Images at Librifly

search results: Drawing clear search

Figures on a Sand Dune, Winslow Homer, American, 1836–1910, Charcoal on paper, Horizontal view shows crest of a sand dune, on which is a group of men, and above which project three masts of a schooner flying an inverted flag., USA,

Design for a Coffeepot, Pen and brown ink, brush and gray wash, graphite on paper, Intended to be executed in metal. Shown in profile with handle at right. Lower section of spout is the coat of arms of Pope Gregory XVI. Lower section of body is

Design for a Candlestick, Joseph Anton Seethaler II, German, 1799–1868, Pen and ink, brush and watercolor on paper, Lion paws support a base. Upon it, eagles and a vase at left, swans at right, are to support another base, upon which a

Study for a man, “Vintage Festival, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Pastel crayon on tracing paper mounted to board, A male figure carrying a staff. The right leg is now shown., New

Study for 'Wedding Procession', Elihu Vedder, American, 1836 – 1923, Pastel crayon on paper, Three sketches of a male figure's legs, in walking posture, wearing tights., USA, 1872–1875, figures, Drawing, Drawing

Macchina delle 40 ore, Pen and brown ink, gray wash, black chalk Support: white laid paper, laid down, Rome, Italy, Italy, 1685–1700, graphic design, Drawing, Drawing

Landscape Composition: Suggested by Scenery on the Road Between Paso, Colombia and Quito, Ecuador., Frederic Edwin Church, American, 1826–1900, Graphite on gray paper, Horizontal view of wild mountainous country showing a fertile canyon

Rooftops at Sunset from the Pincio, Rome, Frederic Edwin Church, American, 1826–1900, Brush and oil, graphite on cardboard, A view looking down upon houses. The view is from a standpoint moved toward left. Multi-colored skies., USA, late

Study: A nude, Red and white chalk on light brown paper, Vertical composition of a nude in a walking pose shown in profile from the right side. His right arm is raised and his head turned. The lower parts of the legs are outlined in white., Italy,

Girl in a Wicker Chair, Irving Ramsey Wiles, American, 1861–1948, Brush and watercolor, graphite on illustration board, A woman, dressed in clothing from the 1890s, reclines in a wicker chair, a table with still life behind her. Another

Cutlery Designs, Pietro Belli, Italian, 1780–1828, Graphite, pen, brush, ink, Shown upright in a row from left: A two-forked spoon. A dresser, showing a monogram GF in a laurel wreath. A dresser, showing a fish in a wreath and surrounded

Floral Design, Black, white crayon, brush and wash on bluish-grey paper, Two stems rise with leaves and three clusters of blossoms., France, 1740–1770, Drawing, Drawing

Design for a Painted Wall Decoration, with Alternative Suggestions, Unknown, Austrian, Brush and watercolor, gouache, graphite on heavy white wove paper, Design for a wall covering with rows of great petals alternating with staggered petal

Views of the Basilica and the Temple of Neptune, Paestum, Italy, Frederic Edwin Church, American, 1826–1900, Graphite on light gray wove paper, Recto: Horizontal view showing at top the southwest corner of the Basilica and the sea, and a

At Smuggler's Gap, Stowe, Vermont, Daniel Huntington, American, 1816–1906, Graphite on cream paper, Rocky steep peak of mountain, with some brush along the top., USA, August 1864, landscapes, Drawing, Drawing

Figure Study for Seal of the University Club, New York, Kenyon Cox, American, 1856–1919, Graphite on paper, Two nude male figures holding hands. Each holds a staff., USA, ca. 1898, figures, Drawing, Drawing

Two Studies of a Sailor with Raised Arm, Winslow Homer, American, 1836–1910, Charcoal, black chalk, white chalk on heavy cream wove paper, Sketch of the head and shoulders of sailor, wearing a wide-brimmed hat and holding a coat (a

Study for 'Equity, ' 'The Reign of the Law, ' Appellate Division Court House, New York, NY, Kenyon Cox, American, 1856–1919, Graphite on paper, A female figure reclining with right arm resting on a block., New York, New York, USA,

Rocks in the Woods, Francis Hopkinson Smith, American, 1838–1915, Charcoal, black and white chalk on gray paper, Horizontal view of woods showing several large rocks in the foreground and the lower parts of the trunks of trees in the

Study for a woman, “Vintage Festival, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Pastel crayon on tracing paper, Detail of female figure's head in full size., New York, NY, USA, 1895–1898,

