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Design for Rectangular Writing Table with Six Drawers, A.N. Davenport Co., Pen and black ink on thin cream paper, Rectangular top with 3 shallow drawers on either side; bracket-shaped cabinet rear of top consisting of open central section with

Design for an Embroidery, Pen and ink, brush and blue watercolor, brush and gouache, gold on Dutch paper, A rising border is framed at right by two fold strips around which a ribbon is wound, at left, by the scalloped edge of the field. Two

Design for Ceiling, Frederick Crace, English, 1779–1859, Pen and black ink, brush and watercolor on white wove paper, Horizontal rectangle. Painted sky ceiling with dove and flower garland center, gray borders right side, decorated borders

Three Studies of Wall Mirrors, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash over traces of graphite on cream laid paper, Italy, 1822, figures, Drawing, Drawing

Design for a Round Dining Table with Bracket Feet, A.N. Davenport Co., Graphite on thin, cream paper, Round molded top raised on plain columnar support sitting atop molded 'X'-shaped base terminating in 4 bracket feet., 1900–05, furniture,

Design for Serving Table with Convex Front, A.N. Davenport Co., Pen and black ink on thin cream paper, Oblong top with convex front having 2 drawers and raised on 4 straight tapering legs; 2 conforming shelves attach below; low backsplash with

Study for the left maenad, “Vintage Festival, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Black, brown crayon, graphite on paper, Detail of female figure's legs with one bent knee. Study for the

Sketches of Figures, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, Possibly studies for a mural. Below, two figures with an hour glass. Verso: Notes, upper right--symbols: 'globe, tripod, telescope, owl.', USA, ca.

Stage Design, Interior of Temple, Pen and brown ink, brush and sepia wash on paper, Horizontal rectangle. Inside of temple in antique style. Statue of goddess on pedestal in foreground at right. Openings between columns closed by hangings.,

Design for Monument, Felice Giani, Italian, 1758–1823, Graphite, pen and ink, brush and wash on paper, Measured elevation showing an architectural monument with the bust of a woman at center and Greek cross at top. Inscribed on design are

Costume Design: Dancer to Perform on a Chariot for a Ballet, Pen and brown ink, brush and brown wash, black chalk, graphite on paper, Vertical format. Male figure shown frontally in a dancing pose; the right arm and the left hand are roughly

Sketches for paintings. Obverse: A Roman officer holds a crucifix upon a heathen altar. Reverse: Christ rising, Pasqualino Marini, Black crayon; Obverse: with pen ink, black watercolor wash on paper, Obverse: A bearded Roman soldier points at the

Altar Lamps, Censers, Incense Boat, Pen and brown ink on off-white laid paper, Loose sketches. Censer with floral chains., Italy, ca. 1800, metalwork, Drawing, Drawing

Altar Lamp, Luigi Righetti, Italian, 1780 - 1819, Pen and gray ink, watercolor, graphite on white laid paper, Three chains with virtues. Scale: at bottom, in palmi romani, Rome, Italy, Italy, 1800–1825, lighting, Drawing, Drawing

The Siren's Grotto at Tivoli, Felice Giani, Italian, 1758–1823, Black chalk, pen and black ink, brush and brown watercolor on cream laid paper, On recto: two artists are shown, drawing. Three men at the bottom of the falls. Houses of Tivoli

Landscapes near Baalbek, Lebanon, Frederic Edwin Church, American, 1826–1900, Graphite on grey-green paper, Recto: Sketch of a village upon a hill; Center, details of frieze decorations within the altar of the temple of Jupiter, Baalbek;

Sketch of a Female Nude, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, Nude female figure with arms swung out, both knees bent. At left, sketches for frames, and small sketch of figure with drapery., USA, ca. 1895,

The Road to Caprarola, Felice Giani, Italian, 1758–1823, Black chalk, pen and black ink, brush and brown watercolor, graphite on cream laid paper, A road passes a gorge. A Madonna shrine is fixed to a trunk of a tree. A man with a cart on

Project for the Outer Decoration of the Quater rails of a Ship with Alternative Suggestions, Black chalk, pen, ink, brush and grey watercolor, wash on French paper Verso: Red chalk on French paper, Three panels are shown flanked by sculptural

Design for Semi-Circular Writing Table with Ornate Carved Panel Center Front, A.N. Davenport Co., Graphite on thin cream paper, 1900–05, furniture, Drawing, Drawing

