Images at Librifly

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From the Dixville Notch, Daniel Huntington, American, 1816–1906, Graphite on grey paper, Jagged outlines of mountain ridges or trees. Rock, left foreground., USA, September 8, 1863, landscapes, Drawing, Drawing

Ewer of Solid Silver made at Ispahan, Pen and black ink on paperboard, A ewer seen from the side. The entire surface is covered with bands of floral ornament., USA, 1886, graphic design, Drawing, Drawing

Andiron with Griffins and, G. Prati, Pen and black ink, gray wash, over black chalk Support: white laid paper tipped into beige laid paper, Italy, Italy, ca. 1810, metalwork, Drawing, Drawing

Study for 'Mathematics, ' 'The Sciences, ' Library of Congress, Washington D.C., Kenyon Cox, American, 1856–1919, Graphite on paper, A nude female figure is seated holding an abacus in an upright position. The paper is squared for

Study of Bending Nude Figure, Louis Schaettle, American, 1867–1917, Graphite on light brown paper, Full figure of bending female nude on right side of page; small sketch of the same pose with figure draped, upper left; lower left, portion of

Design for Lampshade, Polo Players, William Hunt Diederich, American, b. Hungary, 1884–1953, Graphite on tracing paper, Design for a lampshade intended to be executed in ironwork. Depiction of polo players, posed horizontally, each on

Drawing, George E Germer, 1868 – 1936, Pencil. Brown paper, Each shows the teapot with the handle at right, on top, the cream pot with the, handle at left, bottom left, the two-handled and covered sugar bowl, bottom, right. The handles

Mount Washington with Snow, Daniel Huntington, American, 1816–1906, Graphite and black crayon on cream wove paper, Pasture and clothesline, fence and trees in foreground with a house just over a rise. Beyond, Mount Washington with snow,

Design for a Monochrome Painting, Church of Corpus Domini, Bologna, Italy, Marc Antonio Franceschini, Italian, 1648 – 1729, Pen and ink, brush and black wash, black chalk on paper, Figural group surrounding an urn on a pedestal. Three

Schooner and Three Dinghies, Winslow Homer, American, 1836–1910, Graphite on cold pressed paper, Vertical view showing at the top a schooner under sail and three dinghies and at the bottom a boat being rowed by a man and sails. Horizontally at

Study for 'Wedding Procession', Elihu Vedder, American, 1836 – 1923, Pastel crayon on paper, Sketches of male figures, emphasizing the legs. Below, left: bust-length study of a man blowing a trumpet, facing right in profile., USA,

Two Fishing Boats with Sails, Cullercoats, England, Winslow Homer, American, 1836–1910, Charcoal on cream wove paper, Horizontal view of heads and shoulders of four men in oilskins, in foreground, watching two fishing boats rigged with

Design for a Garden, Jan David Zocher the Younger, 1791–1870, Pen and brown ink, brush and watercolor on cream paper, Landscape design for a canal garden in asymmetrical plan with free-form beds and serpentine walks. A combination of plan and

Cardamum', Frederic Edwin Church, American, 1826–1900, Oil on paper board, USA, 1865, nature studies, Drawing, Drawing

Design for the Embroidery of a Lady's Dress, Pattern 591, of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphite, brush and gouache, One repeat is shown, consisting of a flower bough and a trophy composed of fruit, a

Design for a Painted Panel, Jean-Guillaume Moitte, French, 1746–1810, Pen and ink, brush and watercolor, sepia, graphite on paper, Vertical bands with candelabrum. At center is a blue circle with the three Graces. At top, Jupiter’s eagle

Two Women and a Child at a Rail, Overlooking Beach at Tynemouth, Winslow Homer, American, 1836–1910, Charcoal on cream wove paper, lined, Two women and a child lean over railing, looking out to sea, as men in raincoats and caps below the

Sketch for 'Petrouchka' by Stravinsky, for Metropolitan Opera, John Wenger, American, 1887–1976, Casein on board, Impressionistically painted scene of Petrouchka and ballerina doll dancing, with two small flying figures overhead., USA,

Design for a Candlestick, Joseph Anton Seethaler II, German, 1799–1868, Pen and ink, brush and wash, graphite on paper, The shaft consists of a column standing upon a high pedestal showing a palmette in the concave front panel. Octagonal

Soldier Loading His Gun, Black and red crayon on gray laid paper, Vertical rectangle. A boy in soldier's clothing with gun standing between his legs, sword at hip., Rome, Italy, ca. 1720, figures, Drawing, Drawing