Nude woman leaping, Pietro Montana, b. 1890, Charcoal and white heightening on grey paper, Vertical rectangle. A nude woman, turned half-right is shown in the act of leaping, her arms raised over her head. Signed (in charcoal): 'P. Montana'.,

Angel with Tomb, Minardi Tommaso, Italian, 1787 - 1871, Pen and ink, brush and wash on paper, View of angel seated on a tombstone surrounded by plants., Italy, 19th century, figures, Drawing, Drawing

Architectural project for the house of P.J. Hetzel, Eugène Emmanuel Viollet-le-Duc, French, 1814 – 1879, Giuseppe Trombetta, Watercolor, pen and black ink, and graphite on heavy off-white wove paper, Architectural plan for Jules Hetzel

Crouching dromedary, Frederic Edwin Church, American, 1826–1900, Oil on cardboard, Vertical drawing. The crouching animal is shown obliquely from the front and isolated with no background., USA, 1868, figures, Drawing, Drawing

Designs for Silver Tureen, Filippo Marchionni, Italian, 1732–1805, Graphite, pen and sepia ink, brush and gray watercolor on paper, The tureen rests upon birds. Handles and cover finial with fishes. Several sketches of other suggestions for

Study of Figure with Raised Arm, Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite on cream laid paper, Three-quarter length study of standing woman. The woman is shown frontally in classical attire with raised left hand and hanging

Dressing Table and Mirror, Henry J. Allen Residence, Wichita, Kansas, George Mann Niedecken, 1878–1945, Henry J. Allen, Elsie J. Nuzman (Mrs. Henry J.) Allen, Graphite on light brown wove paper, laid down, Design for dressing table, set

Portion of a Mountainous Panorama, Frederic Edwin Church, American, 1826–1900, Graphite on greenish paper, Vertical rectangle showing a portion of a hilly landscape., USA, 1860–70, landscapes, Drawing, Drawing

Lunette with Allegory of Architecture, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush with brown and gray wash over black chalk and traces of graphite on off white laid paper, Woman seated beside table raises architectural plan.

Details of Flowers, Plants and Trees Along a River Bank, Rio Magdalena, Colombia, Frederic Edwin Church, American, 1826–1900, Graphite on gray paper, Horizontal view of details of plants and flowers at top left and center, a group of trees

Woodland stream in the Catskills, Frederic Edwin Church, American, 1826–1900, Brush and oil sketch, A shallow stream flows over a sandy and rocky ground. The banks are shown in the foreground and in the back., USA, September 1848,

Aigues-Mortes, Francis Augustus Lathrop, American, 1849 - 1909, Graphite and white heightening on light brown laid paper, Lake at right, house at far edge. Low, marshy foreground. Castle wall extending from lef, t with gate, center, and

Moses Rock, Mountain House, Frederic Edwin Church, American, 1826–1900, Black crayon on paper., Recto: Horizontal view of a group of trees., Verso: Sky with clouds over a mountain ridge, with an arrow near the center of the right edge.,

Study of Cornflowers, Sophia L. Crownfield, (American, 1862–1929), Brush and watercolor on white paper, Vertical sheet depicting blue, violet, and pink cornflowers., USA, late 19th century, nature studies, Drawing, Drawing

Study of landscape, William Stanley Haseltine, American, 1835–1900, Graphite on paper, Sketch of a lake with trees along the shore and a dam in the background., USA, ca. 1855, landscapes, Drawing, Drawing

Alpine Lake (Bavaria or Switzerland), Frederic Edwin Church, American, 1826–1900, Brush and oil on cardboard, Vertical drawing of the border of an Alpine lake, possibly the Koenigsee near Berchtesgaden, Bavaria. A single pine tree stands in

Study of palm trees, Francis Hopkinson Smith, American, 1838–1915, Brush and watercolor, graphite on paper, View of a house in the distance surrounded by palm trees and a stream in the foreground., USA, ca. 1880, landscapes, Drawing,

Front Elevation, Sketch for Library Museum for J. Pierpont Morgan, Esq., New York, Whitney Warren Jr., American, 1864–1943, Graphite, color pencil on white tracing paper, Front view of the elevation of a domed building with four columns

Drawing, Johannes or Jakob Stauffacher, Swiss, b. 1850 or 1860, Brush and gouache on cream paper, mounted on cream paper, Bunch of darkly-colored wild flowers on black ground., Switzerland and USA, late 19th century, textile designs,

