Images at Librifly

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Group of Three Male Nudes, Black crayon on paper, Three figures; one shown from the back, another upwards., Italy, 1825–1850, figures, Drawing, Drawing

Floral Design, Black, white crayon, brush and wash on bluish-grey paper, A plant with a curved main stem with four blossoms and three buds., France, 1740–1770, Drawing, Drawing

Study of Woman's Head and Shoulders, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on tracing paper, Study done for the hair, bound loosely. Back of her shoulders seen; the head turned over the shoulder to the right., USA, ca.

Ruins of Doric Temple, Corinth, Frederic Edwin Church, American, 1826–1900, Brush and oil paint on thin board, The five columns with epistyle and sixth broken column are shown from northeast in the landscape. Margins show gray ground color.,

Study for an Angel, Francis Augustus Lathrop, American, 1849 - 1909, Brush and brown watercolor, graphite on brown paper, Winged figure shown from feet, on clouds, recumbent and sleeping. The wind blows the drapery upward., USA, 1880–95,

Study of a Woman at Her Bath, Pierre-Victor Galland, Swiss, active France, 1822 - 1892, charcoal, oil on canvas, Vertical orientation. Scene of a bather at a basin in a small walled enclosure, with indication of three putti around her.,

Design for main entrance door for the Bankers' Trust Company, New York, NY, Graphite, brush and watercolor, gold tempera on illustration board, Elevation of design for main entrance to the bank building. A pair of bronze doors surmounted by

Design for a Fan: Capriccio with Roman Ruins and the Farnese Hercules, Giovanni Paolo Panini, Italian, 1691 - 1765, Pen and brown ink, brush and gray wash, graphite on cream laid paper, lined, Semi-circular design corresponding to the shape

Drawing, Felice Giani, Italian, 1758–1823, Pen and black ink, brush and sepia wash over black chalk on paper, Horizontal rectangle showing two seated male figures, nude but for drapes across their laps. The left feeds an eagle from a kilix;

Elevation of the Facade of Santa Maria dell'Orazione e Morte, Rome, Italy, Ferdinando Fuga, Italian, 1699 - 1781, Pen and black ink, brush and gray wash on paper, Design for the two-tiered elevation fo the facade of Santa Maria dell'Orazione

Study for a seated woman, “Vintage Festival, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Graphite, pastel crayon, on tracing paper mounted to board, A female figure seated with right leg bent.

Drawing: A) Rhea and the infant Jupiter. B) St. Francis of Assisi, A) Black chalk and pen with grayish brown water color on paper. B) Red and black chalk on paper, Obverse: A) Jupiter is shown suckling the goat Amalthea. Rhea stands at left,

Studies of Mount Chimborazo, Ecuador, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite, on thin paper laminate, Four studies of Mount Chimborazo: top peak, rising in background over clouds and rest of mountain

Design for Woven Horizontal Border, Pen and black ink, brush and wash, black chalk on paper, Rinceaux in the scheme of horizontal S's are connected by beads. Cups and calyxes alternate in the wedges., France, 1800–1830, textile designs,

Design for an Embroidery or Woven Fabric of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white color on glazed tracing paper, Feather lace leaves rise from behind the left side of fantastic sunflowers. Somewhat more

Stories of Jove, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash over traces of graphite on cream laid paper, Italy, 1803, figures, Drawing, Drawing

Architectural Studies, Arnold William Brunner, American, 1857–1925, Graphite on light brown paper, Left, front of large house; right; turret on a corner; lower center, chimney; upper center, top of building or tower., USA, ca. 1879,

Sheet with Sketch of a Monk, Black chalk, brush and gouache on blue laid paper, Horizontal rectangle illustrating two sketches of a monk., Bologna, Italy, mid-18th–early 19th century, figures, Drawing, Drawing

Fragment of a cartoon for cotton printing: Fauchon la Vielleuse, Petitpierre & Compe., (Nantes, France, founded 1770, Graphite, pen and black ink, brush and grey wash, pink wash, white heightening on white paper, Family of seven before

Design for the Embroidery of a Man's Waistcoat, Graphite, brush and watercolor on paper, Lower left section of a waistcoat. At the corner and below the pocket a large motif of flowers and leaves. Two sprays of small flowers follow the line of the

The Fishing Temple, Virginia Water, England, Frederick Crace, English, 1779–1859, Brush and watercolor, gouache, gold tempera on paper, A large pavilion in the Chinese style. An open porch across the facade, its roof decorated with carved

