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Design for Semi-Circular Writing Table with Brass Railing, A.N. Davenport Co., Pen and black ink on thin cream paper, Semi-circular table top with brass railing at back; raised on 4 fluted columnar legs terminating in slim tapering feet with flute

Portrait of a young woman, Mary Golden Younglove, American, Pastel crayon on brown paper, A female figure, wearing a rose colored formal gown, seated in an armchair., USA, ca. 1910, figures, Drawing, Drawing

Hounds, William Hunt Diederich, American, b. Hungary, 1884–1953, Graphite on tracing paper, Circular design with two hounds., USA, ca. 1920, ornament, Drawing, Drawing

Architectural Details at Bois, Arnold William Brunner, American, 1857–1925, Graphite on paper, Byzantine capital with leaf motif, right, abacus and profiles of Byzantine capitals., USA, 1883, architecture, Drawing, Drawing

Stage Design, Palace Court with Stairs, Pen and brown ink, brush and gray and brown wash on laid paper, laid down; verso: black chalk, Horizontal rectangle. Court in palace with porticoes. Verso: Figures, one seated and one crawling., Italy,

Study for a procession, “Vintage Festival, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Pastel crayon, graphite on paper, Sketch of male and female figures in procession through an arcade with

Designs for Urns in the Antique Style, Pen and black ink, brush and gray wash, traces of graphite on off-white laid paper, Elevations of five footed urns in the antique style. One at upper right with Egyptian figures., Europe, late 18th

Panel Decoration, Etienne de Lavallée-Poussin, French, 1735–1802, Brush and watercolor, white gouache, over black chalk on white laid paper, Paris, France, France, ca. 1780, architecture, Drawing, Drawing

Study for 'The Atlantic Cable Projectors', Daniel Huntington, American, 1816–1906, Graphite, white chalk on blue wove paper, Center, a booted foot. Right, a right hand holding drapery. Verso: A booted foot., USA, USA, 1894, figures,

Design for the Embroidery of a Man's Waistcoat of Pattern No. 1305 of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphite, brush and gouache on greyish paper, Left bottom corner. Floral decoration connected with a peacock

Architectural Sketches, Loches and Tours, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, Small sketches of finials and other architectural features, labeled., ca. 1892, architecture, Drawing, Drawing

Grand Central Terminal, New York, NY: Design for Façade, Whitney Warren Jr., American, 1864–1943, Pen and black ink, graphite on cream tracing paper, South facade of lower and upper story, with stairway leading up to the main entrance at

Sepulchral Monument for Nicola Spedalieri, Pen and brown ink, brush and brown wash, graphite, on blued-white paper, In a woodland clearing just outside a city, a pedestal stands. A female genius holding a giant tiara and blowing a trumpet is

Old Monk, Arnold William Brunner, American, 1857–1925, Brush and grey wash on paper, Study of a white-bearded monk standing beside a church pillar. A doorway, other figures, in background., USA, 1883, figures, Drawing, Drawing

Window Cases with Alternate Suggestions, Filippo Marchionni, Italian, 1732–1805, Graphite, red crayon, brush, and gray watercolor on laid paper, Above: entablature is curved; in the panel above the window frame are two festoons over a low

Monday's Hut, Homer Dodge Martin, American, 1836 - 1897, Graphite and black pastel crayon on cream wove paper, A man with a gun or a stick over his shoulder is shown approaching a hut in the woods. Also, two sketches of horse's heads, one in

A Peasant Family in the Campagna, Bartolomeo Pinelli, Roman, 1781 - 1835, Pen and gray ink with watercolor and black chalk on off-white wove paper, The group of grandmother, mother, and child, and the setting are similar to plate 31, loc.

Design for a Reliquary, Pen and ink, brush and sepia wash, blue and gray watercolor, red crayon on laid paper, Horizontal rectangle with rounded corners. A coffin-like box, with cornices around its middle part, which has the greatest diameter.

