Images at Librifly

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Designs for Parts of a Coach, Pen and sepia ink, graphite on paper, Vertical rectangle. Design for parts of a coach more probably of Pope Gregory XVI (1831-1846) than Pope Pius IX (1846-1878). Above, the center and the right half of the cresting

Wall Elevation of the Bedroom of the Prince de Rohan, Hôtel de Soubise, Paris, Germain Boffrand, French, 1667 - 1754, Pen and black, gray ink, brush and gray wash, gouache, graphite, on three joined sheets of white laid paper, incised

Sketchbook Page, Folio 95: Three Paintings after Giulio Romano; Verso: Lion and Eagle, Felice Giani, Italian, 1758–1823, Giulio Romano, Italian, 1499–1546, Pen and brown ink, brush and sepia wash over traces of graphite on cream laid

Palazzo Quirinale, Rome;, Felice Giani, Italian, 1758–1823, Pen and dark gray ink, gray wash, black chalk ruled lines Support: light greenish-beige wove paper, Rome, Italy, Italy, 1812, interiors, Drawing, Drawing

Design for a printed fabric, Pen, brush and black ink, watercolor, gouache on paper, Most of a fantastical flower bough is shown obliquely on dark lilac ground., France, 1820–40, textile designs, Drawing, Drawing

Black Mountain in Thornton, New Hampshire, Daniel Huntington, American, 1816–1906, Graphite on pale green paper, Meadow in foreground, with man on rock, lower right. Trees on low hills, with mountains beyond., Thornton, New Hampshire,

Study for 'Communion of the Sick', Daniel Huntington, American, 1816–1906, Graphite, white chalk on off-white wove paper, Study of a left hand and sleeve, and a right sleeve. Left hand shown at upper right, with palm downward and fingers

Rookwood Pottery, George Gibson, American, b. England, 1820–1896, Pen and ink, brush and black and brown watercolor, grey gouache, graphite on illustration board, Groups of pottery arranged on four shelves, along the top of the page and

Design for a Mantelpiece, Giuseppe Valadier, Italian, 1762–1839, Pen and ink on paper, A plan of the over mantel. At center top part of the framing of the fireplace and the over mantel: a pavilion in Pompeian style with thin columns, shown in

Design for a Framed Print, Pen and ink, brush and sepia wash, graphite on paper, A molded frame before a tablet was evidently intended as the inner frame for something printed (but the proportions are not those of a book). The Tablet is topped by

Three Studies of Man in a Habit, Arnold William Brunner, American, 1857–1925, Graphite and white heightening on grey-blue paper, Probably for a cast or statue – three studies of bust of man in a hood. Two bust on left face right, upper

Design for the Elevation of a Mantelpiece, Pen and ink, brush and watercolor, graphite on paper, Horizontal format design for an elevation of a mantelpiece. The opening is framed by a narrow moulding and laterally by pilaster strips. The vertical

Living Room Davenport, Henry J. Allen Residence, Wichita, Kansas, George Mann Niedecken, 1878–1945, Henry J. Allen, Elsie J. Nuzman (Mrs. Henry J.) Allen, Graphite, color pencil on cream tracing paper, Front and side elevation of a

Design for Table with Newspaper Rack, A.N. Davenport Co., Graphite on thin cream laid paper, 1900–05, furniture, Drawing, Drawing

Sense of Sight, Brush and tempera on linen, Panel of natural colored linen plain cloth painted in polychrome tempera, showing one of the series of five senses. Figures of a man and woman seated at left. Winged putto at center offers a mirror to

Valleys and Snow Covered Ridges, Riobamba, Ecuador, Frederic Edwin Church, American, 1826–1900, Graphite, touched with brush and white gouache on greenish paper, Horizontal view of high valleys leading toward snow covered ridges in the

Cushions for Living Room Seat, Henry J. Allen Residence, Wichita, Kansas, George Mann Niedecken, 1878–1945, Henry J. Allen, Elsie J. Nuzman (Mrs. Henry J.) Allen, Graphite, color pencil on light brown wove paper, Elevation, cross

Design for a Candelabrum, Graphite, pen and ink, brush and watercolor on white paper, Urn-shaped of mottled blue stone with gilt bronze mounting. About base of urn, rayed laurel leaves; at sides: two vertical volute handles with a satyr mask at

Four Antique Goddesses, Felice Giani, Italian, 1758–1823, Pen and brown ink, black chalk on wove paper, Vertical rectangle. Top row: 'Diana.' The goddess runs with the bow toward right. A boy with the quiver runs before her. Second row:

Six Theseus Subjects for the Palazzo Gaddi, Forli, Felice Giani, Italian, 1758–1823, Pen and ink, brush and grey watercolor wash over black chalk on paper, Six octagonal drawings of Theseus subjects. Written top left, 'Camera di/ compagnia/

Designs for Embroidery, Black crayon on tracing paper, Vertical rectangle. Designs of abstract floral patterns for panels and borders. Each drawing stamped at top: 'Sessin original a broderie.' Designs numbered 159 (F), France, ca. 1890,

Bearded Man Standing, Daniel Huntington, American, 1816–1906, Graphite on buff wove paper; verso: brown crayon, pen and black ink, Elderly man with a beard, standing, bent toward the right. He holds some object in his right hand; the left

Sketch for an Angel, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on tracing paper, Winged figure blowing a trumpet, which he supports with his extended right arm. The upper part of the body is shown. Rough sketch for a head at the

Design for an Urn on a Stand, Joseph Anton Seethaler II, German, 1799–1868, Pen and black ink, brush with gray, black, green watercolor on wove paper, A side view of an urn with the spout on the left. The urn is oval in shape, with curved

Design for a Silk Damask, Brush and white, brown, green, lilac, and red opaque watercolor (partly applied at the reverse) on oily traving paper, The right half of a fantastical floral palmette, following the style of about 1730, is shown. A

Moose Hillock from Oak Hill House, Littleton, New Hampshire, Daniel Huntington, American, 1816–1906, Graphite on paper, The mountain, center, with ridges left and right. Below, the road to Franconia, labelled. Below, at right, the

Nude, Italy, before 1896, Drawing, Drawing

Part Old Wall at Paestum, Olive Trees Growing on It, Frederic Edwin Church, American, 1826–1900, Graphite on green paper, View of a part of an old wall with olive trees and mountains in the background., USA, April 1869, architecture,

Design for building for the department of state, Pen and black ink, brush and grey wash, graphite on paper, Large classical building, porticoed facade and pedimented wings. Below: DESIGN FOR BUILDING FOR THE DEPARTMENT OF STATE; lower left:

Noble Interior: Stage Design for the Teatro Marsigli-Rossi in Bologna, Antonio Giuseppe Basoli, Italian, 1774–1843, Pen and gray ink, brush and watercolor over black chalk on white paper, Design for a stage set. A richly furnished room in the

Study of seascape. Porcupine Islands, Bar Harbor, ME, William Stanley Haseltine, American, 1835–1900, Graphite on wove paper mounted on board, Sketch of a rocky coastline., Bar Harbor, Maine, USA, USA, 1859, landscapes, Drawing,

Thimbleberry, Elizabeth C. Field, Pencil and watercolor on paper (mounted), Vertical rectangle. Pink blossoms and green serrated, star-shaped leaves., ca. 1860, nature studies, Drawing, Drawing

Living Room Furniture, Henry J. Allen Residence, Wichita, Kansas, George Mann Niedecken, 1878–1945, Henry J. Allen, Elsie J. Nuzman (Mrs. Henry J.) Allen, Graphite, color pencil on beige tracing paper, Page divided into two registers by

Design for Wallpaper and Textiles: Flowers, Brush and gouache on cream paper, Cluster of white flowers and foliage at center of page surrounded by single flowers in a light purple gray shade. Surrounding this, six smaller clusters of white flowers

Lakeside Landscape, Arnold William Brunner, American, 1857–1925, Brush and watercolor, three borders ruled in graphite on off-white wove paper., View, from grassy shore in the foreground, of a lake with trees and dense foliage on far shore,

Mourning Over the Dead Christ, Red chalk on paper, Fragment with dead Christ's right arm being lifted by Mary Magdalen. Other figures, including the Virgin, whose body supports Christ, in upper left corner., Italy, 1750–1800, figures,

Six capitals of pillars, with alternative suggestions, Filippo Marchionni, Italian, 1732–1805, Pen and black ink, brush and brown, gray wash, traces of graphite on off-white laid paper, 1)Two dolphins, a panel with rinceaux and animal

Nude Woman, Walter Shirlaw, American, b. Scotland, 1838–1909, Charcoal on paper, Nude woman shown from the front with a lowered head, seated upon a bed., USA, ca. 1880, figures, Drawing, Drawing

Heading, Border, and Tailpiece for 'Battledore and Shuttlecock', Franklin Booth, American, 1874–1948, Charles Scribner's Sons, New York, New York, USA, Pen and black ink, with white gouache corrections, on paper, Border: daisy motif on

