Images at Librifly

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Female Nude, Study for Portrait of Mrs. Henry Schieffelin, Daniel Huntington, American, 1816–1906, Graphite on wove paper, Standing female nude facing frontally and slightly to the right, her head turned toward the left. Her left hand on

Two-masted Ship at Anchor and the Shaft of a Device, Frederic Edwin Church, American, 1826–1900, Graphite on cream paper, Horizontal views of a boat with two masts shown from the stern, at anchor, obliquely against a background of a shore

Elevation of an Entablature, Luigi Righetti, Italian, 1780 - 1819, Pen and ink, brush and watercolor on paper, Composed of several mouldings, two of which show garlands. Two leaf rows; one is to be flanked, the other decorated with

Sketches of Earthenware, Arnold William Brunner, American, 1857–1925, Graphite on paper, At top, 3 sketches of earthenware vases. Bottom, sketch of mermaid, USA, ca. 1883, ceramics, Drawing, Drawing

Studies of Hands, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, Three hands and lower arms shown; one at right is shaded., USA, ca. 1895, figures, Drawing, Drawing

Hall Seat, Henry J. Allen Residence, Wichita, Kansas, Henry J. Allen, Elsie J. Nuzman (Mrs. Henry J.) Allen, Graphite, color pencil on grey-white tracing paper, 1917, furniture, Drawing, Drawing

Citadel, from Wharf, Quebec, Arnold William Brunner, American, 1857–1925, Graphite on paper, Sketch above, rock mound with building, steeples and wall., USA, 1881, landscapes, Drawing, Drawing

Design for Temple of Justice or Temple of Immortality, Pen and black ink, brush and pink, blue and gray wash, black chalk on paper, Elevation of a building reminiscent of a prison with a square plan and flat roof or terrace. Three small figures

Design for Woven Shawl with Indianizing Motifs, Brush and watercolor on oily tracing paper, Details of a design for woven shawl with Indianizing motifs, including paisley. Decoration consists of stripes. The two broadest stripes are decorated with

The West Gate, Winchester, Ernest Clifford Peixotto, American, 1869–1940, Charles Scribner's Sons, New York, New York, USA, Pen and ink on illustration board, Portion of a fortified wall, with a passageway cut through it. The parapet is

Effendi Gentleman, Frederic Edwin Church, American, 1826–1900, Graphite on grey green paper, Vertical rectangle. Full-length figure of an Arab man, with parts of his costume, in English and Arabic, inscribed at right and below., USA,

Scribner's, Homer Wayland Colby, American, 1874–1950, Charles Scribner's Sons, New York, New York, USA, Pen and ink on illustration board, Circular area enclosed in border of stylized fruit and leaves. Surmounted by ribbon bearing the firm

Design for a Round Table of Mahogany 'A' (elevation and plan), A.N. Davenport Co., Graphite on thin, cream paper, In the upper center of sheet, the elevation of table shows molded top sitting on column-like support raised on flat molded base

Design for Corner Parlor Cabinet of Mahogany, A.N. Davenport Co., Pen and black ink on thin cream paper, Triangular-shaped cabinet with canted corners; raised on 3 short, tapering legs; glass front door and 3 inside shelves; pieces of china

Sweet Peas, Henrietta Benson Homer, American, 1809–1884, Brush and watercolor, graphite on illustration board, Flowering sweet pea vines. Signed and dated in green watercolor along one of the lower tendrils., USA, 1875, nature studies,

Stained glass window: First communion, John C. Wolf, Brush and watercolor on heavy paper, Three figures taking communion with a priest standing at right., USA, 1890–1900, glasswares, Drawing, Drawing

Designs fpr Chairs, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Studies for eight chairs on a lightly washed background, Italy, ca. 1800, furniture, Drawing, Drawing

Project for a Canopy, Pen and ink, brush and gouache water color, graphite on paper, Two out of eight sides are shown form the inside. Supported by poles, of which the top of one is shown. Their capitals are connected by a frieze with a crest

Harbor Scene, Pen and ink, brush and wash on paper, In the foreground, land with a tree and seated figures. Behind, ships in a harbor. Above, figural study., France, 1775–1800, landscapes, Drawing, Drawing

“Old' Nice, Arnold William Brunner, American, 1857–1925, Graphite on paper, View looking down on houses, close together., USA, 1892, architecture, Drawing, Drawing