Study of 'Altarpiece of Saint-Germer-de-fly, ' Paris, France, Francis Augustus Lathrop, American, 1849 - 1909, Brush and watercolor, graphite on paper, Sketch of the altarpiece of Saint-Germer-de-fly. The Virgin Mary and Saint John are shown

Design for Frame Surrounding the Portrait of Francis Russell, Second Earl of Bedford, Gravelot, French, 1699 - 1773, active in England, Pen and black ink, brush and black wash, red chalk on paper, Design for a frame to surround the portrait

Street scene, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketches of a street scene with the facade of a building., USA, 1877, architecture, Drawing, Drawing

Study for 'Portrait of Mrs. James Robb and her Three Children, ' Ogden Museum of Southern Art, New Orleans, LA, Thomas Sully, 1783 – 1872, Brush and oil paint on paperboard, Vignette of a female figure holding a child., USA, 1844, figures,

Stained glass window, John C. Wolf, Brush and watercolor, white gouache, pen and black ink, graphite on illustration board, Pointed arch stained glass window with geometric lead pane in soft yellow; lunette containing circular medallion with

Peasant Houses in a Valley, Eugène Edouard Soulès, French, 1811–1876, Graphite on paper, A road leads to one of the houses at left. Roughly outlined frame., France, ca. 1840, Drawing, Drawing

Study for The Fleece of Gideon, Plate 375, Physica Sacra, Johann Melchior Füssli, Swiss, 1677–1736, Christian Ulrich Wagner, German, 1686–1763, Brush and grey, black wash, pen and brown, black ink on cream laid paper, A man stands

Four Grotesque Candelabrum, Red chalk, incised lines on paper, Five stripes had been prepared with incised lines. First stripe, at left: a terminus stands at the bottom; an ovoidal medallion with a lying woman is over it. A harpy, two figures

Dogs, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Recto: Sketch of dogs sleeping; Verso: Sketch of a female figure., USA, 1882–1883, figures, Drawing, Drawing

Wallpaper Design, Brush and gouache, graphite on white paper, A dado is shown below, an entablature on top. As decorations of the yellow panel are suggested lozenges with a rosette, above, oblique stripes, below. These consist of alternate

Study of a Rearing Horse after Leonardo da Vinci, Unknown, Italian, Red chalk on cream laid paper, lined, After Leonardo da Vinci: Study of a horse rearing to the left; the horse's head and neck are twisted backward, toward the right, in the

Study for a woman, “Vintage Festival, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Pastel crayon on tracing paper, Sketch of a female figure. The upper part of the figure is shown with raised right

Entrance to a Palace, with a Pulley, Pen and brown ink, graphite, brush and gray wash on laid paper; verso: pen and brown ink, brush and pink wash, Vertical rectangle. Palace or prison. Exterior connected by stairs with castle beyond, pulley

Design for the Embroidery of a Man's Waistcoat of Pattern No. 547 of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphite, brush and gouache on paper, Left bottom corner with rising bottom edge. Flowers over fringed circles

Design for a Waistcoat, Pancil and various gouaches on paper, Design for the embroidery of the left bottom part of a man's waistcoat. Edges lilac. A double handled vase stands at the bottom of a perspectively shown V having a lambrequin at the

Design for Corner China Cabinet with Chinese Fretwork, A.N. Davenport Co., Pen and black ink on thin cream paper, Tall, rectangular cabinet slightly flaring at back; glass panels in imitation of Chinese fretwork; pair of horizontal drawers

Project for a Window Case, Pen and brown ink, brush and gray wash on off-white laid paper, Window case with triangular pediment, whose frieze is supported by corbels with masks at the base., Italy, 1650–1700, architecture, Drawing,

Sketches of Heads of Men, Arnold William Brunner, American, 1857–1925, Graphite on paper, Six sketches of heads from various angles, profile, front, and behind. All with beard and mustache with hats. Some partially unfinished., USA, 1892,

Stage Design, Egyptian Prison, Angelo Toselli, ca. 1765? – 1826, Pen and sepia ink, brush and wash on paper, Horizontal rectangle. View of Egyptian hall with two sphinxes on pedestals at left and right, wooden bars at center., Italy, early

Design for Dark Oak Dining Room Table, A.N. Davenport Co., Graphite on thin cream paper, Round molded table top raised in fluted columnar support, sitting atop molded octagonal base terminating in 4 splayed legs on casters., 1900–05,

A Pendant, Graphite, pen and ink on paper, Four knots, one below the other, consisting of ribbons with rows of round diamonds. Except the second, the have a drop, the fourth having two of them, the lower supporting a cross., Italy, mid-

Elevation of a Sauce Boat, Joseph Anton Seethaler II, German, 1799–1868, Pen, washes, black ink, sepia washes, The sauceboat is made of gilded silver. The bowl is oval shaped, decorated with a small medallion under the lip, a leaf pattern

