Images at Librifly

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Fragments in Forum, Rome, Arnold William Brunner, American, 1857–1925, Graphite on paper, At upper left: profiles of mouldings, inscribed, Fragments in Roman Forum./Rome. At lower left, detail of brick courses, with dimensions. Sketch of

Study of Reclining Nude Figure, Louis Schaettle, American, 1867–1917, Graphite and chalk on grey paper, Reclining female nude, head facing front, at left; bent legs extended to right. Right arm curled in lower left, left arm upper left.,

Study for 'The Signal of Distress', Winslow Homer, American, 1836–1910, Graphite, brush and blue-green, brown, and yellow watercolor, gray wash, traces of black ink on white heavy wove watercolor paper, Vertical view from bridge of ship,

Design for a Candlestick, Joseph Anton Seethaler II, German, 1799–1868, Graphite, pen and black ink, brush and wash on paper, A small grapevine is wound around a column upon which two sphinxes support a starred sphere. Fastened to it by

Two cloud and mountain top studies, Frederic Edwin Church, American, 1826–1900, Brush and oil on cardboard., Top: a slope, a hill, and a mountain range; the latter is shown through clouds. Bottom: a mountain top shown through clouds. Tops of

Sketch of a Man or Angel with a Book, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on brown paper, Oblique figure with drapery, arms overhead holding an open book., USA, ca. 1895, figures, Drawing, Drawing

Design for Ceiling with Triumph of Galatea, Felice Giani, Italian, 1758–1823, Pen and brown and black ink, brush with watercolor over traces of graphite on paper, Horizontal rectangle. Drawn into plan of room. Center oval representation of

Lunette with St. Peter and St.Paul with St. Matthew and the Prophet Isaiah, Study after Sebastiano del Piombo, Felice Giani, Italian, 1758–1823, Pen and ink, brush and brown wash, over black chalk on white wove paper, Upper left, the

Study of a Right Foot, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on tracing paper, Right foot, seen from slightly above and to the left of it., USA, ca. 1895, figures, Drawing, Drawing

Study for 'The Morning Glory', Elihu Vedder, American, 1836 – 1923, Pastel on green-brown wove paper, Recto: Female figure seated turned toward the right. Drapery swirls in the background, with the rays of sunlight rising beyond it. Verso:

The Risen Christ, Pen and ink, brush and wash on paper, The risen Christ holds a banner, surrounded by clouds and angels., Italy, 1600–1900, figures, Drawing, Drawing

Design for a Painted Ceiling of Irregular Shape: Aurora, Flaminio Innocenzi Minozzi, Italian, 1735 – 1817, Pen and brown and black ink, brush and watercolor, black chalk on paper, Design for a painted ceiling, viewed directly from below.

Studies of the Siena Cathedral, Walter Shirlaw, American, b. Scotland, 1838–1909, Watercolor and graphite on paper, Studies of parts of the stalls, of the railing and of the architectural details., Siena, Italy, ca. 1872, architecture,

Romulus and Remus Suckled the Wolf; Romulus Dedicates to Jove Feretrius the Spoils of Conquered King Acronius, Two Studies after Carracci, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash, over traces of black chalk

Interior of St. Peter's Illuminated, Pen and black ink, brush and brown wash, white gouache on cream laid paper, mounted on greyish-green paper, Dramatic view of interior of Saint Peter's in Rome on Holy Thursday. View is from the right transept

Design for a painted decoration in honor of a French general who had been governor of a crown prince, Pen and black/red inks, graphite on laid paper, An arched doorway flanked by pairs of columns and pedestals upon which urns stand. A chandelier

Franconia Range Lafayette with Snow from Jefferson Hill, Daniel Huntington, American, 1816–1906, Graphite and white crayon on grey paper, Lafayette mountain with snow. Low ridges, tree covered, left and right., USA, September 28, 1863,

Sketchbook page, Frederick Krieg, American, b. Germany 1852–1932, drawing, One of fourteen pages in a sketchbook, USA, 1864–78, Sketchbook page

Five Studies of Ceiling with Grotesques; Madonna, Felice Giani, Italian, 1758–1823, Pen and ink, brush and watercolor washes over graphite on cream laid paper, Recto: five studies of ceilings; madonna. Verso: two anatomical studies showing

Study for Christ, Chancel of St. Bartholomew, New York, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, Sketch for Christ in the painting in the chancel of St. Bartholomew, New York City. Shown slightly oblique, with