Seated Female Nude, James Wells Champney, American, 1843–1903, Graphite on paper, Seated nude female figure, turned toward left; left ankle resting on right knee, right hand resting on left ankle., USA, ca. 1890, figures, Drawing,

Artists Sketching in the White Mountains, Winslow Homer, American, 1836–1910, Graphite on off-white wove paper, blackened on verso for tracing, Horizontal scene of two male figures (artists), with easels and umbrellas, painting on a

Brown Bird on Branch with Persimmons and a Butterfly, Pen and ink, graphite on coated wove paper, Brown Bird on Branch with Persimmons and a Butterfly, ca. 1800–1830, Drawing, Drawing

Study of a Left Foot, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on tracing paper, Left foot seen straight on, at left. Verso: a right foot, at left., USA, ca. 1895, figures, Drawing, Drawing

Sketch of Kenyon Cox, Robert Frederick Blum, American, 1857–1903, Graphite on paper, Sketch of Kenyon Cox with his face in his hands. Only head and forearms indicated., USA, ca. 1876, portraits, Drawing, Drawing

Sketches, Carlo Marchionni, Italian, 1702–1786, Pen and black ink on laid paper, Two sketches of a tablet (on partly above the other), five sketches of escutcheons, one for a mask, below in the center of the papal escutcheon. One section of

Hercules and Cerberus, Felice Giani, Italian, 1758–1823, Pen and brown ink over traces of graphite on cream laid paper, Hercules shown walking toward right, holding Cerberus whose head he turns., Italy, 1805, figures, Drawing, Drawing

Girl with a Pail, Winslow Homer, American, 1836–1910, Carbon tracing, retouched on paper, Vertical view of a standing girl, wearing a plaid dress and straw hat, holding a lunch or berrying pail and facing to her left., USA, 1879,

The Old Man and the Ass, Illustration for Aesop's Fables, Victor Wilbour, Pen and red ink, crayon on white board, Ass, center, yling on the ground with his feet in the air under a palm tree. Old man at left, with a cane. Man at right with

Drawing, T. P. Devrient, active ca. 1860, Brush and gouache on pre-printed squared laid paper, A basket of purple flowers and green leaves. A rinceau of green leaves and red flowers on right; a row of vertical flowers on left, in red, purple,

Design and Sketch for 'MahoganyWriting Table', A.N. Davenport Co., Graphite on thin cream paper, 1900–05, furniture, Drawing, Drawing

Rosina, Elihu Vedder, American, 1836 – 1923, Pastel crayon on paper, Sketch of a female figure in profile., USA, ca. 1885, portraits, Drawing, Drawing

Wallpaper Design, Brush and gouache, graphite on white paper, A dado is shown at the bottom. On top are a frieze with rinceaux with great petals, a gilt leaf, and other moldings of an entablature, and a small part of the decoration of the

The coat of arms of a prelate, Filippo Marchionni, Italian, 1732–1805, Graphite, pen and ink, brush and blue-gray watercolor on paper, The coat of arms is supported by tow flying genii. The charges are a fesse; some that possibly is a leaf

Sketch of Woman's Head, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on tracing paper, Woman with hair parted in the center and tied back, looking slightly down and to the right., USA, ca. 1895, figures, Drawing, Drawing

El Yemen Valley, Arabia: Rock Wall, Frederic Edwin Church, American, 1826–1900, Recto: Graphite on gray paper Verso: Graphite, brush and white gouache on gray paper, Recto: Horizontal view of a rock wall, Verso: Horizontal rough sketch of

Design for Kidney-Shaped Writing Table with Vase of Flowers and Bust, A.N. Davenport Co., Pen and black ink, graphite on thin cream paper, 1900–05, furniture, Drawing, Drawing

Study of Hands for Elderly Woman in 'Communion of the Sick', Daniel Huntington, American, 1816–1906, Graphite, black and white chalk on tan wove paper, Study of two hands. Left hand, palm downwards on a flat surface. Right hand clasped over

Plan of Sitting Room, A.N. Davenport Co., Pen and red ink, graphite on thin cream laid paper, 1900–05, furniture, Drawing, Drawing

Views of Artisana Volcano from or near Quito, and a Cloudy Sky over a Mountain Ridge, Ecuador, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on cream-colored paper, Horizontal view of Artisana peaks and a