Katrina Van Tassel, Study for The Legend of Sleepy Hollow, Daniel Huntington, American, 1816–1906, Pastel crayon on grey paper, Portrait of a woman peeling an apple, seen frontally, with a veil covering her hair., USA, USA, 1861,

The Annunciation, Giovanni Battista Tiepolo, Italian, 1692 - 1770, Pen and brown ink, brush and brown wash over black chalk on off-white laid paper, The praying Virgin gazes at Gabriel kneeling and bowing low on clouds which cover most of the

Design for a Bed, Richard de Lalonde, French, active 1780–96, Pen and ink, brush and watercolor, graphite on paper, Canopy supported by four posts; upon the corners are bunches of feathers; an urn above and scale below., France, ca. 1785,

Academic Study of a Male Nude, Giuseppe Longhi, Italian, 1766–1831, Black and white chalk on brown paper, A male nude is seen seated on a block in left profile, resting his chin on his left hand, with his left elbow in his right palm. A

Study of a Woman's Head, Daniel Huntington, American, 1816–1906, Graphite, brown crayon on grey wove paper, Study of a woman's head in three-quarter right profile with ringlets around her face. Lower right, sketches for the upper part of the

Study of Feet for 'Justice and Peace', Daniel Huntington, American, 1816–1906, Graphite and white chalk on off-white wove paper, Study of a woman's left foot with the right foot crossed behind it., USA, 1878, figures, Drawing, Drawing

A Water Trough, Walter Shirlaw, American, b. Scotland, 1838–1909, Brush and watercolor, graphite on paper, A water tough, with two donkeys and several figures around it., USA, ca. 1885, figures, Drawing, Drawing

Man, Robert Frederick Blum, American, 1857–1903, Pen and ink, brush and wash on laid paper, Sketch of a male figure under a canopy., USA, 1881–1883, figures, Drawing, Drawing

Female Nude, Study of Peace for 'Justice and Peace', Daniel Huntington, American, 1816–1906, Graphite and white chalk on buff wove paper, A seated nude woman leaning and turned to the left with outstretched arm. Head not shown. Arm repeated,

Stage Design: Villa with Obelisk and Albani Arms, Pen and brown ink, watercolor on white laid paper, Vertical rectangle showing a palace façade and loggia surmounted with balustrade. In the background, an obelisk is capped with a 'mountain and

Ceiling Decoration, Victory in a Chariot, Palazzo Quirinale, Rome, Felice Giani, Italian, 1758–1823, Pen and dark gray ink, brush and brown wash over black chalk on light greenish-beige wove paper, Ceiling divided into nine rectangular and

Arch of Septimius Severus, Rome, Frederic Edwin Church, American, 1826–1900, Brush and oil, graphite on thin paperboard, Obliquely shown from the north. Two houses are shown at right., USA, February 1869, architecture, Drawing, Drawing

Architectural Design Around Door, Giovanni Battista Natali III, Italian, 1698 - 1765, Pen and brown ink, gray wash, black chalk on laid paper, Vertical rectangle showing archway. Only left side of drawing finished., Italy, ca. 1750,

Study of a Male Nude for 'Tribute Money', Daniel Huntington, American, 1816–1906, Graphite and black crayon on tan paper, Study of a nude, male figure in left profile. Feet not shown., USA, July 1852, figures, Drawing, Drawing

Design for Dados, Pen and black ink, brush and brown wash on paper, Studies of wall friezes., Italy, 1725–50, architecture, interiors, Drawing, Drawing

Design for a Doorcase for the Center of a Façade in the Main Floor, Filippo Marchionni, Italian, 1732–1805, Graphite on laid paper, Vertical rectangle. The right side is not entirely finished. At the bottom are the pedestals of the pilaster

Title Page, Oeuvre de François de Cuvilliés père et fils (Works of François de Cuvilliés the Elder and the Younger), Pen and ink, brush and wash on paper, Title page by an anonymous designer for a miscellaneous volume with prints after

Stage Design, Group of Antique Buildings, Angelo Toselli, ca. 1765? – 1826, Pen and ink on paper, Horizontal rectangle. Group of antique buildings situated on hillside., Italy, early 19th century, theater, Drawing, Drawing

Sheep Resting, Winslow Homer, American, 1836–1910, Graphite, brush and watercolor on white watercolor paper, Recto: A view of three groups of resting sheep partially filled in with color. Also on this sheet are a sketch of a standing sheep,

Design for a Lighting Fixture, Frederick Crace, English, 1779–1859, Brush and watercolor, pen and ink on thin paper, Vertical rectangle. Design for the Royal Pavilion, Brighton. A tall shaft rising from a jardinère on a stand. Large and

Plate 12, Livre de vases (Book of Vases), François Boucher, French, 1703 – 1770, A. Bouchet, French, active ca. 1730-1740, Chez Le Pere et Avaulez, Paris, France, Etching on cream laid paper, Folio 12, plate 12 of a series of 12.

