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Design for an Urn, a Pitcher, Vases, Black chalk, pen and ink, bistre on paper, Top row, an urn with two handles, showing nude figures standing in calices in panels formed by scrolls; a pitcher with hand at right, depicting scrolls and nude

Two Tureens, Pen and ink, brush and wash on paper, Europe, 1790, tableware designs, Drawing, Drawing

Stage Design, Oriental Temple, Romolo Achille Liverani, Italian, 1809 - 1872, Alessandro Sanquirico, Italian, 1777 - 1849, Pen and sepia ink, brush and wash on paper, Horizontal rectangle. Elaborately decorated temple buildings in the

Portrait of a Woman, Jean Baptiste Joseph Pater, 1695 - 1736, Red, black, and white chalk on paper, Female head and left shoulder in three-quarter profile turned rightward. She wears a blue/grey ribbon tied at the back of the neck., France,

Landscape, Interlaken, Switzerland, William Trost Richards, American, 1833–1905, Graphite on paper, Sketch of a park with figures playing with a dog., Interlaken, Switzerland, July 25, 1867, landscapes, Drawing, Drawing

Design for Sideboard with Brass Rail and Brass Feet, A.N. Davenport Co., Pen and black ink, some graphite, on thin cream paper, Rectangular sideboard with rounded corners and six straight tapered legs; flat front has three drawers: two smaller

Design for the Embroidery of the Right Top Part of a Man's Waistcoat of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphite, brush and gouache on paper, A pierced, rocky base supports a column against which a medallion

Stage Design, The Erectheion on the Acropolis, Athens, Greece, Romolo Achille Liverani, Italian, 1809 - 1872, Alessandro Sanquirico, Italian, 1777 - 1849, Pen and sepia ink, brush and wash on paper, Horizontal rectangle. Ancient Greek

Study of landscape, Spezia, Italy, William Stanley Haseltine, American, 1835–1900, Graphite on paper, Sketch of a city along the sea., USA, ca. 1855, landscapes, Drawing, Drawing

Design for a Teacup, Brush and gold gouache, watercolor, graphite on cream paper, Design for a teacup with lid. Teacup body has allover decoration in form of sunset landscape with cottage on pasture with path to the left; squared and curved

Sketchbook Page: Two Landscapes after Vincenzo Martinelli; Verso: Architectural Details, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and sepia wash over traces of graphite on laid paper, Two mountain landscapes after

Wallpaper Design, Brush and gouache, graphite on white paper, A dado is shown at the bottom, a very high entablature, the moldings of which are variously colored, on top. The wall panel is densely covered by candelabra consisting of a repeated

Conch Divers, Winslow Homer, American, 1836–1910, Graphite on paper, USA, 1885, seascapes, Drawing, Drawing

Design for the Embroidery of a Waistcoat of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and yellow gouache on glazed tracing paper, laid down on paper, Left bottom corner. Rows of flower boughs at the outer edges. The

Design for Writing Table with Top Cabinet and Ionic Capitals Atop Legs, A.N. Davenport Co., Graphite on thin cream paper, Rectangular table top with molded central panel flanked by 2 drawers on either side; raised on 4 fluted, tapering, columnar

Bust Portrait of a Young Woman, Jeanne Dabos, French, 1763 – 1842, Graphite, pen and ink on paper, Shown in profile turned toward left. Verso: Forepart of the profile of the same woman., Paris, France, 1781, Drawing, Drawing

Study: A right arm holding a stick, Black crayon on gray paper, Horizontal composition of a right arm with a stick held in hand., Italy, 1700–1750, figures, Drawing, Drawing

Design for ceiling decoration, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Horizontal rectangle. One quarter is shown. A hermae supports the panel of an arch. Two hermae supprot at right an entablature, which is

Project for the Decoration of an Oblong Panel, Brush and watercolor, black chalk, and graphite on white laid paper, Below is a calix from which two curved rinceaux spring. They end laterally in blossoms from which candelabra rise. They end above

Cephalonia, Greece, Frederic Edwin Church, American, 1826–1900, Recto: Graphite on blueish paper Verso: Graphite, brush and white gouache on blueish paper, Recto: Horizontal view of a hilly coast, with a group of houses including a mill

Church Interior, Victor Louis, French, 1731 - 1802, Pen and ink, brush and watercolor, graphite on laid paper, Design of the interior of a large, domed church., France, ca. 1770, architecture, Drawing, Drawing

Elevation of a Theater, Venice, Cesare Recanatini, Italian, 1823–1893, Pen and ink with gray, sepia, and blue washes on cream-colored paper, Horizontal rectangle. Two and a half storied building with small columned porch on ground floor.

