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Design for a Woven Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, Nosegays, of which one is nearly entirely shown and another partially, form a vertical row connected

Project for an Oil Lamp with Alternative Suggestions, Graphite, brush and sepia, watercolor on paper, High foot and plinth. The lamp is nearly in the middle of the shaft. Four spouts. Eye shield hanging on chains. Trimmer, pincer, wrench and

Studies of Figures for an Historical Representation, Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite on cream wove paper, Left row: A woman struggles to free her left leg, which is jammed between rocks; the lower part of the body

Profile of a Woman with a Braided Knot, Daniel Huntington, American, 1816–1906, Black crayon and white chalk on grey wove paper, Bust portrait of a woman in right profile with her hair braided into a knot and her eyes directed downwards.,

Altar Mensa for the Capella Paolina (Borghese Chapel), Santa Maria Maggiore, Rome, Italy, Mario Asprucci The Younger, Italian, 1764 – 1804, Pen and black ink, brush and watercolor over black chalk on paper, Design for an altar mensa

The Tammany Farmers' Club Prepares to March to Houston, Pen and black ink, graphite on illustration board, Cartoon for The Chicago Tribune on June 26, 1928. The Tammany farmers are gathered in a room, with their tiger hiding under the table,

Cupid Awakens Psyche Overcome by the Content of the Vase Filled by Proserpine, Johann August Nahl The Younger, German, 1752 - 1825, Giulio Romano, Italian, 1499–1546, Lead pencil, pen and dark ink, brush and black gray watercolor on paper,

Hillside Covered with bushes & trees, Frederic Edwin Church, American, 1826–1900, Brush and oil on cardboard, Vertical image of a hillside covered by bushes and trees., USA, Jamaica, July 1865, landscapes, drawing, drawing

Sketches from Colombia: River Craft (Champan), a Woman, Group of Trees, a House, Frederic Edwin Church, American, 1826–1900, Graphite on gray paper, Square view showing at top: a river craft, beside the bank of a river, with two Indians

Design for a salon wall, Pen and Chinese ink, brush and watercolor, graphite on paper, The elevation section and the plan are show. A chimney piece with an arched mirror as an overmanel, flanked by two embedded comlumns, the pedestals are

Study of clouds, Rome, Italy, Francis Augustus Lathrop, American, 1849 - 1909, Brush and watercolor, gouache, graphite on paper, Sketch of clouds, Rome, Italy, 1893–1894, nature studies, Drawing, Drawing

Ceiling Design, History, Abundance in Six Ovals, Sala di Ercole ed Ebe, Palazzo Gessi, Faenza, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash over black chalk on white laid paper, Eight ovals, two rows: 1)

Sketch of a Cow's Head, Frederic Edwin Church, American, 1826–1900, Graphite on white paper, Recto: study of a cow's head, sketched in outline only. Verso hill profile with effect of setting son on clouds. Dated, upper right: 'Nov 1844' and

Child Supporting an Object or Structure, Red crayon on paper, Child with lowered head depicted from slightly below with legs in profile and upper body in three quarter profile, turning left to support something., Italy, 1750–1800, classicism,

Study for 'Music', Francis Augustus Lathrop, American, 1849 - 1909, Brush and watercolor, gouache, graphite on paper, Sketch for a panel, shaped like an equilateral cross, decorated with musical instruments., USA, ca. 1894, mural designs,

El Khasneh from the Sik, Petra, Frederic Edwin Church, American, 1826–1900, Graphite on brown wove paper, Shown through the gorge as Sêk., USA, late February 1868, landscapes, Drawing, Drawing

Two Cows Lying Down, a Large Tree Stump, Cows Standing in Water Beneath Twin Arches of a Bridge, and a Large Rock., Frederic Edwin Church, American, 1826–1900, Graphite on off-white wove paper, Recto: Horizontal sheet containing a cow lying

Design for a Woven Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and blue, white, and purple gouache on oily tracing paper, Top row: two nosegays consisting of palm leaves and laural boughs fastened together

Detailed View of the Three Figures, Pencil, pen, black ink, black wash., Some details are unfinished; the balustrade is sketched, the receptacle is without decoration and the architecture is outlined., Italy and France, ca. 1818, Drawing,

Deeds of Jupiter, for a Ceiling, Felice Giani, Italian, 1758–1823, Pen and ink, brush and wash over traces of graphite on laid paper, Infant Jupiter cared for by nymphs Adrastea and Ida, in Cretan woods. One quiets an eagle, other raises

