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Thomas Cole, American, 1801-1848, A Wretched Drawing of a Beautiful Spot, ca. 1835, graphite pencil on off-white wove paper, Sheet: 9 11/16 × 14 3/16 inches (24.6 × 36 cm

Newer rope rollers, Fig. 52-53: Technical drawing of the carrying rollers with sheet steel discs for a cable car, Fig. 18, p. 60, E. Strub: Bergbahnen der Schweiz bis 1900. Bd. 1. Wiesbaden: Verlag von J F. Bergmann, 1900

Gustave Doré, French, 1832-1883, Duel, between 1832 and 1883, black crayon drawing mounted on blue paper with black ink frame drawn on support sheet, Sheet: 9 3/4 × 7 1/16 inches (24.8 × 17.9 cm

Roelandt Roghman, Dutch, 1597-1686, Landscape with Fortress and a Man on Horseback, after 1640, pen and brown ink and brown and gray wash over a preliminary drawing in black chalk on discolored laid paper, Sheet: 6 1/8 × 9 1/4 inches (15.6 ×

Thomas Cole, American, 1801-1848, Front Elevation Drawing for St. Luke's Episcopal Church, Catskill, New York, between 1839 and 1840, pen and black ink over pencil on off-white laid paper mounted on linen, Sheet: 24 1/2 × 16 7/8 inches (62.2

Pumpe (53), Drawing well, copperplate engraving, fig. LXI, after p. 94, 1588, Agostino Ramelli: Le diverse et artificiose machine del capitano Agostino Ramelli (...). A Parigi: in Casa del'autore, 1588

Unknown (Indian), Ink Drawing from a Ramagama series, c. 1800, Ink on paper, Image: 8 1/4 × 12 1/4 inches (21 × 31.1 cm

Unknown (Indian), Ink Drawing for a Ramagama series, c. 1800, Ink on paper, Image: 8 1/4 × 12 1/4 inches (21 × 31.1 cm

Hall of the Hotel de Salm-Kirsbourg, in Paris, executed by Rousseau_Architecte in 1783, and Manége d'un Sucrerie executed in St. Sunday, Design drawing of a Saloon of the Hotel Salm-Kisbourg in Paris and the ring of a sweet shop from the 19th

Miniature, Drawing of a Miniature, Plate 12, p. 135, 1786, Georg Wilhelm Zapf: Reisen in einige Klöster Schwabens, durch den Schwarzwald und in die Schweiz im Jahre 1781: worinn von Bibliotheken, Altherthümern, Geschichte und vom Zustand

Unknown (Indian), Ink Drawing from a Ramagama series, c. 1800, Ink on paper, Image: 8 1/4 × 12 1/4 inches (21 × 31.1 cm

Funicular Vevey - Pélerin, upper station, Fig. 58-59: Technical drawing of the upper station of the funicular Vevey - Mont-Pélerin, Fig. 22, p. 66, E. Strub: Bergbahnen der Schweiz bis 1900. Bd. 1. Wiesbaden: Verlag von J F. Bergmann, 1900

Unknown (Indian), Ink Drawing from a Ramagama series, c. 1800, Ink on paper, Image: 8 1/4 × 12 1/4 inches (21 × 31.1 cm

Instrument with magnifying glass for the preparation of detailed drawings, Sketch of a device to allow accurate drawing from the 17th century, p.3, p. 62, 1665, Jean Bertet, Balthasar de Monconys: Journal des voyages de Monsieur de Monconys:

Unknown (Indian), Ink Drawing from a Ramagama series, c. 1800, Ink on paper, Image: 8 1/4 × 12 1/4 inches (21 × 31.1 cm

Thomas Cole, American, 1801-1848, Record Drawing after Corroway Peak, N.H.-After Sunset, 1827, pen and black ink over graphite pencil on off-white wove paper, Image: 6 1/8 × 8 3/8 inches (15.6 × 21.3 cm

