Images at Librifly

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Competitive Design for a Private Garage., James M. Scheiner, b. 1891, Pen and India ink, with grey-brown water-color (mounted), Vertical rectangle. Elevation shows an arched door flanked by side doors with lights over them. Single upper floor

Design for a Woven Fabric, Fragment, Gouache on oily tracing paper, mounted, Flower sprays., France, 1815-1840, Drawing, Drawing

Old Man of the Mountain, New Hampshire, Francis Hopkinson Smith, American, 1838–1915, Charcoal, crayon on paper, View of the granite face in profile to the left on the mountain with trees in foreground and a lake below at center., New

Frieze of a Mural for the Rosewell P. Flower Memorial Library, Watertown, New York, Printed on sensitized paper, Frieze showing classical procession of five female figues half nude, piping man and winged child riding on one of pair of lions

Cloud Study, Jamaica, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on cardboard, Sky with clouds over mountain ranges at sunset., USA, 1865, landscapes, Drawing, Drawing

Drapery Study, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on tracing paper, Kneeling or seated female figure indicated, facing right. Possibly cloak of Virgin Mary., USA, ca. 1895, figures, Drawing, Drawing

Hygeia, after an Antique Statue in Giustiniani Collection, Rome, Felice Giani, Italian, 1758–1823, Pen and ink, brush and bistre wash, traces of graphite on laid paper, Woman seated upon rock, raises her right hand with device. Coiling

Drapery Study, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on tracing paper, Female figure reclining to the right, head up and hands in a praying attitude., USA, ca. 1895, figures, Drawing, Drawing

The Phrygian Sybil from Raphael’s Fresco in St. Maria della Pace, Raphael, (Italian, 1483–1520), Graphite, chalk on paper, A robed figure standing with one foot on a vase., Italy, ca. 1800, figures, Drawing, Drawing

Green River from the Ferry, Wyoming Territory, Thomas Moran, American, b. Britain, 1837–1926, Graphite, brush and watercolor, white gouache on gray wove paper, Horizontal view of the river and sandbar in the foreground, receding

Five Studies of Tree Tops, Rio Magdalena, Colombia, Frederic Edwin Church, American, 1826–1900, Graphite on gray paper, Horizontal sheet containing five designs for tops of trees, 1853, probably May, nature studies, Drawing, Drawing

Studies of Trees, Ecuador, Frederic Edwin Church, American, 1826–1900, Graphite on gray paper, Horizontal view containing a group of trees, at upper left; tree tops, at upper center and right; and three trees with vines, at lower center.,

Study for female figure and flowers, Kenyon Cox, American, 1856–1919, Graphite on wove paper, Sketch of a nude female figure and details of flowers., USA, ca. 1900, figures, Drawing, Drawing

Design for a Theater Ceiling, Giuseppe Borsato, Italian, 1770 - 1840, Pen and gray-brown ink, brush and watercolor, gold paint, graphite on paper, Vertical format design for a painted ceiling. Form of a horseshoe, with a base line. Inscribed

Designs for embroidery, Black crayon on tracing paper, Vertical rectangle. Designs of abstract floral patterns for panels and borders. Each drawing stamped at top: 'Sessin original a broderie.' Designs numbered 164 (H), France, ca. 1890,

Study of clouds, William Stanley Haseltine, American, 1835–1900, Brush and gouache, graphite on paper, Sketch of cloud formations., USA, ca. 1855, nature studies, Drawing, Drawing

Sketchbook Page, Folio 64: Study after Bolognese Architecture and Monuments, Including Arch of San Domenico; Verso: Geometric Studies, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and bistre wash over traces of black chalk on

Studies of Trees and Plants from the Río Magdalena, Colombia, Frederic Edwin Church, American, 1826–1900, Graphite on gray wove paper, Horizontal view containing a group of trees and plants at upper left; a two trees at right of upper

Sunset from Olana, Frederic Edwin Church, American, 1826–1900, Graphite on heavy white wove paper, USA, July 1, 1870, landscapes, Drawing, Drawing

Design for a Pediment, Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite and ink on five pieces of paper mounted on board, A winged woman is shown in the center, holding a chain or thread. She is flanked by two seated figures,

Hotel in the Mountains, Francis Hopkinson Smith, American, 1838–1915, Brush and watercolor, gouache, graphite on paper, Scene of a meadow with fence and stream, female figure in foreground., USA, ca. 1880, landscapes, Drawing, Drawing