Design for a Window Hanging, Pen and black ink, brush and watercolor, graphite on off-white laid paper, Simply delineated window case and frame for tall casement windows. Window treatment consists of blue fabric dotted with pink spots, gathered

Virgil Reading the Eulogy of Marcellus to Lucretia and Augustus, Palazzo Cavina, Faenza, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and light brown wash over black chalk on heavy rolled paper, Italy, 1816, figures,

Lulling and Soothing the Mind into a Quietude, Frank Vincent DuMond, American, 1865–1951, Charles Scribner's Sons, New York, New York, USA, Oil on canvas on board, A man and a woman standing at left, looking to the right. Leaves and

Design for an Embroidered or Woven Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, White gouache on oily tracing paper, The entire design is composed of disks. The design is a variation of 1920-36-9. Similar nosegays,

Grotesque Design, Charcoal, pen and ink, brush and watercolor on paper, Strapwork escutcheon with masks and harpies is framed with grotesque candelabrum., Italy, early 17th century, ornament, Drawing, Drawing

In Tivoli, Bartolomeo Pinelli, Roman, 1781 - 1835, Pen and gray ink with watercolor and black chalk on off-white wove paper, A seated woman similar to plate 34, loc. cit., a seated man, upon whom a boy leans and to whom a little girl is

On Woodward's Farm, James Henry Moser, Canadian, 1854–1913, Graphite on paper, Wooden barn and house beyond. Trees around it. Stumps in a fenced-off yard in foreground. One figure, center. Verso: Farmer's face, upper right., USA, May 21,

Study: An erected forearm and left hand holding something, Black and red crayon with white heightening on rough gray paper, Vertical composition of a left forearm and hand holding something, seen from the outside. On the reverse is a part of a

Sketches of Shoes, Arnold William Brunner, American, 1857–1925, Graphite on paper, Various sketches of shoes. All varying in shape and style. Poulaine, Louis heel, high court shoes, flats and Cromwells., USA, 1883, costume & accessories,

Landscape, Frederic Edwin Church, American, 1826–1900, Brush and oil on cardboard, Vertical image of a bird's eye view of a rising hillside with grass, bushes, and trees., USA, July 1865, landscapes, drawing, drawing

Canyon of the Rio Virgin, South Utah, Thomas Moran, American, b. Britain, 1837–1926, Recto: Brush and watercolor, graphite on white wove paper Verso: Graphite on paper, A group on horseback is crossing a low point of the river in center

Study for a Mural or Panel, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, Figures under a tree, center. Figure with a spear, right. Additional figures standing at left and seated on right. Eagle, lower right.

Design for the Embroidery of a Man's Waistcoat, Unfinished, Tracing, brush and gouache, white on paper, Unfinished design for the embroidery of the left bottom corner of a man's waistcoat. A palmette frieze with moss bunches is underneath the

Sketches of Decorative Details from Cairo, Arnold William Brunner, American, 1857–1925, Graphite on paper, Sections of grillewrok, top; below, a lamp and vases with notes on color and place name., USA, ca. 1883, ornament, Drawing,

Project for a Fountain, Giuseppe Jarmorini, Italian, ca. 1732 – 1816, Pencil, pen, ink, Chinese blackwashes. Olive water color. Paper, A woman, wearing a helmet and holding fasces with both heads standing in a niche. Water is intended to

Sketch of Figures Bearing a Cross, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, A figure supporting each arm of the cross, with others between. Angel with arms up, beneath the center. Feet of heavenely figure above.