Thomas Cole, American, 1801-1848, Drawing of Letter A and Several Concentric Circles, between 1801 and 1848, graphite pencil and white chalk on tan wove paper, Sheet: 3 9/16 × 3 7/8 inches (9 × 9.8 cm

Unknown (Italian), Study for a Lunette with Three Youths Holding Rings, between late 16th and early 17th century, pen and brown ink with brown wash over a preliminary drawing in black chalk, squared with black chalk, on gray-brown laid paper,

Plan of a part of the Church of the ci-avant-Annonciades in Antwerp, Construction drawing of the plan of a roof truss of a 19th century church in Antwerp, signed: Dessiné par J.C., Krafft, Gravé par Vanmael, PL., XII, after p. 27, Krafft,

circle of Abraham Bloemaert, Netherlandish, 1564-1651, Soldiers Resting, ca. 1640, pen and brown ink and gray wash over a preliminary drawing in graphite on laid paper, Sheet: 5 1/2 × 7 7/8 inches (14 × 20 cm

Schatzalpbahn, Dawsongasanlage, Fig. 54-55: Technical drawing of the gas engine of the cable car to the Schatzalp, Fig. 19, p. 62, E. Strub: Bergbahnen der Schweiz bis 1900. Bd. 1. Wiesbaden: Verlag von J F. Bergmann, 1900

Unknown (Flemish), after Sebastian Vrancx, Flemish, 1573-1647, Soldiers Resting, between late 16th and early 17th century, pen and brown ink and brown wash over a preliminary drawing in graphite on discolored laid paper, Sheet: 8 1/4 × 12 1/8

Thomas Cole, American, 1801-1848, (Untitled landscape drawing and an engraving of Chocorua's Curse), 1827, graphite pencil on off-white wove paper and engraving intentionally attached over the drawing, Image (of print): 2 3/4 × 4 1/8 inches (7

Thermen of Caracalla, Drawing of the rooms of the Caracalla Baths in Rome, fig. 65, p. 115, Wilhelm Lübke: Geschichte der Architektur von den ältesten Zeiten bis auf die Gegenwart. Leipzig: Verlag von Emil Graul, 1855

Unknown (Indian), Ink Drawing from a Ramagama series, c. 1800, Ink on paper, Image: 8 1/4 × 12 1/4 inches (21 × 31.1 cm

Construction drawing of a roof truss 3, Illustrations of construction drawing for a roof truss from the 18th century, Tabula III, p. 79, 1769, Caspar Walter: Zimmerkunst oder Anweisung wie allerley Arten von deutschen und welschen Thurnhauben,

Latest car brake for cable cars with engine operation 2, Fig. 44, 46: Technical drawing of a carriage brake, Fig. 16, p. 56, E. Strub: Bergbahnen der Schweiz bis 1900. Bd. 1. Wiesbaden: Verlag von J F. Bergmann, 1900

Thomas Cole, American, 1801-1848, Mr. Pratt Drawing in the Flume, ca. 1828, graphite pencil on off-white wove paper, Sheet (irreg.): 7 5/8 × 12 3/16 inches (19.4 × 31 cm

Giovanni Domenico Tiepolo, Italian, 1727-1804, Two Hounds and a Spaniel in a Landscape, between mid-18th and early 19th century, pen and black ink and black and gray wash over a preliminary drawing in graphite l on off-white laid paper, Sheet:

Latest carriage brake for water load operation, Fig. 42: Technical drawing of a car brake of a cable car with water load operation, Fig. 14, p. 51, E. Strub: Bergbahnen der Schweiz bis 1900. Bd. 1. Wiesbaden: Verlag von J F. Bergmann, 1900

Ziehbrunnen (13), Drawing well with rope winch construction, copperplate engraving, fig. LXXXVII, after p. 133, 1588, Agostino Ramelli: Le diverse et artificiose machine del capitano Agostino Ramelli (...). A Parigi: in Casa del'autore, 1588

Unknown (Indian), Ink Drawing from a Ramagma series, c. 1800, Ink on paper, Image: 8 1/4 × 12 1/4 inches (21 × 31.1 cm