Designs for Baluster Vases, Black chalk on off-white laid paper, Two rows of four balusters each, the left halves being shown., Italy, 1700–1725, architecture, Drawing, Drawing

Study of a nude, Ubaldo Gandolfi, Italian, 1728 – 1781, Red and white crayons on light brown paper, Vertical composition of a nude young man carrying a bar. His right hand is raised and left hand is lowered. The body is shown from the front

Project for an Entablature and Pediment, Pencil, pen and ink, brush and sepia, read and white crayon on paper, Vertical rectangle showing a pediment, entablature, a console, rinceaux and a festoon., Italy, 1700–1725, architecture,

Monument to Franz I, Empe, Pen and black ink, watercolor, gold paint, over graphite Support: off-white wove paper, Vienna, Austria, Italy, 1846, architecture, Drawing, Drawing

Design for a Monument for Pope Pius VI, Flaminio Innocenzi Minozzi, Italian, 1735 – 1817, Pen and brown ink, brush and brown wash over black chalk on off white laid paper, A platform, reached by a stair, supports a tall monument that has a

Design for a Chimneypiece, Luigi Righetti, Italian, 1780 - 1819, Pen and gray ink, brush and watercolor, graphite on paper, Horizontal rectangle. Design for a chimney piece intended to be executed in marble and bronze. Gaines with women, who

Design for a Chimneypiece, Pen and ink, brush and gray, yellow watercolor, graphite on paper, Horizontal rectangle. Design for a chimneypiece intended to be executed in white marble with a small band in gilt bronze. Pillars at the sides, the

Sketchbook Page: Atrium, San Pietro, Bologna and Detail from San Pietro; Detail from S. Michele in Bosco; Verso, Geometrical Studies of Heads, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash over traces of graphite

Figure Crowned by Angel with Putti, Red chalk on paper, Seated, crowned figure surrounding by angel and two winged putti., Italy, 1600–1800, figures, Drawing, Drawing

Studies of Wings, Francis Augustus Lathrop, American, 1849 - 1909, Pen and ink on tracing paper, Above, right, an angelic figure with a man's head and arm, and wings. Below, a bird with raised wings. Lower left, study of a wing., USA, ca.

Wall Elevation, Frederick Crace, English, 1779–1859, Pen and black ink, brush and watercolor on wove paper, Vertical rectangle: Two panelled doors center, Greek frieze design above, Greek fret design left and right., 1815–22, interiors,

Andian Mountain Valley with Winding Stream, Colombia or Ecuador, Frederic Edwin Church, American, 1826–1900, Graphite on bluish paper, Horizontal view of a valley with a stream flowing through a mountainous landscape toward the central

Juno, Mariano Rossi, Italian, 1731–1807, Brush and brown wash, pen and ink, graphite on paper., Center left, Juno seated holding small temple surrounded by other various gods and mythical creatures., Italy, 1731–1807, figures,

Design for a Hemicycle, Villa Albani, Rome, Italy, Pen and brown, gray ink, brush and gray wash, graphite, on cream laid paper, Rocky landscape in front of building. Elevation of a one-story circular building decorated with pilasters,

Design for a Frontispiece, Allegory of America, Graphite, pen and brown ink, red chalk, brush and gray wash on white paper lined with heavy laid paper, Reclining figures, symbolizing American Indians, flank a bison head, forming adjuncts to

Sketches of Peg-Legged Men, Pen and ink, Vertical rectangle. Recto: Sketch of a standing man with two peg-legs, with a child on his shoulders and another beside him. Verso: Sketch of a standing man with one peg-leg, leaning on a crutch., Venice,

Floral design for printed textile, Louis-Albert DuBois, Swiss, 1752–1818, Brush and gouache, grpahite on white wove paper, Multi-colored floral and leaf design on white ground., France, 1800–1818, textile designs, Drawing, Drawing

Study of landscape, Switzerland, William Stanley Haseltine, American, 1835–1900, Brush and watercolor, graphite on paper, Sketch of a farmhouse along a river., USA, ca. 1856, architecture, Drawing, Drawing

Study of Veiled Nude Figure, Louis Schaettle, American, 1867–1917, Graphite on light brown paper, Standng female nude with transparent veil hanging from the head and covering the entire figure. To the right is a small sketch depicting the same

Soldier Running :Study for Figure in Left Foreground, 'Betrayal of Christ, ' Rome, S. Maria della Consolazione, Matttei Chapel; Separate Studies of Two Heads, Taddeo Zuccaro, Italian, 1529 - 1566, Pen and brown ink, brown wash, black chalk