Saint in Ecstacy, After Franceschini; Classicized Version of Vision of St. Catherine of Vigri, Study after Franceschini, Felice Giani, Italian, 1758–1823, Pen and ink, brush and brown wash, over black chalk on heavy white wove paper, Upper

Sketch for Central Figure in the Ascension, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on brown paper, Robed figure standing on clouds, center, left arm around the cross. Facing frontally, with gaze directed downwards., USA,

Design for the Embroidery of a Horizontal Border, Pattern No. 23 of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphite, brush and gouache on paper, Flower boughs, ears of grain. Red and black strips at the bottom.,

Design for Doorway, Frederick Crace, English, 1779–1859, Graphite on paper, Elevation of a wall, with a doorway in the center, flanked on either side by pairs of columns with foliated shafts. Overdoor consists of a lunette of birds,

Woodland Scene, Jamaica, Frederic Edwin Church, American, 1826–1900, Oil on cream cardboard, Three tropical trees are isolated before a field in the foreground. Woods are visible in the background., USA, 1865, landscapes, Drawing,

Cliffs of the Rio Virgin, South Utah, Thomas Moran, American, b. Britain, 1837–1926, Brush and watercolor with white gouache on light-brown wove paper, A line of eroded cliffs rises from a plateau, while a stream traverses the bottom of a

Section of an apse, Filippo Marchionni, Italian, 1732–1805, Pen and ink, graphite on paper, Interior architectural study of St. Peter's Basilica apse., Italy, ca. 1780, architecture, Drawing, Drawing

Design for a Woven Fabric, Brush and gouche on oily tracing paper, Boughs of flowers are connected by undulated ribbons with flower boughs hanging at right beneath their bottoms. The flower bunches are of different designs in each alternate row.

Design for a Woven Fabric, Fragment, Gouache on oily tracing paper, mounted, Pentagonal. A rising flower stem and a flower bough, top right., France, 1815-1840, Drawing, Drawing

Standing Female Nude, Daniel Huntington, American, 1816–1906, Graphite on cream wove paper, Standing female nude with the woman's body turned toward the left. She faces frontally, her arms down and hands together. Lower legs not shown., USA,

Study of Drapery 'Fortune', Elihu Vedder, American, 1836 – 1923, Pastel crayon on paper, Sketch of drapery beneath the feet of a figure., USA, ca. 1899, figures, Drawing, Drawing

The marriage of Psyche and Cupid, Felice Giani, Italian, 1758–1823, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and wash, black chalk on paper., Jupiter seated in the centre embraces Psyche and Cupid who join hands. A

Academic Study of a Male Nude, Pio Piatti, Italian, 1735–1816, Black and white chalk on paper with grey prepared ground, Seated male nude, shown frontally, with his left leg drawn up, his right hand rested on his left knee, and his left

Design for a Silver Candl, Pen and brown ink, brown wash, black chalk Support: white laid paper, joined at center, Rome, Italy, Italy and Germany, 1725–40, metalwork, Drawing, Drawing

Christ and the Magdalen, John C. Wolf, Graphite on tan paper, Christ standing on right coming towards a woman seated (Magdalen) on a platform; surrounded by suggested architecture., USA, 1890–1900, architecture, Drawing, Drawing

Design for Woven Shawl with Paisley Motifs, Brush and gouache on brown oiled translucent paper, A paisley motif, also referred to as a Persian cone, is formed by flower blossoms of various sizes and colors (pink, red, yellow, blue) and a few

Design for a Candelabrum, Joseph Anton Seethaler II, German, 1799–1868, Pen and ink, brush and wash, graphite on paper, Cupid with the forepart of his right foot on a sphere, raisese with either hand a torchère with seven sockets.,

Mt. Lafayette, Mt. Franconia from Whitefield Road to Jefferson, Daniel Huntington, American, 1816–1906, Graphite on pale green paper, Fence, right, with farm beyond. Ridges, with mountains beyond., USA, September 25, 1855, landscapes,

Elevation of the Nave of a Church, Pen and black ink, brush and gray wash on white laid paper, Architectural interior drawing of a two-tiered wall decorated with candelabrum, statues, columns, and pediments., Palermo, Sicily, Italy, 18th

Designs for Two Drawer Handles, Pen and black ink, brush and yellow, brown, gray wash on paper; verso: graphite, Vertical rectangle. Designs for two drawer handles intended to be executed in metal, one below the other. The upper with lion masks