Studies of Nude Figure, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on cream paper, A boy is shown lying on his left side and leaning on his left elbow. The right arm crosses the breast. The legs are spread. The upper part of the

Stair at the Cluny, Paris, Whitney Warren Jr., American, 1864–1943, Brush and watercolor on light board, Sketch of the stair and balustrade in the Cluny Museum., USA, 1887, architecture, Drawing, Drawing

Wall and Ceiling Decorations in the Pompeiian Style, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash, black chalk, graphite on laid paper, Horizontal rectangle. Beginning at height of upper part of body of

Elevation of Section of a Wall with Columns and Arch at Right, Graphite, brush and watercolor, pen and brown ink on cream laid paper, Tuscan columns supporting entablatures; scale below. Right side, two columns supporting arches and entablature.

Design for two andirons, Lefebvre Manufactory, Tournai, Brush and yellow, red, green, black watercolor, graphite, on cream laid paper, Above: front panel shows head of Medusa, flanked by sphinx heads atop pilasters, a flower head on center

Two Female Heads, Leon Dabo, American, 1868–1960, Graphite, pen and black ink on cream wove paper, Two head seen turned three-quarters left, one looking up and the other gazing straight ahead., Verso: studies of heads woman and two men,

Design for the Embroidery of Wearing Apparel of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphite, brush and gouache on paper, Flower boughs of four different designs are disposed in staggered horizontal rows. They are

Botanical Studies from Jamaica, West Indies, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on paperboard, At left a small tree in blossom; at right leaves and plants; all on greenish brown ground., USA, June

Sketches for Scenes Four and Five of Cartoon for Cotton Printing: L'Histoire de Henri IV, Graphite on cream-colored paper, mounted, Island scene from Voltaire's epic, La Henriade. Henri the IV before his tent on the field of battle, outside the

Festival given by the City of Paris on the occasion of the marriage of the Dauphin, later Louis XVI, and Marie Antoinette., Pierre Louis Moreau Desproux, French, 1727 – 1793, Pen and ink, brush and white gouache and watercolor., A pavillion

Design for Wallpaper and Textile: Flowers and Birds, Brush and gouache on cream paper, Branches with foliage, berries and birds perched and flying around them. Composition organized in a vertical oval shape., France, 19th century, wallpaper

Mount Chimborazo, near Guanojo and Guaranda, Ecuador, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on grayish paper, Horizontal view of Mount Chimborazo and neighboring mountains with the roofs of two houses

Figure Study of Mercy for 'Mercy's Dream', Daniel Huntington, American, 1816–1906, Graphite and white chalk on gray-blue wove paper, Nude facing frontally with her head turned toward the right. Her knees bent and her legs extended to the

Rain Falling from a Cloudy Sky over Mountain Ridges, Hacienda Chillo, Ecuador, Frederic Edwin Church, American, 1826–1900, Graphite on cream-colored paper, Horizontal view of a sky filled with clouds and indications of rain falling over

Four Sketches of a Young Woman, Brush and black ink on paper, Vertical rectangle. Four sketches of a young woman wearing a robe, shown from the front, sitting and holding an open book toward the spectator. At least one of the pages of the book

Designs for embroidery, Black crayon on tracing paper, Vertical rectangle. Designs of abstract floral patterns for panels and borders. Each drawing stamped at top: 'Sessin original a broderie.' Designs numbered 152 (B), France, ca. 1890,

Design for an Architrave, Carlo Marchionni, Italian, 1702–1786, Black crayon, pen and ink, brush and sepia on laid paper, On top are three capitals connected by an entablature, with candles standing beside the capitals, except at the left,

Studies of Sheep, Ecuador or Colombia, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on brown paper., Horizontal sheet contains at top center a standing sheep, turned toward the left and beside it, at right,

Design for a Chimneypiece, Luigi Righetti, Italian, 1780 - 1819, Pen and black ink, brush and watercolor, graphite on paper, Horizontal rectangle. Design for a chimney piece intended to be executed in marble with mosaics and bronze appliques.