Women Riding Sea Centaurs, Villa Aldini, Montmorency, France, Felice Giani, Italian, 1758–1823, Pen and dark brown ink, brush and brown wash over black chalk with traces of graphite on laid paper., Horizontal rectangle. Upper row, each

Design for Wallpaper and Textiles: Flowers, Brush and gouache on gray paper, Five branches at center of page fron top clockwise: branch with green foliage, branch with white tufts, branch with light brown leaves, branch with green foliage and

Study of C. Waterman as a Child and a Village Vignette, Frederic Edwin Church, American, 1826–1900, Graphite on off-white wove paper, Recto: Horizontal sheet containing upper torso of a child and his right forearm, turned to the right, at

Landscape with three buildings, Francis Hopkinson Smith, American, 1838–1915, Charcoal, white and yellow chalk on gray charcoal paper., Horizontal view of landscape with water in the foreground, and three small buildings with very bold in

Design for a Canopy Bed, Pen and black ink, brush and watercolor on paper, Frame of a canopied tent bed seen in elevation, surmounted by a small dome and cluster of feathers. Inside and outside views and plan shown., Germany or Austria, ca.

Design for the Corridor to the Chinese Gallery, Royal Pavilion, Brighton, Frederick Crace, English, 1779–1859, Brush and watercolor, graphite on cream wove paper, Vertical rectangle. Design for the Royal Pavilion, Brighton. In the

Upper Aletsch Glacier with the Great Fusshorn, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on grey-buff paper, Horizontal study of the Aletsch Glacier across two sheets of paper (-a & -b). The sheet shows

Canal, Venice, Italy, Francis Hopkinson Smith, American, 1838–1915, Brush and watercolor, gouache, graphite on paper, Sketch of a canal with gondolas and a bridge with houses lining the banks., Venice, Italy, ca. 1880, landscapes,

Six Decorative Studies; Verso, Anatomical Study, Felice Giani, Italian, 1758–1823, Pen and ink, brush and watercolor washes over graphite on laid paper, Six decorative studies showing partitions with putti and garlands; allegory of time.

Mountain Landscape, Daniel Huntington, American, 1816–1906, Graphite and white crayon on grey paper, Trees in foreground and right. High range of mountains beyond. Verso: White Mountains: -Washington, Jefferson, Adams, Madison, labelled.,

Design for a Silk Brocade, Fragment, Brush and gouache on oily tracing paper, Two undulated stems rise. Three blossoms and lace leaves grow on boughs in the segment, at left, a big lace blossom, at right., France, 1825–1850, Drawing,

Ruins with Vase, Herm, and Colonnade, Louis-Joseph Le Lorrain, French, 1715–1759, Brush and gray wash, black chalk on paper with additions across upper and lower margin, lined with cardboard and border of blue paper, Ruins of a temple

Sketch for a Cartoon for a Cotton Printing: Robinson Crusoe, Graphite on paper, Robinson Crusoe is received by his sick father after his long absence. Crusoe, shown as a youth, takes leave of his aged, gouty father, who reclines in a

Study for leader of the procession, “Vintage Festival, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Pastel crayon on grey paper, A female figure standing with left arm raised. The figure shown in

Theater Design for a Dining Room, Francesco Nicoletti, 1728 – 1776, Pen and black, brown ink, brush and light brown wash, rose watercolor on white laid paper, mounted on blue-green board with gold ruled lines, Theater design for a dining

Design for a Painted Porcelain Salad Bowl, Brush and watercolor, pen and ink, black chalk on cream laid paper, Salad bowl in elevation (above) and plan (below) with slightly scalloped border painted in gold and blue. Interior and exterior of bowl

The Sun, the Hours, and the Seasons, for Palazzo Gessi, Faenza, Felice Giani, Italian, 1758–1823, Pen and ink, graphite on light blue paper, Apollo stands in chariot, driven by four horses, holding whip in right hand. Behind him,

Wall Decoration for Cosimo III de' Medici, Giovanni Battista Foggini, 1652 – 1725, Pen and brown ink, brush and watercolor, black chalk, graphite on white laid paper, Vertical rectangle. Statue of the armoured king, galloping to the left

Banquet of the Gods, variant for the Sala di Pranza, Palazzo Guarini, Forli, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and wash over graphite on laid paper, Italy, 1814, figures, Drawing, Drawing

The Canyon of the Rio Virgin, South Utah, Thomas Moran, American, b. Britain, 1837–1926, Graphite on tan wove paper, Recto: Horizontal view of rock formations seen across the valley and river. Some plants are in the foreground. Many

