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Two Spanish Women Promenading, Constantin Guys, French, 1802 – 1892, Pen and brown ink, brush and watercolor, gray wash on paper, Vertical rectangle. Two Spanish women promenading, both wearing gray skirts, blue aprons, black scarves,

Study for Noah's Ark, Plate 40, Physica Sacra, Johann Melchior Füssli, Swiss, 1677–1736, Christian Ulrich Wagner, German, 1686–1763, Brush and grey, black wash, pen and black ink on cream laid paper, A large ship (Noah's Ark) is

Variations of design for surtout de table (in two parts), Unknown, Pen and black ink, gray wash on laid paper, ca. 1770–75, metalwork, Drawing, Drawing

Project: Sideview of the prayer stool, -2586, Pencil, pen, ink, and chinese black washes on paper, Horizontal composition of a prayer stool. The parapet is on the right and the caption reads 'profilo del med[esim]o.', Rome, Italy,

A Buggy Horse, Arnold William Brunner, American, 1857–1925, Graphite on paper, Horse in right profile, wearing a feed bag, USA, 1892, animals, Drawing, Drawing

Design for a Pottery Tile Stove, Pen and black ink, brush and wash, graphite on vellum, Design for a stove made of tiles with painted transfer designs on them—three rows in both top and bottom section of two tiles each—romantic scenes with

Designs for a Wooden Pedestal, Graphite, pen and ink, brush and wash on paper, Three designs for wooden pedestals. At left, an unornamented tapering pedestal. At center, three entwining legs. At right, scrolling legs with handing drapery.,

Design for a Plate, Brush and watercolor, pen and brown ink, graphite on cream paper, Design for a partial plate decorated at border with green, vines, and pink roses; inside with brown vines bearing pink and yellow flowers with yellow and

Gainger en Répose, Arnold William Brunner, American, 1857–1925, Graphite on paper, Man with hat, asleep against rock, seen from above, USA, 1882, figures, Drawing, Drawing

Design for Magazine Cover, Kenyon Cox, American, 1856–1919, Graphite on paper, Sketch of a magazine cover with a female figure in profile; Inscribed, JUNE., USA, ca. 1900, graphic design, Drawing, Drawing

Drapery Study for 'A Magdalen', Daniel Huntington, American, 1816–1906, Graphite, white chalk on gray wove paper, Drapery study for the train of a dress, center., USA, 1852, figures, Drawing, Drawing

Portrait fo unknown man, Richard Dighton, British, 1795–1880, Pen and ink with watercolor, Vertical rectangle. A man wearing face whiskers, a frock coat, and top hat stands left profile, full-length, holding a copy of a sheet inscribed

Boathouse, Francis Hopkinson Smith, American, 1838–1915, Charcoal, brush and gouache on paper, Wooden boathouse on a lake with a mountain in the background., USA, 1870, landscapes, Drawing, Drawing

Andean Mountain Peak (Cayambe ?), Otavalo, Ecuador, Frederic Edwin Church, American, 1826–1900, Graphite, burch and ozicized white gouache on gray paper, Horizontal rectangle showing the peak of a mountain. Range extends toward the left.,

Sketchbook Page: Ceiling and Architectural Details, Tempio Malatestiano, Rimini, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and light brown wash over traces of black chalk on white laid paper, Upper section of drawing of

Floating Icebergs, Frederic Edwin Church, American, 1826–1900, Graphite on light brown paper, Seascape drawing with four sketches of floating icebergs., USA, July 7, 1859, seascapes, Drawing, Drawing

Drawing for an Oratory (Memorial Chapel), Pen and black ink, brush and gray wash, blue, pink and yellow watercolor on paper, Section of a round building. A central, domed hall is surrounded by corridors. Porticos are at left and at right. From

Design for an Oval Table of Mahogany 'B', A.N. Davenport Co., Graphite on thin, cream paper, Oval molded table top is raised on four slender column-shaped supports sitting atop a molded rectangular base raised on four splayed legs with casters.,

Sketches at South Riverside Museum, Arnold William Brunner, American, 1857–1925, Graphite on paper; verso: green paper, Profile of marble bust, upper right. Sketches of Italian capitals, upper left and center. Brown jugs bottom., USA, ca.

