Images at Librifly

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Design for a Table Clock, Richard de Lalonde, French, active 1780–96, Pen and black ink, brush and wash, graphite on white laid paper, Two fluted pilasters flank circular dial. Above, a pediment consisting of a covered urn on top, a

Design for stained glass, Alice Cordelia Morse, American, 1863–1961, Brush and gouache, watercolor on paper mounted on tan illustration board, Design with arched top, framed with light green-blue circles; containing rows of rounded

Design for Writing Table 'B' in Elevation and Side Views, A.N. Davenport Co., Graphite on thin cream paper, 1900–05, furniture, Drawing, Drawing

Drawing, A. Philipson, Brush and gouache on pre-printed squared laid paper, Central design shows a small basket of blue flowers with green leaves surrounded below by a wreath-like formation of pink blossoms in various sizes. Ten blue flowers are

Small Fishing Port, Arnold William Brunner, American, 1857–1925, Graphite on cream paper, Sailboats foreground, and rowboats. Houses, beyond, with trees and a ridge in back., USA, ca. 1883, seascapes, Drawing, Drawing

Standing Cleric Holding a Book, Giovanni Bernardino Azzolino, Italian, 1572 - 1645, Red chalk, pen and black ink on cream paper, lined, A youngish man, wearing clerical robes and skull cap, faces right with a book against his chest., Italy,

Architectural Drawing with Figures, Juste-Aurèle Meissonnier, French, b. Italy, 1695–1750, Engraving on paper, Architectural drawing with figures., Europe, France, 1695–1750, Print, Print

A Chimneypiece, Chalk, pen and ink, brush and watercolor on paper, A chimney piece framed laterally by volutes. Above, a broken pediment, inside of which is a putto with scroll. Crest decorated with six pointed spheres. In the mantle is

Sketch for a wall paiting: Two sainted monks, Pencil, sepia, and wash on brown paper., Horizontal composition with two saints seated on the cornices of a broken pediment. The left saint is reading a book and holding a crozier. The right saint has

Landscape, Arnold William Brunner, American, 1857–1925, Graphite, brush and watercolor on paper, View from the top of a steep incline with mountains in the background., USA, 1891, landscapes, Drawing, Drawing

Design for Cherry Wood Table, A.N. Davenport Co., Graphite on thin, cream paper, Rectangular molded top with dividing stretcher running across center, raised on 6 [5 shown] fluted and carved tapering legs on cup casters., September 24, 1903,

Medallion Portrait of Mauro Tesi, Surrounded by Architectural Ornaments, Frontispiece to the 'Raccolta Di Disegni Originali Di Mauro Tesi...', Count Cesare Massimiliano Gini, Italian, 1739 - 1821, Gaetano Gandolfi, Italian, 1734–1802,

Drapery Study, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on tracing paper, Lower portion of a cloak or cape., USA, ca. 1895, figures, Drawing, Drawing

Study for 'Wedding Procession', Elihu Vedder, American, 1836 – 1923, Pastel crayon on paper, Study of the drapery., USA, 1872–1875, figures, Drawing, Drawing

Section of a Villa, Pen and black ink, brush and rose, blue, black and gray watercolor on paper, Section of a villa with three rooms. Steps lead to the front and rear entrances of the main floor. The frame is in the rear of a portico and leads

Design for Writing Table in the Mission Style with Carved Backboard, A.N. Davenport Co., Graphite on thin cream paper, 1900–05, furniture, Drawing, Drawing

View from the East of Mount Chimborazo, Ecuador, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on green gray paper, Horizontal study of Mount Chimborazo shown from the East across ridges and peaks, with

Col. Dwight Inspecting His Regiment, Winslow Homer, American, 1836–1910, Graphite on paper, Horizontal view of officers and faintly indicated lines of soldiers., USA, 1862, figures, Drawing, Drawing

Stage design, a garden loggia, Filippo Juvarra, Italian, 1678 - 1736, Pen and ink, brush and gray watercolor on paper, The small barriers of a monumental gateway are opened. It has the shape of a colonnade with a higher vaulted central part,

Project: the elevation of an altar, intended to be executed with colored marbles, Pencil, pen, ink, brush and various water colors on paper., Vertical composition of an altar. The mensa is shaped like a bathtub sarcophagus and stands in front