New Magazine, Bancel La Farge, American, 1865–1938, Pen and blue ink, blue wash, gold paint over graphite on heavy ivory wove paper, A Medusa head against a crescent moon within a circle is the central motif, framed by a swag. Above, in a

Design for a Tureen, Pen and ink, brush and wash on paper, Elevation of a tureen with scrolling feet. Body decorated with a cartouche enclosing an eagle. Floral finial., Italy, early 19th century, metalwork, Drawing, Drawing

Male Torso From a Plaster Cast, Daniel Huntington, American, 1816–1906, Black chalk, white chalk on light brown wove paper, Torso facing frontally. Left hip and right shoulder severed., Rome, Italy, 1840, figures, Drawing, Drawing

Design for a Monstrance, Pen and brown ink on off-white laid paper, Vase shape on a plinth. Cross at top., Italy, 1815–1830, metalwork, Drawing, Drawing

Design for a Plate, Brush and watercolor, gold gouache, graphite on cream paper, Design for a partial plate with gold rim containing light blue tulips (flowers) and cartouches. Inside border there is a vine bearing red roses and leaves., Japan,

Three Stages of the Passion: The Mockery, Christ before Pilate, Flagellation, Francesco Coghetti, Italian, 1804 - 1875, Pen and brown ink on paper, The three stages of the Passion are sketched in three spaces defined by lobed archways. On the

Study for the Right Forearm and Hand of a Woman, Red crayon on brown paper, Study of the lifted right forearm and hand of a woman with her figers spread slightly., Italy, 18th century, figures, Drawing, Drawing

Woman, Robert Frederick Blum, American, 1857–1903, Pen and ink on laid paper, Sketch of a female figure., USA, 1881–1883, figures, Drawing, Drawing

Design for the Embroidery of a Man's Waistcoat, Graphite, brush and watercolor on paper, The left bottom corner. Blue cornflowers and pink rosebuds are separated vertically by brown leaf-sprigs. Small garlands loop from beneath pocket flaps.

Design for Sideboard with Glass Display case at Top, A.N. Davenport Co., Graphite on thin cream paper, Rectangular sideboard on short fluted tapering legs; tri-partite front has open space at center surmounted by 2 drawers; glass display case atop

Decoration of a Frieze, Filippo Marchionni, Italian, 1732–1805, Black crayon, pen and sepia ink, brush and gray watercolor on laid paper, In the center, two angels are supporting a tiara, behind them are crossed keys. Beside two panels,

Study of Right Foot, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on illustration board, Sketch of a right foot and ankle, from slightly above and to the left., USA, ca. 1895, figures, Drawing, Drawing

Design for Stained Glass, Southeast Window Nave, Paisley Abbey, Scotland, Sir Edward Burne-Jones, English, 1833–1898, Pen and ink, brush and watercolor on paper, Window with three panels. At left, figures spinning, and at right, figures

Design for Wallpaper and Textiles: Flowers, Brush and gouache on gray paper, Horizontally-oriented diamond shape made of clusters of flowers and foliage at center of page. Cluster of purple, yellow, and white flowers and foliage at center of

Sketch of Beaulieu, Arnold William Brunner, American, 1857–1925, Graphite on brown paper, Sketch from one corner of the building., USA, 1883, architecture, Drawing, Drawing

Design for a Wallpaper with Alternative Pattern, Unknown, Austrian, Brush and watercolor on white wove paper, A dado is at the bottom of a high entablature, of which an ornamentation is suggested alternatively for the bottom moldings.

Male nude, Black chalk on gray laid paper, Right side view of male nude kneeling on right knee., Italy, late 17th century, figures, Drawing, Drawing

Chimney-piece, West Wall of Music Room, Robert Jones, British, active 1815 – 1833, Brush and watercolor, graphite on white wove paper, Vertical rectangle. Design for the Royal Pavilion, Brighton. The joints are composed of short circular

Design for Long Semi-Circular Writing Table with Railing Atop, A.N. Davenport Co., Graphite on thin cream paper, 1905, furniture, Drawing, Drawing

Design for a Wall Vestibule, Charles Percier, French, 1764–1838, Pen and ink, brush and watercolor, red crayon, graphite on paper, A wall panel which is flanked by two pilasters and is out of center contains the dial of a clock over door