Design for Lunette with Apollo, Mnemosyne and Jove, Felice Giani, Italian, 1758–1823, Pen and brown ink on laid paper, In center, standing figure holds tablet or book in left arm. Figure is flanked by two seated figures; the left one holds a

Sketches for Frames, for the Sacristy of St. Peter's, Carlo Marchionni, Italian, 1702–1786, Pen and sepia ink on laid paper, Papal escutcheons, one of which is indicated as that of Pope Benedict XIV. The largest sketch has dimensions of the

The Elevation of a Reliquary Shrine, Black chalk, brush, grey water color, and black on cream paper., Object is a horizontal rectangle. Two supporting knobs are shown. The front is hexagonal. Pairs of cherubim are shown at the uppermost and left

View of a Village in Mountainous Country, Carlo Marchionni, Italian, 1702–1786, Pen and black, gray ink, black chalk on off-white laid paper, laid down, A small village is lightly drawn in the middle distance, flanked by trees rising from

Copy of an escutcheon in one of the fetes publications, Juste-Aurèle Meissonnier, French, b. Italy, 1695–1750, Pen and ink, brush and watercolor on laid paper, Framed with and formed in the bottom center by attributes of the sea such as the

Design for an Ewer, Jean Bernard Honoré Toro, French, 1661 - 1731, Black chalk, pen and ink, brush and wash on paper, Side view of a ewer decorated with putti, flared and curved spout, handle composed of a harpy. Sea monsters below.,

Design for a Wall Fountain, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Water flows from the mouth of a lion’s mask within a roundel topped with a garland., Italy, ca. 1790, architecture, Drawing, Drawing

Studies of Putti, James Wells Champney, American, 1843–1903, Graphite on paper, Three studies of standing figures for cherubs, with a fourth partial figure and study of head., USA, ca. 1890, figures, Drawing, Drawing

Boat House, Virginia Water; Verso: Scullery, Virginia Water, Sir Jeffry Wyatville, English, 1766 – 1840, Pen and black and brown ink, brush and gray wash on off-white wove paper, Vertical rectangle. A view of the boat house from the water;

Design for a Chalice, Pen and ink, graphite on laid paper, Below is a couped pediment with a female allegory, each with a putto upon an exterior volute. The shaft is foliated below and has above an aedicula with two female statues. The lower part

Study of seashore, Rhode Island, William Trost Richards, American, 1833–1905, Charcoal and graphite on paper, Sketch of a cove with rocks along coastline., Rhode Island, USA, ca. 1877, seascapes, Drawing, Drawing

Château de Papes, Avignon, Arnold William Brunner, American, 1857–1925, Graphite on paper, Embankment with high grass and bushes before a large castle., USA, 1892, landscapes, Drawing, Drawing

House in Orléans, Arnold William Brunner, American, 1857–1925, Graphite on paper, Sketch of a narrow town house, between two buildings. Carriage in front., USA, 1883, architecture, Drawing, Drawing

Interior at Chenonceaux, Arnold William Brunner, American, 1857–1925, Graphite on paper, Window, with ledge, low ceiling, in the old tower at Chenonceau., USA, 1883, architecture, interiors, Drawing, Drawing

Study for standing boy with kid, “Vintage Festival, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Brown pastel crayon on tracing paper, Young male figure standing slightly turned to the right,

The Ox and the Frog, Illustration for Aesop's Fables, Victor Wilbour, Pen and red ink, crayon on white board, Ox lying down under a palm tree, in left profile. Frog, lower left, looking up. Sun, upper right., USA, ca. 1916, Drawing,

At Aigues—Mortes, Arnold William Brunner, American, 1857–1925, Graphite on paper, A field, with figures, in front of a castle, walls and entrance, USA, 1892, architecture, Drawing, Drawing

The Devil's Den, Yellowstone, Thomas Moran, American, b. Britain, 1837–1926, Recto and verso: Graphite on gray paper., Recto: Horizontal view of the gorge at Devil's Den, Yellowstone., Verso, in opposite direrection: View of same gorge.,

Virgo, Lunette for Ceiling, Sala Ottagonale, Palazzo Milzetti, Faenza, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and light brown wash over graphite on white laid paper, Crouching winged female putto in a demi lune.,