Unknown (French), Drawing Room, between 1760 and 1770, painted oak, mirror glass (mostly new), papier-mâché overdoors, marble mantelpiece, various dimensions

J. A. Thompson, American, Perspective Drawing of an Abstract Checkerboard Space, 19th century, pen and black ink on thin tan laid paper, Sheet (irreg.): 4 inches × 7 1/4 inches (10.2 × 18.4 cm

Thomas Cole, American, 1801-1848, Free Hand Drawing of Elevation of New Studio at Cedar Grove, between 1801 and 1848, graphite pencil on off-white wove paper, Sheet: 14 7/8 × 10 5/8 inches (37.8 × 27 cm

Porta Exquilina. This is the drawing of a Portone della Vigna of N. S. with its plan which succeeds above the piazza before the door S. Maria Maggiore ..., Gate of Villa Montalto-Peretti in Rome, 79, fol. 81v, Fontana, Domenico (fec.);

Thomas Cole, American, 1801-1848, Upper, Haystack Mountain from Near the Pemigewasset River; Lower, Kearsarge, 1828, upper drawing: pen and black ink over pencil; lower drawing: graphite pencil on off-white wove paper, Sheet: 14 5/8 × 10 1/2

Construction drawing of a roof truss 5, Illustrations of construction drawing for a roof truss from the 18th century, Tabula IX, p. 85, 1769, Caspar Walter: Zimmerkunst oder Anweisung wie allerley Arten von deutschen und welschen Thurnhauben,

Construction drawing of a roof truss 7, Illustrations of construction drawing for a roof truss from the 18th century, Tabula XIV, p. 90, 1769, Caspar Walter: Zimmerkunst oder Anweisung wie allerley Arten von deutschen und welschen Thurnhauben,

drinking vessel, Drawing of a wooden goblet with lid, plate 10, p. 115, 1786, Georg Wilhelm Zapf: Reisen in einige Klöster Schwabens, durch den Schwarzwald und in die Schweiz im Jahre 1781: worinn von Bibliotheken, Altherthümern, Geschichte

Jan Luyken, Dutch, 1649 - 1712, Ptolemy Supervising the Construction of a Building in Alexandria, between 1649 and 1712, pen and brown ink and brown, blue, purple, and gray wash over a preliminary drawing in black chalk on buff laid paper,

Constantin Guys, French, 1805-1892, The Victoria, between 1805 and 1892, brush and black ink wash over pencil on tan wove paper (drawing is hinged to blue paperboard with black ink and gold foil borders in imitation of French mount), Sheet: 9

Rope box and rope lever, Drawing to fix the cable of a cable car, Fig. 12, p. 40, E. Strub: Bergbahnen der Schweiz bis 1900. Bd. 1. Wiesbaden: Verlag von J F. Bergmann, 1900

Thomas Cole, American, 1801-1848, Man; Dog Laying in Front of Drawing by Thomas Cole, 1832, graphite pencil on off-white wove paper, Sheet: 8 3/4 × 12 3/8 inches (22.2 × 31.4 cm

Construction drawing of a roof truss 2, Illustrations of construction drawing for a roof truss from the 18th century, Tabula II, p. 78, 1769, Caspar Walter: Zimmerkunst oder Anweisung wie allerley Arten von deutschen und welschen Thurnhauben,

Homer Dodge Martin, American, 1836-1897, Autographed Letter, middle 19th/late 19th Century, Pencil landscape drawing in letter written pen and brown ink with additional sketch in pen and brown ink on lined off white wove writing paper, Folded

Thomas Cole, American, 1801-1848, Faint Drawing of a Figure, 19th century, graphite pencil heightened with white chalk on tan wove paper, Sheet: 11 5/8 × 8 5/16 inches (29.5 × 21.1 cm

Unknown (Flemish), after Sebastian Vrancx, Flemish, 1573-1647, Figure Seated Under Oak Tree, between late 16th and early 17th century, pen and brown ink and ocher, green, purple brown, blue and light red wash over a preliminary drawing in

