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Landscape Sketch, Eugène Edouard Soulès, French, 1811–1876, Graphite on wove paper, At left is a house at a road. In the center, a Gothic church with trees in front. At right, trees and a house. A lake is in the background. Framing lines.,

Four carnations, Pencil, gouache colors, France, ca. 1840, Drawing, Drawing

Sepulchral Monument for Writer Zacharia, Pen and brown ink, brush and brown wash, graphite, on blued-white laid paper, Obliquely and incompletely shown. A base with the inscription between festoons, at the front side; a relief of a procession

Study of Heavenly Figures, Francis Augustus Lathrop, American, 1849 - 1909, Brush and blue watercolor on tracing paper, Four figures seated in clouds, the one at left wears a halo., USA, ca. 1895, figures, Drawing, Drawing

Design for a Bowl, Luigi Righetti, Italian, 1780 - 1819, Pen and ink, brush and watercolor, graphite on paper, Vertical rectangle. Design for a bowl intended to be executed in alabaster and gilded metal. The base is like the upper one in

Design for a Holy Water Stoup, Pen and ink, graphite on white paper, A wall-fixture of rocaille design, ornamented with garlands and seraphs. A panel in the center shows the dove of the Holy Spirit in a sunburst. Below, a smaller panel,

Curtain Design, Curving Gateway Antique Architecture, Angelo Toselli, ca. 1765? – 1826, Pen and brown ink on laid paper, laid down; verso: pen and brown ink, Horizontal rectangle. Stage design for curtain. Triumphal arch on stairs, buildings

Monument for an Accademia della Pace, Felice Giani, Italian, 1758–1823, Pencil. Pen, ink. Bistre wash., Horizontal rectangle. At right is an enormous pedestal, seen from a corner; upon it is the base of a column. At the front the

Stage Design, Garden Pavilion, Pen and brown ink, brush and sepia wash on paper, Horizontal rectangle. View into garden pavilion made from lattice work on the left side, leading backward, park and fountain at right., Italy, late 18th century,

Sangay Volcano Erupting, Ecuador, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on green paper, Horizontal view across ridges in the foreground and middleground with volcano, visible in the central

Gazebo, Giuseppe Bernardino Bison, Italian, 1762 - 1844, Pen and black ink, brush and pink, red, organge and green watercolor, black chalk on paper, Design for a gazebo. The octagonal pavilion stands on a square platform, to which steps

Design for a keystone and a mask, Black crayon, brush and blue-gray watercolor on paper, Above, the keystone with two escutcheons, the uppermost with a bearded mask with horns and donkey's ears. Laterally, the cornices of an entablature. Below,

Design for an Altar, Filippo Marchionni, Italian, 1732–1805, Pen and brown ink, brush and gray wash, black chalk, streak of brown chalk on white laid paper, Vertical rectangle. The mensa, altar stone, stands in the center of a sockle

Seated Nude Study for Portrait of Helen Hamersley, Daniel Huntington, American, 1816–1906, Graphite on wove paper, Nude female figure facing frontally, each hand on the arm of a chair., USA, 1881, figures, Drawing, Drawing

Floral design for printed textiles, Louis-Albert DuBois, Swiss, 1752–1818, Fabrique de Fazy aux Bergues, Brush and gouache, graphite on cream wove paper, Pink, purple, orange flowers intertwined with small white flowers with blue centers,

Design for Lidded Jar, Brush and watercolor, gold gouache, graphite on cream paper, Lidded bulbous jar decorated with two red cherries and three pink cherry blossoms and green vines and leaves. Neck and lid have gold wavy lines., Japan,

In Cloister of Cathedreal, Le Puy, Arnold William Brunner, American, 1857–1925, Graphite on brown paper, Coupled columns, left; capital; right; grillework, center., USA, 1883, architecture, Drawing, Drawing

Study for standing boy with kid, “Vintage Festival, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Brown, black pastel crayon on tracing paper, Young male figure standing slightly turned, holding

Basket of Blossoms and Leaves on Earth, Pen and ink, graphite on coated wove paper, Basket of Blossoms and Leaves on Earth, ca. 1800–1830, Drawing, Drawing

Project for a Painted Ceiling, Pen and ink, brush and watercolor on paper, Partial view. Below, view upon two stories from below, the first having in the center a balconette with a trophy of arms; above, an entablature, the second story, with