Design for a Woven Fantastic Plant of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and gouache on oily tracing paper, Composed of four boughs of various flowers and of two leaf boughs with a peacock-eye each., France,

Stage Design, Room in the Palace of Titus for the Opera 'La Clemenza di Tito' by Mozart, Romolo Achille Liverani, Italian, 1809 - 1872, Alessandro Sanquirico, Italian, 1777 - 1849, Pen and black ink, brush and gray wash on white laid paper,

Orpheus, Ceres, Design for Vaulted Ceiling, Sala dei Legislatori, Palazzo Conti-Sinibaldi, Faenza, Felice Giani, Italian, 1758–1823, Pen and ink, brush and greyish-brown wash over black chalk on laid paper, Orpheus seated beneath trees,

Design for Rectangular Writing Table No. 8 with Four Drawers, A.N. Davenport Co., Pen and black ink, graphite on thin cream paper, 1900–05, furniture, Drawing, Drawing

Fort at Villefranche, Arnold William Brunner, American, 1857–1925, Graphite on paper, Fort, left, on shore with palm tree, center. Water, right, with mountains beyond, USA, 1892, landscapes, Drawing, Drawing

Floral design for printed textiles, Louis-Albert DuBois, Swiss, 1752–1818, Fabrique de Fazy aux Bergues, Brush and gouache, graphite on cream wove paper, Pink, purple and yellow tulips, blue spikey flowers with white centers on black and

Design for a Reliquary, Luigi Righetti, Italian, 1780 - 1819, Pen and ink, brush and wash, graphite on paper, Vertical rectangle. Base and shaft variations of the reliquary depicted in 1938-88-601. The receptacle is only a small oval in the

Design for Sideboard of Black Oak, A.N. Davenport Co., Graphite on thin cream paper, Sideboard with rounded corners set on an open platform of conforming shape set on molded rectangular support with carved floral garlands; upper section of piece

Stage Design: Library Interior with Arches, Pen and bistre, brush and sepia wash on paper, Vertical rectangle showing the interior of a library. In the foreground, square columns support cracking arches. In the background, a coffered ceiling

Design for stained glass, Alice Cordelia Morse, American, 1863–1961, Brush and gouache on paper mounted tan illustration board, Design in green and yellow vines, C-scrolls, with central oval medallion in gray and blue., USA, late 19th

Study for 'Wedding Procession', Elihu Vedder, American, 1836 – 1923, Pastel crayon on paper, Full-length figure of a woman in costume, standing, turned toward the right., USA, 1872–1875, figures, Drawing, Drawing

Sketch, Landscape, Antonio Baini, active Bologna, Italy, Black crayon on paper; verso: black crayon, pen and ink, brush and bistre wash, Vertical rectangle. Two trees stand in the left foreground. At right is a view of hills across a lake.

Ceiling and Four Walls of a Room, Frederick Crace, English, 1779–1859, Graphite, pen and black ink, brush and watercolor on wove paper, Against a gray background, ceiling at center. Upper wall has center fireplace with mirror above. Right

Baldacchino with Papal Ar, Graphite, gray wash Support: laid paper, Rome, Italy, Italy, 1775, architecture, Drawing, Drawing

Sheet with Architectural Sketches and Heads, Filippo Marchionni, Italian, 1732–1805, Pen and brown ink, brush and black wash on cream laid paper, Architectural studies of partial window or door cases as well as two heads; some accounting

Drapery Study for 'A Magdalen', Daniel Huntington, American, 1816–1906, Graphite, white chalk, brown pastel crayon on green wove paper, Study of the skirt and sleeve, with the model kneeling, turned to the right., USA, November 19,

Incomplete project for the elevation of an altar, Brush, grey and black water colors on paper, Italy, 1740–1770, architecture, Drawing, Drawing

Durham, Ernest Clifford Peixotto, American, 1869–1940, Charles Scribner's Sons, New York, New York, USA, Brush and black and grey watercolor on paper, The cathedral and the Bishop's Palace, seen in the distance, with the roofs of the

Design for a Jar, Brush and watercolor, black, gold gouache on cream paper, Design for a jar, partially decorated, with crossing bands outlined in green and filled with flowers in gold, red, and green on blue or black ground; circular shapes