Brodeur (Embroiderer), Section 18, Plate 1, Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers (Encyclopedia, or Systematic Dictionary of the Sciences, Arts, and Trades), vol.19, Benoît-Louis Prévost, French,

Landscape, Frederic Edwin Church, American, 1826–1900, Brush and oil on cardboard with green back., Horizontal view of a high mountain range in the background across a mountain top and two ranges in the middle plane. Place and dates are

Two Gentleman Conversing in a Park, Louis Carrogis, called Carmontelle, France, 1717 – 1806, Black and red chalk, brush and watercolor on cream laid paper, Two men conversing (gentleman at left wearing a black cleric's coat; gentleman at

Recto: Two Friezes with Flowers Verso: Sketch for a Decorative Painting, Felice Giani, Italian, 1758–1823, Pen and brown ink on paper, Horizontal rectangle. Recto: Above: two waved ribbons crossing each other. Calices stand in wedges. In

Standing Woman, Daniel Huntington, American, 1816–1906, Graphite on grey-green wove paper, Woman holding sheet of paper to the left. She looks downward. At left, a study of her right arm. At right, a study for the bust. Verso: At left,

Horse Race, Siena, Italy, Walter Shirlaw, American, b. Scotland, 1838–1909, Brush and watercolor, graphite on paper, A horse race in Siena, Italy. The city in the background, the horses winding down a path in the foreground., USA, ca.

Butterfly over Water, Frederic Edwin Church, American, 1826–1900, Brush and oil paint on paperboard, View at dusk of a butterfly over water with a dry tree trunk standing in the water, below at right., USA, ca. 1865, nature studies,

Study for 'Cape Trinity, Saguenay River', Winslow Homer, American, 1836–1910, Graphite on paper, Sketch of a river as it bends around steep cliffs with a faint indication of a boat and mountains in the distance., ca. 1904, landscapes,

Design for Two Friezes, Piat Joseph Sauvage, French, 1744 - 1818, Pen and ink, brush and sepia washes, Center, framed oblong showing in the center a crowned medallion with a lily plant flanked by dolphins upon which girls are seated supporting

Design for a Plate, Brush and watercolor, gold gouache, graphite on cream paper, Design for plate with large pink peonies, yellow flowers, and purple grapes against a colorful background; several graphite tableware designs above., Japan,

Three Sketches of Theseus Subjects, for the Sala di Teseo, Palazzo Gaddi, Forli, Felice Giani, Italian, 1758–1823, Pen and dark brown ink on laid paper, At left: kneeling youngster takes sword and shoes of father Aegeus from beneath stone.

Pope Gregorio VII and Four Angels, Study after Raphael 'Persons of the Papacy'; Antique Bench, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash over traces of black chalk on white laid paper, Upper drawing of seated

View of Beirut (?), Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on cardboard, Oblique view into a street from above. Windows and balconies are decorated with cloths and banners. Crowds of people fill the windows

Motif for Decorative Design, Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite and black crayon on paper, A woman with outstretched arms and two crouching persons are surrounded by a circular shape. Above the woman is written XI and

Birds, Ernest Thompson Seton, American, 1860–1946, Charles Scribner's Sons, New York, New York, USA, Ink, grey wash, on illustration board, A group of four chicks in a nest., USA, 1893, animals, Drawing, Drawing

Low Hall, Arnold William Brunner, American, 1857–1925, Graphite on paper, View from low hall with arched entrance up along stairway., USA, 1879, architecture, Drawing, Drawing

Sketch in Bourges, Arnold William Brunner, American, 1857–1925, Graphite on brown-gray paper, Tower, with detail of cornice, upper right, figure standing in front., USA, 1883, architecture, Drawing, Drawing

Design for a carved mirror frame, Pen and ink, brush and watercolor, graphite on laid paper., In panel above mirror, Athene with sphere and compass. A candle bracket with two branches to the right of the mirror., France, 1750, Drawing,

Bowl on a Stand, Graphite, pen and black ink, brush and gray wash on paper, Vase on an animal leg stand. The body of the vase is decorated with gadrooning and a frieze of classical nudes., Italy, 1775–1800, tableware designs, Drawing,

City of Tiberias on Sea of Galilee, Mt. Hermon in Distance, Daniel Huntington, American, 1816–1906, David Roberts, Scottish, 1796 - 1864, Graphite on paper, Rocks cliffs in foreground. The sea, right and center, with buildings on a low