Designs for Mechanical Furniture: Bookcase and Shelf Desk, Pen and black ink, brush and watercolor on paper, Left, a bookcase with one-half showing glass door, seen in elevation. Right, isometric projection of a desk with tilting top, shown

Wooded Landscape with Bridge Crossing a Stream, Frederic Edwin Church, American, 1826–1900, Black crayon on paper, Recto: Horizontal view of a rough bridge crossing a stream in the left foreground, with wooded, mountain country., Verso:

A Sphinx with Globe, Graphite, red crayon on paper, Sphinx with woman's head, body of a lion, and wings., Italy, late 18th century, ornament, Drawing, Drawing

Study of Left Arm for 'Christiana and Her Family Passing through the Valley of the Shadow of Death', Daniel Huntington, American, 1816–1906, Graphite and white chalk on grey wove paper, Man's lowered left arm with thumb facing frontally.,

Hall Seat, Henry J. Allen Residence, Wichita, Kansas, George Mann Niedecken, 1878–1945, Henry J. Allen, Elsie J. Nuzman (Mrs. Henry J.) Allen, Graphite, color pencil on light brown wove paper, Drawing of two different views of hall

In Front of Mount Chocorua, New Hampshire, Daniel Huntington, American, 1816–1906, Graphite, white and black crayon on pale green paper, Rocks and small bushes, below. Sketch of mountain, above., August 3, 1855, landscapes, Drawing,

Apple Tree (Study for a Decorative Design), Walter Shirlaw, American, b. Scotland, 1838–1909, Brush and watercolor, graphite on paper, Ripening apples are shown. Framed by a colored stripe., USA, 1875–80, nature studies, Drawing,

Ceiling Cabinet Dedicated to War, Palazzo Quirinale, Rome, Felice Giani, Italian, 1758–1823, Pen and dark gray ink, brush and gray wash over black chalk ruled lines on light greenish-beige wove paper, Ceiling divided into 8 square and 5

Point of Land with a Lighthouse, Winslow Homer, American, 1836–1910, Graphite on yellow-gray paper, Horizontal view showing from the left a long point of land with a lighthouse, running out to sea where five schooners, one behind the point,

A covered dish for ice cream of porcelain, Black chalk, brush and various water colors on light cream paper, Vertical composition with three parts of a porcelain ice cream dish. On the bottom, the bowl is shown in profile with floral decorations,

Three Designs for Candlesticks, Luigi Righetti, Italian, 1780 - 1819, Pen and ink, brush and sepia wash, gray, yellow watercolor, graphite on light blue paper, Horizontal rectangle. Three designs for candlesticks, the same designs that

Elevation of the Teatro Vaccai, Tolentino, Italy, Pen and black ink, brush and gray wash on laid paper, Design for a theater. Elevation of the main facade of a portico with three arched doorways. The central doorway is decorated with coats of

The Four Evangelists, Study after Giambologna, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash, over black chalk on white heavy wove paper, Upper drawing of Four Evangelist, in pairs; at left St.Luke and St.John;

The Tetons, Idaho, Thomas Moran, American, b. Britain, 1837–1926, Brush and watercolor, white gouache, graphite on thin gray paper, Horizontal view across a flat river valley showing a mountain range in blue in the distance with a group of

Martyrdom of a Saint, Pen and ink, brush and wash on paper, At top, a bearded man raises a cross. A spear projects from his chest. Panel of scrollwork below., Italy, 1725–1750, figures, Drawing, Drawing

Project for a Ceiling, Graphite, pen and ink, brush and watercolor on paper, One quarter view of ceiling is shown. The top of a wall and an entablature are shown from underneath. The parapet forms niches which are filled with escutcheons. A band

Sketch of Woman with Arms Crossed, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on tracing paper, Woman looking up and to the left, arms crossed over her chest. Verso: lines in black crayon., USA, ca. 1895, figures, Drawing,

Figure with Drapery, Francis Augustus Lathrop, American, 1849 - 1909, Black chalk on paper, Figure wrapped in black cloak, looking away to the right., USA, ca. 1895, figures, Drawing, Drawing

Landscape Sketch, Mount Desert, Maine, Daniel Huntington, American, 1816–1906, Graphite and white crayon on grey paper, Sketch of a mountainous landscape., August 19, 1856, landscapes, Drawing, Drawing

Standing Bedouin, Frederic Edwin Church, American, 1826–1900, Brush and oil on brown paper, Vertical drawing of a bedouin leaning against a column. A lower part of a column is at right. View of Mountains., USA, 1868, figures, Drawing,

