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Design for a Church Wall Entrance, Pen and Chinese ink, graphite on paper, Closed folding door flanked by two bays, each with three rows of stalls. The main door panels are decorated with trophies of relgious symbols and objects that attribute to

Hebe Falls and Spills the Nectar Brought to Jupiter, Felice Giani, Italian, 1758–1823, Pen and brown ink on light blue laid paper, Hebe shown falling and spilling nectar she brought for Jupiter, who sits in company of gods., Italy, ca.

Campagna Fantasy, Frederic Edwin Church, American, 1826–1900, Brush and oil on wove paper, View of a valley in hilly landscape. Group of trees at left next to ruins of an arch, rolling hills in background at right., USA, probably 1868–69,

Figure Study for 'Communion of the Sick', Daniel Huntington, American, 1816–1906, Graphite, white chalk on cream wove paper, Figure study of a nude man, seated, praying, with his body turned to the left and face sketched in left profile.,

Candlestick Representting Autumn, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Design for a candlestick. At the base, to crouching lions. Above, four candlesticks grow from grape vines. Satyrs dance around a central

Mrs. Sheppard Gandy Seated, Daniel Huntington, American, 1816–1906, Graphite, black crayon, brown crayon, white chalk on blue wove paper, Full-length, seated portrait of a woman wearing a shawl and a wide-brimmed hat. She is turned towards

Designs for Two Trophies: Stonecutters and Goldsmiths, Jean-Charles Delafosse, French, 1734–1791, Pen and black ink, brush and wash, black chalk on white laid paper, Trophy at left, tools of mason, or stonecutter. Tablet shown with sun

Study for a kneeling woman, “Vintage Festival, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Pastel crayon on laid paper, A female figure kneeling. The post of the woman drawn after the nude model

Design for an Apparatus for Boiling Water, Joseph Anton Seethaler II, German, 1799–1868, Pen and black ink, brush and gray, black wash on paper, Front view. Ovoidal plinth. Two scrolls topped by lion heads hold the body which is shaped as a

Tureen, Pen and ink, brush and watercolor on paper, Design for a tureen with alternative suggestions. On top of cover is a putto supporting an escutcheon with a crown. C-and S-curve decorations throughout. Scrolling feet and handles with masks.

Floral Design, Black, white crayon, brush and wash on paper, Three stems, one with a leaf and a blossom, one with a blossom, one with a leaf., France, 1740–70, graphic design, Drawing, Drawing

Baldacchino with Papal Ar, Graphite, gray wash, pen and dark gray ink on cream laid paper, Vertical composition of a papal altar with six steps that lead to a mensa with a crucifix and seven candlesticks. On the sides there are canopy supports

Decoration Project: Six Tondi with Sacrificial Gods and Two Victories, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush with brown wash over cream laid paper, Italy, 1805, figures, Drawing, Drawing

Ornament for the Intersec, Graphite, gray wash Support: laid paper, Rome, Italy, Italy, 1775, architecture, Drawing, Drawing

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, Laurel and pansy boughs are to rise alternatively from stands which are

Italian Alps, Frederic Edwin Church, American, 1826–1900, Brush and oil on cardboard., View of high cloud capped mountains from a mountain medow. A part of a pine forest is in the left middle plane., USA, September 1868, landscapes,

Design for Desk Organizer in Plan and Elevation, A.N. Davenport Co., Graphite on thin cream laid paper, 1900–05, furniture, Drawing, Drawing

Doric Greek Temples of Athena (formerly Ceres), Hera II (formerly Neptune), and Hera I (formerly Basilica), Paestum, Salerno, Italy, Frederic Edwin Church, American, 1826–1900, Graphite on light brown wove paper, Horizontal panoramic view

Looking up the Trail at Bright Angel, Grand Canyon, Arizona, Thomas Moran, American, b. Britain, 1837–1926, Recto: Brush and watercolor, graphite on blue-green wove paper Verso: Graphite on blue-green wove paper, Vertical view up a gorge

Glauco and Scylla, study after Agostino Carracci, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash, over black chalk on white heavy wove paper, Upper left, Venus or Sea Nymph, embraced by Sea God, accompanied by

Remus Kills King Amulius; Remus Led in Chains before King Amulius; Two Studies After Carracci, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash, over traces of black chalk on white heavy wove paper, Upper drawing of