Design for Desk Organizer with Stationery, A.N. Davenport Co., Graphite on thin cream laid paper, 1900–05, furniture, Drawing, Drawing

Study of foliage, William Stanley Haseltine, American, 1835–1900, Graphite on paper, Sketch of a plant with leaves., USA, ca. 1857, nature studies, Drawing, Drawing

Design for Wallpaper and Textile: Birds, Brush and gouache, graphite on cream paper, Five bird busts in profile grouped with four in a square on bottom and one at center on top. Listed from top to bottom, left to right: Brown bird with crest

Designs for Composite Capitals and Bases, Pen and brown ink on off-white laid paper, Group of architectural designs showing fourteen portions of composite capitals and four bases. Top row: three right halves of capitals shown in elevation. A figure

Botanical Studies, seen from the Rio Magdalena, Colombia, Frederic Edwin Church, American, 1826–1900, Graphite on gray wove paper, Top left: Tree tops; Bottom left: Palm tree tops; Central: Bamboo; Top right: Tree top; bottom right: a design

Stained glass window, John C. Wolf, Brush and watercolor, graphite on illustration board, Design for stained glass window with leading in rhomboid pattern. Colorful border and center rhomboids containing yellow cross on pink circle and filled in

Alpine Landscape, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on cardboard, View of a glacier in the middle distance. A pinnacled peak is at its rear. On verso: blotted green trees., USA, Europe, 1868,

Design for a ceremonial decoration, Carlo Marchionni, Italian, 1702–1786, Graphite, black crayon, brush and gray watercolor on laid paper, In the center a big angel in clouds is supporting a branch, ending as a candlestick with three

Catskills from Hudson, New York, Frederic Edwin Church, American, 1826–1900, Brush and oil on cardboard, View across the Hudson towards the Catskills. Dark is falling, the sun having settled behind a dark cloud bank. Verso: rough pencil

Study of clouds, Rome, Italy, Francis Augustus Lathrop, American, 1849 - 1909, Brush and watercolor, gouache, graphite on paper, Sketch of a sunset and clouds., Rome, Italy, 1893–1894, nature studies, Drawing, Drawing

A Classical Sacrifice, Johann August Nahl The Younger, German, 1752 - 1825, Giulio Romano, Italian, 1499–1546, Lead pencil, pen and dark ink, brush and black and gray watercolors on paper, Drawing after a fresco devised by Giulio Romano

Sketch of Fortuna, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on laid paper, Fortuna with wheel and staff above a figure to her right. Some sections of drawing erased., USA, ca. 1895, figures, Drawing, Drawing

Detail de la base des mats places sur le pont-neuf en Juillet 1838', Félix-Jacques Duban, French, 1798 - 1870, Graphite Support: tissue paper mounted on light tan paper, Design for the lower portion of a polyhedron column that is decorated with

Stage Design, Ruined Temple, Francesco Chiarottini, Italian, active Germany, 1748 - 1796, Pen and brown ink, brush and gray wash on blue laid paper, Horizontal rectangle. Antinque ruined central domed building with columns supported by

A Classical Temple, Pen and black ink, brush and watercolor, over black chalk on paper, Elevation and plan, one above the other, of a Classical temple. The building is located on a platform and reached via steps (nine in total). A narrow,

Study of landscape, Ostia, Italy, William Stanley Haseltine, American, 1835–1900, Graphite on paper, Sketch of a landscape with a building in the center., USA, 1857, landscapes, Drawing, Drawing

Design for Shaving Stand with Oval Mirror, A.N. Davenport Co., Graphite on thin cream laid paper, 1900–05, furniture, Drawing, Drawing

Design for Metal Frame, Johann Alois Seethaler, 1796 – 1835, Pen and ink, brush and watercolor, Rosette and palm-leaf motifs in the center of each side. The cresting is composed of facing swans that terminate in vegetal arabesques, flanking

Design for a Bronze Candlestick, Jean-Jacques-François Le Barbier, French, 1738 – 1826, Pen and black ink, brush and gray, brown wash, yellow watercolor on laid paper lined with paper mount, The design for the candlestick is positioned at

Clement XI Vesting His Niece as Nun, Brush and wash, pen and ink on paper., Drawing of Pope Clemente XI, seated at center right, while he raises his hands and vests his niece as a nun., Naples, Italy, ca. 1700, Drawing, Drawing

Archbishop's Throne and Canopy; Six Separate Studies for a Throne, Prie-Dieu, and Canopy, Hippolyte-François Joseph Equennez, 1772 – 1854, Pen and black ink, brush and watercolor, white gouache, traces of black chalk, ruled border in pen