Chairs and Architectural Sketches, Graphite on off-white laid paper, Page divided into four sections. At top, three chairs with round seats and turned legs. At lower left, a chair with striped seat upholstery. At bottom right: a bench with

Sketch of Details of a Ship's Railing, Winslow Homer, American, 1836–1910, Graphite on paper, Recto: Horizontal view of undetermined objects sketched on surface., Verso: Horizontal view of a portion of a railing., USA, ca. 1895, seascapes,

Three Sketches of a Nun Wearing a Hat, Arnold William Brunner, American, 1857–1925, Graphite on paper, Three busts of a nun in a white triangular hood. Upper center, figure faces left, with head slightly tilted upward; below, figure faces

Design for Ceiling and Four Walls of Room, Frederick Crace, English, 1779–1859, Pen and gray ink, brush and watercolor on off-white wove paper, Vertical Rectangle: Ceiling center. Upper wall has console center, mirror above it. Right wall

Design for a Book Illustration, Pen and ink on paper, Two putti, each holding a trumpet, sit with a plumed mask between them. Behind a quiver and a landscape., Italy, 1625–1650, figures, Drawing, Drawing

Drawing, Brush and gouache, graphite on cream paper, lined, Red flowers and blossoms on green stems with leaves; upper section on black ground, lower section on cream ground., France, late 19th century, textile designs, Drawing

Two Sketches of Cottage, Arnold William Brunner, American, 1857–1925, Graphite on brown paper, Two sketches of same house from different perspective. Left, upward view of cottage with chimney. Right, boxed off, front view of cottage., USA,

The left half of a frieze, Pencil, brush, sepia, yellow watercolor, paper, Horizontal rectangle. The half-figure of a griffon with a rinceau standing beside a foliated candelabrum with a burning fire on top., Europe, 1825–50, Drawing,

Elevation of a Fountain, Pen and brown ink, brush and gray wash on off-white laid paper, Aedicule with broken pediment and pilasters with bellflowers. At center, water flows from the mouth of a mask into a basin supported by two intertwining

Costume Design: Heroic Force for a Ballet, Lead pencil, pen and brown ink on paper, Vertical rectangle. Hercules is shown frontally, clad in a lion hide. The right hand leans upon a club, his left had carries the Apples of Hesperides., Modena,

Design for the Lower Portion of a Wall Panel, Gilles-Marie Oppenord, French, 1672–1742, Pen and black and sepia ink, brush and wash, black chalk on paper, Three panels of architectural decoration, upper panel showing lower left of frame

Study of a Cow, Black crayon on paper, View of a cow oriented away from the viewer but turning to look back., Italy, 18th century, nature studies, Drawing, Drawing

Design for a Candlestick, Pen and ink, brush and watercolor, graphite on paper, Vertical rectangle. Upper part of the candlestick base is formed by three volutes of leaves, with the coat of arms of Pope Pius VII standing in the center. The shaft

Stage Design: City Street with Palaces, Pen and black ink, pencil, Italy, late 18th century, theater, Drawing, Drawing

The Two Goats, Illustration for Aesop's Fables, Victor Wilbour, Pen and red ink, crayon on white board, Two goats in profile facing each other, center. They each stand on two feet. Trees at side. Water below., USA, ca. 1916, Drawing,

Study for festoons, “Vintage Festival, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Graphite on paper, Sketches of draped festoons. Top left: a festoon surrounds a column. Bottom, a hanging

Two Studies of Daniel Huntington for 'The Atlantic Cable Projectors', Daniel Huntington, American, 1816–1906, Graphite, white chalk on blue-green wove paper, Self-portrait of the artist leaning forward towards a table, his gaze turned

Design for a Wall, Graphite, pen and ink, brush and wash on paper, View of a wall seen slightly from below. Space divided horizontally into three bands of ornament. Each level shows pilasters and caryatids supporting an entablature. Between these

Antique Buildings on Hillside, Pen and ink on paper; verso: pen and brown ink, Horizontal rectangle. Monumental fountain in foreground, monumental sculpture at left. Various temples and antique buildings in the background scattered on hillside,

Design for a Porcelain Stove, Pen and gray ink, brush and wash on paper, Porcelain stove seen frontally and from the side. The object is conceived as a tower, with onion-shaped top, surmounted by a basket, and rests on short legs. Scale and

