Images at Librifly

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Design for the Decoration of a Panel, Gilles Paul Cauvet, French, 1731–1788, Red crayon on paper, A pedestal is supported by lion feet. upon it sit laterally winged, armless mermaids. In the middle rises a plant from which the upper part of

A Covered Wagon, Samuel Colman, American, 1832–1920, Graphite, brush and gouache on rough gray paper., Horizontal view of a covered wagon shown slightly obliquely from the right front corner. The canvas cover is raised in the front part. It

Design for a Ceiling with the Ascension of the Virgin, Francesco Trevisani, Italian, 1656 - 1746, Pen and ink, brush and bistre, white heightening on paper, Seated on clouds and attended by angels, the Virgin is raised to heaven., Italy,

Stage Design, Classical Loggia and Courtyard, Romolo Achille Liverani, Italian, 1809 - 1872, Alessandro Sanquirico, Italian, 1777 - 1849, Pen and black ink, brush and watercolor, graphite on laid paper, Horizontal rectangle. Courtyard of

Costume Design: A Captain for a Ballet, Pen and brown ink, brush and violet watercolor over black chalk, Vertical rectangle. A man in the attire of the late sixteenth century, and carrying a sword, is shown in profile, moving toward left. His

Erythean Sibyl from the Ceiling of the Sistine Chapel, after Michelangelo, Michelangelo Buonarroti, Italian, 1475–1564, Black crayon, pen and ink, brush and bistre on paper, Vertical rectangle showing seated female figure with book.,

Bullfight, Spain, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Center, Sketch of a bullfight; Below, Partial sketches of a male figure and a bull., Spain, 1883, figures, Drawing, Drawing

Design for for Ornate Writing Table with Pierced Railing, A.N. Davenport Co., Graphite on thin cream paper, January 13, 1905, furniture, Drawing, Drawing

Figural Sketches, Carlo Marchionni, Italian, 1702–1786, Graphite on laid paper, Group of women seated speaking to a man; bust of man in the left center. It is surrounded from top center to lower left by a cherub, a girl’s head, two

President Chester A. Arthur, Standing, Daniel Huntington, American, 1816–1906, Graphite on wove paper, Standing portrait of Chester A. Arthur with left arm at side and right elbow resting on a ledge or mantel., USA, USA, 1884, portraits,

Design for a Candlestick, Black chalk, pen and ink, bistre on paper, Three lion feet on a base, support a capital upside down. Birds holding drapery festoons at center supporting a tureen topped with an owl., Italy, late 18th century,

Chamber, Robert Frederick Blum, American, 1857–1903, Graphite, pastel crayon on wove paper, Sketch of a chamber opened for an audience., USA, 1892, architecture, Drawing, Drawing

Design for Six-Legged Rectangular Dining Table, A.N. Davenport Co., Pen and black ink, graphite on thin cream paper, Rectangular table top with dividing stretcher running across center, raised on 6 [5 shown] plain, straight, tapering legs on

Mount Washington from Ellis River, Looking North, Daniel Huntington, American, 1816–1906, Graphite and black crayon on cream wove paper, Rocks and trees on river bank in foreground. Water and then mountains beyond., New Hampshire, USA,

Combers in a Stormy Sea, Winslow Homer, American, 1836–1910, Graphite on yellow-gray paper, Horizontal sketch of combers in a stormy sea, with manuscript color notations., USA, 1890, seascapes, Drawing, Drawing

Study for 'Commerce, ' 'Passing Commerce Pays Tribute to the Port of Cleveland, ' United States Custom House, Cleveland, OH, Kenyon Cox, American, 1856–1919, Graphite on paper, Detailed sketch of a piece of drapery as it is caught by a

Grand Canyon in Stormy Weather, Arizona, Thomas Moran, American, b. Britain, 1837–1926, Brush and black wash, blue, brown and pink watercolor, white gouache on paper, laid down on paperboard, Horizontal view of the Grand Canyon with the

Studies for Entablatures and Pediment, Filippo Marchionni, Italian, 1732–1805, Pen and ink, brush and gray watercolor on laid paper, Top: four designs of entablature and pediments, which are decorated by moldings. Center left: left corner of

Paris, Zeus visiting Callisto, Pen and ink, brush and wash on paper, At left, Paris is shown from the front sitting in the Judgement. At right, two nude figures seated on a bed, embracing., Italy, 1780–1800, figures, Drawing, Drawing

Portrait medallion, wood, Presumably of Texier, Canon of Chartres. Jean-Charles-Nicolas Brachard (1766–1830) after a drawing by Perrin. -a: Circular medallion with young clergyman's relief portrait bust in right profile; background painted blue.