Interior of Westminster Hall, Ernest Clifford Peixotto, American, 1869–1940, Charles Scribner's Sons, New York, New York, USA, Brush and grey watercolor on paper, Interior of the hall, showing the hammer-beam roof., USA, 1899,

The Niagara Falls, Frederic Edwin Church, American, 1826–1900, Graphite and white gouache on gray-green paper, Vertical rectangle showing the full width of the falls; a double rainbow is indicated; arrows near the inside edge., September or

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and lateritious, blue, and white gouache on glazed tracing paper, A garland of the same design as -88 over two waved

Ceiling with Jupiter, Jun, Giovanni Odazzi, 1663 – 1731, Pen and brown ink, watercolor, over graphite Support: heavy white laid paper, Italy, Italy, 1718–30, interiors, Drawing, Drawing

English Castle and Cottage, Frederic Edwin Church, American, 1826–1900, Brush and oil, pencil on cardboard., A mediaeval castle in ruins is shown upon a rock in the left middle distance. A sloping stream is in the foreground. A house stand on

An Easter Sepulchre for a church at Waldkirchen, Vinzenz Fischer, German, 1729 - 1810, Pen and chinese ink, brush and wash, Europe, Germany, 1757, architecture, interiors, Drawing, Drawing

Figures with Ruins in a Landscape, Graphite on paper, At lower right, two classical figures sit beneath ruins and a large tree. Mountains and village seen in the distance., Italy, late 18th century, landscapes, Drawing, Drawing

Sketches for scenes 1 and 2 of the cartoon for cotton printing: The History of Henry IV [L'Histoire de Henri IV], Graphite on cream-colored paper, mounted, Scene from Voltaire's epic, 'Henriade'. Henry IV seated in a landscape near the Port of

Study of Dahlias, Sophia L. Crownfield, (American, 1862–1929), Brush and watercolor, graphite on white paper, Vertical sheet with two yellow dahlias at right and two pink dahlias at left on recto. The verso contains one red dahlia., USA,

Design for a Wall Decoration, Walter Shirlaw, American, b. Scotland, 1838–1909, Pastel on paper, A woman is shown from the front, standing and leaning with her left arm upon a book, which lies upon a sculptural reading desk., USA,

Chagford, Arnold William Brunner, American, 1857–1925, Graphite on green-grey paper, Driveway leading to a large cottages, in upper background. Right three cottages, left one., USA, 1870–80, landscapes, Drawing, Drawing

Sketchbook Page: Birth of Alexander the Great; Battle of Alexander and Darius; Triumph of Alexander, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash over traces of graphite on cream laid paper, Vertical panel showing

Section of wall, Guard Room, Palace of Fontainebleau, Frederick Marschall, Brush and watercolor, tempera on heavy paper, Elevation of section of wall. Lower portion, containing groups of painted panels, chiefly including royal monograms and

Bacchanalian Scene with Circle of Dancing Figures, Felice Giani, Italian, 1758–1823, Pen on paper, Classical architecture in background with dancing female figures in center and male and female figures engaged in bacchanalian pursuits on lower

Study for Proposed Music and Arts Center, New York, NY, Pastel on brown wove paper, View of two buildings in Neoclassical style with fountain in middle ground; people strolling in open space in front of the two buildings., USA, ca. 1915,

Study of Theodore Cole (son of Thomas Cole?), Cow Legs, and a Tree, Frederic Edwin Church, American, 1826–1900, Graphite on off-white wove paper, Recto: Horizontal view of a standing child, shown from the right wearing a broad-brimmed hat

Design for a Wallpaper or Textile, Graphite, brush and brown, black gouache on paper; verso: black paper, Recto: Scrolls with acanthus leaves and three festoons with roses. Verso, horizontally: Scrolls with acanthus motifs, bunches of roses,

Mountain Climber Resting, Winslow Homer, American, 1836–1910, Black and white crayon on brown laid paper, blackened on verso for transfer, Horizontal view of a mustached man dressed in hiking attire reclining on his left elbow on a flat ledge

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf, ' Unfinished, Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper pasted on paper, A garland of boughs with leaves, over a

Design for Stained Glass Window: Skylight in Lodge Rooms, Alice Cordelia Morse, American, 1863–1961, Brush and wash, gouache, graphite on paper mounted on tan illustration board, Rectangular window of blue, yellow, and pink with central

Elevation of a Monstrance, Pen and brown ink, brown wash, black chalk, Different details in the left and right halves. Two angels kneeling on clouds over a pedestal support an aedicula. There are many angels and garlands throughout the