Two Designs for Trophies, Pietro Belli, Italian, 1780–1828, Pen and ink, graphite on paper, Vertical rectangle. Two designs for trophies. Below are the bases. In the center are panoplies. Upper design: two genii hold two of the shields, a

Design for Two-part Corner Cabinet, A.N. Davenport Co., Pen and black ink on thin cream paper, Tall corner cabinet consisting of lower triangular-shaped cupboard with 2 front glass doors and 2 shelves which hold pieces of china; canted corners and

Design for a mirror frame, Pen and Chinese ink, brush with watercolor, graphite on paper, In a panel over glass, an owl grasping in its claws a rake and a book from which a heart is suspended on a chain., France, 1750, Drawing, Drawing

Trees, Frederic Edwin Church, American, 1826–1900, Recto: Graphite on paper Verso: Black crayon on paper, Recto: Horizontal view with a tree at center left, two trees and bushes at right., Verso: Distant view of a lake, shown across hills

Design for a Woven Flower Scroll, Gouache on oily tracing paper, A bough with leaves, a blossom at the end of a spiral; three discs similar to those in 1909-13-77, probably buds., France, 1815-1840, Drawing, Drawing

Project for Part of a Painted Decoration, Pietro Antonio Novelli, Italian, 1728 - 1804, Pen and black ink; brush and black wash and white gouache over a green crayon wash., Hercules is seated on the left volute of a pediment featuring a

Two Friezes, Felice Giani, Italian, 1758–1823, Pen and bistre on paper, Horizontal rectangle. Right edge above: windged putto sit upon scrolls symmetrically arranged on stem with blossom, and swan in the internval. From spirals rises stem

Two Angels with Lance and Holy Sponge, Graphite, pen and ink, brush and watercolor on paper, Two angels carrying a lance and sponge, symbolic of Christ’s Passion. Scrolls flutter laterally with the inscriptions., Italy, 1800–1825,

Design for a Surtout de Table (Centerpiece), Pen and black ink, brush and watercolor, gouache, graphite on off-white wove paper, A tray, supported by lion feet, whose central pavilion is flanked by vases on columns, by low and by higher

Design for a Tureen, Joseph Anton Seethaler II, German, 1799–1868, Pen and black ink, brush and wash on paper, Vessel is banded with leaf and classical arabesque motifs. The finial is in the form of a turtle. Tureen rests on three griffins on

Capricci for a Painted Ceiling, Carlo Antonio Buffagnotti, Italian, ca. 1660–after 1715, Pen and brown ink, brush and bistre, black chalk, on paper, A high domed interior space permeated by billowing clouds with two twisted garland-entwined

Strapwork Design with Landscape, Charcoal, pen and ink, brush and watercolor on paper, Strapwork with harpies and cornucopia frame a landscape with a house on a hill., Italy, early 17th century, ornament, Drawing, Drawing

Design for a Decorative Burgonet, Pen and ink, graphite on laid paper, Vertical rectangle, lined border in pen and ink. Decorative visored helmet seen from the left in profile, the brim formed by the head of a boar. The body of the helmet is

Design for a Candlestick, Pen and ink, brush and watercolor, graphite on paper, Vertical rectangle. Design for a candlestick, the base composed of a short column with a circular band supported by knobs. On top of the column stands a caryatid

Butterflies and Other Insects, Rice paper, Detailed representation in color of four butterflies, a moth and three insects, including the praying mantis., China, 18th century, Drawing, Drawing

Design for a Silk Brocade, Fragment, Brush and gouache on oily tracing paper, A fantastical flower stem rises undulated, its movement being continued by a flower bough., France, 1825–1850, Drawing, Drawing

Design for a Silk Damask, Black chalk, pen and black ink, brush and blue, black watercolor on paper, Shown are the central motif, the mask, the right half of the remaining design. A bust of a wild man emerges from a leaf. He carries with

Design for stained glass, Alice Cordelia Morse, American, 1863–1961, Brush and gouache on paper, mounted on illustration board, Design of two vertical rectangles (posts) topped with a lunette (semi-circle). All are painted in chartreuse,

Unfinished Elevation of an Altar, Filippo Marchionni, Italian, 1732–1805, Graphite, pen and ink on laid paper, Pairs of Ionic columns or pilasters support laterally entablatures which are connected by the segment of an arch. A tripartite

Exterior, Frederick Crace and Son Establishment, 14 Wigmore Street, London, Frederick Crace, English, 1779–1859, Graphite, brush and watercolor on paper, Horizontal rectangle. Exterior of three buildings, the central one bearing the Crace

Design for a Censer, Pen and ink, brush and wash on paper, Design for a censer. At top is a canopy with a cherub head and lambrequins, with a ring at top. The body is hanging from three supports composed of balusters at top and scrolls at bottom.