Decorative Study; Verso: Anatomical Studies of Heads, Felice Giani, Italian, 1758–1823, Pen and ink over graphite on cream laid paper, Three capitals; ten entries of sarcophagi. Verso: two barbarian heads in profile from antique., Italy,

Four Columns to Italian Renaissance Writers, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash, traces of graphite on light brown laid paper, From left: The text “Ariosto” with two masks and a trophy; the text

Two Designs for Woven Shawls, Brush and gouache on brown oiled translucent paper mounted on dark brown paper, Two designs for woven shawls. At left, a design featuring paisley motifs, also referred to as Persian cones. Each cone or teardrop shape

Sketch for 'Night', Francis Augustus Lathrop, American, 1849 - 1909, Black crayon on paper, Nude female figure shown from the rear seated without an indication of the right leg. The left hand is intended somewhat lower than the right one., USA,

Index Peak, Clarks Fork, Wyoming, Thomas Moran, American, b. Britain, 1837–1926, Brush and watercolor, white gouache, graphite on wove blue-green wove paper, Horizontal view of a pointed rock peak in the middle distance, placed just left

Alternate Views of a Domed Building with Portico, Pen and bistre, sepia wash on paper, lined, Vertical rectangle showing two alternate views: at left, façade of a domed building with a view into the interior; at right, a portico or colonnade

Seascape, Frederic Edwin Church, American, 1826–1900, Oil and slight traces of graphite on paperboard, A dark purple sea with a dark cloud bank above, the center of which is reddened by the setting sun at center., USA, 1859, seascapes,

Recto: A Fountain Group, Graphite, pen and black ink, brush and sepia on paper; verso: graphite, pen and dark ink, Recto: A woman with a cloth is sitting upon a dolphin; beside it are two mermaids and two small boys. The round basin is sketched.

Design for Ceiling for the Basement Story, Carlton House, Pall Mall, London, England, Henry Holland, British, 1745 - 1806, Pen and black ink, brush and gray wash on paper, Horizontal format design for a ceiling for the octagon on the

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf, ' Unfinished, Fabrique de Saint Ruf, Lyon, France, Brush and olive, white gouache on glazed tracing paper pasted on paper, A tripartite leaf from which an

Sketchbook page: Allegorical Figure, Pen and ink on paper, A seated woman shown in profile; her left hand raised, the right hand holds a book., Italy, 1660–69, figures, Drawing, Drawing

Mt. Lafayette from Oak Hill, Littleton, New Hampshire, Daniel Huntington, American, 1816–1906, Graphite on paper, Mount Lafayette, center, with its ridges and ravines, shaded. Mountain beyond, at right; ridges below. Verso: Moose

The Elevation of a Silver or Silver Gilt Tureen, Pen and brown ink, brush and gouache, watercolor on off-white laid paper, The left half suggests a much richer decoration--with rocaille and floral motifs--than the right one. The handle at left is

Waterfall, James Henry Moser, Canadian, 1854–1913, Graphite on laid paper, Foreground, trees and boulder by a stream. Figures on rocks and paths. High ledge with waterfall, center. Low ridge in background., USA, 1880, landscapes,

City Skyline, Arnold William Brunner, American, 1857–1925, Graphite and white heightening on light brown paper, In foreground, a train yard and a stream. Various buildings and towers in the background. Train moves from right to left in center

Design for Wallpaper and Textile: Flowers, Brush and gouache on cream paper, Three rust colored flowers surround two gold and rust colored flowers. All on stems. On light gray ground., France, 19th century, wallpaper designs, Drawing, Drawing

Project for a Ceiling, Mauro Antonio Tesi, Italian, 1730 - 1766, Pen and ink, brush and wash on paper, Quarter of a ceiling design. View of an entablature and balustrade suspended at the side by an arch. Term figures carry fruit and baskets.,

Landscape with Houses, Arnold William Brunner, American, 1857–1925, Graphite, brush and watercolor on paper, A landscape with clustered groups of small houses with gabled roofs outlined against the sky., USA, ca. 1890, landscapes,

Drawing, Graphite, pen and ink, brush and watercolor on paper, Horizontal rectangle. At left is a wash stand with three legs. In the center is a vanity table, shown obliquely, with four lion feet in green bronze. Ornaments are of the same

Woodland bank, Jamaica, Frederic Edwin Church, American, 1826–1900, Oil on thin cardboard, Sunlight and shadows play upon a red clay bank bordering a woodland path., USA, June 1865, landscapes, Drawing, Drawing