Hudson Valley, New York with Sun Setting Behind the Catskill Mountains, Frederic Edwin Church, American, 1826–1900, Brush and oil on cardboard., Horizontal view of setting sun behind the Catskill Mountains, which are seen from across the

Scene of the Confederate Attack on the West Side of Crew's Hill, Harry Fenn, American, 1845–1911, Pen and ink, brush and black and grey wash, with white gouache, on grey paper, View of a large field with chickens scratching around. Large

Design for Ceiling with Spartan Women in Central Rectangular Panel, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash over traces of graphite on cream laid paper, Spartan women giving shields to their husbands and sons

Cloud-capped South American Mountain Landscape Seen Beside a Bay, Part 2 ?, Frederic Edwin Church, American, 1826–1900, Graphite on gray paper, Horizontal view of a mountain landscape before a bay, 1853, probably May, landscapes, Drawing,

Design for a church doorway, Jean-Charles Delafosse, French, 1734–1791, Pen and Chinese ink, brush and watercolor, graphite on laid paper, Arched doorway of church, two angel-like putti at top center. Paned window above. Rosettes decorate

Übersee, Traunstein, Bavaria, William Stanley Haseltine, American, 1835–1900, Brush and watercolor, gouache, charcoal on grey paper, laid down, Two trees in foreground, framing the composition. Water in middle ground, with silhouetted

A pair of trophies referring to the crafts of the cabinet maker and the carpenter, Jean-Charles Delafosse, French, 1734–1791, Pen and black ink, brush and gray was with black chalk on laid paper, At left: Tools and a drawing book and ovoidal

Design for a Reliquary of the Holy Cross, Black chalk, brush and brown wash, pen and brown ink on cream paper, lined, At the bottom, a fluted shaft rises between two cherubim heads from a circular plinth. Above is a 'knob' decorated with

Wrap Table and Chair, First Floor Hall, Henry J. Allen Residence, Wichita, Kansas, George Mann Niedecken, 1878–1945, Henry J. Allen, Elsie J. Nuzman (Mrs. Henry J.) Allen, Graphite on cream tracing paper, Rectangle at center of page.

Stage Design of a Prison Interior, Michelangelo Fasano, Italian, active 18th century, Pen and brown ink, brush and gray-blue wash over black chalk on laid paper, lined, View of the interior of a prison court with a winch for a lantern and

Two Variants of a Facade of S. Maria Sopra Minerva, Rome, Pen and black ink, brush and gray wash, graphite on white laid paper, Two ground plan and elevation projects for a church facade. In the upper project, the lower story with three bays is

Half figure of a seated nude woman, Pietro Montana, b. 1890, Red, black and white chalks on pale grey paper., Vertical rectangle. The figure is seen from the back, turned towad the right, her hands in the gesture of arranging her hair. Signed

Designs for embroidery, Black crayon on tracing paper., Vertical rectangle. Designs of abstract floral patterns for panels and borders. Each drawing stamped at top: 'Sessin original a broderie.' Designs numbered 154 (D), France, ca. 1890,

Tree in Landscape, Black chalk on paper, At right of page, a large tree in a landscape., Italy, early 19th century, landscapes, Drawing, Drawing

Old Grist Mill, Francis Hopkinson Smith, American, 1838–1915, Brush and watercolor, gouache, graphite on paper, View of an old mill seen across the pond, partially hidden by foliage., USA, July 14, 1871, landscapes, Drawing, Drawing

Public Building, Pen and black ink, brush and gray and blue wash, over black chalk on paper, Elevation of a large horizontal building. Entrances are in domed pavilions at either end of the building. Attributes of the Arts are shown in triangular

Project for the Elevation of a Monstrance, Luigi Righetti, Italian, 1780 - 1819, Pen and ink, brush and watercolor on paper, The sunburst with seraphs is supported by a column issuing from an urn which rests on a spreading fluted base., Italy,

Elevation of a Monument to Francis I, Emperor of Austria, Pen and black ink, brush and gray wash on off-white wove paper, An ovoid pedestal with the arms of Francis I stands atop a drum base on steps. At top is the figure of the Emperor wearing a

Gothic Country House: Entrance Hall, Graphite on paper, A perspective view of a large entrance hall, looking toward the staircase. A high ceiling, covered by a timber roof of the collar-braced type, in the English Gothic style. Left, elaborate

