Images at Librifly

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Floral design for printed textiles, Louis-Albert DuBois, Swiss, 1752–1818, Brush and gouache, graphite on white wove paper, Two pink flowers, green leaves, on stylized vines, scattered white stylized fern heads on tan ground., France,

Octagonal Drawing, Fame with Two Putti, Palazzo Morri, Faenza, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and wash over black chalk on laid paper, Female genius flying against background of clouds, holds torch in right

Campanile of St. Barnabas, Venice, Arnold William Brunner, American, 1857–1925, Graphite on blue-grey paper, Cell tower center and upper stories of surrounding buildings., USA, 1883, architecture, Drawing, Drawing

Design for a Lip Spout Pitcher, Graphite, pen and bistre on paper, The handle is at right. At left below the spout at the shoulder is a swan, supporting a winged putto. A ribbon passes along the neck, under the wing, then above a cherub head,

Design for an Embroidered or Woven Fabric of the 'Fabrique de St. Ruf, ' Unfinished, Fabrique de Saint Ruf, Lyon, France, Framing lines, brush and white gouache on glazed tracing paper pasted on paper, A rising leaf candelabrum, France,

Sketches of Plants and of Part of the Balustrade Bordering the Terrace at the Inn at Guaranda, Ecuador, Frederic Edwin Church, American, 1826–1900, Recto: Graphite, brush and white gouache on cream-colored paper Verso: Graphite on

Entrance to a Mosque, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of four male figures entering a mosque., USA, 1877, religion, Drawing, Drawing

Autumn Landscape, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on paper, Horizontal image of group of trees in front of a wood. A fenced pasture is in the foreground, a hill in the background. The gray grounding

Design for an Embroidered Altar Front, Brush and watercolor, pen and black ink, graphite on paper, Horizontal rectangle. Drawing includes the center and right half of the embroidery design. At bottom left, two crossed green branches with pink

Brown-and-Black Bird and Blue-and-Yellow Bird on Branch with Red Bloossoms, Hunting Insects, Pen and ink, graphite on coated wove paper, Brown-and-Black Bird and Blue-and-Yellow Bird on Branch with Red Bloossoms, Hunting Insects, ca.

Study of Siena Cathedral, Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite and watercolor on paper, The northwest part of the choir behind the main altar in the Siena Cathedral., Siena, Italy, ca. 1872, architecture, interiors,

Sketch of Classical Sculpture of the Venus Pudica Type, Benozzo Gozzoli, Italian, ca. 1421-1497, Silverpoint, heightened with brush and white gouache on laid paper mounted on laid paper, Female nude sculptural figure shown from the back. The

Persian miniature: Standing woman, Unknown, Pen and black ink, brush and opaque watercolors and gold., A woman with long veils is seen walking in a landscape and holding aloft a headband with her left thumb. Stylized clouds. Border with floral

Bird, Butterfly, and Pear, Brush and black ink, watercolor, graphite traces on coated wove paper, Bird perched on branch which bears a pear, red and white blossoms, and leaves with a ladybug. Butterfly in upper right corner., England or

Sketches of Heads, Arnold William Brunner, American, 1857–1925, Graphite on paper; verso: green paper, Left, sketches of three men with hats, right profile. Center, bust of woman with hat, left profile. Left, bust of woman with hat and

Sketch of Two Female Figures, Francis Augustus Lathrop, American, 1849 - 1909, Black crayon on cream laid paper, Sketches of two female figures, perhaps angels, flying to the right., USA, ca. 1895, figures, Drawing, Drawing

Chimneys – Lusanne, Arnold William Brunner, American, 1857–1925, Graphite and blue wash on light brown paper, Four sketches of chimneys; upper left, barber’s sign of brass., USA, 1883, animals, Drawing, Drawing

Man, Robert Frederick Blum, American, 1857–1903, Pastel crayon on wove paper, Sketch of a male figure wearing a hat and cape., USA, 1883, figures, Drawing, Drawing

Stage Design, Palace Interior, Romolo Achille Liverani, Italian, 1809 - 1872, Alessandro Sanquirico, Italian, 1777 - 1849, Pen and sepia ink, brush and wash on paper, Horizontal rectangle. Interior of large palace hall with vaulted ceiling

Project for an altar, Robert Mylne, Scottish, 1734 – 1811, Pen and ink, brush, sepia, gray watercolor on paper, The mensa stands upon steps, in the interval of two pairs of columns, supporting the entablature and the pediment. Between the