Figure Study for Diana and Her Attendants among the Constellations, Francis Augustus Lathrop, American, 1849 - 1909, Graphite and chalk on paper, laid down on board, Center, half-length male figure with arms raised, gesturing towards upper

A Gnarled Evergreen, Grand Manan, Canada, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on brown paper, Vertical view of a gnarled evergreen tree., Canada, August 1851, nature studies, Drawing, Drawing

Old House in New London, Daniel Huntington, American, 1816–1906, Graphite on paper, House, at left, outlined. Trees in right foreground lightly sketched., USA, 1857, architecture, Drawing, Drawing

Study of Cosmos, Sophia L. Crownfield, (American, 1862–1929), Brush and watercolor on white paper, Vertical sheet depicting studies of cosmos from different angles and in different directions across the sheet including nine pink examples, and

Standing male nude seen from the back, Pietro Montana, b. 1890, Charcoal on white paper., Vertical rectangle. The model restes his left hand on a staff, the upper part of which is not visible. Inscribed (in charcoal), upper right: '4 hours' and

Nature Studies from the Rio Magdalena, Colombia: Trees, Vines and a Canoe, Frederic Edwin Church, American, 1826–1900, Graphite on gray paper, Horizontal view containing an outline of a canoe, at upper left; a group of trees and plants at

Study of Standing Nude Figure, Louis Schaettle, American, 1867–1917, Graphite on light brown paper, Standing female nude, rear view, with head facing right, right arm extended. Drapery study, upper right., USA, ca. 1900, figures,

Botanical Sketches, South America, Frederic Edwin Church, American, 1826–1900, Graphite, brush and oxidized white gouache on gray paper, Horizontal viw of a plantain at left; a tree at right top; and the top of a ceiba tree at bottom., May

Old Persian Carving in Brass, Pen and black ink on paperboard, An ovoid-shaped vessel, probably a flask of some sort, with a small opening at the top. The upper portion has bands of carving with figure and animal motifs., USA, 1886, graphic

Studies of Arms, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, Outstretched arms, seen from the back; right arm above, left arm below. Drawn on the back of a title page from book. On verso: 'The Three Fishers / Thomas

Sketch of a Female Nude, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, Nude female figure reclining to the left, her head turned to the left; arms unfinished. Second sketch of a leg, lower left. Sketch of a foot, lower

Study for 'The Common Law, ' 'The Reign of the Law, ' Appellate Division Court House, New York, NY, Kenyon Cox, American, 1856–1919, Graphite on paper, A female figure is reclining with arms extended. The paper is squared for transferring

Drapery Study for Figure of Peace in 'The Beneficence of the Law, ' Mural at Essex County Court House, Newark, New Jersey, Kenyon Cox, American, 1856–1919, Graphite on off-white laid paper, Study of drapery for seated female figure. Outline

Park with Fountain and Statue, Hubert Robert, French, 1733 – 1808, Red crayon on paper, In an exterior park or garden, a curved colonnaded wall at left, a large fountain at center, and a sculpture of a woman at left. In the middleground,

Hot Springs, Yellowstone, Thomas Moran, American, b. Britain, 1837–1926, Brush and light blue and red wash, graphite on gray wove paper, Recto: Horizontal view of valley, bordered at back, at left and in the foreground by mountains.,

Design for a Tray with Punch Bowl and Glasses, Giovacchino Belli, Italian, 1756 - 1822, Pen and black ink, brush and watercolor, graphite on paper, Vertical rectangle. Design for a tray with a punch bowl and glasses. The design corresponds to

Anatomical Studies, Frederic Edwin Church, American, 1826–1900, Graphite on brown wove paper, USA, 1865–70, figures, Drawing, Drawing

Lizard Head, Colorado, Thomas Moran, American, b. Britain, 1837–1926, Graphite on paper., Horizontal view of two peaks, the right one of which is pinnacle-like., January 8, 1893, landscapes, Drawing, Drawing