Design for a Woven Fabric, Brush and gouache, brush and black paint on oily tracing paper, Top row, at left: a flower bunch rising from a small shell, the point of which serves as support of chain festoons. At right, two ribbon festoons and a

Madonna and Saints, Sebastiano Conca, Italian, 1680 - 1764, Pen and brown ink, brush and wash, whitening, on paper, Madonna appears in a cloud to saints praying. The saints kneel in veneration. Madonna is looking up to heaven, where the dove

Designs for embroidery, Black crayon on tracing paper, Vertical rectangle. Designs of abstract floral patterns for panels and borders. Each drawing stamped at top: 'Dessin original a broderie.' Designs numbered 169 (I), France, ca. 1890,

Field with Rail Fence, Francis Hopkinson Smith, American, 1838–1915, Charcoal, black and white chalk on gray paper., Horizontal view of a field with a fenc in the foreground and a clump of three trees under which some cows are resting., USA,

The Beehive and Sand Beach from Great Head, Mt. Desert, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on cardboard, Horizontal sheet depicting a small farm nestled between wooded hills in the middle distance.

Design for a Bronze Mounted Vase, Emile Gallé, French, 1846 - 1904, Graphite on wove paper, Design for a symmetrical vase, sitting on a raised foot, flaring out from the bottom, narrowing at the neck, topped with a lipped rim. Its

Design for Wallpaper and Textiles: Flowers, Brush and gouache on cream paper, Five branches all facing outward in all directions. From left: light brown branch with foliage, brown branch with green foliage and clusters of blooms, light brown

Design for the elevation of a chimney wall of a salon, Jacques-Denis Antoine, French, 1773–1801, Pen and ink, brush and watercolor on white laid paper, Two doors flank a fireplace, surmounted by a mirror between pilasters. The overdoors are

Deck Passengers, Winslow Homer, American, 1836–1910, Brush and watercolor, graphite on illustration board, Horizontal view of the deck of a boat, with wheel resting against a wheel-house to the right, and a seated man and woman, who stands

An Altar Lamp in the Family Chapel of the Honorati in the Cathedral in Jesi, Luigi Valadier, Italian, 1726 – 1785, Pen and black ink, brush and watercolor, black chalk on white laid paper, Design for a lamp to be executed in partly gilded

Ceiling of a Bedroom, Felice Giani, Italian, 1758–1823, Pen and dark brown ink, brush and watercolors with black, red, violet and blue washes over traces of graphite on paper., Vertical rectangle. Above and below bands with ornament in

Sketch of a Woman's Head and Hand, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on tracing paper, Sketch of a woman's head, looking to the left; drawn with dots and straight lines. Below, right hand grasping a horiztonal rod or

Catskills from Hudson, New York, Frederic Edwin Church, American, 1826–1900, Brush and oil on cardboard, View across hilly country towards a mountain range in the rear. A strip of trees is shown in the foreground. Reddened clouds at the

Mount Chocorua from Hill Near Tamworth Village, Daniel Huntington, American, 1816–1906, Graphite and white crayon on pale green paper, Meadow in foreground, and ridges with trees beyond. Mountain in distance, center., New Hampshire, USA,

Altar Tablet with the Arms of Pope Pius VII, Luigi Righetti, Italian, 1780 - 1819, Pope Pius VII, Italian, 1742 - 1823, Pen and black ink, brush and gray, brown, yellow wash, over graphite, ruled border in brush and black ink on light

Sunset at Hudson, New York, Frederic Edwin Church, American, 1826–1900, Brush and oil on paper., Horizontal view of the setting sun reddening clouds and reflecting in windows of a town, built on hilly terrain, with roofs and a tree top

Drawing, Graphite on paper, France, before 1902, Drawing

Design for a Chalice, Pen and ink, brush and watercolor on paper, At front of the foot is an escutcheon with a trophy consisting of instruments of the Passion. The edges are scrolls with cherubim at the corners., Italy, late 18th century,

Mâts placés sur le Pont-Neuf aux Fêtes de Juillet 1838 (Flagpole for Pont Neuf, Paris, July Festival 1838), Brush and watercolor, graphite on cream paper, mounted on beige paper, Design for a red flagpole with crimson banding, terminating

Putto Making a Knot, Red chalk on paper, Winged putto turning towards the right and looking upward while making a knot. Depicted in three quarter profile., Italy, 1700–1750, classicism, Drawing, Drawing