Design for Parts of the Embroidery of a Man's Waistcoat, Brush and watercolor, brush and white on paper, Disposed to form an angle. Flower boughs. A border design, alternating leaves under a stripe. Reverse: tracing; curved edge with halves of

Army Wagon Train, Winslow Homer, American, 1836–1910, Graphite on paper, Recto: Horizontal view of a train of army wagons drawn by mules., Verso: Lower portion of two women wearing crinolines., USA, 1864, landscapes, Drawing, Drawing

Side View of Canoe with Two Men, Winslow Homer, American, 1836–1910, Crayon on paper, Sketch of two male figures in a canoe with indication of foliage in background., Quebec, Canada, 1895, landscapes, Drawing, Drawing

Stage Design, Interior of Oriental Palace, Romolo Achille Liverani, Italian, 1809 - 1872, Alessandro Sanquirico, Italian, 1777 - 1849, Pen and sepia ink, brush and wash on paper, Horizontal rectangle. Interior of palace hall, richly

Design for Two Chairs, Jean Démosthène Dugourc, French, 1749–1825, Brush and watercolor, pen and black ink, graphite on white laid paper, ruled border in pen and black ink., Left: Chair with sloped back, pierced horizontal panel, center

Architectural Details and Figure Study, Filippo Marchionni, Italian, 1732–1805, Pen and ink, brush and gray watercolor on laid paper, Three upper parts of window cases; view of upper part of a house corner, with a pedestal upon which sits a

Bust of Female Nude, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on light brown paper, Sketch of nude woman, facing frontally, her head turned toward the left., USA, ca. 1895, figures, Drawing, Drawing

Design for a Monstrance with Alternative Suggestions, Pen and ink, brush and sepia on paper, The upper base is supported by volute feet; the right one with a cherub upon a lower base. In front of it is the pascal lamb upon the book and clouds with

Pifferari, ' Two Pipers from the Abruzzi in Rome, Bartolomeo Pinelli, Roman, 1781 - 1835, Paper, They are simliar to plate 23, loc. cit., standing at a street corner. A lamp burns before the image., Italy, 1807–08, Drawing, Drawing

Stage Design, Buildings on Riverside, Alessandro Sanquirico, Italian, 1777 - 1849, Pen and sepia ink, brush and wash on paper, Horizontal rectangle. Buildings in Gothic style on both sides of river, boat on shore in the foreground to the

Fisherman and Two Other Men in a Canoe, Winslow Homer, American, 1836–1910, Crayon on paper, Sketch of two male figures paddling a canoe while a third, in the center, fishes., USA, 1897, landscapes, Drawing, Drawing

Sketches of Angels, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on brown paper, Two angels, flying with their heads down. One has arms outstretched towards a large globe, and the other carries a branch., USA, ca. 1895,

Two Young Girls in a Field, Winslow Homer, American, 1836–1910, Graphite on off-white wove paper, Vertical view of two young girls standing in a field, looking downward to the right; a mountain indicated in background., USA, 1879, figures,

Drapery Study for 'The Active Life, ' Lunette in the Administration Building, Oberlin College, Oberlin, OH, Kenyon Cox, American, 1856–1919, Graphite on cream laid paper, Paper squared off. Seated figure facing frontally with knees turned

Design for a Processional Staff, Black chalk, brush and watercolor on paper, Beveled lower edges. The staff has a capital consisting of acanthus calyx and a pedestal. It is marked AB. Above stands an oval frame with acanthus leaves and lily sprays

Ornamental Panel, Graphite, brush and ink on paper, A sphinx terminating in an arabesque, facing left., France, ca. 1800, ornament, Drawing, Drawing

In St. Peter’s, Rome, Arnold William Brunner, American, 1857–1925, Graphite on paper, Four sketches of a monk, with beard and glasses. Upper left, profile view facing right. Upper right, bust of monk. Lower right, back leaning on a

Fantastic Garden, Carlo Antonio Buffagnotti, Italian, ca. 1660–after 1715, Pen and brown ink, black chalk on off-white laid paper, Within a vertical oval, an outdoor view of a garden terrace. At right is a fountain with birds upon rocks.