Study for cartoon 'Welcome in the Year 1917', Winsor McCay, American, 1869 - 1934, Pen and black ink, blue color pencil on illustration board, A male figure, with a long beard and hourglass pendant, drives a car while carrying a young child

Vase in Landscape, Pen and Chinese ink, red crayon, black chalk on paper, Shaped like a pitcher without a handle, the vase risese behind four putti. A pyramid in the left distance., France, ca. 1750, Drawing, Drawing

Canoe with Three Men, Ile Maligne, Quebec, Winslow Homer, American, 1836–1910, Graphite on paper, Sketch of a canoe with three male figures., USA, August 27, 1897, landscapes, Drawing, Drawing

Father Time, Winslow Homer, American, 1836–1910, Recto: Graphite on off-white wove paper, laid down Verso: Grapite, brush and wash on off-white wove paper, Recto: Horizontal view of the figure of a bearded old man with his right arm turning

Study of Hermes, Preparatory Study for the Fall of the Giants, Ceiling Fresco at the Palazzo Moroni, Bergamo, Gian Giacomo Barbelli, Charcoal, brush and white heightening on grey-blue paper, Seated male figure seen from behind, sitting on a

Grammar School, Huntingdon, Ernest Clifford Peixotto, American, 1869–1940, Charles Scribner's Sons, New York, New York, USA, Pen and ink on illustration board, The bend in a narrow street, with the school shown on the far side, between

Stage Design, Cloister at Night, Gaëtano Malagodi, Italian, 1850 - 1902, Pen and black ink, brush and watercolor on white wove paper, Horizontal rectangle. View of churchyard as seen through portico, church behind., possibly Bologna,

Canopy, Frederick Crace, English, 1779–1859, George IV, King of England, English, 1762 – 1830, Brush and watercolor, graphite on off-white coarse laid paper, Horizontal rectangle. Design for the Royal Pavilion, Brighton. Elevation

Design for Cabinet with Glass Doors and Molded Frieze-Like Top, A.N. Davenport Co., Graphite, brush and yellow, blue, and brown watercolor on heavy cream wove paper, Against background of suggested wood paneling, a rectangular cabinet with 2

Chair and Three Tripods, Pen and pink ink, brown, ochre, gray wash, traces of red chalk Support: white laid paper, Rome, Italy, Italy, ca. 1790, furniture, Drawing, Drawing

Design for a sedan chair, Pen and ink, brush and watercolor (yellow, brown, red, gray), black chalk on paper., A variation of 1900-1-12 with a straight upper rim and with moldings framing the panels. The three of them are decorated with

Design for a Woven Fabric, Fragment, Green, white, yellow, beige, and read gouache on oily tracing paper, mounted, Scroll of a bough with leaves., France, 1815-1840, Drawing, Drawing

Design for Cabinet in Mahogany and Inlay with Cup and Saucer Atop, A.N. Davenport Co., Pen and black ink on thin cream paper, Retangular body with 2 doors decorated with one oval patera medallion center; raised on 4 straight, slightly tapering

Design for a sedan chair, Pen and ink, brush and various watercolors on paper, Shown in profile turned toward the right. Divided into two vertical panels. The right one had above a window with a curtain. The panel beside it is decorated with a

Sepulchral Monument for Poet Maria Maddalena Morelli, Pen and brown ink, brush and brown wash, graphite on beige laid paper, In a landscape with a citadel rising in the background at right, a monument stands upon a pedestal of three oval

Two sketches of Ridges, Arnold William Brunner, American, 1857–1925, Graphite on paper, Two bends, -above, a low ridge at right, with sail boat at left; below, steep ridge at left, mountains beyond., USA, 1881, seascapes, Drawing,

Earthenware Jar, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Jar with two handles. A label with number '24' is depicted on the jar., USA, 1877, ceramics, Drawing, Drawing

Sketch of a Boat Deck and a Ship's Bell, Winslow Homer, American, 1836–1910, Graphite on paper, Horizontal sketch of a portion of the upper deck of a ship, with its bell hanging below., USA, ca. 1895, seascapes, Drawing, Drawing

Design for a Candelabrum, Pen and black ink, brush and wash on paper, The scheme of the design is a variation of that of -149. The plant shows acanthus and naturalistic motifs. The vase has angular handles. The decoration stresses the horizontal