Design for stained glass, Alice Cordelia Morse, American, 1863–1961, Brush and gouache, graphite on paper mounted on tan illustration board, Square window decorated with blue anthemion; above mosaic pattern., USA, late 19th century,

Design for an Embroidered or Woven Horizontal Border, of the 'Fabrique de Sts. Ruf, ' Unfinished, Fabrique de Saint Ruf, Lyon, France, Brush and blue, white gouache on glazed tracing paper pasted on paper, A bough from which an ear of grain

Sketches of Two Figures Moving Upwards, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on brown paper, Sketches of two figures, with arms outstretched, moving up to the right., USA, ca. 1895, figures, Drawing, Drawing

Sketch for Putto, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on tracing paper, Top left: oblique three-quarter winged figure, leaning on the left elbow and the left knee, which is not shown. Left top corner: a foot., USA,

Design for a Woven Border, Graphite, brush and colored gouache on paper, mounted on heavy paper, Roses and other fantastical flowers rise from scroll-shaped leaves adjoining a cone-repeat border; sheaths of wheat form top border repeat with a

Design for a Book Cover, Alice Cordelia Morse, American, 1863–1961, Brush and gouache on paper, On tan ground, vertical empty box at center; surrounded by frame of green leaves and purple-black berries., USA, ca. 1893–1903, graphic

Rocher St. Michel, Le Puy, Arnold William Brunner, American, 1857–1925, Graphite on brown paper, High rock with abbey on top. Houses and vegetation below., USA, 1883, architecture, Drawing, Drawing

Design for a Wall Panel, Pen and ink, brush and watercolor, sepia on paper, Elevation of a wall panel with candelabrum. The upper wall shows a motif centered on a vase; the dado shows a wreath and bow knot. The entablature shows a frieze of

Design for Two Bronze Key Plates, Richard de Lalonde, French, active 1780–96, Pen and black ink, brush and wash, graphite on white laid paper, Both key-plates are formed by foliate arabesques; that on the left is decorated with garlands,

Hercules renders Horn from Bull Achelous, Felice Giani, Italian, 1758–1823, Pen and brown ink over traces of graphite on cream laid paper, Bull shown running toward right. At left, pen sketch of similar representation with Hercules shown in

Landscape, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a landscape., USA, n.d., landscapes, Drawing, Drawing

Palazzo Pubblico, Siena, Walter Shirlaw, American, b. Scotland, 1838–1909, Brush and watercolor, black crayon on wove paper, View of the main square in Siena, Italy, with tower and Palazzo Pubblico., Siena, Italy, ca. 1872,

Project for Carved Panelling, Giovanni Francesco Romanelli, 1610–1662, Pen and brown ink, graphite, red chalk on paper, Horizontal format, two blank panels flank two putti who deck a herm with garlands and at either extremity are seated

Officers and General Watching a Naval Battle (Battle of the Monitor and the Merrimac), Allen Carter Redwood, American, 1844 - 1922, Pen and black ink on cream wove paper, A general and an officer, both wearing swords, are watching a naval

A Village Scene, Pen and bistre on paper, At left, two peasants sit by a brick wall chatting. Beside them, a horse stands beside a tree, laden with wheat. At right, a shepard guides his flock across a bridge, towards a village., Italy,

Project for the Decoration of an Oblong Panel, Brush and watercolor, graphite on white laid paper, A lyre form is composed of two cornucopias from which below stems rise. They are connected above by a vase. The vase contains flower stems and

Cheyenne Youth, Walter Shirlaw, American, b. Scotland, 1838–1909, Brush and watercolor, black crayon on paper, The youth is shown standing, slightly obliquely from the front., USA, ca. 1880, figures, Drawing, Drawing

Chairs, Pen and brown ink, brush and brown wash, on off-white laid paper, lined, Below, at left: sketch of an armchair with two different suggestions for the back, and another sketch of the left half of another project drawn over it. At right:

The Fox and the Stork, Illustration for Aesop's Fables, Victor Wilbour, Pen and red ink, crayon on white board, Stork facing left in profile, its beak in a vase, center. Fox at left, in right profile. Two columns in Egyptian style., USA,

Necklace Designs, Graphite on paper, Two sketches for necklaces. Top: plants alternate with plant motifs in oblongs. Center left: rough sketch, festoons and pendants. Bottom: pairs of festoons are connected by blossoms., Florence, Italy,

Design for a Ceiling (?) Painting with the Coat of Arms of Cardinal Francesco Maria de'Medici, Antonio Domenico Gabbiani, Italian, 1652 - 1726, Lead point, pen and ink, brush and brown, black wash on paper, The escutcheon is supported by a

Design for a Book Cover: Dragons and Cherry Blossoms, Alice Cordelia Morse, American, 1863–1961, Brush and gold gouache on paper, Gold text in upper right: DRAGONS / AND / CHERRY / BLOSSOMS; and flower, on peach colored ground., USA, ca.