Jericho and the Dead Sea by Moonlight, Daniel Huntington, American, 1816–1906, David Roberts, Scottish, 1796 - 1864, Graphite on paper, Rocks and field, lower left, and palm trees, lower right. Tower in middleground with Dead Sea beyond

Plan for a Formal Garden, Pen and ink, brush and watercolor on paper, Two plans of a circular formal garden, with paths radiating from a central grass plot. Upper plan included measurements., France, 1785, Drawing, Drawing

Design for Case Clocks, Graphite, pen and ink, brush and watercolor on paper, Center design: case with painted panels of landscapes, the hood surmounted by the figure of Chronos. Clocks to left and right have simple wood cases, the design at

John Jay Phelps Seated, Separate Hand and Chain Study, Daniel Huntington, American, 1816–1906, Graphite on light brown wove paper Verso: Graphite and white chalk, Half-length seated male figure with beard, looking upward to left. Additional

Designs for Embroidered or Woven Floral Motifs of the 'Fabrique de St. Ruf, ' Finished and Unfinished, Fabrique de Saint Ruf, Lyon, France, Incised lines, brush and white gouache on glazed tracing paper pasted on paper, Top row: two plants,

Yellowstone Below the Falls, Thomas Moran, American, b. Britain, 1837–1926, Recto: Graphite, brush with sepia wash and white-gray gouache on paper Verso: Graphite on paper, Recto: Horizontal view of stream in foreground, castle-like cliffs

Design for a Sugar Bowl, Brush and watercolor, gold gouache, graphite on cream paper, Sugar bowl with lid or a cup and lid, cinched, decorated with long green leaves and pink peonies (flower) with a pointed gold handle; pointed finial on lid.,

Project for a Cruet Frame, Graphite, pen, brush, sepia, yellow and red-brown water colors, Standing as upon a base. The outlines of the glass bottles in broken lines. Left below accounting in graphite., Italy, 1750–75, tableware designs,

Architectural sketches at Château d’Amboise, Arnold William Brunner, American, 1857–1925, Graphite on brown paper, Many small sketches of details, turrets, mullion and architectural plans., USA, 1883, architecture, Drawing, Drawing

Saint Sebastian, Felice Giani, Italian, 1758–1823, Graphite on white laid paper, Study for or after image of Saint Sebastian. Saint figure appears in loin cloth before column set within an arch described at left. In background, view into city

Two Chairs and a Table, Jean Démosthène Dugourc, French, 1749–1825, Brush and watercolor, pen and black ink, graphite on white laid paper, Circular table, fluted column support terminating in bent goat legs. Flanking table, left chair

Centerpiece for the Ambassador of the Maltese Order, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Aerial architectural view of a design for a centerpiece for the ambassador of

Men, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Four sketches of male figures in distinct groupings., USA, 1885–1886, figures, Drawing, Drawing

Study of Woman Praying for 'Communion of the Sick', Daniel Huntington, American, 1816–1906, Graphite, black pastel crayon, white chalk on white laid paper coated brown on recto, Study of a female figure on her knees, turned to the left and

Design for Mechanical Furniture: Tables, Pen and gray ink, brush and watercolor on paper, A half-round table fitted with hinged top, under which are fittings for a writing table; plans, elevations and isometric. An almanac on desk dated 1805.,

Aeneas and Achates before Dido; the Love of Aeneas and Dido, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash over traces of graphite on cream laid paper, Italy, ca. 1815, figures, Drawing, Drawing

Design for Sideboard of Dark Oak, A.N. Davenport Co., Pen and black ink on thin cream paper, Massive rectangular sideboard with conforming platform at bottom; at bottom of central front section, a cut-out space topped by two horizontal drawers

A Sailing Ship, Filippo Marchionni, Italian, 1732–1805, Pen and ink on paper, A ship in the water with furled sails., Italy, ca. 1780, transportation, Drawing, Drawing

Retrieval of Books from the Tomb of Numa, Sala di Numa Pompilius, Palazzo Milzetti, Faenza, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash over black chalk on white laid paper, Civilian and soldier take books

Wall Decoration, Blue (South) Drawing Room, Royal Pavilion, Brighton, Frederick Crace, English, 1779–1859, Graphite on paper, Design for wall decoration. The outline indications of a mantelpiece in the center, flanked by painted wall