Construction drawing of a roof truss 9, Illustrations of construction drawing for a roof truss from the 18th century, Tabula XXI, p. 97, 1769, Caspar Walter: Zimmerkunst oder Anweisung wie allerley Arten von deutschen und welschen Thurnhauben,

J. A. Thompson, American, Perspective Drawing of an Arcade, 19th century, pen and black ink on thin tan laid paper, Sheet (irreg.): 5 1/4 × 4 3/4 inches (13.3 × 12.1 cm

Unknown (Indian), Ink Drawing from a Ramagama series, c. 1800, Ink on paper, Image: 8 1/4 × 12 1/4 inches (21 × 31.1 cm

Jacob de Wit, Dutch, 1695-1754, Apollo Enthroned with Minerva and the Muses, 1730, pen and gray ink, brush and brown and black ink, and gray brown, and red wash, heightened with white and pink, over a preliminary drawing in graphite on

Unknown (Indian), Ink Drawing for a Ramagama series, c. 1800, Ink on paper, Image: 8 1/4 × 12 1/4 inches (21 × 31.1 cm

David Claypoole Johnston, American, 1798-1865, Prankster, 19th century, pencil on cream wove paper with incised lines on front of drawing with red chalk on verso for transfer, Sheet (irreg.): 3 11/16 × 5 1/8 inches (9.4 × 13 cm

Plan drawing of a melting furnace, Layout drawing of a smelting furnace in mercury mine, copperplate engraving, Tab. 8, integrated into p. 28, 1776, Cosimo Alessandro Collini, Journal d'un voyage, qui contient differentes observations

Perspective drawing with folding board and string, Two Men Constructing a Lute, F. 87v, p. 182, Dürer, Albrecht, 1525, Albrecht Dürer: Underweysung der Messung, mit dem Zirckel und Richtscheyt, in Linien ebnen unnd gantzen Corporen.

Unknown (Indian), Ink Drawing from a Ragamaga series, c. 1800, Ink on paper, Image: 8 1/4 × 12 1/4 inches (21 × 31.1 cm

Thomas Cole, American, 1801-1848, Drawing of Proposed Villa at Catskill, between 1801 and 1848, graphite pencil on off-white wove paper, Sheet (irregular): 13 3/4 × 11 1/2 inches (34.9 × 29.2 cm

Thermometer, Descriptive drawing of a thermometer, copperplate engraving, plate 6, after p. 62 (vol. 2, Joh. Georg Sulzer's description ...), Freytag, J. (sc.), 1746, Johann Jacob Scheuchzer, Joh. Georg Sulzern, Johann Jacob Scheuchzers

Michelangelo Pergolesi, Italian, 1740-1801, Design for a Ceiling with Bacchic Motifs, Leopards and Vine Scrolls, ca. 1770, brush and watercolor over a preliminary drawing in graphite on double thickness of buff laid paper, Sheet: 10 3/8 × 14

Felice Giani, Italian, 1758-1823, A Vast Crypt with Tombs, between 1758 and 1823, pen and black ink and black wash over a faint preliminary drawing in graphite on buff wove paper, Sheet: 10 5/8 × 16 9/16 inches (27 × 42.1 cm

Unknown (Indian), Ink Drawing in a Ramagama series, c. 1800, Ink on paper, Image: 8 1/4 × 12 1/4 inches (21 × 31.1 cm

Unknown (Japanese), Man Drawing Sword, 1716/1868, height: 1 1/2 in

Unknown (Indian), Ink Drawing from a Ramagama series, c. 1800, Ink on paper, Image: 8 1/4 × 12 1/4 inches (21 × 31.1 cm

Unknown (Indian), Ink Drawing from a Ramagama series, c. 1800, Ink on paper, Image: 8 1/4 × 12 1/4 inches (21 × 31.1 cm

Unknown (Indian), Ink Drawing from a Ramagama series, c. 1800, Ink on paper, Image: 8 1/4 × 12 1/4 inches (21 × 31.1 cm

