Images at Librifly

search results: Drawing clear search

Vintage in the Mountains Near Rome, Bartolomeo Pinelli, Roman, 1781 - 1835, Pen and gray ink with watercolor and black chalk on off-white wove paper, The two standing girls, who are shown from the rear, plate 3, loc. cit., are shown in

Design for Embroidery, Corner of Gentleman's Waistcoat, Brush and gouache, watercolor on cream laid paper, Design for the square corner of a waistcoat or gilet featuring pink, purple, and blue flowers. A lyre and quiver of arrows can be seen

Rocky Hillside, North Carolina, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on gray-green paper., Vertical view of a wooded slope with a rock at center, trees at top and shrubs growing out of rocks., North

Study of a Man's Expressive Face, Black crayon with white highlighting on gray paper, Vertical rectangle; A man's expressive face seen from the front, grimacing, turning into his right shoulder, shown slightly from above., Italy, 18th century,

Design for a Gilded Silver Bowl or Plate, Erasmus Hornick, Flemish, died 1583, Pen and brown ink, brush and brown wash over black chalk with inscribed compass lines on off-white laid paper laid down, Design for a circular bowl or plate

Design for a Bedroom Armoire in Louis XVI Style (Armoire pour un chambre à coucher riches, Style Louis XVI), Alexandre-Eugène Prignot, French, 1822–after 1875, Graphite, color pencil, brush and watercolor on cream paper, Armoire with tall

Design for cast metal and colored folding doors, Pen and ink, brush and watercolor on laid paper, The folding door consists of two wings, overdoor, framing pilasters, and an attic. The attic and overdoor have a trellis ground and decorated with

Sketch of Four Angels, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on laid paper, Upper bodies and wings of four angels, all facing slightly to the right. Wings vertical. Black ink marks, upper left., USA, ca. 1895, figures,

Rough Stone Arches Strengthened by Wooden Beams, Pen and brown ink, brush and gray wash on paper, Vertical rectangle. Arches of town-like buildings in decay supported by wooden beams., Italy, late 18th century, architecture, Drawing, Drawing

Azalées (Azaleas), Louis Apollinaire Sicard, French, 1807–1881, Lyon, Brush and gouache, pen and black ink, graphite on cream paper, mounted on cream paper, Large central azalea in tan with purple ribbon among floral vines., France,

Section of a Theater in Perugia, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Horizontal rectangle: Cross-section of theatre on the long axis showing entrance, orchestra with boxes, and stage., Italy, 1778,

Sketch for a Portrait of Bella Worsham, Daniel Huntington, American, 1816–1906, Graphite on cream paper, Standing woman facing in profile; right hand grasping fold of dress. Her left hand rests on a pedestal, holding a fan., USA, 1878,

Sketches of a Building and a Ruin, Pen and black ink on laid paper, Left: sketch of a crenelated building over a culvert and a tree before it; right: a circular building and a ruined circular structure., Florence, Italy, 1610–30,

Triumph of Peace, Roundel, for the Aldini Villa at Montmorency, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and grey-brown wash over black chalk on textured paper, Victory riding in chariot drawn by two horses. She holds

Design for Embroidered Waistcoat, pattern 1594 of the Fabrique de St. Ruf, Mademoiselle Montalent, Brush and gouache on laid paper, The lateral side is higher than the strip with the buttonholes, two of which are shown, disposed in a strip.

Design for a Chinese Pavilion, Frederick Crace, English, 1779–1859, Brush and watercolor, gouache, pen and black ink on paper, Horizontal rectangle. A design for a pavilion on the plan of a basilica. Lattice-work panels fill the openings.

Sketch of Worshipping Angels, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on laid paper, Angels in a group, central one with arms outstretched., USA, ca. 1895, figures, Drawing, Drawing

Drapery Study, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on tracing paper, Lower part of drapery for running or dancing female figure, turned to the right., USA, ca. 1895, figures, Drawing, Drawing

Study for Justice and Mercy, The Kiss of Righteousnes and Peace, Daniel Huntington, American, 1816–1906, Graphite on paper, Woman in headress seated at left, facing frontally. Women embracing her, right, in left profile, also seated. Two

St. John's Gate, Bristol, Ernest Clifford Peixotto, American, 1869–1940, Charles Scribner's Sons, New York, New York, USA, Brush and black and grey watercolor on paper, The gate, with tower and its spire rising above it, is seen at the