Stage Design, Gothic Ruins, Charcoal, white chalk on paper, Horizontal rectangle. Stairs between ruins leading up to Gothic arches., Italy, late 18th century, theater, Drawing, Drawing

Design for Semi-Circular Writing Table No. 15, A.N. Davenport Co., Pen and black ink, graphite on thin cream paper, 1900–05, furniture, Drawing, Drawing

Two Studies after the Nude of a Woman, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Two sketches of a female figure. Above: the neck, the thorax and the upper parts of the forearms are shown. Below: a part of the body,

Oxalis, Zinnia, and Potato Blossom, East Hampton, Samuel Colman, American, 1832–1920, Brush and watercolor, graphite on cream paper, Studies of oxalis, zinnia, and potato blossom. Verso: sweet pea; also, sketches for a monogram., USA,

figure study for a fountain design, Elihu Vedder, American, 1836 – 1923, black crayon, white chalk, on gray paper, Vertical rectangle. The nude figure of a boy, standing, seen from the back, turned toward the right. The arms are uplifted,

Door of a Tabernacle Intended To Be Executed In Bronze, Pencil, pen, brush, sepia and grey watercolor., Italy, 1700-1750, Drawing, Drawing

Design for a Reliquary, Pietro Belli, Italian, 1780–1828, Pen and black ink, brush and gray watercolor, graphite on paper, Vertical rectangle. Design for a reliquary with an oblong pedestal base. Two figures of kneeling slaves shown in

Siena, Arnold William Brunner, American, 1857–1925, Brush and watercolor on paper, A group of houses on top of a hill, vegetation below houses., USA, 1883, landscapes, Drawing, Drawing

Source of the Gordicchio, Joseph Pennell, American, active England, 1857–1926, Pen and ink, graphite on paper, A stream runs through a town, left, and is spanned by a heavy four-arched stone bridge. Road and a small canal, spanned by a

Blue Bird on Bouquet of Roses and Tulips, with Butterflies, Pen and ink, graphite on coated wove paper, Blue Bird on Bouquet of Roses and Tulips, with Butterflies, ca. 1800–1830, Drawing, Drawing

Design for Sideboard of Mahogany, A.N. Davenport Co., Graphite on thin cream paper, Sideboard of Mahogany on six fluted and turned tapering legs; two drawers stacked vertically in convex central section of tripartite front are topped by another

Wool Embroidery Design (Berlin Wool Works), T. P. Devrient, active ca. 1860, Brush and gouache, pen and black ink over etching on cream laid paper, Design for wool work. Scroll design in yellow. In center a blue box, lighted candle and some

Drawing, Graphite and white chalk on brown paper, Netherlands, 1700–1750, architecture, Drawing

Two Attendants with the Heavenly Horseman, Felice Giani, Italian, 1758–1823, Raphael, (Italian, 1483–1520), Pen and brown ink, brush and sepia wash over black chalk on off white laid paper, From the Expulsion of Heliodorus by Raphael

Stage Design, Group of Ruined Buildings with Obelisks, Pen and brown ink, brush and gray wash on laid paper; verso: pen and brown ink, Horizontal rectangle. Ruins of antique buildings in center, right, and left, with two wide paths between

Three Figures, Winslow Homer, American, 1836–1910, Graphite on paper, Horizontal view of a woman, man and young woman seated side by side with a mountain in the background., USA, 1868, figures, Drawing, Drawing

Study of Cats, Walter Shirlaw, American, b. Scotland, 1838–1909, Black crayon on paper, Studies of two sleeping cats. Outline of paw print, lower right., USA, 1875–80, animals, Drawing, Drawing

Man, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a male figure with birds circulating above., USA, 1877, figures, Drawing, Drawing

Canoe with Two Men, Winslow Homer, American, 1836–1910, Crayon on paper, Sketch of two male figures in a canoe with bags in center of canoe; indication of foliage in background., Quebec, Canada, 1895, landscapes, Drawing, Drawing

Architectural Details, Arnold William Brunner, American, 1857–1925, Graphite on paper, Details of stone supports, window with a figure. Right, water pitcher., USA, 1883, architecture, Drawing, Drawing

Panel, escutcheon surrounded by cherubs and other motifs, Frederick Marschall, Brush and watercolor, gold on heavy paper, Three gold fleur-de-lis on oval blue ground, enclosed in frame, and surmounted by globe and putto bearing crown. Lower,

Hounds at Play, William Hunt Diederich, American, b. Hungary, 1884–1953, Graphite on paper, Circular design for a ceramic plate with an ornamental border. Within the plate, two barking hounds, one standing on stairs. At left, a figure in a