Lausanne signal, gasoline engine plant, Fig. 56: Technical drawing of the Bezin engine of the cable car between Lausanne and Signal, Fig. 20, p. 64, E. Strub: Bergbahnen der Schweiz bis 1900. Bd. 1. Wiesbaden: Verlag von J F. Bergmann, 1900

Giovanni Battista Marcola, Italian, 1711-1780, Judgment of Solomon, between 1711 and 1780, pen and brown ink and gray wash over a preliminary drawing in graphite on buff antique laid paper, Sheet: 7 7/8 × 12 1/16 inches (20 × 30.6 cm

Thomas Cole, American, 1801-1848, Record Drawing: View of the White Mountains (Sold to Daniel Wadsworth), 1827, pen and black ink over graphite pencil on off-white wove paper, Sheet: 15 1/2 × 9 1/4 inches (39.4 × 23.5 cm

Drawing of the whole Cow Fish, Figure of sharks and their teeth from the 17th century, unsignedM, tav., XXVIII, to S, 168, 1670, Agostino Scilla: La vana speculazione disingannata dal senso: lettera risponsiva circa i corpi marini, che

Unknown (Indian), Ink Drawing from a Ramagama series, c. 1800, Ink on paper, Image: 8 1/4 × 12 1/4 inches (21 × 31.1 cm

Another way to pull the Jonian snail, Another method for the geometric drawing of the columnar Ionic form of the column, Tab. 25, p. 67, Sturm, Leonhard Christian, 1725, Giacomo Barozzi da Vignola: Ausführliche Anleitung zu der gantzen

Construction drawing of a roof truss 1, Illustrations of construction drawing for a roof truss from the 18th century, signed: Caspar Walter del, Ios., Ant. Sculpsite., Aug. Vind, Tabula I, p. 77, Walter, Caspar (del.); Ant., Ios. (sculp.),

Unknown (Indian), Ink Drawing from a Ramagama series, c. 1800, Ink on paper, Image: 8 1/4 × 12 1/4 inches (21 × 31.1 cm

Pumpe (48), Drawing Well, Copper Engraving, Fig. LVI, p. 87, 1588, Agostino Ramelli: Le diverse et artificiose machine del capitano Agostino Ramelli (...). A Parigi: in Casa del'autore, 1588

Instructions on how to record the Ionian snail, Geometrical drawing / instructions for the design of the Julian slug form of the column, Tab. 24, p. 65, Sturm, Leonhard Christian, 1725, Giacomo Barozzi da Vignola: Ausführliche Anleitung zu

Unknown (Indian), Ink Drawing from a Ramagama series, c. 1800, Ink on paper, Image: 8 1/4 × 12 1/4 inches (21 × 31.1 cm

Unknown (Indian), Ink Drawing from a Ramagama series, c. 1800, Ink on paper, Image: 8 1/4 × 12 1/4 inches (21 × 31.1 cm

Joachim Wtewael, Netherlandish, 1566-1638, Suffer the Little Children to Come Unto Me, ca. 1621, red chalk over a preliminary drawing in black chalk, heightened with white, on discolored buff laid paper with a gray prepared ground, Sheet: 10

Cup and details of a part of the Church of the ci-devant Annonciades in Antwerp, Construction drawing of an elevation of a roof truss of a 19th century church in Antwerp, signed: Dessiné par J.C., Krafft Architecte, Gravé par Vanmael, PL.,

The development of bronze panels, Explanation of the drawing on the following page from Carl Linnés '... Musa cliffortiana florens Hartecampi 1736 prope Harlemum' from the 18th century, after p. 46, 1736, Carl Linné: Caroli Linnaei Musa

Construction drawing of a roof truss 6, Illustrations of construction drawing for a roof truss from the 18th century, Tabula XII, p. 88, 1769, Caspar Walter: Zimmerkunst oder Anweisung wie allerley Arten von deutschen und welschen Thurnhauben,