A Sea God Visiting a Girl, Johann August Nahl The Younger, German, 1752 - 1825, Giulio Romano, Italian, 1499–1546, Black chalk, brush and brown watercolors on paper, Drawing after a fresco devised by Giulio Romano in the Palazzo del Te in

Two Girls in a Field, Winslow Homer, American, 1836–1910, Graphite on white wove paper, Two girls walk in a field, their arms around each other's shoulders, caught in a moment of quiet contemplation, as often chances upon friends caught on

Sketch for 'Night', Francis Augustus Lathrop, American, 1849 - 1909, Black crayon on paper, Nude female figure shown from the rear seated without an indication of the right leg. The hands are raised, with the arms slightly bent at the elbows.

Elevation of a Chalice, Black chalk, pen and ink, brush and watercolor on paper, Faith with chalice and Hope are seated at the corners of the base. The shaft shows two cherubim and a female mask. An angel with the title of the cross is on the

Flower Stand, E. Bechetti, 19th century, Graphite, watercolor Support: thick white wove paper, Italy, Italy, 1871, furniture, Drawing, Drawing

Camel Hump, Road to Bolton Falls, Winooski River, Vermont, Daniel Huntington, American, 1816–1906, Graphite on grey paper, On river, foreground and right. Tree lined banks; mountains beyond., USA, October 1864, landscapes, Drawing,

Design for a Bowl with a Stand, Joseph Anton Seethaler II, German, 1799–1868, Pen and ink, brush and watercolor on paper, A pedestal of complicated design showing a fruit festoon, with bearded masks and plant motifs, is supported by lotus

Sketch of Seated Figure, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on brown paper, Figure sitting, shoulders facing frontally, face shown in profile looking up to the right., USA, ca. 1895, figures, Drawing, Drawing

Sketch of Fortuna, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on laid paper, Possbily a design for a ceiling. The goddess riding above figures, holding a wheel and staff. Verso: Octagonal plan, with sketches, and list of gods

Sketchbook page, Frederick Krieg, American, b. Germany 1852–1932, drawing, One of fourteen pages in a sketchbook, USA, 1864–78, Sketchbook page

Trial-proof for a printed vertical border, Brush and watercolor on paper, Right, blue and yellow iris blooms (some printed without color) rise vertically among heavy foliage; left, scattered flowers (some indicated in outline only)., France,

Design for a Bedroom Ceiling, Francis Augustus Lathrop, American, 1849 - 1909, Pen and brown ink, brush and white gouache on board, Long, rectangular design divided into squares and rectangular sections. Design with tendrils and foliage

Drawing, Graphite, gray wash Support: laid paper, Rome, Italy, Italy, 1775, architecture, Drawing

Design for Painted Decoration of a Wall, with Alternative Suggestions, Brush and gouache, graphite on paper, A dado is shown at the bottom, an entablature on top. White flower boughs form lozenges with curved outlines in which dark leaf boughs

Twenty-Four Putti, Decoration for the Dinning Room, Villa Aldini, Montmorency, France, Felice Giani, Italian, 1758–1823, Pen and ink, brush and wash over black chalk on laid paper., Top row: 1) running with bar towards right 2) carrying

View of Snow Covered Mount Chimborazo Drawn Near Guanojo and Guaranda, Ecuador, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on cream-colored paper, Horizontal view of valley, foothills, and ridges

Section of wall, Gallery Francis I, Palace of Fontainebleau, France, Frederick Marschall, Brush and watercolor, tempera on heavy paper, Section of wall, lower half with carved wood-panelling, containing medallions and trophies; upper half,

Girl Holding a Shell, Winslow Homer, American, 1836–1910, Charcoal on white wove paper, Vertical view of a girl, shown in right profile, holding up a shell, USA, 1879, figures, Drawing, Drawing

Design for a Triumpal Arch for Napoleon I, Bergamo, Italy, Pen and ink, brush and sepia wash, gray watercolor, graphite on cream laid paper, Architectural design for a triumphal arch. Within the archway stands a group of two adult figures and

Head of a Man in Turban, François Boucher, French, 1703 – 1770, Black and red chalk on paper, Shown from the front, the eyes of the main figure turn toward the left., France, 1757, portraits, Drawing, Drawing

Design for a Candelabrum, Graphite, pen and black ink, brush and sepia wash, black ink on paper, A woman standing on a column supports both handles of a stand with seven sockets (meant to be eleven) holding burning candles. Four sockets are

Design for a Printed Vertical Border, Graphite, brush and gouache on paper, Lower left corner is shown. Rinceau with leaves, blossoms and buds., France, 18th century, ornament, Drawing, Drawing

