pencil sketch

Figures, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Partial sketch of a male figure and a female figure., USA, 1884, figures, Drawing, Drawing

Design for Jeweled Hair C, Graphite, red watercolor, pen and black ink, gold paint Support: cream paper, Italy, Italy, 1800–1850, jewelry, Drawing, Drawing

Sketch of a Street Scene in Venice, Pen and ink on paper, A masked couple shown standing against a background of a bridge and houses. Steeples and a dome of a church in the left distance., Italy, 1775–1800, Drawing, Drawing

Arabian Man, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on brown paper, Vertical rectangle. Full-length figure of an Arab man, with themes of his costume, in English and Arabic, inscribed at left and

Who the Devil Told You We Were Going to Charge?, Ludovico Marchetti, Italian, 1853 - 1909, Graphite with grey and black washes and white heightening on white watercolor paper, Two soldiers reporting to an officer after a battle. Other soldiers

Man Seated, Daniel Huntington, American, 1816–1906, Graphite on green-grey paper Verso: Graphite, white chalk on green-grey paper, Three-quarter view of man seated, facing left, with left arm more developed than right. Verso: Man's hand

Study of man, woman and child heads, sitting child, Giovanni Battista Naldini, Italian, 1537 - 1591, Red chalk on light brown paper, At left above is the man’s head turned toward the right. In the center is the child upright sitting as in a

Figural Studies of Five Men, Domenico Gargiulo, called Micco Spadaro, Italian, 1609 - 1675, Red chalk, pen and ink, brush and watercolor on paper, At top, two men in hats seated on the ground, facing left. Behind them, in ink, an

figure study: design for a fountain, Elihu Vedder, American, 1836 – 1923, black crayon, white chalk, on gray paper, Vertical rectangle. The nude figure of a boy, standing, seen from the back. The arms are uplifted, the hands indicated

Portrait of May Bright, Martha S. Day, Charcoal and white chalk on brown paper, Vertical rectangle. Bust portrait, the sitter shown in right profile, and wearing a hair net. Inscribed (in pencil), upper left corner: May Bright / Dr. Edwin

Project for a Window Case, Pen and brown ink, brush and gray wash, traces of graphite on off-white laid paper, Window case; in pediment an escutcheon with alternative suggestions. Below, part of the scale., Italy, 1775–1800, architecture,

Woman with a Baby Praying Before the Cross Marking the Place Where Her Husband was Killed, Bartolomeo Pinelli, Roman, 1781 - 1835, Pen and gray ink with watercolor and black chalk on off-white wove paper, Similar to plate 40, loc. cit., Italy,

Seated Man, George Charles Aid, American, 1872–1938, Graphite and black crayon on illustration board, Young man seated, smoking a pipe. His head is bent down, and he rests his right foot on a rung of the chair., USA, 1890–1900, figures,

Study of a Wing, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, Wing with large feathers, outstretched to the right., USA, ca. 1895, animals, Drawing, Drawing

Design for South Wall of the Music Room, Royal Pavilion, Brighton, Frederick Crace, English, 1779–1859, Brush and gouache, graphite on white wove paper, Wall decoration composed of single painted panel of a dragon horse and a devil dancer

Drapery Study for Angel in 'Mercy's Dream', Daniel Huntington, American, 1816–1906, Graphite, white chalk on blue wove paper, Sketch of a three-quarter length figure, facing frontally, bending slightly to the left. Shading for drapery at

Chapel – St. Mary by the Sea, Arnold William Brunner, American, 1857–1925, Graphite and white heightening on brown paper, Small chapel from the side with three figures. Upper right, inset detail: one cross., USA, 1887–88, architecture,

Study for a Male Nude, Gian Giacomo Barbelli, Charcoal, chalk, white heightening on paper, A figure shown from the front with a raised head. The lowered left arm is stretched out. The right one is turned toward the back, the first design having

Design for Writing Table with Semi-Circular Back in Elevation and Plan, A.N. Davenport Co., Graphite on thin cream paper, 1900–05, furniture, Drawing, Drawing

Elevation of a Garden Facade for a Small French Palace, Pen and ink, brush and watercolor, graphite on paper, A flight of stairs leads to a terrace, the ends of which project. House with two stories and a mansard. The middle section and short

Design for a Heart-shaped Box, Brush and watercolor, gouache, graphite on cream paper, Top view of a heart-shaped box decorated with wild green and brown flower with green and brown leaves; edges of box are scalloped; stick at right has