A Window Case, Pen and black ink, brush and gray wash, traces of graphite on off-white laid paper, Elevation shows the frame of a basement window with lateral pilasters supporting an entablature. The plan beside at left. Two framing lines.,

Three figures, Jean-Francois Millet, French, 1814 – 1916, Graphite and charcoal on paper, France, ca. 1870, figures, Drawing, Drawing

Death of Adonis, Felice Giani, Italian, 1758–1823, Pen and ink, brush and brown wash on paper, On verso: three architectural studies, Italy, 1813–18, figures, Drawing, Drawing

Design for Embroidery for a Man's Waistcoat, for the Fabrique de St. Ruf, Brush and gouache, graphite on paper, Left bottom corner with obliquely rising bottom edge. Peacock feathers and leaf scrolls alternate along the outer edges. Obliquely

In the Desert, Arizona, Thomas Moran, American, b. Britain, 1837–1926, Brush and brown ink and white gouache on paper, Horizontal view of a man with staff in left middle center walking toward a deeply fissured range of hills., Arizona,

Freize with Fall of Phaeton, Pen and brown wash, black chalk on white laid paper, Moldings are on top and bottom, a pilaster at left. A coat-of-arms flanked by oblong representations: the Fall of Phaeton at left; Cupid in a chariot drawn by lions

Three capitals of pillars, with alternative suggestions, Pen and black ink, brush and gray watercolor, graphite on off-white laid paper, Three rows: above: two half figures, at left an owl, at right a dragon and a band motif. Center: in the

Design for a Jug, Brush and watercolor, gold gouache, graphite on paper, Design for a jug or ewer with a squared handle. Decoration consists of large white blossoms on the body with green leaves and pink buds; pseudo-Celtic knotted design in gold

Wallpaper Design, Brush and gouache, graphite on white paper, A dado is shown at the bottom. On top is an entablature, with a green leaf molding at the bottom and an entablature. The light blue panel shows horizontal rows of two alternate motifs

Design for Decoration of a Ceremony, Carlo Marchionni, Italian, 1702–1786, Black crayon, brush and gray watercolor on laid paper, A podium is erected above a pediment bearing seven burning candles. Festoons of garland hand upon it, and two

Design for Embroidery, Gentleman's Waistcoat Pocket, Fabrique de Saint Ruf, Lyon, France, Brush and watercolor, gouache, pen and black, purple ink, and graphite on cream laid paper, The waistcoat or gilet pocket flap shows garlands of light

Design for Sideboard with Upper Shelf, A.N. Davenport Co., Pen and black ink on thin cream paper, Sideboard with six straight tapering legs; rounded front corners with patera medallion decoration at center of each; flat front middle section: four

Design for a gateway, Filippo Marchionni, Italian, 1732–1805, Graphite, pen and black, brush and wash on paper; verso: black chalk, Embedded rustic columns and pilasters flank the door frame, over which a tablet shows the beginning of an

Antique Chair with Bacchic Themes, Pen and gray ink, brown wash, over graphite on white laid paper, View of the throne from an oblique angle. Throne back is a square form decorated with the Bacchic symbols of grapes and musical instruments. The

Elevation and Plan of Music Cabinet with Inlay, A.N. Davenport Co., Graphite on thin cream paper, Elevation (upper half of sheet): rectangular 2-door panel at front with inlaid laurel wreath center; raised on straight slightly tapering feet. Plan

Project for an Alter, Black chalk, pen and ink, brush and watercolor on paper, Above, a rainbow with cherubim and clouds. Below, the elevation of an alter. Below the mensa is a medallion with the portrait of a bishop. This is flanked by putti

Design for a Round Table on a Carved Support, A.N. Davenport Co., Pen and black ink on thin, cream paper, Round molded table top with dividing stretcher at center is raised on rounded carved support on cylindrical base raised on four reeded and

Wall Elevation with Panels of Chinese Figures, for King's Library, Royal Pavilion, Brighton, Frederick Crace, English, 1779–1859, George IV, King of England, English, 1762 – 1830, Brush and watercolor, pen and black ink, over

Motif for Bank Note Design, Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite on paper, A group of two women. A standing woman shown from the front raising a sun with both hands. A woman who kneels, at left, behind her, holds a

Man, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a male figure., USA, 1880, figures, Drawing, Drawing

Floral design for printed textiles, Louis-Albert DuBois, Swiss, 1752–1818, Fabrique de Fazy aux Bergues, Brush and gouache, graphite on white laid paper, Four stylized red and pink flowers with ladder-shaped brown stems on yellow ground.,