Popayan, Colombia; Verso: Mountain Landscape, Colombia, Frederic Edwin Church, American, 1826–1900, Pencil and brown crayon on paper, Obverse: oblique view of a side of a street, at left. A part of a house is shown at right. Cloudy sky with

Wallpaper Design, Brush and gouache, graphite on white paper, A dado is shown at the bottom, and an entablature on top. Vertical staggered candelabra repeating a single plant motif, beneath; garlands decorate the panel., Austria, 1840–60,

Design for a Printed Border, Pen and black ink, brush and gouache on paper, Strawberries and blackberries with big leaves growing from bottom. Blue lower edge, gray margin at left., England, ca. 1790, ornament, Drawing, Drawing

Moulin de la Galette, Paris, Whitney Warren Jr., American, 1864–1943, Brush and watercolor on paper, View of the street and gateway of the Moulin de la Galette showing the windmill towers. Several “jeunes de joie” on their way in., USA,

Study for leader of the procession, “Vintage Festival, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Pastel crayon on tracing paper, Sketch of a female figure. Sketch similar to -a at right., New

Design for a Man's Waistcoat, Graphite, brush and gouache on paper, Design for the embroidery of the left bottom part of a man's waistcoat. The decoration consists of leaf and flower boughs and of a plant suspended from the central bottom point of

Interior, Japan, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Recto: Sketch of a screen with Japanese characters; Verso: Sketch of an interior courtyard., Japan, 1891–1892, furniture, Drawing, Drawing

Planometric View of Mazachebir, Pen and brown ink on cream laid paper, A large valley dominates the foreground, and mountains appear in the background. A group of buildings surrounded by a wall appears in the center of the composition, directly

Old House in Gainsborough, Ernest Clifford Peixotto, American, 1869–1940, Charles Scribner's Sons, New York, New York, USA, Pen and ink on illustration board, Houses lining a narrow street, on both sides. At right, a three-story brick

Study of a Bust of a Child (from a plaster cast), Leon Dabo, American, 1868–1960, Charcoal on paper, Head of child turned three-quarters left, gaze directed to the right, downward. Bust cut off at arms., USA, 1881–92, figures, Drawing,

Design for a Reliquary, Black chalk, pen and ink, brush and watercolor on paper, Elevation of an alter reliquary intended to be carved in wood. A niche with a volute pediment above two bishop busts and candlesticks., Italy, 1750–1775,

Design for Round Table 'C', A.N. Davenport Co., Graphite on thin cream paper, Round thin molded table top raised on plain slender columnar supports with molded double band around bottom, sitting atop molded triangular base terminating in 3 [2

Ceiling Design for Numa Pompilius Welcomed to Rome after his Election, Sala di Numa Pompilio, Palazzo Milzetti, Faenza, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash over black chalk on white laid paper, Numa

Iceberg, Labrador, Newfoundland or Nova Scotia, Frederic Edwin Church, American, 1826–1900, Graphite on cream paper, Horizontal view of an iceberg rising above the water., USA, 1859, landscapes, Drawing, Drawing

The Royal Pavilion, Brighton, Ceiling Design: a trellised balustrade, opening to the sky, possibly for entrance hall, Frederick Crace, English, 1779–1859, Brush and watercolor, pen and black ink, graphite on white wove paper, Perspective

Sketches at Bourges, Arnold William Brunner, American, 1857–1925, Graphite brown paper, Left, woman in façde, leaning slightly forward. Right, details of metalwork., USA, 1883, architecture, Drawing, Drawing

Design for a Decorative Swag, Pierre-Clément Marillier, French, 1740 – 1808, Pen and gray ink, brush and gray wash on white vellum (parchment), Design for a decorative swag with, attached by a ribbon, an oval medallion with a vignette of a

Design for the Making of a Man's Needle Lace Collar, Pen and black ink on parchment paper, lined, Design for needle lace collar with intricate plantlike design forms., Europe, ca. 1660, textile designs, Drawing, Drawing

Sketch for Putto, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on tracing paper, Three-quarter winged figure, recumbent, leaning on the left elbow and the right hand., USA, 1893–94, figures, Drawing, Drawing

Costume Design: No. 135, Two Little Breads, for Blue Bird, Boris Anisfeld, Russian, active USA, 1879–1973, Metropolitan Opera, New York, New York, USA, Brush and watercolor on board, USA, 1919, theater, Drawing, Drawing