American Plains with Mountain Range in the Distance., Thomas Moran, American, b. Britain, 1837–1926, Graphite, brush and watercolor on paper, Plains with mountain range in the distance., USA, before 1872, landscapes, Drawing, Drawing

studies of hands holding calipers, Elihu Vedder, American, 1836 – 1923, black crayon, white chalk on blue-green paper, Three hands holding calipers, USA, ca. 1890, Drawing, Drawing

Stage Design, Interior of Gothic Hall, Romolo Achille Liverani, Italian, 1809 - 1872, Alessandro Sanquirico, Italian, 1777 - 1849, Pen and sepia ink, brush and wash on paper, Horizontal rectangle. Gothic hall with beam ceiling, sculptures

Design for two bracelets, Pen and black ink, graphite, brush and pale yellow wash on white wove paper, One above the other. Above: in the center an oval frame joined with a smaller similar frame at the sides, the bigger parts of which consist of

Isometric View of Torra de Ottaggio, Pen and brown ink on cream laid paper, A walled village appears in the middle of a mountainous landscape. Smoke or fire is seen emerging from the castle and other buildings within the village. A box with text in

Design for Wall Decoration, Yellow (North) Drawing Room, Frederick Crace, English, 1779–1859, Watercolor over graphite on white wove paper, Horizontal rectangle. Design for the Royal Pavilion, Brighton. Elevation of wall similar to

A Landscape with Town, Carlo Marchionni, Italian, 1702–1786, Pen and ink, brush and wash on paper, Mountainous country with figures beside a small waterfall in the foreground. In the background, a town with a crenelated castle before a

Store front, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a store front from the street., USA, 1881, architecture, Drawing, Drawing

Studies of Sheep, Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite and black crayon on paper, Grazing sheep shown in two lines, the top one showing three animals, the lower one, two sheep., USA, ca. 1875, animals, Drawing,

Design for a Tapestry: Allegory of Africa, Gérard Audran, Flemish, active in France, 1640–1703, Brush and brown ink, black wash, white gouache, over black chalk on laid paper. Framing lines in pen and black ink., A central group of women

Design for Simple Writing Table 'A' with Straight Square Legs, A.N. Davenport Co., Graphite on thin cream paper, Simple two-tiered writing desk raised on 4 square legs terminating in inverted flame-shaped feet; narrow drawer, 1900–05,

Elevation of a church, Pen and brown ink, brush and brown wash, red ink on off-white laid paper, lined, A large two-storey Palladian building with dome; tower on right side; statues along upper storey., Italy, 18th century, architecture,

Design for a Woven of Embroidered Horitontal Border, Brush and orange, yellow gouache on glazed tracing paper, Floral heart forms alternate with downwards disposed palmette plants. A strip is at the bottom., France, 1800–1815, Drawing,

Tungurahua Volcano, Ecuador, Frederic Edwin Church, American, 1826–1900, Graphite on gray paper, Horizontal view of the volcano Tungurahua in Ecuador, June 1857, landscapes, Drawing, Drawing

Study of a Boy Carpenter, Black and white crayon on grayish-blue laid paper, Boy is shown turned toward left and writing upon a beam, which lies on the soil. Left hand holds a chisel, right raises a hammer., Netherlands or France, 1730–60,

American Falls, Goat Island and Part of Horseshoe Falls, Seen from the Canadian Bank of the Niagara River, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on brown wove paper, Horizontal view showing from the

Tracings of Four Flower Boughs for Embroidery, Brush and white paint on dark tracing paper, mounted, Probably intended for emrboideries. Top row: a bough with leaves and three bell flowers; a bough with a bud and leaves. Bottom row: a forked bough

The Aeneas Group from the Conflagration in the Borgo, Felice Giani, Italian, 1758–1823, Raphael, (Italian, 1483–1520), Pen and brown ink, brush and sepia wash over traces of graphite on off white laid paper, Aeneas carries his father

Design for Embroidery Pattern, Brush and black ink on paper, pricked, Embroidery pattern, before 1916, Drawing, Drawing

Project for a Crest with Alternate Suggestions, Black chalk, pen and ink, bistre, brush and grey wash on paper, Horizontal rectangle showing design for an architectural ornament. A mask crowned with a leaf diadem on top of a pediment, the field