King David, Brush and blue wash, pen and brown ink on off-white laid paper, The youthful king is standing upon clouds and gazing upward in ecstasy. A seated putto holds the harp, at left., Italy, 1750–66, figures, Drawing, Drawing

Man, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a male figure leaning against a wall., USA, n.d., figures, Drawing, Drawing

Woman, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a woman in a row boat., USA, 1877, figures, Drawing, Drawing

Candelabrum Design, Graphite, pen and ink, brush and wash on paper, Candelabrum design. At the bottom are two paw feet, from which a vase grows. Above this are two seated satyrs. Dolphins and vases above, Italy, ca. 1830, ornament, Drawing,

Design for a Ciborium, Chalk, pen and ink, brush and watercolor on paper, On top, the Paschal lamb. At back, the coat-of-arms of Pope Pius VI (1775-1799)., Italy, 1775–1800, metalwork, Drawing, Drawing

Studies for a religious representation, Filippo Marchionni, Italian, 1732–1805, Charcoal, brush and wash, white heightening on paper, At left are three cherubim; at right the bust of a young woman, possibly representing the Virgin, in the

Design for Round Dining Table on Carved Bracket Feet, A.N. Davenport Co., Graphite on thin cream paper, Round molded top raised on plain columnar support with concentric molding around bottom, sitting atop 'X'-shaped molded base terminating in 4

Hercules Hurls Lichas into the Sea, Felice Giani, Italian, 1758–1823, Pen and brown ink over traces of black chalk on light blue paper, Altar shown in background. Sea at left. Scared nymph shown., Italy, 1813, figures, Drawing, Drawing

Stage Design, Interior of Gothic Church, Pen and bistre ink, brush and sepia wash on paper, Horizontal rectangle. Interior of Gothic building, probably church with canopy on the left. Many later corrections and modifications to drawing., Italy,

Sketches at Lausanne, Arnold William Brunner, American, 1857–1925, Graphite on brown paper, Top, tower at Lausanne. Below, sketches of wooden posts., USA, 1883, architecture, Drawing, Drawing

Design for an Armchair, Pen and ink, graphite on paper, Vertical rectangle. Design for an armchair; the lower part of the legs consist of four chalices. Seatback decorated with an oval, a band, and a lattice., Italy, 1830–40, furniture,

Study for Reclining Nude, Red and white chalk on cream paper, Horizontal rectangle with a woman shown from the back lying leaning on her right arm. The left hand holds what appear to be a bed cloth and the head is turned toward the left hand.,

Design for a Round Table on Plain Legs, A.N. Davenport Co., Pen and black ink on thin, cream paper, Round table top with a dividing stretcher running across center is raised on four plain straight slightly tapering legs., 1900–05, furniture,

Design for Magazine Cover, Kenyon Cox, American, 1856–1919, Graphite on paper, Sketch of a magazine cover with a male figure wearing a United States Navy uniform and the outline of a female figure placing a crown on his head., USA, 1898,

Sketch of a Girl with a Frog, Louise Howland King Cox, American, 1865–1945, Graphite on light brown laid paper, Girl seated, with knees under her, gesturing towards a frog, at left, USA, ca. 1895–1910, figures, Drawing, Drawing

Project for a Church Ceiling, Black crayon, pen and ink, brush and watercolor on paper, Ceiling divided into three scenes framed with coffers. At center, within a lobed cartouche, is the Virgin and Christ Child with a glory of angels. Two oval

Design for Coronet, Pen and ink, brush and sepia wash, graphite on paper, Horizontal rectangle. Design for a small crown or tiara. From two converging branches with leaves and buds are springing upward alternatively stems with a bead and a big

Shepherd Boy and Shepherdess in a Landscape, Jean Baptiste Le Prince, French, 1734 – 1781, Pen and black ink, brush and black wash over graphite on off-white laid paper, A shepherd boy playesa flute, at left, while a shepherdess wearing a

Bythos and Aphros, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and sepia wash on cream laid paper, on a secondary support, The twin ichthyocentaurs Bythos and Aphros, from from Greek mythology., Italy, ca. 1800, ornament,

Jupiter and Hebe, Apollo and Terspsichore., Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash on cream laid paper, Decorative project with octagonal design. Head of eagle shown below left knee of Jupiter. Apollo plays

Man, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a male figure., USA, 1880, figures, Drawing, Drawing