Man at Supper with Attendants, Felice Giani, Italian, 1758–1823, Pen and bistre ink, brush and ink wash on paper, Horizontal rectangle showing a classical scene of bearded soldier seated on a klismos chair at a table with a bowl of food in

Design for a Pier Glass with Alternative Suggestions, Graphite, pen and ink, brush and watercolor on paper, Elevation of a console table and pier glass. Scrolling base with musical trophy and basket of flowers. The sides of glass have narrow

Design for a carved panel, Gilles Paul Cauvet, French, 1731–1788, Black and red crayon on paper, Two winged female half-figures support a bowl from which a candelabrum plant rises; Cupid stands in its center., France, 1770, architecture,

Mount Pentelicus, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on cardboard, A rough rocky promontory in the foreground, behind which is a broad flat valley hemmed in the distance by the gray ridge of Mount

Study of Hands of a Violin Player, Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite, white crayon on rough grey paper, Shown are a violin held by a player and two details: the left hand with most of his arm and fore part of the

On Way to Chocorua, New Hampshire, Daniel Huntington, American, 1816–1906, Graphite on pale green paper, Shore with woodpile and houses, foreground and right. Bridge, center right, with ridges and mountains beyond. Mount Chocorua at left.,

Designs for Mechanical Furniture: Two Washstands, Pen and black ink, brush and watercolor on paper, Two combination washstands and bidets, each with plan, section and elevation. One shown in plan and elevation only; the other shown in elevation,

Design for a Painted Porcelain Scalloped Salad Bowl, Brush and watercolor, black chalk on cream laid paper, Salad bowl in elevation (above) and plan (below) with scalloped body and rim. The rim is bordered with blue and gold; the shallow base in

Stage Design of a Garden Setting with Fountains and Arbors, Pen and black ink, watercolor, graphite, ruled borders in pen and black on white laid paper, laid down, probably Munich, Germany, France, ca. 1750, theater, Drawing, Drawing

General Plan for 'The Republican Court' (Lady Washington's Reception Day), Daniel Huntington, American, 1816–1906, Graphite on grey wove graph paper, Sketch on graph paper of the overall arrangement of figures for a painting of Martha

Granada, Arnold William Brunner, American, 1857–1925, Graphite, white chalk, brush and watercolor on tan paper, A stairway on an incline, left, leading to a street of houses at the summit., USA, 1892, landscapes, Drawing, Drawing

A Fountain Group, Graphite, pen and ink, brush and sepia on paper, A merman holds a nude woman in his arms. The front of a round basin is indicated below., Italy, 1780–1800, sculpture, Drawing, Drawing

Drapery Study for 'Communion of the Sick', Daniel Huntington, American, 1816–1906, Graphite on cream wove paper, Prostrate or kneeling figure shown from the waist down. Drapery over legs and foot in foreground, with knee at right., Rome,

Apollo in his Chariot with Aurora, Sala Ottogonale, Palazzo Milzetti, Faenza, Felice Giani, Italian, 1758–1823, Pen and brown ink, brown wash, black chalk on laid paper Support: white laid paper laid down, Pageant moving toward left;

Drawing, Europe and USA, Drawing

Sketches for Faith, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on brown paper, Faith is shown twice. The angel kneels beside her, at left, and is shown seated beside her, at right. Verso: A woman's face, top left; in profiile

Design for a Coffee Urn, Pen and gray ink, brush and gray-brown wash, graphite on paper, A pedestal decorated with a palmette and on top is the receptacle for a spirit lamp. The egg-shaped body of the urn rises between two mermaids flanking the

Ecuador, mountain (possibly Chimborazo), Frederic Edwin Church, American, 1826–1900, Brush and oil, pencil on paper., A valley stretches obliquely from the left foreground to the right background. Some parts of its bank in the foreground are

Palm Trees, Frederic Edwin Church, American, 1826–1900, Brush and oil on cardboard., Vertical image of a group of two palm trees growing beside a hillside., USA, Jamaica, July 1865, nature studies, drawing, drawing

Armor of 1440; Best Epoch', Edwin Howland Blashfield, American, 1848–1936, Pencil and pen and black ink on stiff cream colored paper, A knight in full armor on horseback is seen facing half left, his visor closed, and set against a simulated

Study for 'Apollo, ' Metropolitan Opera, New York, NY, Francis Augustus Lathrop, American, 1849 - 1909, Black pastel crayon, graphite on paper, Sketch of a male figure for a lunette in the Metropolitan Opera., USA, 1893–1894, mural

Study of Nude Figure, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on cream wove paper, Study after the model. Sketch for the upper part of the body, the lower being outlines, and for the left eye, breast, forearm, and hand.