Surveying equipment, Condensation vessels, Hinge, Fig. 18: Sketch of a 17th century measuring device, Fig. 19, 20: Sketch of 17th century crystallisation and condensation vessels, Fig. 21: Sketch of a 17th century drawing device, Fig., 22:

Construction drawing of a roof truss 4, Illustrations of construction drawing for a roof truss from the 18th century, Tabula VI, p. 82, 1769, Caspar Walter: Zimmerkunst oder Anweisung wie allerley Arten von deutschen und welschen Thurnhauben,

Unknown (Indian), Ink Drawing from a Ramagama series, c. 1800, Ink on paper, Image: 8 1/4 × 12 1/4 inches (21 × 31.1 cm

Unknown (Indian), Ink Drawing from a Ramagama series, c. 1800, Ink on paper, Image: 8 1/4 × 12 1/4 inches (21 × 31.1 cm

Ideal sectional view of a glacier, Schematic drawing of the Rhone glacier, Fig. 4, p. 30, 1843, James David Forbes: Travels through the alps of Savoy and other parts of the Pennine Chain with observations of the phenomena of glacier. Edinburgh:

Construction drawing of a roof truss 8, Illustrations of construction drawing for a roof truss from the 18th century, Tabula XVI, p. 92, 1769, Caspar Walter: Zimmerkunst oder Anweisung wie allerley Arten von deutschen und welschen Thurnhauben,

Man with sign stick, Illustration of a man with a drawing stick from the 19th century, plate I, after p. 84, 1818, Friedrich Ludwig von Sckell: Beiträge zur bildenden Gartenkunst für angehende Gartenkünstler und Gartenliebhaber. München: bei

Unknown (Indian), Ink Drawing from a Ramagama series, c. 1800, Ink on paper, Image: 8 1/4 × 12 1/4 inches (21 × 31.1 cm

The Blight in Corn, Mildew at the grain, signed: Drawn by Francis Bauer; Engraved by F. Sansom; Pub, by H.D. Symonds, Plate 7, p. 14, Bauer, Francis (drawing); Sansom, F. (engraving); Symonds, H. D. (publ.), William Curtis: Practical

A fine kind of a drawing well, Drawing well, Fig. 28, after p. 18, p. 52, 1629, Iacobum de Strada à Rosberg: Kunstliche Abriss, allerhand Wasser-, Wind-, Ross- und Hand Mühlen, beneben schönen und nützlichen Pompen, auch andern

The Valley of Zermatt and the Central Pennine Alps, Map of the Matterhorn and the surrounding towns with a drawing of the route of Edward Whymper, United after p. 325, 1880, Edward Whymper: The ascent of the Matterhorn. London: John Murray,

Arundinaria alpina K. Schum. (African Bamboo): finished drawing of sections of stem and of shoot with leaves, James Bruce, 1730–1794, British, undated, Watercolor over graphite on moderately thick, slightly textured, cream laid paper,

Foxhunting: Drawing a Cover, Henry Thomas Alken, 1785–1851, British, undated, Watercolor, with pen, in brown ink, graphite, and gouache on medium, slightly textured, cream, wove paper, Sheet: 9 3/8 × 12 7/16 inches (23.8 × 31.6 cm),

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Conservatory at Thoresby Hall, Nottinghamshire: Perspective, Studio of Sir Jeffry Wyatville, 1766–1840, British, Undated, Watercolor and pen and ink on thin, moderately textured, cream wove paper, Sheet: 13 x 20 5/8 inches (33 x 52.4 cm),

One eagle, one owl and three owlets, a Pl. for 'A New Drawing Book...of Various Kinds of Birds Drawn from the Life by Mr. Francis Barlow' 1731 (1 of 9), Print made by George Bickham, 1683/4–1758, British, after Francis Barlow, ca.

Life School at the Royal Academy, Print made by Richard Earlom, 1743–1822, British, after Johan Joseph Zoffany RA, 1733–1810, German, active in Britain (from 1760), 1773, Mezzotint on medium, slightly textured, cream laid paper,

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

search results: Drawing clear search