Sketch of the elevation of altars, Black chalk, pen, ink, brush and grey water colors on paper, Italy, 1730–1760, architecture, Drawing, Drawing

Buttercups, Mt. Desert, Samuel Colman, American, 1832–1920, Brush and watercolor, pen and brown ink, graphite on cream paper, Studies of buttercup flowers, right. Left, plant in seed., USA, July 9, 1877, nature studies, Drawing,

Ceiling in Hadrian's Villa, with Nymphs, Centaurs, Stags, and Elephants, Pen and colored inks, brush and watercolor, guache, over traces of graphite on paper, Design of a ceiling. In the center of the plan is a circle containing a square.

Musical Trophies, Graphite, pen and ink on paper, Vertical rectangle showing designs for musical trophies: various instruments bound with ribbons and encircled by laurel wreaths., Italy, 1800–1825, ornament, Drawing, Drawing

A Leafless Tree, Frederic Edwin Church, American, 1826–1900, Black crayon on paper, Recto: Leafless tree., Verso: Drawn horizontally near the right edge with strokes from a landscape sketch on the following page of the drawing book., USA,

Cypress Trees of Chapultepec, Mexico, Samuel Colman, American, 1832–1920, Black crayon, pen and brown ink, brush and watercolor on dark-gray colored paper., Vertical view of a group of trees including the lower portion of an enormous trunk

A Group of Four Nymphs (Motif for Design), Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite on cream wove paper, One nymph is shown dancing, three are sitting upon waves., USA, 1875–80, figures, Drawing, Drawing

Stage Design: Palace Architecture, Brush and gray wash, pen and ink, black chalk on laid paper, Vertical drawing with ruled border curved at top, showing palace façade seen from the side., Italy, 1700–1750, theater, Drawing, Drawing

Project for the exposition of the Host, Pencil, pen, ink and gray watercolor wash on paper, A stand is erected beneath the low arch, connecting two pilasters. The upper part of the intercolumnar space has a curtain as a background. The bottom of

Design for a Waistcoat, Various gouaches on paper, Design for the embroidery at the border of a man's waistcoat. Lilac edges. A bunch of flowers lies beneath the pocket. Boughs rise from the rising edge of the waistcoat., France, 1780-1790,

Royal Pavilion, Brighton, Design for Chimney wall with 3 gothic arches and Chinese lantern, George IV, King of England, English, 1762 – 1830, Brush and watercolor, gouache, pen and black ink, graphite on white wove paper, Horizontal

Renaissance Monument in Benedictine Church, Fecamp, Normandy, Pen and black ink, brush and gray, brown wash on paper, Elevation of a Reniassance monument. The monument is a vertical rectangle. The lowest portion is a base, with the

Group with Petrarch and Sappho in 'Parnassus' after Raphael Sanzio, Felice Giani, Italian, 1758–1823, Raphael, (Italian, 1483–1520), Pen and brown ink, brush and dark brown wash on off white laid paper, Group with Petrarch and Sappho.,

Design for an Altar Lamp, Filippo Marchionni, Italian, 1732–1805, Brush and watercolor, graphite on paper, Study of chandelier., Italy, 1750–1805, metalwork, Drawing, Drawing

Floor plans, Robert Frederick Blum, American, 1857–1903, Ink, black pastel crayon on wove paper, Sketch of a floor plan with two additional views of the building., USA, n.d., architecture, interiors, Drawing, Drawing

Design for Sideboard with Cabriole Legs and Ball and Claw Feet, A.N. Davenport Co., Graphite on thin cream paper, Large oblong sideboard with four scrolled legs with ball and claw feet carved with acanthus decoration; serpentine tri-partite front

Architectural Detail, Temple of Bacchus, Baalbek, Frederic Edwin Church, American, 1826–1900, Graphite on green-gray paper, Recto: Sketch of two columns and broken masonry; Below, a blind arch; Verso: View of a temple seen from the flank.,

Design for a Plate, Brush and gold gouache, pen and black ink, graphite on cream paper, Design for a plate with gold border, decorated with rose garlands., Japan, 1880–1910, tableware designs, Drawing, Drawing

Abundance, Vaulted Panel, Sala d'onore, Appartmento Napoleonico, Palazzo Quirinale, Rome, Felice Giani, Italian, 1758–1823, Pen and dark gray ink, brush and gray wash over black chalk ruled lines on light greenish-beige wove paper, Panel

Stage Designs, Castle in Landscape and Temples and Caves, Romolo Achille Liverani, Italian, 1809 - 1872, Alessandro Sanquirico, Italian, 1777 - 1849, Pen and sepia ink, brush and wash on paper, Vertical rectangle with two compositions.