Study for the Painting Pastoral Journey, Figures and Cattle in a Landscape, Giovanni Benedetto Castiglione, Italian, 1609–1664, Pen and brown ink on off-white laid paper, Horizontal drawing of a figure at center driving a cow to the left,

A Family of Shepherds at Night, Bartolomeo Pinelli, Roman, 1781 - 1835, Paper, A standing shepherd and a seated woman with a child on her lap, similar to plate 28, loc. cit., are connected by a sleeping boy and a seated man. The setting

Project for a Pulpit, Graphite, pen and ink, brush and wash on paper, Elevation on top, plan below. An oval platform bordered by a balustrade and supported by six columns and the bottom section of the stairway is to be built around two columns

Study for 'Charity, ' St. Bartholomew's Church, New York, NY, Francis Augustus Lathrop, American, 1849 - 1909, Brush and watercolor, graphite on paper, Sketch of a seated female figure holding a young child., New York, New York, USA, ca.

Mount Desert, Near Schooner Head, Daniel Huntington, American, 1816–1906, Graphite and chalk on brown-grey paper, Rocky shore in foreground and ridge beyond. Sea lies toward the left., USA, August 23, 1856, landscapes, Drawing, Drawing

Allegorical subject, Domenico Mondo, Italian, 1723 - 1806, Pen and ink, brush and wash, bistre, graphite, on paper, An allegorical battle scene on an outcrop of a steep cliff: Athena, enthroned, judges the outcome of a struggle between two

Molding and Ornamentation, Pen and brown ink, brown wash, black chalk Support: white laid paper, Italy, Italy, 1625–50, architecture, Drawing, Drawing

Man and woman, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a male figure and a female figure., USA, 1884, figures, Drawing, Drawing

Stage Design, Street and Palaces, Pen and brown ink, brush and sepia wash on paper, Horizontal rectangle. View from street through arcades to richly decorated palace with obelisk and sculptures in niches uphill. At right, figures of a man and

Sketches Relating to Amsterdam Theater, Pen and ink, Vertical rectangle. Sketch of stage and notations of proportions., Europe and USA, ca. 1820, theater, Drawing, Drawing

Studies for the Entombment of Christ, Giuseppe Passeri, Italian, 1654 - 1714, Red and white chalk on blue paper, Studies of kneeling man with raised arms; details of arms., Italy, 1775–1800, figures, Drawing, Drawing

Study for 'Wedding Procession', Elihu Vedder, American, 1836 – 1923, Pastel crayon on paper, Sketch of a young male figure in costume. He is shown standing, facing the viewer, his head turned slightly to the right with both hands held close

Monaco, Arnold William Brunner, American, 1857–1925, Graphite on paper, Steep slope, foreground, with buildings and towers beyond. Figures in lower foreground., USA, 1892, landscapes, Drawing, Drawing

Hebe Pours Wine into Jupiter's Bowl, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash over traces of graphite on cream laid paper, Jupiter shown sitting on throne. He raises bowl into which Hebe pours wine. Mercury

Study for Saint Joseph's Dream, Giuseppe Diamantini, Italian, 1621 - 1705, Graphite, pen and brown ink on white laid paper, Joseph, father of Jesus, sleeps as angels fly above him into the clouds, some supporting a large cross--premonition

Laundry Hung Out to Dry, Frederic Edwin Church, American, 1826–1900, Brush and oil on cardboard, Hillside on a sunny day with blue sky and clouds. Laundry is hung to dry, on a clothesline supported by wooden poles. High bottom margin showing

Fragment of Temple of Vesta, Walter Shirlaw, American, b. Scotland, 1838–1909, Black crayon on wove paper, Figures sit around a large stone fountain. Outline of building, beyond., USA, ca. 1872, figures, Drawing, Drawing

Design for the North Wall of the Music Room, Frederick Crace, English, 1779–1859, Brush and watercolor, gouache, graphite on white wove paper, Elevation of north wall, showing the large organ flanked by columns entwined by serpents. Doors

Spring, Lunette for Ceiling, Sala Ottagonale, Palazzo Milzetti, Faenza, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and light brown wash over graphite on white laid paper, Flying winged putto holding garland above his head

Design for a Jug, Brush and gouache, watercolor, graphite on cream paper, Design for a jug or ewer with molded handle, thick gold on upper rim; neck contains green floral scheme; below this Greek key in green and gold; body has vertical