Figure in Oilskins at a Ship's Railing, Winslow Homer, American, 1836–1910, Graphite on paper, Vertical view of a man in a hat and oilskins standing at a ship's railing, with a block and tackle at left., USA, ca. 1895, seascapes, Drawing,

Project for the decoration of a chapel, Black chalk, pen, ink, brush, and grey, brown and rose water colors on paper., Italy, 1700–1730, architecture, Drawing, Drawing

Elevation of a Wall Panel with a Fireplace, Pen and ink, graphite on paper, A double register of figured panels is over the center part of the medallion. Two circular medallions are in in the top register with men in profile. The bottom panel

Below the Bridge, Niagara River, New York, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on gray paper, Vertical view of water and trees seen from above., New York, USA, possibly 1858, landscapes,

Stage Design, Atrium with the Temple of the Hospitallers for the Opera 'La Straniera' by Vincenzo Bellini, Romolo Achille Liverani, Italian, 1809 - 1872, Alessandro Sanquirico, Italian, 1777 - 1849, Pen and brown ink, brush and gray wash on

Studies of Arms, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, Above, left arm rolling up sleeve of right arm. Below, left arm, with hand holding a staff., USA, ca. 1895, figures, Drawing, Drawing

Elevations of a Door, Door Frames, Overdoor, and Adjoining Wall Panel, Mauro Antonio Tesi, Italian, 1730 - 1766, Red chalk on paper, Vertical format elevations of door, frame, overdoor, and wall panel. Two designs in the scheme of

Study for a procession, “Vintage Festival, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Pastel crayon on tracing paper, Sketch of male and female figures in procession through an arcade with columns

Study of Seated Woman for 'Titian Showing the Entombment to Charles V and Clement VII', Daniel Huntington, American, 1816–1906, Graphite, white chalk on cream wove paper, Woman seated on a small bench in left profile, her left hand near her

Design for a Ceiling in a Church, Pen and black ink, brush and brown and black washes on off-white laid paper, laid down, Shows Christ in glory flanked by two figures (Mary and John) above. Below, figures appear to be raised from the dead.

Bullfight, Spain, Robert Frederick Blum, American, 1857–1903, Pastel crayon on wove paper, Sketch of a male figure on horseback and a bull., Spain, 1883, figures, Drawing, Drawing

Winnipesaukee Lake, Chocorua in Distance, Daniel Huntington, American, 1816–1906, Graphite on grey paper, Meadow in foreground. Lake beyond, with islands and Mount Chocorua in distance. Looking northwest from the Weirs, over Lake

Design for a Door Case, Carlo Marchionni, Italian, 1702–1786, Graphite on laid paper, The left half is executed. The overdoor has a surbased pediment inscribed into a circular one with a papal escutcheon in front., Italy, 1725–50,

Landscape, Meiringen, Switzerland, William Trost Richards, American, 1833–1905, Graphite on paper, Sketch of an woodland path with two figures., Meiringen, Switzerland, September 14, 1867, nature studies, Drawing, Drawing

Elevation of a Fountain, Pen and brown ink, brush and gray wash, white heightening on light blue laid paper, Truncated obelisk topped with a crowned double-headed eagle. Water flows from the mouth of a mask into a basin with rock work. A stepped

Design no. 339 for a Man's Waistcoat, Unfinished, Graphite, brush and gouche on paper, Unfinished design for the embroidery of the left bottom corner of a man's waistcoat. Traced design on the pocket. A row of leaf scrolls along the outer edges.

Textile, Medium: cotton Technique: printed cloth, Fragment of cream-white cotton, hand-woven, block-printed in red and brown; design of flower sprays intertwining on very thin much carvd stems. Flowers show Indian influence in drawing and are

Project for a Lighting Fixture, Graphite on paper, Lion paw feet. Above this, a plinth with rams’ heads and a swag. Column entirely covered in curling leaves. At top, long-necked birds surround a spiraling column., Italy, 1820–1835,

Design for a Coronet, Pen and ink, brush and sepia wash, purple, green watercolor, graphite on paper, Jewelry design for a coronet. In the center of the tiara, the ends of two vine branches are united by a knot with a green diamond framed by

Drapery Study for 'Tribute Money', Daniel Huntington, American, 1816–1906, Graphite, brown chalk, white crayon on grey wove paper, Study of the drapery for the upper section of a toga., USA, USA, 1852, figures, Drawing, Drawing