Catskills at sunset, Frederic Edwin Church, American, 1826–1900, Oil paint on cardboard, View of strong yellow light illuminating a distant chain of hills. Gray skies overhead. Scrub-brush in the foreground., USA, 1882, landscapes,

Project for Decorative Escutcheon, Flaminio Innocenzi Minozzi, Italian, 1735 – 1817, Pen and ink, brush and grey water color on paper, At left: left half of an escutcheon on top of an arch, a cherub peeks from behind a scrollwork frame, a

Figure, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a figure wearing a hat and a long coat., USA, n.d., figures, Drawing, Drawing

Italian Coast, off Straits of Messina, Frederic Edwin Church, American, 1826–1900, Brush and oil on cardboard, The sea is shown in the foreground. A fishing boat is anchored at right., USA, July 1868, seascapes, drawing, drawing

Man, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Recto: Sketch of a male figure in uniform; Verso, Partial sketch of a group of figures., USA, n.d., figures, Drawing, Drawing

Living Room and Bedroom Brackets, Hall Mirror, Henry J. Allen Residence, Wichita, Kansas, George Mann Niedecken, 1878–1945, Henry J. Allen, Elsie J. Nuzman (Mrs. Henry J.) Allen, Graphite on cream paper, Designs for different brackets.

Sketches for 'Lesson of Charity' and portrait of Peter Richards, Jr., Daniel Huntington, American, 1816–1906, Graphite on cream paper, Man seated in an armchair, turned toward the right, an open book in his right hand. Bust of a child

Altar, Graphite, gray wash Support: laid paper, Rome, Italy, Italy, 1775, architecture, Drawing, Drawing

Design for stained glass, Alice Cordelia Morse, American, 1863–1961, Brush and gouache, watercolor on paper mounted on tan illustration board, Design in square filled with tan leaf scrolls with small green leaves, framed by mosaic-like

Study for 'Sacred Lesson', Daniel Huntington, American, 1816–1906, Graphite on cream wove paper, Woman seated in right profile, at a table, facing a bearded man who stands, pointing to a picture of the crucifixion in a book. Verso: A child

Angel Fish, James Carter Beard, American, 1837–1913, Brush and grey and black watercolor, white gouache on paper, Illustration of an angel fish, facing left, seen in profile., USA, ca. 1890, graphic design, Drawing, Drawing

Design for an Andiron, Luigi Righetti, Italian, 1780 - 1819, Pen and black ink, brush and yellow, brown watercolor, graphite on light blue paper, Vertical rectangle. Design for an andiron; an entablature is supported as a base by two calyces

The Snodgrass Farmhouse, Chickamauga, Harry Fenn, American, 1845–1911, Pen and ink, with white gouache, on paper, View of a log cabin surrounded by a split rail fence., USA, 1887, architecture, Drawing, Drawing

Design for a Decorative Aedicula, Pen and ink, brush and sepia wash, graphite on laid paper, Vertical rectangle. Design for a shrine standing upon a two-stepped base, with roof supported by four columns, those behind connected by a wall with a

Architectural Sketches from Chenonceaux, Arnold William Brunner, American, 1857–1925, Graphite on paper, Sketches for a door in tapestry, an arched window, stonework, pedestal for a bust., USA, 1883, architecture, Drawing, Drawing

Landscape, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of landscape with trees., USA, 1879, landscapes, Drawing, Drawing

Bythos and Aphros, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and sepia wash on cream laid paper on a secondary support, The twin ichthyocentaurs Bythos and Aphros, from from Greek mythology., Italy, ca. 1800, classicism,

Sketch of a Woman's Head, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on tracing paper, Sketch of the head of a woman with dark hair, gazing downward toward the left., USA, ca. 1895, figures, Drawing, Drawing

Albert Gallatin, Two Left Hand Studies, Daniel Huntington, American, 1816–1906, Graphite, white chalk on grey wove paper, Two studies of left hands, one on top of the other, with the page divided by a line., USA, 1899, figures,

Box, Gold, diamonds, rubies, Tooled gold, cubic shape, chamfered corners. Hinged lid with helmeted bust on cloud-like background surrounded by three flying cherubs bearing diamond and ruby studded garlands; T-square, palette, brushes,

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