Design for an entrance wall to a music or dance hall, Ben and ink, brush and watercolor, graphite on paper, Five bays with a door opening with curtains in the center flanked by framed panels with dancers over sofas. The overdoors show Arion at

Study of Pine Tree, Shawangunk Mountains, Daniel Huntington, American, 1816–1906, Graphite on cream wove paper, Study of a scrawny pine tree with a rock below, at left., New York, USA, 1837, nature studies, Drawing, Drawing

Plate 1, Title Plate, Livre de vases (Book of Vases), François Boucher, French, 1703 – 1770, Chez Le Pere et Avaulez, Paris, France, Pen and red ink on cream laid paper, At center, a cartouche surrounded by putti at left and right,

Angels Carrying the Holy Cross and Shroud, Mattia Preti, Italian, 1613 - 1699, Red chalk on paper, Sketches of two winged angels flying and each carrying a large shroud in their hands. At lower right, sketches of two winged angels flying and

Sketches of Trees, Vines and a Bank of the Rio Magdalena, Columbia, Frederic Edwin Church, American, 1826–1900, Graphite on gray paper, Horizontal view of a series of sketches from the Rio Magdalena, Columbia: Trees reflected in water at

Entrance Gate to a Villa, Graphite, gray wash, partial ruled border in graphi Support: cream laid paper, Project design. A gateway in a garden or villa wall. The pair of iron gates is flanked by pairs of pilasters and on each side a projecting

Olympus, Felice Giani, Italian, 1758–1823, Pen and ink, brush and watercolor on textured laid paper, Jupiter on throne in center middle-distance in front of temple with inscription: Eternita. Jupiter flanked by woman with cornucopia, Mars,

Partial Plan and Elevation Sketches of a New York Theater, Pencil, pen and ink, Vertical rectangle. Above, plan of circle of boxes, with explanations. Below, elevation of proscenium, with explanation. Relates to -1446., Europe and USA, ca.

Sketches for the Angel Beside 'Charity, ' Chapel of St. Bartholomew, New York, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on rough grey-brown paper, Sketch for the angel beside 'Charity, ' in the painting in the chapel of St.

Kneeling Woman, Red chalk on brown paper, Bottom half of a woman kneeling with folds of drapery around her., Italy, 1775–1800, figures, Drawing, Drawing

Two Designs for Candelabra, Francesco Santini, Italian, 1763 - 1840, Brush and watercolor, pen and ink, graphite, varnish on paper, Vertical rectangle. At bottom, a molded panel in the entire width of the sheet, with a plan of the bases,

Pavilion with Bell Tower, Graphite, gray wash Support: laid paper, Rome, Italy, Italy, 1775, architecture, Drawing, Drawing

Design for Stained Glass Window, Sir Michael Robert Shaw-Stewart, Scottish, 1826–1903, W. Cowper, Brush and watercolor, pen and ink, graphite on paper, Three tall vertical panels, with pointed arches, each panel containing figures, under

Niagara Falls, View from Goat Island, Frederic Edwin Church, American, 1826–1900, Graphite on light brown paper., Horizontal, distant view from Goat Island., USA, March 19, 1856, landscapes, Drawing, Drawing

Bearded Man with a Staff, Pen and ink, brush and sepia on paper, A bearded man leaning upon a large staff, a book in his left hand., Italy, 1780–1820, figures, Drawing, Drawing

Design for a Silk Brocade, Fragment, Brush and gouache on oily tracing paper, A part of a rising rinceau with one spiral showing on top, a leaf with another in its center. Flowers are shown in the right wedges., France, 1825–1850, Drawing,

Andirons, Living Room Fireplace, Henry J. Allen Residence, Wichita, Kansas, George Mann Niedecken, 1878–1945, Henry J. Allen, Elsie J. Nuzman (Mrs. Henry J.) Allen, Graphite, color pencil on beige tracing paper, In center of page: two

Study of clouds, Rome, Italy, Francis Augustus Lathrop, American, 1849 - 1909, Brush and watercolor, gouache, graphite on paper, Sketch of a sunset and clouds., Rome, Italy, 1893–1894, nature studies, Drawing, Drawing

Portrait Sketch of a Young Woman, Elihu Vedder, American, 1836 – 1923, Black crayon, white chalk, on gray paper, Bust-length portrait of a young woman, turned toward the right, her head shown full-face looking at the viewer., USA, ca.