Holy Family, Felice Giani, Italian, 1758–1823, Pen and light brown ink, black chalk Support: white laid paper, Italy, Italy, 1800–1825, Drawing, Drawing

Design for a Square Mahogany Dining Table, A.N. Davenport Co., Graphite on thin, cream paper, Square molded table top raised on molded slightly flaring suppor decorated with dentils and Greek key motifs at bottom, standing atop molded base

A Tiger and A Tortoise, Black and white crayon on brown paper, The tiger is shown lying down and putting his right forefoot upon the tortoise. Rocky background., France, ca. 1825, Drawing, Drawing

Two Studies of a Hand, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on brown paper, The left hand is shown. Above, large and shaded. Below, the same position, only the thumb and two fingers are finished., USA, ca. 1895,

Three Men at a Sheep Shearing, Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite on cream wove paper, Two kneeling men are shearing sheep; the central figure carries a sheep. Below, at right, studies for the right forearm and the

Details of Mountain Sheds, Houses and a Rock, Bernese Alps, Switzerland, Frederic Edwin Church, American, 1826–1900, Graphite on light gray paper, Recto: Horizontal view of two groups of wooden mountain sheds at top; oblique view of two

Frieze, Pen and brown ink, brown, rose, green wash, black chalk Support: white laid paper, Italy, Italy, ca. 1620, architecture, Drawing, Drawing

Landscape, Darmstadt, William Trost Richards, American, 1833–1905, Graphite on paper, Sketch of a clearing in the woods, with large trees framing the composition., Darmstadt, Germany, June 27, 1867, landscapes, Drawing, Drawing

Stage Design, View of Town, Pen and brown ink, brush and sepia wash on laid paper, Horizontal rectangle. View on port through streets with facades of small buildings. Fountain at center, ships, large building, and mountains beyond., Italy,

Tailpiece, Homer Wayland Colby, American, 1874–1950, Charles Scribner's Sons, New York, New York, USA, Pen and ink on illustration board, A symmetrical design composed of small compartments within a larger one. Motifs include lighted

Project for a woven fabric, Gouache colors on oiled tracing paper, Horizontal rectangle. Two white undulating vines, with lavender blossoms, flank a lavender vine with green blossoms., France, ca. 1820–30, Drawing, Drawing

Tracings of Alternate Designs for Writing Table #45, A.N. Davenport Co., Carbon tracing and graphite on thin cream paper, 1900–05, furniture, Drawing, Drawing

Tante Bergeron clumped sullenly away, muttering, 'A mistress without a wedding ring!...There's a big misery in that, ' Illustration for Scribner's Magazine (III, No. 3, September 1912, p. 366), Charles Shepard Chapman, American, 1879–1962,

Stage Design, Pedestal of Monument, Angelo Toselli, ca. 1765? – 1826, Pen and ink, graphite on paper, Horizontal rectangle. Pedestal of monument on stairs, buildings in background., Italy, ca. 1800, theater, Drawing, Drawing

Study for a dancing woman, “Moods to Music, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Two sketches of a female figure dancing., New York, New York, USA, 1893–1898,

Design of a Console Table with a Mirror, Pen with greyish, black ink, brush with black washes, black chalk on paper, Conceived, probably by an apprentice, in the style of François Cuvilliés. A dragon is shown in an escutcheon in the bottom

Design for Sideboard with Six Drawers in Plan and Elevation, A.N. Davenport Co., Graphite on thin cream paper, Elevation view: rectangular sideboard with backsplash and 4 straight tapering legs [2 shown]; 2 large horizontal drawers center front,

Study for a man, “Vintage Festival, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Pastel crayon on tracing paper mounted to board, Sketch of a male figure's head, chest, and right arm., New York,

Design for a Necklace, Pen and black ink, brush and gray watercolor, gold on light green paper, Jewelry design for a necklace. For the chain, four different shapes are suggested. Hanging from a knotted ribbon is an oval pendant with a bouquet of

Female Nude, James Wells Champney, American, 1843–1903, Graphite on paper, Nude female figure lying on left side, right arm raised; legs drawn up to body., USA, ca. 1890, figures, Drawing, Drawing

Trophy with Ecclesiastical Objects, Romolo Achille Liverani, Italian, 1809 - 1872, Black crayon, pen and black ink, brush and bistre on paper, An assemblage of a mitre, an archbishop’s crozier, and altar objects, Italy, 1830–1850,