Stair at the Cluny, Paris, Whitney Warren Jr., American, 1864–1943, Brush and watercolor on light board, Sketch of stair and balustrade in the Cluny Museum., USA, 1887, architecture, Drawing, Drawing

A Maple Tree, Autumn, Frederic Edwin Church, American, 1826–1900, Brush and oil paint on cardboard, A maple shown in the center. At right rises a slope with trees. Far view in the left background. At the bottom is a margin with a cream ground

Cast from Villa Albani, Arnold William Brunner, American, 1857–1925, Graphite and white heightening on grey paper, Drawing of relief panel, lower section – acanthus leaf at bottom, scrolls above, with rosettes., USA, 1879,

Landscape near Huino, Mexico, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on yellow/green machine-made paper, Horizontal view of distant hills with trees shown in the left foreground., January 8, 1885,

Front entrance group stained glass windows, John C. Wolf, Brush and watercolor on illustration board, Six stained glass window designs with curled vines and red tulips., USA, 1890–1900, glasswares, Drawing, Drawing

Elevation of a Wall Monument, Jean-Charles Delafosse, French, 1734–1791, Pen and black ink, brush and wash, black chalk on white laid paper, Monument takes general scheme of a pedestal. Top section decorated with medallion of sun, festoons

Sketch of Hands, Daniel Huntington, American, 1816–1906, Graphite on grey wove paper, Right arm of young woman, done twice, going across the page in opposite directions. A third, smaller study of the same arm. Verso: On right half, man

Sketch of a Catskill Landscape (View of the Kaanterkill), Frederic Edwin Church, American, 1826–1900, Graphite on white paper, Recto: a broad hilly landscape vista, with a stream in the centre, flowing into the foreground. Houses shown.

Design for a Salon Entrance, Pen and ink, brush and yellow, rose water color, graphite on paper, France, 1790-1800, Drawing, Drawing

Recto: Caricature sketches; verso: standing nude female, Pietro Montana, b. 1890, Charcoal on white paper., Vertical rectangle. Recto: Five caricature sketches of male heads; probably classmates and the instructure of the artist. Self- portrait,

Banquet of the Gods, Felice Giani, Italian, 1758–1823, Pen and brown ink over traces of graphite on cream laid paper, Circular design contain octagon. Hebe pours wine in bowl raised by Jupiter who together with Juno, is shown in right

Floral design for printed textile, Louis-Albert DuBois, Swiss, 1752–1818, Brush and gouache, graphite on pale green wove paper, Floral border design, pink pansies, blue bells, green leaves, scattered buds on field above, on white

Elevation of a mansion for the marchese Genzani, Filippo Marchionni, Italian, 1732–1805, Graphite, pen and ink, brush and wash on laid paper, Three stories, basement, mansard; seven bays. The outside bays project slightly and are rustic.

To Explore by that Cheerless Illumination for Leaks, Frank Walter Taylor, 1874 – 1921, Black crayon, brush with black and grey watercolors, with white heightening, on illustration board, A man, half undressed and bare-footed, stands on a

Sketches of Three Heads, Francis Augustus Lathrop, American, 1849 - 1909, Graphite and black crayon on tracing paper, Large sketch of a woman's head, looking up toward the right. At left, two other heads of women, oriented differently,

Lizard Head Peak, Colorado, Thomas Moran, American, b. Britain, 1837–1926, Graphite on white laid paper, Vertical view of a monolithic mountain peak, silhouetted against white of paper, towers as one crest of ridge defined by a row of

Trees, Frederic Edwin Church, American, 1826–1900, Black crayon on paper, Horizontal view of a maple tree behind a fence at left and four very slight sketches of trees at right., USA, July 1844, nature studies, Drawing, Drawing

Study for Christ, Chancel of St. Bartholomew, New York, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, Sketch for Christ in the painting in the chancel of St. Bartholomew, New York City. The arms are out to either side,

Romulus and Remus: Decorations for Reception Room, Aldini Villa, Montmorency, Felice Giani, Italian, 1758–1823, Pen, brown ink, and brown wash over black chalk on rough grey paper, Horiztontal rectangle. A) In the center is an octagon with

Design for the Entrance Hall, Royal Pavilion, Brighton, Frederick Crace, English, 1779–1859, Graphite on paper, Horizontal rectangle. Design for the Royal Pavilion, Brighton. Elevation of a wall, with a mantelpiece in the center, flanked