Wall Decoration, Michelangelo Pergolesi, Italian, active ca. 1760–1801, Pen and ink, brush and wash, watercolor, graphite on white laid paper, laid down on white woven paper, Three wall panel decor:, First panel: A steak with

Designs for Wallpaper and Textiles: Flowers, Brush and gouache on off white paper, Cluster of flowers: purple and yellow pansies and smaller blue flowers with stems and foliage, with stems of grasses surrounding. Organized diagonally, top facing

Design for the Ballroom of the Royal Palace at Warsaw as Decorated for a Festivity, Victor Louis, French, 1731 - 1802, Pen and black ink, brush and gray and various watercolor washes on white laid paper, France, ca. 1765, architecture,

Sketches of Sailing Boats, a Plant, and a Thumb, Frederic Edwin Church, American, 1826–1900, Graphite on paper, Four horizontal views of sailing boats, dispersed in two rows each at left and a plant at center., USA, July 1844, nature

Study for Allegorical Painting, Black crayon on paper, A putto reached for the hand of a grown angel. Below, a mother pelican feeds three young. Subject: the love of god., Italy, 1700–1725, figures, Drawing, Drawing

Echo Lake, Morning, Francis Hopkinson Smith, American, 1838–1915, Charcoal, black and white chalk on gray laid paper, Horizontal view with lake in the foreground, pine trees on the shore on the left, and mountains covered with growth on

Lower Fire Hole, Geyser Basin, Yellowstone, Thomas Moran, American, b. Britain, 1837–1926, Graphite on brown wove paper, Horizontal view of geyser at back center, streaming toward the foreground., 1892, landscapes, Drawing, Drawing

Various works of art. The court of Palazzo Mattei in Rome, Felice Giani, Italian, 1758–1823, Brush and brown wash, pen and brown ink, black chalk on paper., Recto: Right row: Three Sibyls; inscription in ink 'andrea/Pisano' and 'sibille su/

An oratory dedicated to the Virgin, Pencil, pen, ink and bistre wash on paper, Italy, 1800–1830, architecture, Drawing, Drawing

Design for Printed Cotton, Frederick Schaub, b. 1969, Mulhouse, Pen and ink, brush and watercolor on paper, A single design unit consisting of a serpentine pattern of flowers and foliage. Boundaries of design indicated by red framing line.,

Chocorua Peak from a South Shoulder, Daniel Huntington, American, 1816–1906, Graphite on cream wove paper, Peak of a mountain with steep rock cliffs and note: on way down. Verso: Similar drawings, further from peak, with note: on the

Project for Decoration of Ceiling, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash, traces of graphite on light green laid paper, Four rhombus with Bacchus, Cerere, Ganymede, Hebe; two tondi with the Seasons;

Study of coastline, Capri, Italy, William Stanley Haseltine, American, 1835–1900, Graphite on paper, Sketch of rock formations., USA, ca. 1855, seascapes, Drawing, Drawing

Sketch of Apollo, the nine Muses and Pegasus upon the summit of the Helicon, Pencil on paper, Horizontal composition with sketch of Apollo. Apollo is standing on the top with the lyre. One of the Muses is behind him. The others are standing or

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, Flower boughs, of which somewhat less than three are shown, are obliquely

Design for China Decoration, Mary Morison Brownson, American, Gold, watercolor on paper. Red seal., Horizontal. Design for the decoration of a teapot, creamer, sugar bowl, cup, and saucer. Design in gold and blue on a white ground., USA,

Study of an Arm for 'Christiana and Her Family Passing through the Valley of the Shadow of Death', Daniel Huntington, American, 1816–1906, Graphite and white chalk on grey wove paper, Woman's right arm extending down from the shoulder. Part of

Study for 'The Reverend Thomas Stockton, ' San Francisco Museum of Fine Arts, San Francisco, CA, Thomas Sully, 1783 – 1872, Brush and oil paint on paperboard, Three-quarter length portrait of a male figure, seated, turned to the left. The

Project for the Interior of a Room, Pen and ink, brush and watercolor on paper, Elevation of a room with three doorways, each with a canopy. Between these, candelabras. Panel of strapwork and more candles above., Italy, 1750–1775,

Stage Design: Stairway Leading to an Obelisk, a Triumphal Arch, and an Arcade, Filippo Juvarra, Italian, 1678 - 1736, Pen and brown ink, brush and gray, pale lavender wash on laid paper, Conglomeration of buildings in the Renaissance style