Four Caryatids, Felice Giani, Italian, 1758–1823, Pen and dark brown ink, brush with sepia wash over traces of graphite on light blue laid paper, Figures one beside the other; first and fourth raising both arms; third raises right; second

Trumpeting Angel, Francis Augustus Lathrop, American, 1849 - 1909, Graphite, brush and brown wash, white gouache on brown paper, Angel in clouds, moving toward the right, with trumpet to lips., USA, ca. 1895, figures, Drawing, Drawing

Design for a Frieze, Pencil, pen and ink on paper, Horizontal rectangle showing entablature with consoles below the cornice. In the frieze, festoons are supported by candelabra. Above them, a terrine and a roundel with flaming heart at center.

Stage Design, Town on Hill with Turreted Buildings, Pen and brown ink, brush and gray wash on laid paper, Vertical rectangle. Bridge leading across river toward town with many turrets, climbing up the hill., Italy, late 18th century, theater,

Drapery Study for Kneeling Figure in 'Communion of the Sick', Daniel Huntington, American, 1816–1906, Graphite, white and brown chalk on off-white wove paper; verso: red chalk, white chalk, Drapery of a kneeling figure, facing right, the

Study for a kneeling woman, “Vintage Festival, ” Mendelssohn Glee Club, New York, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Recto: Sketch of a female figure kneeling; Verso: Sketch of a woman wearing a kimono.,

details of figure studies, Elihu Vedder, American, 1836 – 1923, Pencil, black crayon, white chalk, on gray paper, Vertical rectangle. Above, head and shoulders of a young woman; below, woman's arm, leg, foot., USA, ca. 1885, Drawing,

Studies of a Right Foot, Two Heads, Daniel Huntington, American, 1816–1906, Graphite, brush and brown wash on off-white wove paper, Two heads of men, the left one in left profile. Ankle and foot of reclining or kneeling person, below.

A Bridge, Design for Washington Board of Trade Dinner, May 13, 1908, James Henry Moser, Canadian, 1854–1913, Pen and black ink, graphite on thin board, An arched bridge with street lights over a stream with a road beside it. Trees and

Study of Female Nude, Elihu Vedder, American, 1836 – 1923, Black crayon, white chalk, on gray paper, Full-length figure of a nude girl, standing, turned slightly to the right. Her right hand holds a wand-like object. The paper has been

Praying Woman, Pen and ink on paper, A bare-footed woman stands facing right, her hands together in prayer., Italy, 1790–1830, figures, Drawing, Drawing

Foreground Studies, Ramapo, Arnold William Brunner, American, 1857–1925, Graphite and white heightening on brown paper, Man in left profile, left. Plants, right., USA, 1888, figures, Drawing, Drawing

Elevation of a wall of a vestibule, Pen and Chinese ink, brush and light brown watercolor wash, graphite on paper, A central arch flanked by engaged, fluted Ionic columns and two wall panels. Inside the arch stands the figure of a woman on a

Stage Design, Gothic Archway, Pen and bistre ink, brush and wash on paper, Horizontal rectangle. Gothic archway giving way to view of Gothic church in the background., Italy, early 19th century, theater, Drawing, Drawing

Man on a Deck Striking a Ship's Bell, Winslow Homer, American, 1836–1910, Charcoal on paper, Horizontal view of a man, on a deck, striking a ship's bell., USA, ca. 1895, seascapes, Drawing, Drawing

Arabesque Design for a Panel, Pen and ink, brush and wash on paper, Gaine with the bust of Dionysus supporting a bowl full of bunches of grapes and leaves from which a faun with a thyrsus and two acanthus scrolls rise. A disk with roses and a

A Peasant's House, Eugène Edouard Soulès, French, 1811–1876, Graphite on paper, The house is at left, with a road passing by. At right water and a house in the middleground. Outlined frame. Verso: a blotter of a sketch with a view similar

Design for a Waistcoat, Black crayon and various gouaches on paper, Design for the embroidery of the left bottom part of a man's waistcoat. Lilac edges. Bunches of flowers decorate the flap of the pocket and the field beneath it. Leaves and flower

Study for Head of the Madonna, Francis Augustus Lathrop, American, 1849 - 1909, Graphite and black crayon on tracing paper, Woman in drapery looking down and to the left., USA, ca. 1895, figures, Drawing, Drawing