Thompson's Farm in North Conway, New Hampshire, Daniel Huntington, American, 1816–1906, Graphite, white chalk, black crayon on paper, Barnyard with chickens and cattle. Sheds at left and at rear, and a fence in the foreground. Figure in a

Sarcophagus for the Relic, Luigi Righetti, Italian, 1780 - 1819, Pen and brown ink, watercolor, over graphite Support: white laid paper, Scale: in pen and brown ink, lower center, in palmi quattro Romani, Rome, Italy, Italy, ca. 1825,

Design for the Painted Decoration of the Walls and Ceiling of a Living Room, Brush and gouache, graphite on rough paper, Vertical format design for the decoration of the walls and ceiling of a living room. A short wall with the ceiling over it is

Architectural Details in Venice, Arnold William Brunner, American, 1857–1925, Graphite on brown paper, Top section of column, left. Roman capital, Lyon, center. Door frame, right., USA, 1883, architecture, Drawing, Drawing

Portrait of a Boy, James Henry Moser, Canadian, 1854–1913, Black crayon on board, Boy sitting in wooden armchair, shown in right profile., USA, ca. 1883, portraits, Drawing, Drawing

Design for Music Cabinet 'A' of Mahogany and Inlay, A.N. Davenport Co., Graphite on thin cream paper, Rectangular body with hinged upper drawer and 2 open lower shelves with stacks of books and music notebooks separated by molded dividers; raised

Gedney Bunce, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Two sketches of a male figure in profile., USA, 1881, portraits, Drawing, Drawing

Design for an Embroidered or Woven Fabric of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, Two fantastical sunflower blossoms., France, 1805–1815, Drawing, Drawing

Grotesque Design, Charcoal, pen and bistre, brush and wash on paper, Oval escutcheon within a rectangular frame. The spandrels show digs and birds. At center, a grotesque frame of masks, snakes and a large crown., Italy, early 17th century,

Eight Designs for Decorated Mouldings, C. C., French, active 19th c., Graphite, pen and black ink, brush and grey watercolor, brush and black on light creamy paper, The top row: torus moulding in the shape of a laurel garland with a medallion

Altar Lamp, Luigi Righetti, Italian, 1780 - 1819, Pen and gray ink, brush and watercolor, graphite on white laid paper; verso: pen and ink, graphite, Vertical rectangle. Design for a lamp; the main part of the body with garlands supported in

Ca d'Oro Palace, Venice, Italy, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of an exterior column from the Ca d'Oro palace in Venice., Venice, Italy, 1881, architecture, Drawing, Drawing

The Little Fish and the Fisher-Man, Illustration for Aesop's Fables, Victor Wilbour, Pen and red ink, crayon on white board, Fisherman, center, kneeling turned to the right; head in left profile. Tail of boat at right. Another pole left. Fish

Portrait Study of Miss Elliott, Daniel Huntington, American, 1816–1906, Graphite on off-white wove paper, Half-length study of a woman seated by a table, facing frontally. Her right hand is to her cheek, and her left hand holds a book in her

Study for woman, “Vintage Festival, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Black pastel crayon, graphite on paper, Two sketches of a female figure; Detail of head and hands and upper part of

Design for Round Dining Table on Octagonal Base, A.N. Davenport Co., Graphite, yellow color pencil on thin cream paper, Round molded top raised on hexagonal base with molded double band at bottom terminating in 4 [3 shown] splayed legs with brass

Five corner motifs, Filippo Marchionni, Italian, 1732–1805, Graphite, pen and ink, brush and gray watercolor on paper, Top row: three left corners of entablature, on top of walls, the left edges of which have the shape of a dolphin and a

Wallpaper Design, Brush and gouache, graphite on white paper, A dado is shown at the bottom, an entablature, the bottom molding of which colored green, is on the top. The decoration consists of broad plant motifs alternating with narrow floral

House — Sobantes, Arnold William Brunner, American, 1857–1925, Graphite on paper, House in spain, foreground, another one beyond, left; vegetation at right, USA, 1891, architecture, Drawing, Drawing