Jerusalem from the Mount of Olives, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, pen and black ink, graphite on paperboard, The city of Jerusalem is shown at right in the distance. A solitary figure stands facing the city

Oval Saloon, Frederick Crace, English, 1779–1859, Pen and black ink, violet, red, and blue wash on wove paper, Vertical rectangle. Two-story room, door at center, chandelier above, niches right and left., 19th century, interiors,

Section of a Country Villa, Pen and black ink, brush and rose, brown and blue watercolor, black wash, with black chalk indications on paper, Section of a villa. Three levels are indicated. There are rooms in the basement, with stairs leading

Decorative Studies; Verso: Barbarian Head in Profile from the Antique, Felice Giani, Italian, 1758–1823, Pen and ink over graphite on cream laid paper, Italy, 1814–18, graphic design, Drawing, Drawing

Design for a Woven Fabric, Brush and gouche, brush and black paint on oily tracing paper, An undulated stem with many side branches rises in the right center. Parts of it are crossed by fantastical flower boughs which alternate in horizontal and

Study for Girl with Tambourine, “Vintage Festival”, Mendelssohn Glee Club, New York, Robert Frederick Blum, American, 1857–1903, Black and red pastel crayon on tracing paper mounted to board, Draped female model turned to the left with

Stage Design: Palace Architecture with Trophies, Pen and bistre on laid paper, Vertical rectangle showing quarter section of palace interior richly decorated with pilaster, pedestals, sculptures, trophies and flags. In the background is a statue

Sketch for Central Figure in the Ascension, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on laid paper, Standing figure facing frontally in sheer drapery; gaze directed downward., USA, ca. 1895, figures, Drawing, Drawing

Stage Design, Interior of Prison, Pen and bistre ink, brush and sepia wash on paper, Horizontal rectangle. Vast building with pillars, vaults, staircase of prison-like appearance., Naples?, Italy, early 19th century, theater, Drawing,

Mountainous Landscape with a Setting Sun and a Tree, Jamaica, Frederic Edwin Church, American, 1826–1900, Graphite on cream-colored heavy wove paper, Horizontal distant view over mountain ranges as the sun radiates low in a cloudy sky with a

Martyrdom of St. Andrew, Francesco Coghetti, Italian, 1804 - 1875, Pen and brown ink, black chalk on cream laid paper, lined, In a spacious Roman hall, three men are raising the cross with the Apostle. Meanwhile, a soldier is trying to

In the Woods, Hudson, New York, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, traces of graphite on heavy cream wove paper, Vertical view of prominently shown central group of one dark beech and two light birch trees.,

A Large Fountain, Walter Shirlaw, American, b. Scotland, 1838–1909, Brush and watercolor, graphite on paper, A large fountain with figures in foreground., USA, ca. 1885, architecture, Drawing, Drawing

Three Preparatory Sketches, Red crayon in fibrous light brown paper, Horizontal rectangle. From left to right: a right hand holding an object; a drapery study; the left foot as seen in 1901-39-2852 and 1901-39-3051., Italy, early 18th century,

Psyche Asks Proserpine to Put a Little of her Beauty in an Urn for Venus, Johann August Nahl The Younger, German, 1752 - 1825, Giulio Romano, Italian, 1499–1546, Lead pencil, pen and dark ink, brush and black and gray watercolors on paper,

Saint Paul and Figures, after Raphael, Felice Giani, Italian, 1758–1823, Graphite, pen and ink, brush and sepia wash on paper., A group of robed figures, a detail after Raphael., Italy, ca. 1820, figures, Drawing, Drawing

Study of Left Hand for 'Communion of the Sick', Daniel Huntington, American, 1816–1906, Graphite, white chalk on tan wove paper, Left hand, with sleeve draped over arm, extended toward the right, with palm downwards and fingers apart.,

Deux différents desseins de Comodes (Designs for Two Commodes) in Livre de Diferents Dessein de Comodes (Book of Designs for Commodes), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Karl Albert von Lespilliez,

Room in a Palace, Pen and brown ink, graphite on laid paper, laid down, Horizontal rectangle. View into high hall supported by columns, between which are niches with medallions above. Elaborately decorated ceiling., Italy, mid-19th century,

Design for a Woven or Embroidered Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, Three rows of leaves which are paralleled to the scalloped edge at the bottom. A bough

Cloud study at sunset, Frederic Edwin Church, American, 1826–1900, Brush and oil and cardboard, Horizontal drawing of clouds glowing pink; one large white cumulous cloud hands over low hills in the distance. A lake is in the foreground., USA,