Wallpaper Design, Brush and gouache, graphite on white paper, A dado is shown at the bottom. On top are a frieze with two intertwined waved garlands of different designs and an entablature. The panel is decorated with stylized trees, the colors

A Krater, Felice Giani, Italian, 1758–1823, Black chalk on paper, Krater with a frieze of classical nudes., Italy, ca. 1805, classicism, Drawing, Drawing

Figure, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Partial sketch of a female figure., USA, 1877, figures, Drawing, Drawing

Sunset, Hudson Valley, Frederic Edwin Church, American, 1826–1900, Brush and oil on cream cardboard, Low ridges are shown in the foreground and in the left center. Mountains rise in the center and the left background. The date is written with

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Incised lines, brush and qhite gouache on glazed tracing paper pasted on paper, Every other one from a row of undulating

Elevation of an Interior Wall with Chimneypiece, Jean-Charles Delafosse, French, 1734–1791, Pen and black ink, brush and yellow, rose and grey wash, A looking glass is in the over mantel. Putti form bases of candelabra on mantle shelf.

Governor Lounsbury House, Main Street, Ridgefield, Conn., Frederick Dielman, American, 1847–1935, Graphite on paper, Perspective view of a large house, with a two-story columned portico., USA, April 21, 1887, architecture, Drawing,

Botanical Sketches, Frederic Edwin Church, American, 1826–1900, Graphite on paper, Sketches of various plants, labeled., South America, May 1857, nature studies, Drawing, Drawing

Decoration of an Apartment, Pen and ink, brush and watercolor on paper, Wall elevations in a sequence of five connected rooms. Ceilings are shown to scale directly above., Italy, ca. 1790, interiors, Drawing, Drawing

Landscape Sketch, Hudson Valley, New York, Frederic Edwin Church, American, 1826–1900, Graphite on cream wove paper, Verso: Sky study, sunset over bank, mist over river and hills, USA, June 30, 1866, landscapes, Drawing, Drawing

At the Theatre, Constantin Guys, French, 1802 – 1892, Pen and brown ink, brush and rust, blue, and brown wash on paper mounted on blue paper, Horizontal rectangle. Interior of a theater showing groups of figures in three boxes and part of

Study for a Portrait of Albert Gallatin, Seated, Daniel Huntington, American, 1816–1906, Graphite on gray-green wove paper, with white heightening on verso, Man with head turned to the left, seated at a table, with his arm resting on

Sketch of a Tree, Daniel Huntington, American, 1816–1906, Graphite on cream wove paper, Sketch of a tree with bare branches, at right, and an upper branch with foliage, at left, all extending upwards., USA, ca. 1840, nature studies,

Project for an Epitaph in High Relief, Vincenzo Gajassi, Italian, 1801 - 1861, Pen and brown ink, brush and brown wash on off-white wove paper, Renaissance style aedicule with central portrait medallion of a man flanked by saints., Italy, ca.

Sketches of Ships' Masts, Winslow Homer, American, 1836–1910, Charcoal on paper, Horizontal view of masts of a ship shown with color notations., USA, 1895–96, seascapes, Drawing, Drawing

Ceres, Felice Giani, Italian, 1758–1823, Pen and brown ink over traces of graphite on cream laid paper, Ceres shown sitting upon chair, holding with her right hand cornucopia and with left, reins of pair of snakes. Lion stands at left.,

Sketch of Julia Wells for 'My Cousin in Blue', Daniel Huntington, American, 1816–1906, Graphite on grey paper, Woman standing, turned toward the left. Her left hand repeated, upper right, and right hand, upper left. Verso: Man seated; his

Design for clock, Lefebvre Manufactory, Tournai, Brush and yellow, red, green watercolor, black wash, graphite, on cream laid paper, Base on cushion feet, upper portion with circular elements simulating spouting water in center and at each

Project for Tapestry Dedicated to Farm Life, Jean-Baptiste Marie Huet, (French, 1745–1811), Pen and black ink, brush and wash on off-white laid paper, Colonnade of Ionic order with garlands of flowers twisted and festooned between the fluted

Study for Portrait of a Man, Red chalk on paper, A bust portrait of a mn in 18th C. attire. Shown in profile, turned left., Italy, 1860–1900, portraits, Drawing, Drawing