Winter Landscape at Moonlight, Frederic Edwin Church, American, 1826–1900, Brush and oil paint on paperboard, Hilly landscape with a group of pines in the left foreground. Full moon; cloudy sky. Patches of grey ground visible near edges.,

Study of Titian for 'Titian Showing the Entombment to Charles V and Clement VII', Daniel Huntington, American, 1816–1906, Graphite, white chalk on brown wove paper, Portrait of a man with a short beard and mustache, in slightly left profile,

Copy after Annunciation of the Angel to Zechariah, Andrea del Sarto, Italian, 1486 - 1530, Pen, brush, bistre on paper, Horizontal rectangle. Very few alterations from original., Italy, 1538–1600, figures, Drawing, Drawing

Sketches for a Bacchante, Daniel Huntington, American, 1816–1906, Graphite, white chalk on cream wove paper, Dancer in right profile, under a veil. Study of arms, hands, and part of a tambourine, upper right. Verso: Similar figure, but

Design for Mahogany and Inlay Sideboard, A.N. Davenport Co., Pen and black ink and graphite on thin cream paper, Narrow rectangular sideboard with slightly convex front on narrow straight tapering legs; two drawers in central section, each with

Detail of a Plumed Canopy Finial, Pen and brown ink, brush and brown wash on off-white laid paper, lined, A group of ostrich plumes caps a turban-form with spiraling beaded details. Below is the upper portion of a canopy with scalloped textiles

Sepulchral Monument for Improvisor Rochetti, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined, The poet stands on a rock under a laurel arch. Two genii sit laterally, blowing trumpets and embracing large urns,

Italian Village, Bartholomeus Breenbergh, Dutch, 1598 - 1657, Graphite, brush and sepia on paper, At left, a set of stairs leading to a building. At center, a road with two figures. At right, a rocky outcrop with vegetation., Netherlands,

Ruins at a Lake, Eugène Edouard Soulès, French, 1811–1876, Graphite on paper, They stretch from left. A doorway toward right. Mountainous country. Framing lines. Scribbling on verso., France, ca. 1840, Drawing, Drawing

Design for Side Serving Table with two shelves adorned by two Corinthian- column front supports on a two-drawer base, A.N. Davenport Co., Pen and black ink on thin cream paper, Table with oblong top (convex front) resting on two Corinthian column

Ceres and Triptolemus, Felice Giani, Italian, 1758–1823, Pen and brown ink over traces of graphite on cream laid paper, Roundel design showing scheme for medal with agricultural trophy in lower part. Ceres holds cornucopia and Triptolemus with

Design for a Salt or Pepper Cellar, Pietro Belli, Italian, 1780–1828, Pen and ink, graphite on paper, Horizontal rectangle. Design for a salt or pepper cellar. At right is the elevation: below is a base decorated with a wave ornament, with

Design for Serving Table with Columnar Front Legs and Two Drawers, A.N. Davenport Co., Graphite on thin cream paper, Rectangular slightly tapered front with 2 drawers and acanthus leaf motifs at corners; raised on 2 front ionic columnar fluted

Design for Candelabrum and Panel of Grotesques, Pen and brown ink on paper, lined, At left, a double baluster candelabrum in profile with ram's head and sphinx on pedestal. At right, a grotesque design shows sphinxes, harpies, roosters and

Port of Ajaccio, Corsica, Pen and brown ink, brush and brown wash on blued-white laid paper, Landscape with large column at center, and boats on water near shore; buildings in the background., Italy, late 18th–early 19th century,

Arms of Pope Urbanus VIII, Pope Urban VIII, Pen and brown ink, gray wash, squared in black ink, ruled border in pen and black on white laid paper, Rome, Italy, Italy, ca. 1630, Drawing, Drawing

Design for Six-legged Sideboard with Rounded Corners and Five Central Drawers, A.N. Davenport Co., Graphite on thin cream paper, Sideboard on six straight tapered legs with rounded front corners; flat central section of tripartite front has three

Sketches for Portraits of William Amory and Thomas A. Scott, Daniel Huntington, American, 1816–1906, Graphite on paper; verso: graphite, white chalk, At left, seated man, with head, legs, and right arm omitted; left arm leaning on arm of

Study for Portrait of Mr. Winthrop, Daniel Huntington, American, 1816–1906, Graphite on paper, Man seated facing frontally, his coat open. His left hand repeated twice, upper right. Surrounded by notes on colors and details., USA, May 13,

Winter, Lunette for Ceiling of Sala Ottagonale, Palazzo Milzetti, Faenza, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and light brown wash over graphite on white laid paper, Winged putto bending and holding hammer and torch

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