Design for a Woven Fabric, Brush and gouche, brush and black paint on oily tracing paper, Rising rinceaux with leaves on top of the spirals in the center of which blossoms and leaves are shown in alternate rows. A small-sized leaf with a blossom

Seven Studies of Quadrilateral Ceilings; Verso: Two Anatomical Studies of Arms, Felice Giani, Italian, 1758–1823, Pen and ink over graphite on laid paper, Verso: anatomical study of toes with frontal view and profile view, Italy, 1814–18,

Study for Foot of Matthew in 'Christiana and Her Children', Daniel Huntington, American, 1816–1906, Graphite, white chalk on grey wove paper, Left foot in motion, center, with heel raised and weight on toes. Verso: Study of right foot.,

Two Projects for Door Frames, Graphite, pen and ink, brush and watercolor on paper, At left, a triangular pediment whose entablature is supported by balustre consoles. Inside is a circle with a star-like blossom. At right, a segmented pediment

Head of a Woman, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on tracing paper, Woman's face shown in right profile., USA, ca. 1895, figures, Drawing, Drawing

Sketch for a Painting of the Presentation of the Virgin, Black and white crayons with gouache on rough paper, The Virgin is presented by Joachim to the high priest, who is prepared to write her name in the book of the virgins of the temple. Anna

Design for Hat Tree 'C' with Angled Branches, A.N. Davenport Co., Graphite on thin cream laid paper, 1900–05, furniture, Drawing, Drawing

Fountain with the arms of Pope Clement XI Albani, Ludovicus Radix, Italian, Pen and ink, brush and watercolor on paper, Wall fountain topped with a pair of trophies and a pediment with the arms of Pope Clement XIV., Italy, 1762, architecture,

Study of landscape, Switzerland, William Stanley Haseltine, American, 1835–1900, Brush and watercolro, graphite on paper, Sketch of a farmhouse., USA, ca. 1856, architecture, Drawing, Drawing

Mars and Venus Preparing Themselves for the Nuptials of Cupid and Psyche, Johann August Nahl The Younger, German, 1752 - 1825, Giulio Romano, Italian, 1499–1546, Lead pencil, pen and dark ink, brush and gray watercolors on paper, Drawing

View of the Roman Forum, With the Arch of Severus in the Foreground, Brush and wash, red chalk, graphite on paper, The view is taken from the Via Sacra, looking towards the Capitoline Hill, with the Arch of Septimius Severus in the right

Stage Design, Group of Antique Buildings, Giovanni Battista Piranesi, Italian, 1720–1778, Brush and sepia wash, graphite on paper, Horizontal rectangle. Fantastic antique buildings through which a flight of stairs is leading up, lined on

Design for the Base of the Monument to Andrea Doria, Baccio Bandinelli, Italian, 1488-1560, Pen and brown ink, black chalk on off-white laid paper, Decoration of statuary base for Genoese naval hero and imperial admiral Andrea Doria, whose

Study for 'Communion of the Sick', Daniel Huntington, American, 1816–1906, Graphite, white chalk on brown wove paper, lined, Upper body of a woman in right profile with her head bent down and her arms around a child, not shown., Rome,

Woodland Scene, Goat Island, Niagara River, New York, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on dark tan paper, Vertical view of showing a woodland scene of bushes and small trees, with tall trees in

Colonnes d partmentales, fetes Juillet 1838', Félix-Jacques Duban, French, 1798 - 1870, watercolor, pen and blue, brown, orange ink Support: off-white paper mounted on off-white paper, Design for a polyhedron column with thin red stripes

Fall of Reichenbach, Daniel Huntington, American, 1816–1906, Brush and gouache, graphite on brown paper, Cascade of water between rock cliffs, seen through a narrow valley. Trees above, and in distance beyond., June 12, 1844, landscapes,

Sheet of architectural sketches, Giuseppe Valadier, Italian, 1762–1839, Pen and bistre ink on gray-brown paper, Sheet of architectural sketches, including stage designs. One side, below: a market place. Center: a polygonal room with a

Sketch for Scene 3 of cartoon for cotton printing:The History of Heny IV [L'Histoire de Henri IV], Hartmann et Fils, (Munster, France), Pencil on cream-colored paper, One scene from Voltaire's epic 'Henriade' showing Henry IV in the Battle of

Welch Mountain in Waterville and Thornton, New Hampshire, from Sandwich Notch Road, Campton, Daniel Huntington, American, 1816–1906, Graphite on pale green paper, Mountains, center, and in distance at right. Ridges shown in left, right,

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