Fantasy of an Architectural Ruin, Jean-Henry-Alexandre Pernet, French, ca.1763 – ca.1790, Pen and black ink, brush and black, brown wash, watercolor, white gouache graphite on off-white laid paper, Antique sepulchers and ruins with figures

Freiburg, Arnold William Brunner, American, 1857–1925, Graphite on brown paper, Sketch, looking up to row of houses behind trees., USA, 1883, architecture, Drawing, Drawing

Lowest Ledge, North Conway, New Hampshire, Daniel Huntington, American, 1816–1906, Graphite on paper, High rock cliffs, upper right. Trees and boulders, below in foreground., USA, North Conway, New Hampshire, USA, October 1854,

Design for an Embroidered Horizontal Border of the 'Fabrique de St. Ruf, ' Unfinished, Fabrique de Saint Ruf, Lyon, France, Brush and gouache on glazed tracing paper pasted on paper, A flower bough and a bow with a big blossom on top and flanked

A Three-Master in Heavy Sea, Lodewijk Gilles Haccou, Dutch, 1792 - 1830, Brush and watercolor on paper, Netherlands, 1810–1825, Drawing, Drawing

Ulysses and Penelope Embracing Each other, Felice Giani, Italian, 1758–1823, Pen and brown ink over traces of graphite and black chalk on cream laid paper, Ulysses and Penelope shown seated upon thrown. Cupid flying away. On Verso: framed

Landscape with Mountain Town, Carlo Marchionni, Italian, 1702–1786, Pen and ink, brush and bistre wash on paper, Landscape drawing of an aquaduct and building with a tower, possibly a church. Two men walk along a path leading to the town.,

Sketch: A woman seated before an antique sarcophagus, Pencil, pen and bistre on paper, Vertical composition of a woman seated in front of a sarcophagus. She is shown in profile and turned to the right. A roughly sketched landscape is on the right,

Design for a Plate, Brush and gold gouache, green watercolor, graphite on cream paper, Design for plate bordered with gold circular medallions with pendant flowers; in turn those have hanging flowers with 2 prongs against a light green ground; at

Project: Three flying angels supporting a broad oval frame with the representation of the Virgin with Child, Pen and brown ink with brown wash and traces of graphite Support: off-white laid paper, Horizontal composition of a shell that frames the

Poetry, after Raphael Sanzio, Felice Giani, Italian, 1758–1823, Raphael, (Italian, 1483–1520), Pen and brown ink, brush and brown wash on off white laid paper, A winged figure seated and flanked by two putti, each of whom holds an

Designs for Frames, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and sepia wash on off-white laid paper, Vertical rectangle. Upper row: project and sketch for the cresting of a medallion frame: shape of a garland, with a

Project for a Ceiling Frieze, Pen and brown ink, brush and brown wash, white heightening on off-white laid paper, Trapezoid. At center is Cupid with an arrow and sword. At right is half of an escutcheon with a dolphin and part of a star. Moldings

Floral design for printed textile, Louis-Albert DuBois, Swiss, 1752–1818, Brush and gouache on white wove paper, Multi-colored sprigs of flowers, green leaves on white ground, lined graphite border., France, 1800–1818, textile designs,

Designs for Trophies, Brush and gouache on paper, On left, bottom of a banner staff with pink sash wrapped with branch with leaves, a lit torch, and tambourine. On right, a lit brazier decorated with mermaids and shell., France and USA, ca.

Proof of Design for a Printed Textile, Colored woodblock on paper, Design of floral forms enclosing scene showing a bridge across river with boats and buildings at left. Background is stippled (picotage)., France, 1800–1820, textile designs,

Design for a Bowl, Luigi Righetti, Italian, 1780 - 1819, Pen and ink, brush and watercolor, graphite on paper, Vertical rectangle. Design for a bowl intended to be executed in alabaster and gilded metal. Below is a circular base with masks and

Putti with Crown, Red chalk on paper, Two putti flying among clouds carrying a crown decorated with a cross., Italy, 1650–1850, ornament, Drawing, Drawing

Two Dandies in Conversation, Daniel Carter Beard, American, 1850–1941, Blue pencil, pen and black ink on white cardboard, Two overdressed dandies, the one smoking a cigar, stand in conversation. In the background is a crowd of revelers.,

Wallpaper Design, Brush and gouache, graphite on white paper, On the light blue panel alternate vertical rows of blue hanging calyxes between, with alternate crosses consisting of five points and petals, and similar white rows in which the

Design for Round Table on Carved Cabriole Legs, A.N. Davenport Co., Pen and black ink on thin cream paper, Round molded table top with dividing stretcher running across center, raised on 4 carved cabriole legs with acanthus leaves at tops,