A Valley, Eugène Edouard Soulès, French, 1811–1876, Graphite on paper, In the middleground are trees and houses. A road winds backwards from the center of the foreground. Hills are in the back. Framing lines., France, ca. 1840, Drawing,

Sea Shore, Eugène Edouard Soulès, French, 1811–1876, Graphite on paper, View of two islands, at right. Framing lines., France, 1811-1876, Drawing, Drawing

Drapery Study for Angel in 'Mercy's Dream', Daniel Huntington, American, 1816–1906, Graphite, white chalk on blue wove paper, Study of the drapery of a figure below with waist, with right knee bent forward., USA, 1857, figures, Drawing,

Dead Christ, Angelo Solimena, Italian, ca. 1630-1716, Red chalk on blue paper, Drawing of the head, upper arm, and torso of dead Christ. Above the study there are sketches of hands., Italy, 17th–early 18th century, figures, Drawing,

Combers in a Stormy Sea, Winslow Homer, American, 1836–1910, Graphite on paper, Sketch of a stormy sea with a vessel on the horizon., USA, ca. 1884, seascapes, Drawing, Drawing

Drawing, Francis Augustus Lathrop, American, 1849 - 1909, USA, before 1914, Drawing

Project for a Chimneypiece, Graphite, pen and ink, brush and sepia on paper, The right half of a chimneypiece. In the frieze are dancing figures. Above the entablature is a rinceau with a singed putto. Beside is a winged figure and candelabrum

Architectural Details, Arnold William Brunner, American, 1857–1925, Graphite on paper, Upper left of decorative panels in Raphael’s Logia, below, notes on Guercino., USA, ca. 1881, architecture, Drawing, Drawing

Madonna and Child, Sketches after Leonardo Da Vinci and Fra Bartolomeo of Works in the Uffizi, Florence, Daniel Huntington, American, 1816–1906, Graphite on off-white wove paper, Madonna and Child, upper left, with Fra Bartolomeo's name

Design for Kidney-Shaped Writing Table 'A' with Eight Drawers, A.N. Davenport Co., Graphite on thin cream paper, 1900–05, furniture, Drawing, Drawing

Designs for Two Cabinets, Pen and black ink, brush and watercolor, graphite on paper, Two cabinets, one with pediment surmounted by a geographer’s globe, the other fitted with a slide for writing. The former in elevation, the latter in

Stage Design, View of Town from Palace, Pen and brown ink, brush and sepia wash on paper, Horizontal rectangle. Across broad stairs, view passes under high arched portico toward group of buildings. Verso: perspective drawing., Italy, early

Design for Embroidery, Gentleman's Waistcoat Pocket, Brush and watercolor, gouache, and graphite on cream laid paper, Design for a man's waistcoat or gilet pocket featuring pink and purple flowers with green and brown leaves. A pink flower is

Tailpiece, Homer Wayland Colby, American, 1874–1950, Charles Scribner's Sons, New York, New York, USA, Pen and ink on illustration board, A motif composed of a lighted candle, quill pen, and inkwell., USA, ca. 1910, graphic design,

The elevation of a door in Rococo style, Domenico Torti, Italian, 1830 - 1890, Graphite, brush and watercolor on white wove paper, The door shows four vertically and two horizontally oblong panels with painted landscapes. The top part of the

Study for the Elevation of the Cross, Black chalk on paper, Loosely worked group of figures depicting the elevation of Jesus, at center, on the cross. Virgin Mary seated at right. Semi-nude figure of a man at center supports the cross from

Stained glass window: Young Christ among the doctors, John C. Wolf, Brush and watercolor on heavy paper, Christ at center with three robed older men surrounding him., USA, 1890–1900, glasswares, Drawing, Drawing

Ships at sea, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of ships under sail with clouds in the sky., USA, 1884, seascapes, Drawing, Drawing

Project for a Ceiling Frieze, Pen and brown ink, brush and brown wash, white heightening on off-white laid paper, Trapezoid. At right, half an escutcheon with scrolling acanthus leaves. At left, two putto, one holding a torch., Italy, mid-

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