Design for Wallpaper and Textiles: Flowers, Brush and gouache on blue paper, Four clusters of flowers and foliage in various colors and sizes at center of page on gray ground. Clockwise from top: pink cluster of flowers and foliage facing away from

Design for Textile, Louis-Albert DuBois, Swiss, 1752–1818, Brush and gouache, graphite on white laid paper, Shows a corner of a repeating design border. From left to right, a couple plays music, man in pink and woman in purple, sitting

Two Designs for Candlesticks, Black crayon, brush and sepia wash on light blue paper, Vertical rectangle. The sketches that appear in 1938-88-566 are fully executed. Two candlesticks shown beside each other. At left, the base of the candlestick

An Alpine Landscape in Switzerland, Frederic Edwin Church, American, 1826–1900, Oil and traces of graphite on thin paperboard, A mountain with a glacier in the hollow center, and with cloud-capped peaks at left, rises in the right and

Candlestick, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined, Vertical rectangle. Below is a circular base with three steps. Two sphinxes sit radially carrying a basket with flowers upon their heads from which a

Standing Bedouin, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on brown paper, Vertical drawing of a Bedouin figure standing in front of rocks looking left and holding a piece of cane in his extended left hand.,

Design for a Pulpit, Pen and black ink, brush and wash, rose watercolor, graphite on paper, Design for a pulpit without supporting separate columns. Cherubim as brackets at top. The scheme of the project same as 1938-88-3612., Rome, Italy,

Sheet with putti and studies after the antique, Graphite, pen and black ink on paper, The sheet is covered in figural studies for putti, fantastical creatures, masks, and other decorative motifs., Italy, 1800–1825, Drawing, Drawing

Study of Hands, Walter Shirlaw, American, b. Scotland, 1838–1909, Black crayon, pastel, graphite on cream paper, Top: a right foot shown from above; a right and left hand carrying a bowl. Center: two arms stretched toward right. Bottom: a

Parasite Wound around a Tree Trunk, Jamaica, Frederic Edwin Church, American, 1826–1900, Graphite on cream-colored heavy wove paper, Vertical view of a parasite, a strangler fig, winding around a palm trunk, and a section of a stem at

Houses by the Shore in Nantucket, Arnold William Brunner, American, 1857–1925, Graphite, brush and watercolor on paper, Groups of small houses in the foreground, seen from a high vantage point. Sailing ships in the background., USA, ca.

Studies for a Wall Panel, Francis Augustus Lathrop, American, 1849 - 1909, Brush and watercolor, graphite on cream paper, Above, graphite sketch of reclining woman, arm outstretched toward an open book held by putto. Center, similar

Study for 'Portrait of James Cornell Biddle, ' Museum of Fine Arts, Houston, TX, Thomas Sully, 1783 – 1872, Brush and oil paint on paperboard, Three-quarter length portrait of a male figure, seated in an armchair, facing the spectator. A

Five Botanical Studies with a Hanging Monkey, Probably Colombia, Frederic Edwin Church, American, 1826–1900, Graphite on light gray paper, Horizontal view containing a monkey hanging from a branch, at upper left; a small tree tree top and

Study of Hand for Angel Appearing to St. Peter in 'Early Christian Martyrs', Daniel Huntington, American, 1816–1906, Graphite and white chalk on brown wove paper, An angel's left forearm and hand are shown horizontally, stretched toward the

Sketch of an Angel and Putti, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on tracing paper, Angel, upper right, with chin in his left hand, looks out to the right. Putti, center, cavort below him., USA, ca. 1895, figures,

Design for Machine-Woven Shawl, Brush and watercolor on paper, Design for a woven, machine-manufactured shawl with Indianizing paisley motifs. Design shows blue ground, ornamented with detached floral forms in pink, blue, and green; brown

Cliffs at Grand Manan, Frederic Edwin Church, American, 1826–1900, Brush and oil paint on paperboard, USA, August–September 1851, landscapes, Drawing, Drawing

Ceiling Fixture, Entrance Hall, Henry J. Allen Residence, Wichita, Kansas, George Mann Niedecken, 1878–1945, Henry J. Allen, Elsie J. Nuzman (Mrs. Henry J.) Allen, Graphite, yellow color pencil on beige tracing paper, Page divided

Design for a Painted Oblong Ceiling, Pen and ink, brush and gray watercolor, black crayon on paper, Horizontal format design for a painted oblong ceiling. Inscribed into an oblong frame is a view into a cupola from below. It has a hexagonal

Young Woman Carrying a Basket, Winslow Homer, American, 1836–1910, Graphite on heavy off-white wove paper, A young woman walks through a field carrying one basket in her right hand and another in her left. Trees fill the background., USA,