Door and Upper Window of, Graphite, gray wash Support: laid paper, Rome, Italy, Italy, 1775, architecture, Drawing, Drawing

Study for 'Mathematics, ' 'The Sciences, ' Library of Congress, Washington D.C., Kenyon Cox, American, 1856–1919, Graphite on paper, Sketch of a globe, or spherical model of Earth turned to indicate the continents of North and South America,

Putti in Four Octagons and Two Circles, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush with brown wash over black chalk with traces of graphite on off white laid paper, Horizontal rectangle. Upper row: octagons showing first putto

Sketches in Lugano, Bellagio, Lake Como, Arnold William Brunner, American, 1857–1925, Graphite on paper, Details of figures. View of lake, sailboats., USA, 1883, seascapes, Drawing, Drawing

Mrs. Sheppard Gandy Seated, Daniel Huntington, American, 1816–1906, Graphite, black crayon, white chalk on grey wove paper, Woman seated in a chair facing frontally. She is turned toward a table, at right, and examining a piece of cloth in

Figures, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Crossed out sketch of a seated male figure.; Center, crossed out sketch of a female figure., USA, 1877, figures, Drawing, Drawing

Bourges, Arnold William Brunner, American, 1857–1925, Graphite and white heightening on blue-grey paper, View from a window to a street corner, with store opposite, store name., USA, 1883, architecture, Drawing, Drawing

Project for a Chimney Piece, Black crayon, pen and ink, brush and ink, bistre on laid paper., Vertical retangle. On the right half, the entablature is supported by a gaine, wrapped in a cloth. In the center rises a pediment with a

Design for a sedan chair, Pen and ink, brush and gray, green yellow blue watercolors on paper, Shown from the rear right corner with two bars. Urns stand upon, tassels hang from the corners of the roof. Garlands frame the back and the lateral

Night View of a Seaport, Frederic Edwin Church, American, 1826–1900, Brush and oil on cardboard, Night view of a small city on a bay, looking across the harbor. A light house is on a small island in the right foreground and a small sailing

Design for a Candle Bracket, Pen and ink, brush and wash on laid paper, Left, incomplete, side elevation; right, front elevation. The shaft is attached to, and arises from, a convex panel. The shaft itself, consisting of rocaille motifs,

On Escalier de Geants, Arnold William Brunner, American, 1857–1925, Graphite on gray paper, Eight sketches of ornamental architecture, labelled. Capitals, doorframe design, handrails and brackets., USA, 1883, architecture, Drawing,

Design for Serving Table of Mahogany and Inlay, A.N. Davenport Co., Pen and black ink on thin cream paper, Oblong body with convex front and 2 drawers; raised on 4 straight tapering legs; rectangular lower shelf attaches half way up legs;

Study for 'Wedding Procession', Elihu Vedder, American, 1836 – 1923, Pastel crayon on paper, Three-quarter-length sketch of a female figure standing, facing right. Emphasis is on the draped sleeve of her costume. At right, a study of folded

Studies of a Child's Left Foot, Daniel Huntington, American, 1816–1906, Black crayon on off-white wove paper, Four studies of a child's left foot. At left, study of a child's right foot., USA, 1845–55, figures, Drawing, Drawing

Diana and Callisto, after Domenichino, Felice Giani, Italian, 1758–1823, Pen and ink, brush and brown wash on paper, Italy, 1813–18, figures, Drawing, Drawing

Elevation of a Monstrance, Pen and sepia ink, brush and sepia wash, graphite on paper, Vertical rectangle. A round pedestal stands upon an oblong base. It is decorated with a disc above a festoon. Upon it stands the figure of an angel upon clouds

Abstract floral and bar d, Herman A. Elsberg, (American, 1869–1938), Gouache Support: ivory paper, Lyon, France, France, 1919, textile designs, drawing, drawing

Deisgn for a casino, Pen and ink, brush and watercolor, graphite on paper, A concave central section with steps that lead up to a portico. The rear wall has three door openings with reliefs above the doors and windows., France, 1785, Drawing,

Stage Design, Citadel on a River, Pen and black ink, brush and gray-brown wash, black chalk on laid paper, Horizontal rectangle. Gothic palace with many towers on enormous substructure with bridges leading up to palace. Verso: text fragment with