Sepulchral Monument of the Last Three Stuarts, Pencil, pen, wash, Chinese ink, A sarcophagus stands on top of a sepulchral chamber. James sites on a chair upon the sarcophagus, Henry is seated in front of its left hand corner. Two mourning

Portion of a Mountainous Panorama, Possibly Jamaica, Frederic Edwin Church, American, 1826–1900, Graphite on cream-colored paper., Vertical rectangle showing a sloping hillside, wih a valley on the left side., possibly 1865, landscapes,

Design for a Fountain in a Park, De Crenice, French, Pen and black ink on paper, Square with trees and figures represented out of scale with the gigantic fountain. It has a hexagonal basin. The water pours from an obelisk in the center and from

Section of a Parliament Building or Academy, Pen and black ink, brush and gray and pink wash, black chalk on paper, Section a horizontal building. The vaulted assembly room is at the right. The vaulted ceiling is decorated with figures and

Sketches for a Decorated Ceiling, Graphite on paper, At center, a circle composed of animals and figures surrounds a chariot drawn by four horses. A second circle with figures surrounds this, in the style of a classical frieze., France and

Design for a Censer, Pen and ink, brush and wash on paper, Design for a partial gilt silver censer. Alternative suggestions shown. At top is a flat platform, at center a gilded cherub. At right, a festoon; at left a seated angel. Drop at bottom.

Design for a Church Festival Setting, Brush and gray watercolor, black chalk on laid paper; verso: graphite, Vertical rectangle, design partially incomplete at upper left. Two stairs lead up to an apse of complicated plan and elevation. Further

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf, ' Unfinished, Fabrique de Saint Ruf, Lyon, France, Incised line, pen and ink, brush and white gouache on glazed tracing paper, A slightly undulated bough with a

Clouds and Rainbow, Jamaica, Frederic Edwin Church, American, 1826–1900, Brush and oil on cardboard, A distant view of a mountain range is shown. Patches of blue sky, and a rainbow., 1865, landscapes, Drawing, Drawing

House and Shed, Calamar, Colombia, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on light gray laid paper, Two buildings with thatched roofs are shown, placed at a right angle to each other. A rustic fence

Justice and Strength, in Two Octagons, Felice Giani, Italian, 1758–1823, Pen and dark brown ink, brush and greyish-brown wash over traces of graphite on textured laid paper, Top: woman, with civic crown shown holding sword and pair of

Mount Chocorua from Hill Near Tamworth, Southwest of Lake, Daniel Huntington, American, 1816–1906, Graphite and black crayon on pale green paper, Rocks in pasture in foreground. Stone wall, right center. Mount Chocorua in distance, center.,

Recollection of the Scenery on the Road from Fusugasuga to Pandi, New Granda, Colombia, Frederic Edwin Church, American, 1826–1900, Graphite, brush and oxidized white gouache on buff-colored paper, Horizontal view of hills and mountains

Santa Maria della Salute, Venice, Italy, Francis Hopkinson Smith, American, 1838–1915, Charcoal, brush and gouache on paper, View of the church from the Grand Canal, silhouetted against an evening sky., ca. 1880, architecture, Drawing,

Angel Playing Lute; Verso Angels with Cross, Red chalk on paper, Angel shown in three-quarter profile, facing left, his mouth open in song. Below, the head of a woman., Italy, 1600–1650, figures, Drawing, Drawing

Design for a Woven Fabric, Fragment, Brush and gouache, black paint on oily tracing paper, Top: Leaf boughs hang from a branch. Bottom: A plant growing from the spiral of a shell standing upon its rim., France, 1815–1840, Drawing, Drawing

Paul Preaching in Athens, after Raphael, Felice Giani, Italian, 1758–1823, Graphite, pen and ink, brush and sepia wash on paper., A group of robed figures, a detail from Paul Preaching in Athens, by Raphael., Italy, ca. 1820, figures,

Design for a Fan, Mary Morison Brownson, American, Graphite, gold, brush, and watercolor on paper, Design for a fan. Horizontal rectangle: A leaf and grape pattern, outlined in gold, against a neutral green background., Vertical crease, a

Sketch of Floor Plan Facing a Lake, for Stage Set, Henry Dreyfuss, American, 1904–1972, Graphite, red crayon on paper, Plan of house with rooms identified; lake upper margin., USA, June 13, 1922, architecture, Drawing, Drawing

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