Costume Design: A Halberdier for a Ballet, Lead pencil on paper, Vertical rectangle. Shown in profile, moving toward left. The halberd is shouldered and held with his left hand. Fantastical attire intended to be of the seventeenth century.,

Autumn Landscape, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite traces on heavy paperboard, Horizontal view of a group of trees in autumn color stands in center middle ground. Behind, a low hill sloping up to the

Studies for a Kneeling Monk, Giuseppe Passeri, Italian, 1654 - 1714, Red and white chalk on blue paper, Recto: a monk or priest is shown turned toward the right, in profile. In the upper left corner, a study for a part of the head, and two

Study for a woman, “Vintage Festival, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Pastel crayon on tracing paper mounted to board, Sketch of a female figure. The upper part of the body is shown

Chairs and Architectural Sketches, Graphite on off-white laid paper, Four chair designs with round seats., Italy, 1785–1795, furniture, Drawing, Drawing

Entrance Hall, West Wall, Royal Pavilion, Brighton, Frederick Crace, English, 1779–1859, Brush and watercolor, pen and ink on paper, Elevation of a wall, with a painted decoration of a series of panels giving the illusion of window

Design for Serving Table with 'S'-shaped Drawer Pulls, A.N. Davenport Co., Graphite on thin cream paper, Rectangular body with 2 drawers with simple 'S'-shaped pulls, raised on 4 straight tapering legs; conforming lower shelf attaches half way up

Landscape View from Farm Galleway Hill, Jamaica, West Indies, Frederic Edwin Church, American, 1826–1900, Graphite on gray paper, Recto: Horizontal bird's eye view over hills and mountain ridges of ascending toward the right., Verso:

Floral design for printed textiles, Louis-Albert DuBois, Swiss, 1752–1818, Fabrique de Fazy aux Bergues, Brush and gouache, graphite on white wove paper, Green and yellow leaf design on dark blue ground, scattered white oriental motifs.,

Walking Woman, Red chalk on brown paper, Woman seen from the back; left arm is somewhat raised; the points of the feet are unexecuted., Italy, 1725–50, figures, Drawing, Drawing

Study for 'Charity, ' St. Bartholomew's Church, New York, NY, Francis Augustus Lathrop, American, 1849 - 1909, Brush and watercolor, gouache, graphite on paper, Sketch of a seated female figure holding a young child., New York, New York,

Design for Round Table on Clustered-Column Support, A.N. Davenport Co., Pen and black ink on thin cream paper, Round top with egg-and-dart molding around edge, raised on support consisting of clustered columns, raised on molded rectangular base

Door Frame and Figure Studies, Filippo Marchionni, Italian, 1732–1805, Pen and ink, brush and gray-brown, gray watercolor on laid paper, Left row: above is a peasant, sitting upon a ruined circular architectural object, below the door

Design for Rectangular Table on Carved Animal Paw Feet, A.N. Davenport Co., Graphite on thin cream paper, Large molded rectangular table top with dividing stretcher running across center, raised on plain straight columnar support with molded

The Three Graces, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash, black chalk over traces of graphite on cream laid paper, Three Graces and two cupids. Typical pose of Three Graces which shows two sporting veil,

Design for a Decorative Burgonet, Pen and ink, graphite on laid paper, Vertical rectangle, lined border in pen and ink. Decorative visored helmet seen from the left in profile, the brim formed by the upper part of the head of a griffon. Body of

A woman drawing, Jessie Curtis, Pencil on paper, Vertical rectangle. A woman, probably a Cooper Union student, seen in right profile, seated at a drawing table, working. Inscribed below (in pencil): 'School of Design / Jessie Curtis.' Verso:

Un des cotes du Pavillon orchestre dans le Jardin des Tuileries, en Juillet 1838', Félix-Jacques Duban, French, 1798 - 1870, Brush & pen & watercolor, graphite Support: light tan paper mounted on off-white laid paper, Design for the low side

Sunrise on Mt. Chimborazo and Three Details of Grass., Frederic Edwin Church, American, 1826–1900, Graphite on paper, Horizontal view of Mt. Chimborazo and an adjoining peak, at top; and three details of grass, at bottom right., USA,