Design for an Elevation and Plan of a Doorway Leading into a Park, Filippo Marchionni, Italian, 1732–1805, Graphite, pen and black ink, brush and gray watercolor on laid paper, Vertical rectangle. At top, the elevation of a doorway. The

Muse, J. Carroll Beckwith, American, 1852–1917, Graphite on paper, Sketch of a seated female figure, in drapery, with head turned to right. Arms extended, with left hand holding a faintly indicated cello and right hand drawn as though it

Design for Magazine Cover, Kenyon Cox, American, 1856–1919, Graphite on paper, Sketch of a magazine cover with a seated male figure holding a wheel., USA, February 1898, figures, Drawing, Drawing

Plant studies, Frederic Edwin Church, American, 1826–1900, Brush and oil on cardboard, Upper right, a man with a red head covering shown from the back. Center, thistles and blossoms The creamy grounding color is shown without varnish top,

Bavarian alps landscape, Frederic Edwin Church, American, 1826–1900, Graphite, oil on paperboard, Oblique view of a richly wooded valley which rises toward right. Mountains are in the rear. A stately home is shown in the right foreground.,

Andirons, Dining Room Fireplace, Henry J. Allen Residence, Wichita, Kansas, George Mann Niedecken, 1878–1945, Henry J. Allen, Elsie J. Nuzman (Mrs. Henry J.) Allen, Graphite, color pencil on beige tracing paper, Page divided horizontally

Thirteen Apollo Subjects for Ceiling, Felice Giani, Italian, 1758–1823, Pen and ink, brush with brown watercolor over red crayon on rough grey paper., Center, octagonal representation of Apollo and Muses. Captions written in red crayon:

Design for an Embroidered or Woven Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, A horizontal row, composed of a landscape with four trees of which one is a palm, and

Reliquary with the Emtombment, Pen and brown ink, brown, gray wash, over graphite, ruled borders in pen and brown Support: white laid paper, Rome, Italy, Italy, 1815–30, architecture, Drawing, Drawing

Drapery Schemes, Henry J. Allen Residence, Wichita, Kansas, George Mann Niedecken, 1878–1945, Henry J. Allen, Elsie J. Nuzman (Mrs. Henry J.) Allen, Graphite, color pencil on beige tracing paper, Three designs for drapery, vertical

Design for a Music Pavilion in the Tuileries Garden Fountain, 1834, Brush and watercolor, pen and black ink, graphite on light tan paper mounted on off-white paper, Design for an open-air decagonal (ten-sided) music pavilion with red conical

Architecture seen from below, design for plate 55 in Andrea Pozzo's 'Perspectiva pictorum et architectorum', Andrea Pozzo, Italian, 1642–1709, Pencil, pen and bistre ink, brush and brown wash, gray water colors, View from below of a

Mount Chimborazo at Sunset, Frederic Edwin Church, American, 1826–1900, Graphite on tan wove paper, Horizontal view with the Peak at right. The sun is just above mountain range. High clouds in left distance and in right sky., 1857,

Sketches from the Rio Magdalena, Colombia: Plants, Steamer, and a Champan, Frederic Edwin Church, American, 1826–1900, Graphite, brush and oxidized white on grey paper, Horizontal view at upper left of bushes and trees, at upper right a

Design for Machine-Woven Shawl, Brush and watercolor on paper, Design for a paisley machine-woven shawl. Design shows a semicircular arrangement of leaf-like forms and shaped panels with paisley cone motifs, consisting of the colors dark blue,

Two Designs for Statues: Putto with Cock, Friendship and Fidelity, Pietro Belli, Italian, 1780–1828, Pen and ink, graphite on paper; verso: graphite, Horizontal rectangle. Two designs for groups of statues or decorative elements. Figures of

Female Nude, Daniel Huntington, American, 1816–1906, Black crayon and white chalk on light green wove paper, Nude female model standing in right profile, her right hand over her chest and her left hand resting on the surface of a table.,

Stage Design: Exterior of Circular Building, Pen and sepia ink, brush and wash on paper, Design for theater depicting an enormous circular building on the riverside surrounded by wall; boat with figure rowing on the river., Italy, early 19th

Design for a Woven Fabric, Fabrique de Saint Ruf, Lyon, France, Graphite and yellow and purple gouache on black tracing paper, A candelabrum with a lozenge form at the bottom, a plant in the middle, a footless flower pot on top. Squared.,

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