Landscape, Lauterbrunnen, Switzerland, William Trost Richards, American, 1833–1905, Graphite on paper, Sketch of landscape with a figure walking on a path and trees with foliage., Lauterbrunnen, Switzerland, August 10, 1867, landscapes,

Design for Portion of Stairway in Château-sur-Mer, Newport, Rhode Island, Charles Salagnad, French, Brush and ink and watercolor, graphite on paper, Paris, France, 1872, architecture, interiors, Drawing, Drawing

Sketches of Orléans, Arnold William Brunner, American, 1857–1925, Graphite on paper, Upper stories of a house shown, a doorway. Two sketches of a woman sitting on identified object., USA, 1883, architecture, Drawing, Drawing

Antelao, From Cortina, with Studies of Flowers, Samuel Colman, American, 1832–1920, Pen and black and brown inks, pastel, graphite on cream laid paper, Mountain landscape. Along right edge, flowers divided geometrically, with notes.

Study for 'Wedding Procession', Elihu Vedder, American, 1836 – 1923, Pastel crayon on paper, Study of sleeve, left; bust-length figure, emphasizing study of right arm with its sleeve drapery., USA, 1872–1875, figures, Drawing,

Study of a Willow, North Conway, New Hampshire, Daniel Huntington, American, 1816–1906, Graphite, white chalk, black crayon on green-grey paper, Study of a willow, between a fence and a road, with chickens beneath it. A house and

Botanical Sketches, Ecuador, or Colombia; Verso: Botanical Sketches, Frederic Edwin Church, American, 1826–1900, Graphite on white wove paper, USA, 1857, Drawing, Drawing

Stage Design, A Queen's Apartment from the ballet 'Il Conte d'Essex' by Gaetano Gioja, first performed at La Scala in 1818, Romolo Achille Liverani, Italian, 1809 - 1872, Alessandro Sanquirico, Italian, 1777 - 1849, Pen and black ink, brush

Design for a Memorial Window, John La Farge, American, 1835–1910, Graphite and watercolor on paper, Unfinished project, showing two standing figures. Renaissance-type enframement with arabesques at top, flanking colonettes and inscriptional

Mt. Chocorua from Tamworth, New Hampshire, James Henry Moser, Canadian, 1854–1913, Graphite, black crayon on paper, Mount Chocorua seen from across a small lake., October 1895, landscapes, Drawing, Drawing

Sketches for Two Angels and Faith, Francis Augustus Lathrop, American, 1849 - 1909, Brush and watercolor, graphite on paper, Three angels flying towards right, two of them blowing trumpets. Verso: three different poses for Faith seated on

Design for a Necklace and earring, Giovanni Sebastiano Meyandi, Italian, active 1762 - 1794, Pen and black ink, green watercolor, traces of graphite Support: cream-colored laid paper, mounted, possibly Siena, Italy, ca. 1755, jewelry,

Rendering of a Mausoleum, R. E., Hughson Hawley, American, 1850–1936, Graphite and white chalk on tracing paper mounted on board, An octagonal domed mausoleum, in the Renaissance style, stands on a terrace approached by a wide flight of

Design for Serving Table with Two Drawers and Upper Shelf, A.N. Davenport Co., Graphite on thin cream paper, Rectangular top having two drawers at front, raised on 4 straight tapering legs; lower shelf half way up from floor level; upper shelf

Spring, Sketch of Winged Figure, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on tan paper, Angel sitting, facing frontally and looking to the right. Birds in her left hand, and possibly an olive branch in her right hand., USA,

Elevation of the Facade of a Theater, Amsterdam, Cesare Recanatini, Italian, 1823–1893, Pen and gray washes on cream-colored paper, Horizontal rectangle. Two storied Palladian structure above a rustricated basement story. Roof broken by

Du Cabinet de Madame d'Azaincourt, Gilles Demarteau, Belgian, active in France, 1722 – 1776, François Boucher, French, 1703 – 1770, Reddish brown crayon engraving on paper, A girl, a boy, and a dog seated among ruins. After a

Female Nude Study for 'A Magdalen', Daniel Huntington, American, 1816–1906, Graphite, white chalk, brown pastel crayon on green wove paper, Female nude figure turned to the right with folded, raised hands. Lower part of the legs not shown.,

The Boccia Game, Bartolomeo Pinelli, Roman, 1781 - 1835, Pen and gray ink with watercolor and black chalk on off-white wove paper, Two players at left, three at right are shown against a wall over which two classical temples and trees rise.,

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