Study of Trees, Red chalk on laid cream paper, A large tree, surrounded by bushes, is depicted on the left. The presence of other trees is suggested in the background. The top corners of the sheet are chamfered., Italy, 1650–1700,

A bunch of four carnations, Pencil, gouache colors, France, ca. 1840, Drawing, Drawing

Section of a wall, Queen's bedroom, Frederick Marschall, Brush and watercolor, tempera on heavy paper, Section of wall. Right, large, framed tapestry panel seen partially. Left, portion of doorway, with an overdoor. Panel of gold fiugres on

Design for a Plate, Brush and gold, green gouache on cream paper, Design for a plate with gold and green border; border has green areas filled with gold rinceaux and blossoms; some trellis-like designs along border interior; at center quatrefoil

Design for a carving frame for a back panel of a coach, Unknown, Brush and gray wash, pen and ink, black chalk on paper, A wheel and the left half of the frame is shown. Scrollwork and rocaille., Rome, Italy, 1725–50, transportation,

Wallpaper Design, Brush and gouache, graphite on white paper, A dado is shown at the base, an entablature on top. The scheme of the decoration is that of pilaster strips supporting an arcade, which is decorated with palmette motifs with lighted

Autumn, Lunette for Ceiling of the Sala Ottagonale, Palazzo Milzetti, Faenza, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and light brown wash over graphite on white laid paper, Reclining winged putto grasping grape vine.,

Sketchbook Page: Peruses Transforms Phinaeus into Stone, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash over traces of graphite on cream laid paper, Horizontal rectangle showing loosely drawn classical figures

View of Venice, Italy, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a gondola in Venice., Venice, Italy, 1881, transportation, Drawing, Drawing

Stage Design, View of Town and Port, Pen and brown ink, brush and sepia wash on laid paper, Horizontal rectangle. View past castles on left side toward port in center and right with boats., Italy, early 18th century, theater, Drawing,

Architectural Details at Blois, Arnold William Brunner, American, 1857–1925, Graphite on paper, Three sketches of water spout in the shape of a fish with its mouth open, tongue sticking out. Center, a capital. Upper right, a medallion.,

Design for a Teacup, Brush and watercolor, gold gouache, graphite on cream paper, Teacup design with lid that is unfinished; cup is decorated with rim of filigree design and below with pink and blue flowers with red berries; pointed handle.,

Elevation of a fountain, Black chalk, pen and ink, brush and watercolor on paper, Below is a plinth. An obelisk rises from pedestal consisting of several parts. It is flanked by two crowned griffins shown in profile. Water pours into lateral

Design for a Vessel, Pen and ink, brush and wash on paper, Two women in classical dress support a vessel. Each woman raises one hand, the other clasping that of her neighbor. The vessel if decorated with frieze of lizards below the rim. At

Project for an andiron, Black chalk, ink, pen in grey/brown watercolors on paper., Vertical rectangle. The design is in small scale. A shell scroll is supported by two leaf scrolls. They are surrounded by a snake biting in the back of a child.

Design for a Silver Coffee Urn, Joseph Anton Seethaler II, German, 1799–1868, Pen and black ink, brush and gray, black wash, graphite on wove paper, Shown from side with spout at left. A spherical quadrangle as a base is supported by beads.

Design for a Frame, Black chalk, pen and ink, brush and sepia on paper, Design for a frame for an oval mirror. At top left, two figure with the papal keys. Below, two double-headed eagles. At bottom, a tablet with the text “PIVS VI POM”

Sketches of Decorative Panels or Grillwork, Arnold William Brunner, American, 1857–1925, Graphite on beige paper, Decorative panels or grillework upper center, upper right and center left. Upper center portion of panel or grillework, upper

Design for a Frieze, Graphite, pen and ink on paper, Horizontal rectangle showing a row of satyr masks, from whose mouths flows streams of water in shell basins supported by acanthus leaves. Below the masks, a Romanesque arcade hung with

Louis Bay, Labrador, Frederic Edwin Church, American, 1826–1900, Graphite on brown paper, Horizontal format landscape with a bird's eye view of a bay, which is bordered in the foreground and in the rear by mountains; another rises in the

Study for 'The Beneficence of the Law, ' Essex County Courthouse, Newark, NJ, Kenyon Cox, American, 1856–1919, Graphite on paper, Three partial sketches of a bird., USA, 1906, animals, Drawing, Drawing

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