Study for 'Snap the Whip', Winslow Homer, American, 1836–1910, Recto: Black and white chalk, touches of light orange chalk on green wove paper Verso: Graphite, and black and white chalk on green wove paper, Recto: Horizontal view of six

Bamboos, Vine and a Young Palm, Plant, and Two Scenes of Rain Falling from Clouds over Ridges, Rio Magdalena, Colombia, Frederic Edwin Church, American, 1826–1900, Graphite on gray paper, Horizontal view of bamboos with stems, a vine and

Pool in the Woods, Francis Hopkinson Smith, American, 1838–1915, Brush and watercolor, white gouache, graphite on tan paper, A stream in the woods, with a large tree fallen across it. Rocks in foreground, left and right, with a small

Project for a Painted Ceiling, Black chalk, brush and watercolor on paper, One half of a curved attic of red marble is shown rising upon an entablature., Italy, 1700–1750, interiors, Drawing, Drawing

Design for a Candelabrum., Pencil, ink, watercolor, tempera colors on tracing paper, The body of the lamp is a blue porcelain vase with an oval central field depicting a pair of figures against a light background, enclosed in a narrow gold

Martyrdom of St. Ursula, Brush and brown wash, white gouache, pen and brown ink, black chalk on brown paper, Depiction of the story of St. Ursula. She is standing at center left looking up with her arms crossed in front of her chest, while a

Chocorua Pond, New Hampshire, Daniel Huntington, American, 1816–1906, Graphite and chalk on light brown paper, Mountain at center with pond below., New Hampshire, USA, September 1854, landscapes, Drawing, Drawing

Study of landscape, Delaware River, William Stanley Haseltine, American, 1835–1900, Graphite on paper, Sketch of a river with figures fishing., USA, ca. 1855, landscapes, Drawing, Drawing

Design for a Water Kettle with Stand, Joseph Anton Seethaler II, German, 1799–1868, Pen and black ink, brush and gray, black wash, graphite on wove paper, Kettle shown side view; spout at left; urn-shaped body. Handle is hinged to the

Nude Study for Figure of 'Courage, ' Memorial Window to Jacob Dolson Cox, Oberlin College, Kenyon Cox, American, 1856–1919, Graphite on cream laid paper, Standing nude male figure, with right hand resting on a surface at waist-height and

Bridge over the River Combeima at Ibaque, Colombia, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white and oxidized gouache on cream-colored paper, discolored to dark brown on verso., Horizontal view of the pinnacled

Design for Two Chairs with Alternative Suggestions, Pen and black ink, brush and gray wash, graphite on paper, In the center, a chair with a convex upholstered seat is shown from the front. The left leg of the right design serves simultaneously

Design for Clock, Lefebvre Manufactory, Tournai, Pen and black ink, brush and yellow, red watercolor, graphite, on cream laid paper, Base of clock supported by lion feet, decorated at front with octagonal panel with a bow and quiver crossed,

View of Lake Konigssee with the Falkenstein, near Berchtesgaden, Bavaria, Germany, Part 2, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on blue paper, Horizontal view of Lake Konigssee from the

Rio Virgin River with Large Rock Formations, Thomas Moran, American, b. Britain, 1837–1926, Graphite on gray paper, Horizontal view laying out the landscape of a large gully filled with trees and rocks in the foreground followed by a river

The Old Hopkinson House, Bordentown, NJ, Francis Hopkinson Smith, American, 1838–1915, Charcoal, brush and gouache on paper, Exterior of a house, seen through trees, from a path that leads to the porch steps., USA, ca. 1880,

Project for a Frame, Black chalk, pen and ink, brush and bistre on paper, Ornament with two dolphins eating from a central shell. Seaweed women into their tails on either end., Europe and Japan, 1740–1770, ornament, Drawing, Drawing

Landscape with Sunset, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on cream paperboard, Low horizon with radiating green rays across orange-yellow sky. Small moon at top in the central beam., USA, 1860–70,

Sepulchral Monument of the last three Stuarts, Pencil, pen, wash, Chinese ink, James is shown standing upon a round pedestal against which Charles is leaning and behind which Henry is seated, rising from an oblong pedestal. Two crouching lions