Painted Ceiling, Mauro Antonio Tesi, Italian, 1730 - 1766, Brush and watercolor on paper, Drawing depicts the corner of a heavily decorated ceiling., Italy, mid-18th century, architecture, interiors, Drawing, Drawing

Unfinished Design for a Waistcoat, Various gouaches on paper, Unfinished design for the embroidery of the left bottom corner of a man's waistcoat. Irregular flower rinceau, rising at left. A row of small leaves and a bough motif are intended to be

Elevation of House for J. Gregory, Chelsea, Graphite; pen and black ink; brush and gray, green and yellow wash on off white laid paper, Front elevation of a house places on the lower portion of the sheet., Inscription above.., England,

Design for Sideboard with Raised Side Cabinets and Upper Shelf, A.N. Davenport Co., Graphite on thin paper, Massive sideboard with six short tapering legs; lower tri-partite front has convex central section with two enclosed cupboard shelves

Drawing, Louis-Albert DuBois, Swiss, 1752–1818, Fabrique de Fazy aux Bergues, Graphite and graphtie on laid paper, Upper left, yellow and violet flower; upper right, four yellow and black flowers; lower left, red clover-like flower; lower

Design for a Hanging Sacristy Cupboard, Pen and ink on paper, Elevation of a hanging cabinet. Scrolling corbels below. The left side decorated with bellflowers and capped with a small vase. Crowned crest with the Chi-Rho christogram., Italy, ca.

Man, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Three sketches of a male figure wearing a hat., USA, 1881–1882, figures, Drawing, Drawing

Hudson Valley, New York in Winter, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite traces on paperboard, Horizontal view of a snow covered valley under a clear sky at sunset or sunrise. A wood and hill are shown in

Elevation of a Sepulcher Monument, Pen and brown ink, brush and gray wash, graphite on off-white laid paper, An aedicule with triangular pediment and triglyphs. Within a skull and crossbones above an inscription beginning with DOM. Watermark:

In the Yosemite Valley, Thomas Moran, American, b. Britain, 1837–1926, Brush and black ink, gray wash and white gouache on cream-colored paper, Vertical view of a rocky stream in the foreground bottom, followed by pines in the middle

Skyscrapers, New York, Leon Dabo, American, 1868–1960, Pastel on grey paper, View of lower Manhattan from the Hudson in the evening mist., USA, ca. 1907–08, architecture, Drawing, Drawing

Design for a Plate, Brush and gold, pink, white gouache, graphite on cream paper, Design for a plate that is mostly salmon-colored; border decorated in scallop form garlands, rim, and rhomboid pattern in gold. Several tableware sketches in

Stage Design, Entrance to an Oriental Temple, Karl Josef Koebel, German, active Italy, 1796 - 1850, Pen and black ink, brush and watercolor, ruled border in pen and black ink on white wove paper laid down on blue paper mounted on cardboard,

House in a Wooded Landscape, Pen and black ink, brush and gray watercolor on cream laid paper, House in a wooded landscape., Italy, 1750–86, landscapes, Drawing, Drawing

Vulcano forging the Thunderbolts of Jove, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash over traces of graphite on cream laid paper, Vulcan kneeling in right foreground, raises hammer; he holds blade with tongs.

Drawing, Graphite on paper, France, before 1902, Drawing

Project for a marble flower bowl, Pencil, pen, wash, ink, grayish paper, The basin is decorated with a calyx, two ducks, a molding. It stands on a column, the shaft of which is surrounded by ivy. Underneath is a pedestal, showing at the

Studies probably for an Adoration of the Shepherds, Red and white chalk on blue paper, Vertical composition with chalk sketch of the Shepherds. On the obverse there is a kneeling shepherd shown in profile turned to the right, with arms crossed

Two Sketches of Lisieux, Arnold William Brunner, American, 1857–1925, Graphite, brush with blue wash and white heightening on blue-gray paper, Left, detail of corner of a half-timbered house. Right, house on a street, with figure., USA,

Study with Tree Tops, Trees, Five Designs of Plants, and a Distant Island, Frederic Edwin Church, American, 1826–1900, Graphite on gray wove paper, Horizontal view of hilly and wooded bank of an island, at upper right and a leafy group of

search results: Drawing clear search