Design for a Book Cover, Alice Cordelia Morse, American, 1863–1961, Brush and gouache on paper, On gray-white ground, tall symmetrical arrangement of red carnations., USA, ca. 1887–1903, graphic design, Drawing, Drawing

Canoes on a Lake, Winslow Homer, American, 1836–1910, Graphite on paper, Sketch of canoes on a lake with trees in the distance., USA, 1897, landscapes, Drawing, Drawing

Design for Serving Table on Stop-Fluted Legs, A.N. Davenport Co., Graphite on thin cream paper, Rectangular molded top raised on 4 straight, stop-fluted, turned legs; lower shelf attached half way up from floor level; low backsplash; stack of

Design for a door case, Filippo Marchionni, Italian, 1732–1805, Graphite, pen and bistre ink, brush and gray watercolor on paper, Door case with a circular pediment with straight lateral parts. Inside is a console, supporting festoons

Study of a Coach, Pen and brown ink on laid paper, Horizontal rectangle. Sketch of a carosse. At left is the front of the coach with a small wheel. Above it sits a coachman's seat with a cushion, hammer cloth with a scalloped edge, tassels, and

Ferns, North Conway, New Hampshire, Daniel Huntington, American, 1816–1906, Graphite on paper, Large clump of ferns, lower left. Other plants, lower right, with ridges rising above. At upper left, inset tracing of a young fern. Verso:

Arabesque Panel, Pen and brown ink, brush and brown wash, white gouache on white laid paper, The design springs from two seated female figures with a vase between them, from which rises a column supporting prancing horses. Above, a relief panel

Bed Alcove with a Figure, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Elevation of a round bed alcove richly hung with textile and lambrequins. The top is tented and capped with large feathers. At right stands a

Study for The Cypress Trees of Montezuma, Park of Chapultepec, Mexico, Samuel Colman, American, 1832–1920, Recto: Black crayon, pen and brown and black inks, brush and gray watercolor wash on paperboard. Verso: Graphite, pen and brown ink,

Design for a Border, Charles Scribner's Sons, New York, New York, USA, Pen and ink on paper, A border design of holly leaves and berries, against a dotted background., USA, ca. 1900, graphic design, Drawing, Drawing

Landscape, Darmstadt, Germany, William Trost Richards, American, 1833–1905, Graphite on paper, Sketch of a doe and a fawn in a wooded meadow., Darmstadt, Germany, June 22, 1867, animals, Drawing, Drawing

Design for Allegory of Sculpture, Black and white crayon on paper, Vertical rectangle with a tab at bottom edge, showing a seated woman working on a bust with a chisel and hammer. A completed bust beside her., Italy, 1775–1800, figures,

Sunset in the Hudson Valley, Frederic Edwin Church, American, 1826–1900, Brush and oil paint on paperboard, Horizontal view with the center middleground filled by hilly country with an inlet of the Hudson River and right middlegound by the

Study of Squash Vines, Sophia L. Crownfield, (American, 1862–1929), Graphite, pen and ink on tracing paper, Horizontal sheet depicting two studies of squash vines with leaves, tendrils and blossoms., USA, early 20th century, nature

Design for a Reliquary, Brush and blue wash, pen and brown ink, black chalk on paper, An angel, standing on a base, carries in his raised hands a capital, upon which an escutcheon stands. It is crowned by a cross and surrounded by flower

Design for a Candlestick, Luigi Righetti, Italian, 1780 - 1819, Pen and ink, brush and watercolor, graphite on paper, Vertical rectangle. Design for a candlestick intended to be executed in gilded and green bronze and white and colored marble.

Sketchbook Page, Folio 98: Two Paintings after Caravaggio and Raphael; Verso: Eagle and Ox, Felice Giani, Italian, 1758–1823, Polidoro da Caravaggio, Italian, 1499 - 1543, Raphael, (Italian, 1483–1520), Pen and brown ink, brush and

Landscape View, Pen and ink, brush and wash on paper, Landscape. Building partially concealed by trees. Statue of sphinx., France and Italy, 1750–1825, landscapes, Drawing, Drawing

Woman in a Sunbonnet, Winslow Homer, American, 1836–1910, Graphite and white crayon on light-brown wove paper, Horizontal view of the upper portion of a woman wearing in a sunbonnet, facing right, and holding a bowl against her body in her

The Life Boat, Winslow Homer, American, 1836–1910, Brush and wash, brush and gouache, chalk on wove paper, Group of figures rowing a boat in rough sea, toward ship on horizon at upper left; ship vaguely indicated., USA, 1881, seascapes,

Design for a Waistcoat, Black chalk, pen, ink, and various gouaches on paper, pricked, Design for embroidery at the border of a man's waistcoat. Scheme of the design similar to -190. A bunch of flowers decorates the field beneath the pocket. A

Design for Magazine Cover, Kenyon Cox, American, 1856–1919, Graphite on paper, Two sketches of a magazine cover; Left, inscribed “McCLURES/ MAGAZINE/ JULY” at top with a female figure is holding a sword in her left hand and a scroll