Study of a Fountain, Italy, Walter Shirlaw, American, b. Scotland, 1838–1909, Black crayon on paper, Water pours from a crowned lion mask into a basin, which is supported by scrolls with lion feet. The right half of the basin is shown,

Design for Large Two-Part Cabinet Built into Niche, A.N. Davenport Co., Graphite, green color pencil on thin cream paper, Rectangular upper detached piece of cabinet has 2 glass doors in front panel; lower piece of cabinet has central horizontal

Study of Grass in Seed, Sophia L. Crownfield, (American, 1862–1929), Brush and oil on black paper, Vertical sheet depicting grass in seed, USA, ca. 1890, nature studies, Drawing, Drawing

Stage Design, Vaulted Classical Building, Angelo Toselli, ca. 1765? – 1826, Pen and brown ink, brush and gray wash on wove paper, laid down, Horizontal rectangle. Antique building with vaults supported by columns, coffered ceilings, stairs

A bishop saint pointing to a model city, with other figures, after a drawing by Guercino, Francesco Bartolozzi, Italian, active England, 1727–1815, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 – 1666, Engraving in brown

Study of female model, Elihu Vedder, American, 1836 – 1923, Pastel crayon on paper, Female figure, nude with cloth draped over her knee, and hands resting in her lap., USA, ca. 1885, figures, Drawing, Drawing

Drawing for a Rocaille Escutcheon, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Black and red crayon on paper, Vertical rectangle with the general outline of a harp, a bust of a girl and a shell are in the upper

Design for Serving Rack with Three Shelves (Front and Side elevations), A.N. Davenport Co., Pen and dark brown ink on thin, cream paper, Side elevation of serving rack at left; each shelf supported by curvolinear brackets. Front elevation of rack

Cupboard, Pen and brown ink, brush and brown wash on off-white laid paper, lined, View of a case furniture on lion feet. Panels on side decorated with the suggestion of candelabrum. Two sculptural figures and one bust at center. Writing at left

study of a costumed figure, Elihu Vedder, American, 1836 – 1923, black crayon on white chalk, on gray paper, Vertical rectangle. The figure, dressed in monk's garments, faces the viewer, with head turned to the left., USA, ca. 1890,

Studies for the Violet Sargent Bronze Plaque in the Art Institute of Chicago, Augustus Saint-Gaudens, American, 1848 – 1907, Graphite on cream laid paper, Two figures: at left a seated woman, head in profile facing right, leaning on right

Figure, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Partial sketch of a figure's head., USA, 1877, figures, Drawing, Drawing

Portrait of a Cardinal, Giuseppe Passeri, Italian, 1654 - 1714, Red and white chalk on blue grey paper, Two separate drawings that were once connected. Lower sheet features two sketches of left hands holding something and the lower torso and

Figures, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Partial sketch of two figures., USA, 1881, figures, Drawing, Drawing

Costume Design: A Girl in Fantastical Attire for a Ballet, Lead pencil on paper, Vertical rectangle. A girl is shown in profile, moving toward left. She wears a large hat, and her overcoat's sleeves have the same shape of those of the eartly

A Valley in Mountainous Country, Eugène Edouard Soulès, French, 1811–1876, Graphite on paper, A lake is in the middle ground. Behind it are the ruins of a medieval castle on top of a hill. Mountains rise at left and at right. Brown framing

Man Pushing a Wheelbarrow, Possible Sketch for an Island for a Cotton Printing, Graphite on paper, Young man pushing a wheelbarrow loaded with bundles, possibly representing bolts of wet cloth., France, ca. 1800–1812, Drawing, Drawing

Adoration of the Shepherds, Ubaldo Gandolfi, Italian, 1728 – 1781, Pen and brown ink, brush and brown wash, black chalk on white laid paper, laid down on blue wove paper, The Virgin, seated, holds the Child in her arms, at center; a

Design for the Painted Decoration of a Wall, Brush and gouache, graphite on paper, A dado is shown below, an entablature above. In the panel, alternate vertical rows, consisting of lozenge rosettes and a petal and bough motifs, and two rising,

Washington Skyline, Design for Washington Board of Trade Dinner, May 13, 1908, James Henry Moser, Canadian, 1854–1913, Pen and black ink, graphite on thin board, View of the Washington, D.C., skyline from the Potomac. Washington Monument

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