Sketch of Two Angels, Francis Augustus Lathrop, American, 1849 - 1909, Brush and blue watercolor on tracing paper, Two figures center. One above with a harp, looks out to the left. One below looks down to the left., USA, ca. 1895, figures,

Study for a group, “Vintage Festival, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Pastel crayon on tracing paper mounted to board, Three sketches of male figures posing with legs bent and arms

Mary Washing the Feet of Christ, Daniel Huntington, American, 1816–1906, Graphite on light green paper, Woman with a tray, at far left. Christ seated next to her, with Mary at his feet, center. A bearded man, at right, and other figures

Design for Title Page Heading of 'The Scarlet Thorn' by John Burroughs, Harry Fenn, American, 1845–1911, Pen and black ink, brush and gray wash, graphite on off-white illustration board, Above the title, author and Initial letter (I) there

Jupiter consoles an imploring goddess, probably Venus, Felice Giani, Italian, 1758–1823, Pencil, pen and black inks, brush and watercolors on paper, Horizontal rectangle. Jupiter sits at right, the goddess at left beside him. He touches

Landscape with Cows, Pen and ink on paper, A brook runs into a steep valley. Cows stand in the stream and lie on the bank. Women wash at the opposite bank. A group of men have been partly erased. A bridge leads to the middle ground., Italy, ca.

Anatomical Study of Male Nude, Daniel Huntington, American, 1816–1906, Graphite on buff wove paper, Nude man, standing at left, facing left, with left arm raised. His left foot unfinished. Section of geometrical plan, upper left., USA,

Study for a dancing woman, “Moods to Music, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Pen and ink, graphite on paper, Center, Sketch of figures dancing with musical instruments; Right, Sketch

Six Designs for Ogees, C. C., French, active 19th c., Graphite, pen and black ink, brush and grey watercolor, black on light creamy paper, The right corners are shown in the four upper designs, top and third rows: with leaf bands; second and

Side View of a Mounted Officer, Winslow Homer, American, 1836–1910, Graphite on off-white wove paper, Almost three-quarters view of mounted officer seen from the right rear in foreground and at right background a slight sketch of the head and

Drawing, Louis-Albert DuBois, Swiss, 1752–1818, Fabrique de Fazy aux Bergues, Gouache and graphite on laid paper, Left corner border of flowers against black background patterned with curly-leafed tan vines, outer band of purple, blue and

Ceiling Decoration for a Florentine Theater, G. Albergotti, Pen and black ink, watercolor, Italy, ca. 1840, theater, Drawing, Drawing

Stage Design: Palace Interior, Francesco Galli Bibiena, Italian, 1659–1739, Pen and brown ink; brush and gray, blue, pale rose wash on white laid paper, laid down, Horizontal rectangle showing a palace hall with a high coffered ceiling.

The Androscoggin River at Gorham, New Hampshire, Daniel Huntington, American, 1816–1906, Graphite, black and white crayon on grey-brown paper, River foreground and center. Rocks right foreground and at right. Trees on the banks with rock

Waterfalls Near The Hacienda, Chillo, Ecuador, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on tan paper, Horizontal view with trees and bushes filling the foreground while a large waterfall gushes at right,

An English Country House, Carlton Theodore Chapman, American, 1860–1925, Charles Scribner's Sons, New York, New York, USA, Watercolor, pen and ink, with graphite, on cream wove paper, Large red-brick house beyond a pond, in the

Stage Design, Group of Antique Monuments, Angelo Toselli, ca. 1765? – 1826, Pen and ink on paper, Horizontal rectangle. Group of antique monuments situated on stairs leading up hill., Italy, early 19th century, theater, Drawing, Drawing

Design for Curtains, for the Music Room or the Banqueting Room, Brighton, Royal Pavilion, Frederick Crace, English, 1779–1859, Brush and watercolor, graphite on wove paper, Elevation of a wall, showing a design for the decoration of the

Architectural Interior Elements; Verso: Anatomical Studies, Felice Giani, Italian, 1758–1823, Pen and ink over traces of graphite on laid paper, Three studies of ceilings with grotesques; five studies of moldings; study of partition with

Decoration for the Ceiling of a Bedroom in Villa Aldini, Montmorency, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash with cream laid paper, Eight large hexagons distributed into three rows; eight circular

Sketchbook Page: Six Scenes; Verso: Five Studies of Horse Heads; Head of Lion, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush with brown wash over traces of graphite on cream laid paper, Triumph of Bacchus and Arianna; Madonna

search results: Drawing clear search