Cartoon for Silk Damask: Cornucopias with Rams' Heads, Pen and black ink, brown wash, traces of red chalk, graphite on white laid paper, Rows of cornucopiae, having ram heads at their points; these support festoons crossing the cornucopiae,

Mt. Chocorua from Chocorua House, Daniel Huntington, American, 1816–1906, Graphite on cream wove paper, Mountain at center, with ravine below at left. Pond and trees lightly sketched in foreground. Verso: Sketch of clouds., USA, September

Artist's Brook, Henry Hitchings, American, d. 1902, Graphite on tan wove paper, laid down, A brook slopes through wooded banks., USA, USA, 1854, landscapes, Drawing, Drawing

Stage Design: Proscenium and Palace Staircase, Maria Casimira, Queen of Poland, Polish, 1640 - 1716, Pen and brown ink, brush and gray, brown wash on white laid paper, Vertical rectangle showing view of an elaborate three-tier architectural

Tree with Many Boughs, Frederic Edwin Church, American, 1826–1900, Graphite on white paper, Vertical view of a tree with many boughs, with a lower trunk which has grown obliquely., USA, July 1844, landscapes, Drawing, Drawing

Architectural Fantasy: A Circular Temple on a Truncated Pyramid, Louis-Joseph Le Lorrain, French, 1715–1759, Brush and gray and brown wash, over black chalk on off-white laid paper with additions at top and bottom, lined with cardboard and

Design for Two Gilt Bronze Chandeliers, Jean Démosthène Dugourc, French, 1749–1825, François-Joseph Belanger, French, 1744–1818, Pen and ink, brush and watercolor on paper, lined with paper and framed with brown paper stripe, Design

Design for Table with Flush-Back Newspaper Rack, A.N. Davenport Co., Graphite on thin cream laid paper, 1900–05, furniture, Drawing, Drawing

Design for Mechanical Furniture: Secretary Desk, Graphite, pen and black ink, brush and watercolor on paper, A secretary with double fall-front, one above the other, showing alternative treatment of kneehold base; elevation, two sections, and

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf, ' Unfinished, Fabrique de Saint Ruf, Lyon, France, Brush and white, blue gouache on glazed tracing paper pasted on paper, Flower boughs rise from a waved white

Facade with the Arms of Pope Benedict XIII, Santa Maria Sopra Minerva, Rome, Italy, Ferdinando Fuga, Italian, 1699 - 1781, Pen and black ink, brush and gray wash on heavy cream laid paper, Elevation of the facade of Santa Maria Sopra

Fern Tree Study, Jamaica, Frederic Edwin Church, American, 1826–1900, Graphite on gray paper, Horizontal view of a fern tree at top right half of sheet, August 1865, nature studies, Drawing, Drawing

Study of Pink Begonia, Sophia L. Crownfield, (American, 1862–1929), Brush and watercolor, gouache on gray paper, Vertical sheet depicting a begonia plant with pale pink blossoms and green leaves with touches of red., USA, early 20th

Project for a Fresco in the Dome of the Cathedral in Citta di Castello, Tommaso Maria Conca, Italian, 1734 – 1822, Graphite, pen and ink, brush and sepia wash, blue and yellow watercolor, on paper, Christ, the Virgin, and Saint Florido

Drapery Study of the Atlantic for 'The Marriage of the Atlantic and Pacific, ' Mural in the Senate Chamber in the Wisconsin State Capitol, Madison, WI, Kenyon Cox, American, 1856–1919, Graphite on tracing paper, Man standing, his body

Dixville Notch, approach from West, Daniel Huntington, American, 1816–1906, Graphite on grey paper, Jagged outline and some shadowing on top of mountain ridges. Highest point at right., USA, 1863, landscapes, Drawing, Drawing

On the Upper Delaware (after a charcoal drawing), Thomas Moran, American, b. Britain, 1837–1926, Calotype with brush and dark-brown and white watercolor on thin off-white wove paper, Horizontal view of the merging of a stream with a river,

Venus Beside the Sleeping Adonis, Red crayon on paper, The nude goddess kneels behind and gazes at a young man lying on the couch with his head at left. Spear and horn are lying in the foreground. A tree is shown at left. Attributed to Pasquale

Study of seascape, William Stanley Haseltine, American, 1835–1900, Brush and wash, graphite on paper, Sketch of a coastal cliff and rock formation., USA, ca. 1855, nature studies, Drawing, Drawing

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