Sketch of Angels, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on laid paper, Upper left, group of three angels facing towards the right, with crossed arms. Upper right, one angel moving towards the left. Lower left, bust of

Three Designs for Candlesticks, Pen and black ink, brush and gray wash, watercolor, traces of graphite on off-white laid paper, Horizontal rectangle. Three designs for candlesticks, all supported by lion feet. At left, the bottom part of the

The Death of Priamus, Pen and gray ink, gray wash over traces of black chalk on paper, Phyrrhus killing Priamus, who falls on the body of his youngest son, Polites. In the right middle plane is a group of women, in front of an altar with

Schoodic Peninsula from Mount Desert at Sunrise, Frederic Edwin Church, American, 1826–1900, Brush and oil on paperboard, A low wooded promontory protrudes toward the right in the left middle distance. Boulders are shown in the right

Studies after Paintings by Perugino and Alfonso Lombardo in Bologna; sixteenth-century monument, Bologna, Felice Giani, Italian, 1758–1823, Pen and ink, brush and sepia wash, graphite on cream laid paper, Recto, top row: Two details of

Details of Donkey Heads, South America, Frederic Edwin Church, American, 1826–1900, Graphite on cream-colored paper, Horizontal view of the neck and head of a donkey shown in profile at center right and four other sparse scattered details of

Floral design for printed textiles, Louis-Albert DuBois, Swiss, 1752–1818, Fabrique de Fazy aux Bergues, Brush and gouache, graphite on white wove paper, Floral design, purple and black, upper portion, tan ground with white vines, lower

Design for Desk Organizer with Quill Pen, A.N. Davenport Co., Graphite on thin cream laid paper, 1900–05, furniture, Drawing, Drawing

Sketches of a Female Nude and Arms, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on light brown paper, At left, nude female figure sitting, leaning to the left, facing right. Upper right, sketch of neck and shoulders. Below,

Mountain Landscape, Adirondacks, Daniel Huntington, American, 1816–1906, Graphite on grey paper, Top to bottom, lake, center; mountains beyond., USA, October 7, 1864, landscapes, Drawing, Drawing

Recto: Coronation of the Virgin, Belisario Corenzio, Italian, active 1590–1646, Pen and brown ink, brush and blue watercolor, white gouache on cream laid paper tipped into paper frame; verso: brush and gray, white gouache, graphite, Recto:

Bank Note Design, Walter Shirlaw, American, b. Scotland, 1838–1909, Brush and grey and white gouache, black crayon, red pastel on brown paper (separate strip below), A winged woman is in the center over a protractor, beside which a man

Church Sanctuary, probabl, Pen and brown ink, brown wash, black chalk Support: white laid paper, Italy, Italy, 1692, architecture, Drawing, Drawing

Battle Scene, Giulio Romano, Italian, 1499–1546, Pen and brown-black ink, brush and wash on laid paper, Battle scene with overlapping horses and riders., Italy, 1524–46, figures, Drawing, Drawing

Madonna and Child and St. John, Study after Francia; Madonna and Child with St. John, Study after Dossi; Madonna and Child with St. John, Bishop Saint, St. Appolonia; Madonna and Child in Niche, Study after Sculpture by Salvator Mundy, Felice

Design for an Oil Lamp, Graphite, pen and black ink, brush and water color, gouache on tracing paper, laid down, The body of the lamp is a light blue porcelain vase with a central field of flowers against a white background, within a gold

Near San Francisco, Mexico, Thomas Moran, American, b. Britain, 1837–1926, Brush and watercolor, white gouache, graphite on tan paper, Horizontal view of a cart road leading straight back over rocky rise of ground to a wagon at crest in

Horsemen in a Landscape, Alessio De Marchis, Italian, 1684–1754, Brush and brown wash, red, black chalk on cream laid paper, A figure on horseback rides across a triple-arched stone bridge with fortified ruined approaches in a hilly

Design for Parts of a Coach, Pen and sepia ink, graphite on paper, Vertical rectangle. Design for parts of a coach more probably of Pope Gregory XVI (1831-1846) than Pope Pius IX (1846-1878). Profile view of the side of the body opposite the

Sitting Room, 7 Owen's Row, Islington, Richard Parminster Cuff, British, 1819 - 1883, Brush and watercolor and gray wash over graphite, The decoration of this row house sitting room shows a simple, domestic arrangement. A center table,