Mountainous Bank of a Bay, South America, Frederic Edwin Church, American, 1826–1900, Graphite on light gray paper, Horizontal view of a mountainous bank of a bay with a slope at left and trees including a palm at right., 1853, landscapes,

Study of Drapery, Francis Augustus Lathrop, American, 1849 - 1909, Black crayon on cream laid paper, Drapery on a figure, probably an angel., USA, ca. 1895, figures, Drawing, Drawing

Project for an altar, Pencil, pen, sepia, brush and grey water color on paper, Vertical composition of an altar. The left edge of the alter is extended to the lowest step of the altar. In the center, three steps lead to the mensa below the dado

Stage Design: Palace Interior, Giuseppe Galli Bibiena, Italian, 1696–1756, Pen and brown ink, brush and wash on laid paper, Horizontal rectangle showing a vestibule with three staircases leading to an upper hall. Above stairs are arches

Design for Two Candlesticks, Brush and watercolor, pen and black ink, on cream laid paper, Intended to be executed in green and gilded bronze and marble. At left: A woman in classical attire stands upon a pedestal and carries in each arm a horn.

Oil lamp, Pencil and brown wash on paper, Vertical rectangle. Lamp ornamented with three standing female nudes. Pencil framing lines. A, B, C pasted together., 1810–25, Drawing, Drawing

Floral design for printed textile, Louis-Albert DuBois, Swiss, 1752–1818, Brush and gouache, graphite on white wove paper, Multi-colored flowers, green leaves on purple twig-like branches on white ground. Graphite lined border., France,

Achilles Yields Briseis, Felice Giani, Italian, 1758–1823, Pen and brown ink over traces of graphite on light blue laid paper, Achilles shown sitting before his tent, filled with anger. Patroclus delivers maiden to two messengers of

View of a Garden with Pagoda, ruled borders (on mat) in pen Support: white laid paper, tipped into beige wove mat, England, England, ca. 1760–75, architecture, Drawing, Drawing

Design for Nine Circular Paintings in the Bathroom of the Aldini Villa, Montmorency, France, Felice Giani, Italian, 1758–1823, Pen and ink, brush and brown watercolor over pencil on rough grey paper., Horizontal rectangle. Nine roundels

Sketches from South America: Palmgroves and Landscapes, Frederic Edwin Church, American, 1826–1900, Graphite on light gray paper, Horizontal view of palms standing on a high river bank, shown from below is at top row, left; a river bank with

Studies of a Battlefield with Tree Stumps and Blasted Tree Trunks, Petersburg, Virginia., Winslow Homer, American, 1836–1910, Recto: Graphite, black crayon, with touches of white chalk on tan paper Verso: Black chalk on tan paper, Recto:

Mt. Mansfield from near Stowe, Vermont, Daniel Huntington, American, 1816–1906, Graphite on cream paper, Wooded valley, center. Ridges, left and right. Mountain, center., USA, 1864, landscapes, Drawing, Drawing

Study for The Ascension of the Virgin, Giuseppe Marullo, Italian, 1615 - 1685, Brush and gray wash, pen and brown ink, red chalk on paper, Angels are participating in the event. Two hold a crown over the head of the Virgin., Naples, Italy,

Sketches of the Theaters at Calais and Boulogne, Pencil, Vertical rectangle. Elevation, plan and detail sketches of theater at Calais, with explanatory notes, and, below, of that at Boulogne. (By the same hand as 1938-57-1374 to -1383.),

Study of landscape, Switzerland, William Stanley Haseltine, American, 1835–1900, Brush and watercolor, graphite on paper, Sketch of a cabin with mountains in the background., USA, ca. 1856, landscapes, Drawing, Drawing

Kneeling Figure of St. Ignatius Loyola, Red chalk on paper, St. Ignatius Loyola is seen kneeling, turned halfway left, with his eyes looking upwards towards heaven and his hands expressing an attitude of supplication. Verso: unfinished sketch of

Study for 'Diana and Her Attendants among the Constellations', Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, Sketch of a nude figure's torso and arms from behind., USA, ca. 1894, figures, Drawing, Drawing

Rendering of Various Decorative details of Bologna; Verso: Architectural Details, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash over traces of graphite on cream laid paper, Sketchbook Page: Folio 58, 116, 117.

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