Sketch of House in Orléans, Arnold William Brunner, American, 1857–1925, Graphite on paper, House, center left. Figures in street in front of house., USA, 1883, architecture, Drawing, Drawing

Last Glimpse of Vesuvius, Arnold William Brunner, American, 1857–1925, Graphite on paper, Background, mountains, Vesuvius smoking, sailboats. Foreground two figures sitting., USA, ca. 1881, seascapes, Drawing, Drawing

Figural Study, Pietro da Cortona, Italian, 1596 - 1669, Red crayon on paper, Male torso viewed from behind., Italy, 1596–1669, figures, Drawing, Drawing

Design for Sideboard with Serpentine Front and Three Drawers, A.N. Davenport Co., Graphite and pen and red ink on thin cream paper, Oblong sideboard with 6 straight tapering legs; tri-partite serpentine front has 3 drawers arranged in 2 rows at

Man, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a seated male figure wearing a turban., USA, 1877, figures, Drawing, Drawing

Man, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Recto: Sketch of a male figure wearing a hat; Verso: Sketch of a gondola on a canal in Venice., USA, Venice, Italy, 1881, figures, Drawing, Drawing

Drawing, Johann Melchior Füssli, Swiss, 1677–1736, Brush and gray wash, pen and brown ink on cream laid paper, Zürich, Switzerland, before 1731, Drawing

Floral design for printed textiles, Louis-Albert DuBois, Swiss, 1752–1818, Fabrique de Fazy aux Bergues, Brush and gouache, graphite on blue wove paper, Two panels of multi-colored flowers with pink stems on dark brown ground. A yellow

Design for a Waistcoat, Pencil and various gouache colors on paper, Design for the embroidery at the left bottom corner of a man's waistcoat. Part of the pocket is outlined with pencil, the other part with a brown stripe. A moulding with scallops

Design for a Sedan Chair, Pen and ink, brush and various water colors on paper, Shown in profile turned right is a window with a curtain. In the panel beside hands a garland from a bow-knot and rises a scroll obliquely from the lower right corner.

Road in a Mountain Landscape, Thomas Moran, American, b. Britain, 1837–1926, Recto: Brush and watercolor, white gouache, pen and ink on tan wove paper. Verso: Graphite on tan wove paper., Recto: Horizontal and oblique view of a road,

Ceiling Decoration, probably for the Conservatory/Music Room, Frederick Crace, English, 1779–1859, Brush and watercolor, gouache, pen and black ink on thick white wove paper, Vertical rectangle. Design for the Royal Pavilion, Brighton.

Design for a Waistcoat, Various gouaches on paper, Design for the embroidery of the left bottom part of a man's waistcoat. Waistcoat and pocket are edged lilac. Flower boughs are shown in the interval., France, 1780-1790, Drawing, Drawing

Trophy with Symbols of the Virtues, Romolo Achille Liverani, Italian, 1809 - 1872, Black crayon, pen and black ink, brush on paper, An assembly of a pitcher, a chalice with the host above, cross anchor, balance, looking glass with snake,

Antique Female Statue, Felice Giani, Italian, 1758–1823, Pen and ink, brush and sepia wash over traces of graphite on cream paper, Shown at oblique angel, turned left. Lowered left hand holds corner of dress. Lowered right hand holds paper

Monument, Pen and brown ink, brush and brown wash, Vertical composition of a sepulchral monument. Below a sarcophagus is partly covered by a cloth with two putti. A pedestal rises in the back on which two women sit. They are personifications of

Sketches of a King and Two Women, Daniel Huntington, American, 1816–1906, Graphite, white chalk on green wove paper, Man with crown seated, right, facing left, his right hand raised. Woman, lower right, and one at left, both looking up

Design for a Bracket, Pen and brown ink, brush and gray wash on white laid paper, Vertical format design for a bracket. Scheme is that of a scroll, with a leaf on top of upper volute, and with a vase and shell on top of this lower volute. Verso:

Locust Blossoms, Samuel Colman, American, 1832–1920, Brush and watercolor, graphite on cream paper, Studies of locust blossoms in watercolor, center; below, studies in graphite of horse-chestnut leaves; above, studies in graphite of apple

Design for a painted frieze, Red chalk on paper, At the center of the frieze is a medalion with the three graces. To either of its sides putti are surrounded by symbols of abundence and sit atop medalions and chalices., France, 1775-1800,

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