Sculptural Overdoor, Pen and iron gall ink, brush and wash, graphite on off-white laid paper, Arch with elaborately carved overdoor composed of putti, and a crowned coat-of-arms., Italy, 1600–1750, architecture, Drawing, Drawing

Design for Plain Serving Table with Lower Shelf, A.N. Davenport Co., Graphite on thin cream paper, Plain rectangular top raised on 4 straight tapering feet; conforming lower shelf attaches just above floor level., 1900–05, furniture, Drawing,

Study for 'Hunting, ' 'The Progress of Civilization: Hunting, Herding, Agriculture' State Capitol, Des Moines, IA, Kenyon Cox, American, 1856–1919, Graphite on paper, Sketch of a male figure with an animal skin draped over his head., USA,

Set for a Christmas Crèche (Nativity), Leonardo Scaglia, French, active Italy, 1640 – 1650, Pen and brown ink on cream paper, Design for a Christmas creche. A courtyard with a building and a tree on the left and a building with a thatched

Elevation of a Dome, Design for a Mask, and Caricature, Carlo Marchionni, Italian, 1702–1786, Graphite, brush and gray watercolor on paper, Horizontal rectangle. Elevation of dome at left. An entablature and a segment of an arch are at the

Project: the decoration of a panel, Pen and ink, charcoal, on paper, In the middle is a vertical oblong, with a woman standing in a scrollwork structure. A recumbent cat is above the upper scrolls at left, a child at right. The frame is

Sketch for Putto, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on tracing paper, A girl shown frontally, recumbent, and leaning on both hands. The head is at left., USA, 1893–94, figures, Drawing, Drawing

Costume Design: Male Dancer for a Ballet, Pen and brown ink, brush and violet watercolor, over black chalk, Vertical rectangle. The hands are roughly sketched, in pencil. Shown in a dancing pose, frontally., Modena, Italy, 17th century,

The Zodiac, Pen and brown ink, traces of graphite on off white laid paper, A circle with enthroned Zeus at the center. Framing him is a laurel wreath. Surrounding this are symbols of the zodiac., Italy, ca. 1800, interiors, Drawing, Drawing

Figures, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Recto: Partial sketch of a young male figure and a donkey; Verso: Sketch of an window with curtains., USA, 1883, figures, Drawing, Drawing

Design for a Necklace, Pen and black ink, brush and gray watercolor on paper, Jewelry design for a necklace. The chain consists of two entwined scrolls of ribbon connected by rosettes, composed of a central and six framing diamonds. Hanging from

Study of a Mule, Samuel Colman, American, 1832–1920, Brush and gouache, graphite on dark purple paper, Horizontal rectangle. Standing mule, shown in profile, turned toward right. Part of the head repeated in graphite, upper right, shown

Design for Berlin Wool Work, L. W. Wittich, Berlin, Germany, Brush and gouache on pre-printed squared paper, Design for wool-work on squared paper. Acanthus leaf scroll in yellow, blue, rose., Germany, ca. 1860, textile designs, Drawing,

Design for the Embroidery of a Man's Waistcoat, Traced, graphite, brush and gouache on paper, Unfinished design for the left bottom corner of a man's waistcoat. Large plant under the pocket. Rose boughs and leaves along the rising edge., France,

Project for a Ceiling Frieze, Pen and brown ink, brush and brown wash, white heightening on off-white laid paper, Trapezoid. At right, half a medallion with a laurel wreath. At left, two putto with floral wreaths tied to volutes., Italy, mid-

Assault of the Union Troops Upon Fort Thompson, Near New Bearne, Francis H. Schell, 1830 – 1909, Black and white gouache, with black wash, on illustration board, The Union Army is making the assault on Fort Thompson. The army is in the

Walls in Toledo, Arnold William Brunner, American, 1857–1925, Graphite on paper, High walls, going off to left, of earth-work and wood, with buildings and a land drop., USA, 1892, architecture, Drawing, Drawing

Frieze with Psyche and Love, Felice Giani, Italian, 1758–1823, Pen and ink, brush and brown wash on paper, On verso: internal view of church, Italy, 1813–18, figures, Drawing, Drawing

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf, ' Unfinished, Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper pasted on paper, Obliquely shown bunches of flowers over a

Design for an Amphora, Graphite, pen and black ink, brush and wash on paper, Elevation of an amphora with square handles decorated with a floral garland, Europe, 1775–1800, sculpture, Drawing, Drawing

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