Sagittarius, Lunette for Ceiling, Sala Ottagonale, Palazzo Milzetti, Faenza, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and light brown wash over graphite on blue laid paper, Winged putto-centuar shooting his bow and arrow

Study With Still Life, Arnold William Brunner, American, 1857–1925, Graphite on paper, Bust of man asleep on ground, hat covering face, pipe in mouth with handle bar mustache. Head resting on arm, below, drawing of vegetation., USA,

Studies of Five Figures, Red chalk on cream laid paper, Upper row, left: nearly nude man with bald head lays on a stone slab, at right, a cloaked man with his left hand upon a stone block and his head, right elbow on his right knee. Center,

Two Sketches of Sailboats at St. Lawrence, Arnold William Brunner, American, 1857–1925, Graphite on paper, Above, bank with church on it. Below, a wide bend, ridge at left., USA, ca. 1881, seascapes, Drawing, Drawing

Audience at Café in Constantinople, Arnold William Brunner, American, 1857–1925, Graphite on paper, Heads and busts of men, in mustaches and Moroccan hats. Drawn from different angles, from the front or profiles., USA, ca. 1883, figures,

Study of foliage, William Trost Richards, American, 1833–1905, Graphite on paper, Sketch of a tree with foliage., USA, July 27, 1864, nature studies, Drawing, Drawing

Design for a Round Table with Ball-and-Claw Feet, A.N. Davenport Co., Graphite on thin, cream paper, Round molded table top with a dividing stretcher running across center; is raised on plain column-like support sitting atop an elaborately carved

Landscape, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of buildings and chimneys., USA, 1880, architecture, Drawing, Drawing

Wallpaper Design, Brush and gouache, graphite on white paper, A dado is shown at the bottom, an entablature on top. The panel is decorated with obliquely dispersed and perspectively represented lilac coffers with a dark olive plant motif. Two

Design for Four Festoons, Pen and brown ink, brush and grey wash, graphite framing lines on cream laid paper, Horizontal rectangle showing design for four festoons. At top, a shield with crossed swords; at center left, a fasces and shield; at

Design for a Woven or Embroidered Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and gouache on glazed tracing paper, Crest border over a strip; it shows lead palmettes which are flanked by blossoms

Christ and the Virgin with Patron Saints of Pistoia, Giacinto Gimignani, Italian, 1606 - 1681, Brush and gray wash, pen and brown ink, black chalk, white gouache on cream paper., Attributed to Gimignani by Nicolas Turner and Ursula Pace.

One of Sixteen Scenes of the Death and Burial of a Man, Japan watercolor on silk or paper, From a series of sixteen scenes of the death and burial of a man in Japan., Japan, 19th century, Drawing, Drawing

Drapery Study, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on brown paper, Drapery extending over upper left arm of figure, facing frontally., USA, ca. 1895, figures, Drawing, Drawing

The Personification of Justice and Peace, Felice Giani, Italian, 1758–1823, Pen and ink, brush and brown wash on paper, Verso: three friezes, Italy, 1813–18, figures, Drawing, Drawing

Autumn Landscape, Brush and oil paint, graphite on paperboard, A group of trees stands in front of a wood. A fenced pasture is in foreground, a hill in background, USA, ca. 1865, landscapes, Drawing, Drawing

Lifeboat, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Recto: Sketch of a lifeboat attached to a large ship; Verso: Sketch of a village scene with a house, donkey, and male figure., USA, 1883, transportation,

The North Dome, Yosemite, California, Thomas Moran, American, b. Britain, 1837–1926, Brush and black wash, white gouache, graphite on tan wove paper, Vertical view of jagged rocks in foreground with rushing stream leading back through

figure study for a fountain design, Elihu Vedder, American, 1836 – 1923, black crayon, white chalk, on buff paper, Vertical rectangle. The nude figure of a boy, standing, turned toward the right. The arms are uplifted. The boy's left hand

Tree in Landscape, Pen and ink, brush and bistre on paper, Hilly countryside with trees on a slope. At right, a road with two small figures., Europe, 1650–1700, landscapes, Drawing, Drawing

Design for a Carved Mirror Frame, Pen and black ink, brush and watercolors, black chalk on off-white laid paper., Drawings of a high looking glass, a low mirror in an escutcheon. Verso: a scale, France, before 1742, furniture, Drawing,

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