Landscape with Large Rock, possibly North Carolina, Frederic Edwin Church, American, 1826–1900, Brush and oil paint on paperboard, Vertical view with a tall rock rising in center foreground and a red vine descending from the top and trailing

Design for a Mantelpiece, Pen and black ink; brush and brown and gray wash; black chalk, Front view of a mantelpiece with frieze of decorative figures . Additional ornamentation is added on right half, including a winged gryphon at lower right.,

Designs for Wallpaper and Textiles: Birds, Brush and gouache on cream paper, Group of four birds in flight, wings spread all in profile. From top to bottom, and left to right: blue-gray bird facing right, maroon bird facing right, white bird

Designs for Two Ewers and a Swing-Handle Bowl, Pen and brown ink, black chalk on cream laid paper, At left: design for bowl with swing handle. The handle, decorated with applied female forms, is formed by double arches that are connected in the

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf, ' Unfinished, Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper pasted on paper, Lacy flower boughs stand over an undulated

Design for the Silver Mount for a Glass Fruit Bowl, Joseph Anton Seethaler II, German, 1799–1868, Pen and black ink, brush and gray wash on paper, Chimeras standing upon three columns support the base of a bowl with scalloped top edge. It is

Yellowstone, Hot Springs, Thomas Moran, American, b. Britain, 1837–1926, Brush and watercolor, white gouache, graphite on light tan wove paper, In the center, a hot spring of water, steam, and salt deposits is rendered in white, red

Woman, Robert Frederick Blum, American, 1857–1903, Graphite on paper, Sketch of a female figure., USA, 1881–1883, figures, Drawing, Drawing

Sketch for an Angel, Francis Augustus Lathrop, American, 1849 - 1909, Chracoal on tracing paper, The upper part of an angel is shown, turned toward left. He blows a trumpet, supported by his extended right arm. The left hand lies upon the

Seascape with Fishing Trawler, Cullercoats, England, Winslow Homer, American, 1836–1910, Charcoal on paper, Horizontal view of a heavy sea with a cloudy sky; a fishing trawler, pointed toward the left, emits heavy smoke from its stack.

Design for Newspaper Rack on Wall, A.N. Davenport Co., Graphite on thin cream laid paper, 1900–05, furniture, Drawing, Drawing

Study of Mercy for 'Christiana and Her Family Passing through the Valley of the Shadow of Death', Daniel Huntington, American, 1816–1906, Graphite on grey wove paper, Woman turned toward the left with one shoulder covered by drapery. The palms

Project for a Ostensory, Luigi Righetti, Italian, 1780 - 1819, Graphite, pen and ink, brush and wash on paper, The shaft has the shape of a round pedestal below, which supports an urn, above which rises a baluster. The receptacle is

Study of Seated Woman for 'Titian Showing the Entombment to Charles V and Clement VII', Daniel Huntington, American, 1816–1906, Graphite, white chalk on brown paper, Woman on a small bench with her head in left profile and her left hand to

Mt. Jefferson from near Whitefield, Daniel Huntington, American, 1816–1906, Graphite on pale green paper, Fence and pasture, foreground, river, left. Wooded ridges and mountains beyond., USA, September 25, 1855, landscapes, Drawing,

Living Room Arm Chair and Carpenter-Type Chair, Henry J. Allen Residence, Wichita, Kansas, George Mann Niedecken, 1878–1945, Henry J. Allen, Elsie J. Nuzman (Mrs. Henry J.) Allen, Graphite on tracing paper, Page with two armchairs. Left,

Landscape, Leon Dabo, American, 1868–1960, Graphite on heavy paper, A view looking across flat space with objects against cliffs in the distance (possibly view across Hudson River with the New Jersey Palisades in the distance)., USA, ca.

Design for a Sepulchral Monument for Filippo Lovazzi, Vincenzo Gajassi, Italian, 1801 - 1861, Brush and watercolor, graphite, pen and ink on paper, A sculpted figure of a dead man is lying on top of a sarcophagus which is decorated with

Project for a Mace, Pen and ink, brush and watercolor on paper, The upper part of the shaft is ribbed with a bow knot at bottom. At center, two women sit upon scrolls, supporting a globe showing Italy. On top, fits Faith or Religion holding a

Summer landscape, Frederic Edwin Church, American, 1826–1900, Brush and oil on cardboard with gray back., A wooded hill ridge is shown in the foreground. Mountain ranges are in the rear. High sky with a few clouds. Bottom margin showing gray

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