Design for a Fountain, Charles-François Hutin, French, 1715 - 1776, Pen and ink, brush and gray watercolor, black chalk, graphite on paper, Horizontal format design for a fountain. The figure of Galatea is shown sitting in a shell, leaning

Madonna and Child in Glory, Study after Mastelletta; Angel Gabriel Driving Lucifer from Heaven, Study after Marcantonio Franceschini, Felice Giani, Italian, 1758–1823, Pen and ink, brush and brown wash, over black chalk on heavy white laid

Study for 'Mercy's Dream', Daniel Huntington, American, 1816–1906, Pen and black ink, white chalk on gray-blue wove paper, Female figure facing frontally, with her head turned to the right. She leans back on her right arm, with her left

Design for an Escutcheon with Alternative Suggestions, Graphite, pen and ink, brush and wash on paper, Vertical rectangle. Two angels are supporting the oval in the center, which is framed by mouldings, scrollwork and cherubim., Italy,

Stage Design; Palace Court, Follower of Antonio or Carlo Galli Bibiena, Pen and bistre and sepia on paper, Vertical rectangle: view into court under angle through vaulted arcades supported by columns, wall countain on right foreground. Below the

Design for China Decoration, Rose Samson, Water color, gold, on paper, Design for a cup, saucer, teapot, sugar bowl, and creamer done in gold and light green on a white background., USA, ca. 1895, tableware designs, Drawing, Drawing

Fountain with Atlas and Hercules, Luigi Righetti, Italian, 1780 - 1819, Charles Le Brun, French, 1619–1690, Pen and ink, brush and gray, black wash on light blue paper, Horizontal rectangle. The figure of Hercules sitting on top of a

Study for a woman, “Vintage Festival, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Black pastel crayon on paper, A female figure leaning over a pedestal. After a slim model., New York, NY, USA,

Sketch of a Capital and Cornice Profile, Pencil, Vertical rectangle. A corinthian capital and cornice profile; left, cross-section of capital and column. Scale indicated below., USA, 1850–1875, Drawing, Drawing

Design for Pedestal with 'Winged Victory' Statue Atop, A.N. Davenport Co., Pen and black ink on thin cream laid paper, 1900–05, furniture, Drawing, Drawing

Spanish Bayonet with a Tree and Five other Plant Studies, Jamaica, Frederic Edwin Church, American, 1826–1900, Graphite on cream-colored wove paper, Horizontal view of a series of botannical studies with at top left a leafy plant, at top

Design for the Embroidery of a Lady's Overskirt of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphite, brush and gouache on paper, A desnely scalloped strip, framed at the inside by a row of hands, is shown along the

Virgin in Glory with St. Peter and St. Paul, Francesco Solimena, Italian, 1657–1747, Pen and brown ink, brush and brown wash, black chalk on paper, Painted architecture for a fresco above and arch. Two angels support a framed picture of the

Study of mullein plants, William Stanley Haseltine, American, 1835–1900, Brush and watercolor, graphite on paper, Sketch of three species of mullein plants., USA, ca. 1857, nature studies, Drawing, Drawing

Design for a Woven Border, Brush and gouache on oily tracing paper, A bunch of flowers with a very big fantastical blossom is shown top right; a flower bough extends from it toward left, ending with a calyx from which a plant grows. Leaves are

Clouds, Daniel Huntington, American, 1816–1906, White chalk Support: Gray wove paper, USA, ca. 1840, landscapes, Drawing, Drawing

Remus Drives Away and Kills the Robbers of the Herds; Santuary for the Fugitives on the Campidoglio, Two Studies after Carracci, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash, over traces of black chalk on white

Study of an Angel with Drapery, Francis Augustus Lathrop, American, 1849 - 1909, Graphite and black crayon on tracing paper, Angel in drapery, arms raised, possibly lying on a cloud., USA, ca. 1895, figures, Drawing, Drawing

Study for 'The Education of Cupid', Kenyon Cox, American, 1856–1919, Graphite on tracing paper, A nude female figure is seated holding a bow and arrow in an upright position next to a young male figure. The paper is squared for transferring

Lamentation over the Body, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash, over traces of black chalk on white heavy wove paper, Left drawing of body of Christ reclining at lower left; Virgin, faces front with

Copies of Romanesque Letters and Motifs for a Woven Fabric, Brush and lateritious, purple, blue, and light green gouache on oily tracing paper, Top left, center: two quatrefoils and lozenge motifs. Top right: Romanesque letter 'F'. Left center:

Floral Design for printed textiles, Louis-Albert DuBois, Swiss, 1752–1818, Fabrique de Fazy aux Bergues, Brush and gouache, graphite on blue wove paper, Corner floral design on royal blue ground. C-shaped feather motifs of white, yellow and

Architectural Details, Arnold William Brunner, American, 1857–1925, Graphite and white heightening on beige paper, Left, upper portion of capital with leaf motifs. Right, center portion of arch moulding. Both ornamental decorated., USA,

Study for an Oval Ceiling Design, Apollo, Strength, and Love, Fedele Fischetti, Italian, 1734 - 1789, Pen and brush and black ink, gray wash, black chalk on off-white laid paper, Figure of Apollo raises a torch. Allegory of Strength

Design for a Chandelier, Pen and black ink, brush and watercolor, graphite on paper, Vertical rectangle. Design for a chandelier, on top is a ring. The upper part has the shape of a garden umbrella, from which another umbrella hangs. The

Sepulchral Monument of James III (1688-1766), Pencil, pen, wash, Chinese ink, A variation of the design 1901-39-2512. James stands upon a pedestal which rises from behind the sarcophagus. Seated to the left is Justice, holding a rod and a book

Stage Design: Curtain, The Workshop of Apollo, Felice Giani, Italian, 1758–1823, Pen and brown ink (iron gall ink) brown wash, Vertical rectangle. Framing similiar to 3180. View into circular vaulted structure, right part formed by front of

Design for Printed Cotton, Frederick Schaub, b. 1969, Mulhouse, Pen and ink, brush and watercolor on paper, A single design unit consisting of a serpentine pattern of flowers and foliage. Boundaries of design indicated by red framing line.,

Project for a wallpaper frieze, Pen and ink, brush and gouache, oxydized white on paper, The repeat consists of group of three girls and a boy, dancing, and two boys playing marbles. Trees, plants. At lower margin is frieze transposing the

Studies after Lunettes by, Felice Giani, Italian, 1758–1823, Pen and brown ink, brown wash, graphite on white laid paper, Recto: A lunette with the Deposition on top. In the middle, a lunette with the Resurrection. At the bottom, a lunette

Low Tide, Annisquam, Walter Shirlaw, American, b. Scotland, 1838–1909, Brush and watercolor, black crayon on paper, Figure in foreground, standing on a grassy patch surrounded by water and sand. Buildings, beyond, center., USA,

Drive from Chocorua to Knowles Pond, Daniel Huntington, American, 1816–1906, Graphite on paper, Landscape sketch with pine tree at center, pond at right, and mountains in right background., USA, September 26, 1879, landscapes, Drawing,

Sketch of a Woman's Head, Francis Augustus Lathrop, American, 1849 - 1909, Black crayon on tracing paper, Sketch of a woman's head, looking upward to the left, almost in profile., USA, ca. 1895, figures, Drawing, Drawing

Stage Design, Underground Stairways and Galleries of a Fortified Palace, Pen and brown ink, brush and brown and gray wash, black chalk on thick paper, lined with cream paper, laid down, Horizontal rectangle. Design for a stage set. Stairs

Study of landscape, William Stanley Haseltine, American, 1835–1900, Graphite, charcoal, brush and wash on paper, Sketch of a forest beside a pond., USA, ca. 1855, Drawing, Drawing

Study of a Male Nude, Nicola Consoni, Italian, 1814 - 1884, Black and white crayon on paper, Standing male nude with lowered head and raised left arm., Italy, 1842, figures, Drawing, Drawing

Drawing, Brush and brown wash, pen and ink on paper, Title page. Two pairs of columns on either end with a statue standing between each pair. Elaborate column tops with a detailed relief frieze above. At center top, three winged putti flying

Studies for Angel in 'Mercy's Dream', Daniel Huntington, American, 1816–1906, Graphite, pen and black ink, white chalk on blue wove paper, Study of the head and left shoulder of the angel, above. Study of right arm, below. Verso: Drapery

Piano Bench and Taboret, Henry J. Allen Residence, Wichita, KA, Henry J. Allen, Graphite, color pencil on cream tracing paper, Furniture pieces shown in perspective at right and left. At left, is piano bench draped with cloth next to vase and

Drawing: Sketch of a woman walking and carrying a basket, Pen and ink on paper, Vertical composition of a woman walking. She is turned towards the left and carries the basket in her lowered left hand and holds her right arm horizontally., Italy,

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