Design for a Painted Porcelain Tureen and Tray, Brush and watercolor, black chalk on cream laid paper, Covered tureen shown in elevation (above) with tray (below). Tureen with ovoid bowl on foliated legs from which rise rod-shaped handles with

Cloud Studies with Setting Sun, Frederic Edwin Church, American, 1826–1900, Graphite on off-white wove paper, Recto: Horizontal view of cloud studies with a setting sun surrounded by rays., Verso: Two sleeping pigs., USA, August 1844,

Pope Receiving Visitor, Belisario Corenzio, Italian, active 1590–1646, Pen and brown ink, brush and brown wash, graphite on cream laid paper, lined, Interior, striped wall, framed picture hanging; a pope, seated on a low pedestal under a

Two projects for a portable pulpit for the church in Offida, Pen, ink, light green water color and chinese black washes on paper, Vertical composition of two altars. The altar on the left is shown from the front and the altar on the right is

Madonna and Child, Black chalk, pen and ink, brush and wash on paper, The standing virgin holds the Christ Child in her arms. He blesses and carries a globe. Part of a niche is shown above., Italy, 1580–1610, figures, Drawing, Drawing

Lake Lucerne from 'The Swan', Daniel Huntington, American, 1816–1906, Graphite on paper, Lake ringed with mountains. On right shore, a house and trees., June 22, 1844, landscapes, Drawing, Drawing

Design for the Embroidery of a Lady's Overskirt of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphite, brush and gouache on paper, Orange edge with a zigzag line with open angles beside it. A bunch of flowers is shown

Sketches for Scenes Four and Five of Cartoon for Cotton Printing: L'Histoire de Henri IV, Hartmann et Fils, (Munster, France), Graphite on cream-colored paper, mounted, Island scene from Voltaire's epic, La Henriade. Henri IV taking leave of

Scene of Roman Soldiers, Pen and brownish-black ink, brush and gray wash on cream paper, Interior scene of ancient Roman temple. Three figures in military garb. On right, soldier taking or stealing idol helped by a man in freemen’s clothes; on

Design for Writing Table with Double-Door Cupboard at Left, in Three Views, A.N. Davenport Co., Graphite and yellow color pencil on thin cream paper, 1900–05, furniture, Drawing, Drawing

West Shore of Lake Brienz, Switzerland, Daniel Huntington, American, 1816–1906, Graphite on paper, Still lake surrounded by mountains with a sailboat on it, at center. At right, a boathouse and rocks jutting into the water., June 13,

Design for Entrance Hall, East Wall, Royal Pavilion, Brighton, Frederick Crace, English, 1779–1859, Graphite on paper, Elevation of a wall, with a doorway in the center, flanked on either side by pairs of columns with foliated shafts.

Design for a Pair of Trophies, Jean-Charles Delafosse, French, 1734–1791, Pen and black ink, brush and wash, black chalk on off-white laid paper. (bordered in brush and black, blue watercolor on three sides), Two trophies showing implements

Autumn Landscape in New England, Frederic Edwin Church, American, 1826–1900, Brush and oil paint over graphite on paperboard, Horizontal view of a group of trees, with only a part of the foreground outlined, shown in the middleground against

Diana, Felice Giani, Italian, 1758–1823, Felice Giani, Italian, 1758–1823, Graphite, pen and ink, brush and watercolor on paper, Diana shown as a huntress seated on the ground. She reached into her quiver with one hand. Beside her a

Study for a Painting on Theme of Callisto, Filippo Falciatore, Italian, active 1737 - 1768, Pen and brown ink, black charcoal on cream laid paper; verso: pen and brown ink, Three figures of putti flying: one carrying a fish, one a goose, and

Design for a Reliquary, Luigi Righetti, Italian, 1780 - 1819, Pen and ink, brush and gray watercolor, graphite on paper, Vertical rectangle. Upon a base with lion feet, two angels are standing upon clouds, embracing themselves with their

Hermes, Johann August Nahl The Younger, German, 1752 - 1825, Giulio Romano, Italian, 1499–1546, Lead pencil, pen and dark ink, brush and black and gray watercolors on paper, Drawing after a fresco devised by Giulio Romano in the Palazzo

The Atlantic, Nude Study for 'The Marriage of the Atlantic and Pacific, ' Mural in the Senate Chamber in the Wisconsin State Capitol, Madison, WI, Kenyon Cox, American, 1856–1919, Graphite on cream laid paper, Nude male figure with beard

Sketchbook Page: Flagellation of Christ, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush, sepia wash on cream laid paper, A nude male figure tied to a column being flagellated by four other men., Italy, 1810–15, figures,

Rugged Tree at the Canadian Bank below Niagara Falls, Frederic Edwin Church, American, 1826–1900, Graphite on cream-colored paper, A rugged tree with a rough sketch of the Falls in the left background., September 1856, landscapes, Drawing,

Study of lagoon, Venice, Italy, William Stanley Haseltine, American, 1835–1900, Brush and watercolor, graphite on paper, Sketch of the lagoon with sailboats and an island on the horizon., USA, ca. 1871, seascapes, Drawing, Drawing

Design for Hat Tree 'B' with Drip Tray, A.N. Davenport Co., Graphite on thin cream laid paper, 1900–05, furniture, Drawing, Drawing

A Chapel; Elevation and Floor Plan, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and chinese black wash with watercolor over red chalk and traces of graphite on wove paper, Architectural details. Top: section of apse;

Clock Set in a Porcelain, Brush and gouache, graphite on tracing paper, mounted on white wove paper, Front elevation; the body of the clock is a blue porcelain vase with the clock itself set on the face of it. the frame of the clock handles, lid

Design for a Woven Fabric, Unfinished Fragment, Brush and gouache, black paint on oily tracing paper, Plants, the right of which is outlined with white, grow beside the lower parts of the two supports of a tent-like netted canopy the point of

Floor plan, Episcopal church at Friendship, N.Y., John C. Wolf, Graphite, brush and brown watercolor, pen and black ink on heavy off-white paper, Plan of a church with exteriors in brown., USA, 1890–1900, architecture, Drawing, Drawing

Study for a group, “Vintage Festival, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Pastel crayon on tracing paper mounted to board, Six sketches of figures posing with legs bent and arms raised.

Cotapaxi Volcano Erupting Behind Mountain Ranges, Ecuador, Frederic Edwin Church, American, 1826–1900, Graphite on buff paper, Horizontal view of the mountain range behind which the erupting cone of Cotopaxi rises., 1857, landscapes,

Section of the Wings and Elevation of a Wall on the Court, Palazzo Farnese, Rome, Pen and brown ink, brush and gray, red wash, over black chalk on paper, lined, Section of a large, three-story building. Section through the middle line of the

View of the Dining Hall in Magdalen College, Oxford, Joseph Nash The Elder, British, 1808 - 1878, Brush and watercolor, white gouache, gray wash, black ink and graphite on heavy off-white wove paper, The Magdalen College dining hall is

Study for a the maenad, “Vintage Festival, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Black, brown pastel crayon on tracing paper mounted on board, Sketch of a male figure raising both arms. The

Project for a Chalice, Pen and ink, brush and watercolor, sepia on paper, Only ornaments are architectural forms. On the back, the plan of the base., Italy, 1675–1700, metalwork, Drawing, Drawing

Slave from Hero and Leander in the Galleria Farnese, after Annibale Carraci, Annibale Carracci, Italian, 1560–1609, Red chalk on paper, Nude youth reclining, with left hand raised., Italy, 1650–1700, figures, Drawing, Drawing

Figure Study for 'Communion of the Sick', Daniel Huntington, American, 1816–1906, Graphite on cream wove paper, Nude female figure kneeling, turned toward the left. Two additional sketches of figure, at right., Rome, Italy, USA, 1844,

Study of Right Hand for 'Lesson of Charity', Daniel Huntington, American, 1816–1906, Graphite, white chalk on grey wove paper, Raised right hand and forearm. Verso: Raised arms and folded hands., USA, 1850, figures, Drawing, Drawing

Vision of Sainted Benedictine Monk, Francesco Saverio Mergolo, Italian, 1746–1786, Brush and brown ink with gray wash; verso: pen and brown ink with black chalk on off-white laid paper, Recto: Vertical composition framed by a thick line of pen

Mrs. B as Peace, Study for 'Justice and Peace', Daniel Huntington, American, 1816–1906, Charcoal and white chalk on beige-gray laid paper, Bust portrait of a female figure in left profile. Verso: Two studies of drapery, over legs., USA,

Tower Base, Sketch of Ruins in Forest, William Stanley Haseltine, American, 1835–1900, Brush and watercolor, graphite on paper, Sketch of forest with the ruins of a building., USA, ca. 1855, landscapes, Drawing, Drawing

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