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Study of seascape, William Stanley Haseltine, American, 1835–1900, Graphite on paper, Sketch of a coastal cliff and rock formation., USA, ca. 1855, nature studies, Drawing, Drawing

Study for the left maenad, “Vintage Festival, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, White, yellow, brown, rose pastel crayon on grey paper, Female figure posed with bent knee and arms

Elevation of an altar retable for a project, Incised lines; black chalk, pen, ink, brush, yellow, grayish brown water colors on paper, Intended to be executed in stone, probably in gilt bronze parts. The mensa is outlined. The retable has a

An arch, J.D. Woodward, Pen and ink on paper, Vertical rectangle. A semi-circular opening, supported by columns bearing capitals in the Corinthian style. Various classical borders make up the arch itself. Rosettes, upper left, upper right

First Designs for Ickworth House, Suffolk, England, Mario Asprucci The Younger, Italian, 1764 – 1804, Pen and black ink, brush and watercolor, white gouache, graphite on paper, Front elevation of a two-story circular building with engaged

Design for clock, Lefebvre Manufactory, Tournai, Pen and black ink, brush and yellow, red watercolor, on cream laid paper, Base of clock supported by knobbed feet, at front panel are crouching sphinxes ending with rinceaux decoration. Dial

A proposed church, John C. Wolf, Graphite on cream laid paper, Design for a church with steeple and cross., USA, 1890–1900, architecture, Drawing, Drawing

Design for Wallpaper and Textiles: Flowers, Brush and gouache, graphite on cream paper, Cluster of pink and red flowers with foliage at center of page. Four clusters surround this one, from top clockwise: small pink flower facing downward, white

Coconut Palm, Jamaica, Frederic Edwin Church, American, 1826–1900, Graphite on greenish-gray paper, Vertical view of the trunk and lower bough of a coconut palm tree., Jamaica, June 14, 1865, nature studies, Drawing, Drawing

View of Masquerade Ball, Jean-Charles Delafosse, French, 1734–1791, Pen and black ink, brush and gray wash, watercolor, black chalk on white laid paper, A crowd in fancy dress in a hall, showing a buffet in the center of a peristyle in the

Valley with a Bridge and Houses, near Guaranda, Ecuador, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on gray paper, Recto: Horizontal view of a valley with a bridge covered stream flowing and cascading from

Support for the Making of a Woman's Needle Lace Collar, Pen, ink, parchment, paper, Europe, ca. 1660, textile designs, Drawing, Drawing

Design for a Theater Curtain, V. Bertolotti, active 1850–1860, Pen and black, blue ink, brush and watercolor, gouache, gold paint, graphite on wove paper, Horizontal format. Designs in the grotesque style. An exedra forms the central motif

Design for an Illusionistic Wall Decoration, with a King Accompanied by Soliders, Gaetano Lazzara, Italian, d. ca. 1730, Pen and brown ink, brush and brown wash, black chalk on white laid paper, Left half of an architectural interior is

Soldiers Drilling, Winslow Homer, American, 1836–1910, Black and white chalk on light brown paper, Horizontal view of soldiers drilling or marching., USA, ca. 1864, figures, Drawing, Drawing

Design for the Embroidery of a Lady's Overskirt of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphite, brush and gouche on paper, Yellow edge. The repeat is composed of two hanging bunches of fantastic flowers, staggered

Design for Wallpaper, Watercolor on paper, A stylized design with a repeat motif of wheat, and interlacing leaves, against a neutral background., USA, 1894, ornament, Drawing, Drawing

Drawing, George E Germer, 1868 – 1936, Pencil. Brown paper, Each shows the teapot with the handle at right, on top, the cream pot with the, handle at left, bottom left, the two-handled and covered sugar bowl, bottom, right. The handles

Stage Curtain: Minerva Honoring the Poets on Parnassus, Felice Giani, Italian, 1758–1823, Pen and brown ink, brown wash, over black chalk on paper, A group of female figures dressed in Classical garments are sitting and standing in the

Decorative Project for Central Tondo with Apollo, Autumn and Winter, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash over traces of graphite on cream laid paper, Circular medallion representing Apollo playing lyre,

Overdoors: Kneeling Saint, Pen and gray ink, brush and watercolor, partial ruled border graphite on white laid paper, At left, a door with triangular pediment topped with an oval panel showing a kneeling saint, surrounded with flowers. At

Drapery Study, Francis Augustus Lathrop, American, 1849 - 1909, Black crayon on tracing paper, Figure standing, wrapped in a heavy cloak, facing right, his left arm extended., USA, ca. 1895, figures, Drawing, Drawing

Design for the Making of a Man's Needle Lace Collar, Pen and black ink on parchment paper, Europe, ca. 1660, textile designs, Drawing, Drawing

Design for Wallpaper and Textiles: Flowers, Brush and gouache, graphite on light brown paper, Horizontally-oriented diamond shape made up of flowers. Pink, white, blue and purple flowers outline the diamond, red and yellow flowers at the

Seated Man with Beard, Pen and ink, brush and sepia on paper, Seen in profile a gloomy looking man rests his arms on an armchair., Italy, 1800–1830, figures, Drawing, Drawing

Floral field and border, White on glazed paper, France, 1780–1815, textile designs, Drawing, Drawing

Design for a Pedestal and a Bowl, Intended for Execution in White and Rose Marbles for Marie Antoinette at St. Cloud, Unknown, Pen and Chinese ink, brush and grey and rose watercolor, black ink on paper, The pedestal stands upon a base. It is

Gray Iceberg, Frederic Edwin Church, American, 1826–1900, Brush and oil paint on paperboard, Horizontal drawing of a large floating iceberg. A coast is shown in the lateral backgrounds., Newfoundland and Labrador, Canada, June or July 1859,

Cartoon fragment for Printed Cotton Textile: Friendship Does not Fear Time ['L'Amitie ne Craint du Temps], B. M. Lebert, 1759–1836, Hartmann et Fils, (Munster, France), Pen and gray ink, brush and gray wash on cream paper, One of three

Worshipping Angels, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on laid paper, Central figure with arms outstretched. Angel at left carrying child. At right, figure with a book., USA, ca. 1895, religion, Drawing, Drawing

Design For the Embroidery of a Man's Waistcoat of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphic, brush and white gouache on paper, The left bottom corner is shown. Roses combined with fantastical flowers, and small

Bed and Side Stand, Henry J. Allen Residence, Wichita, Kansas, Henry J. Allen, Elsie J. Nuzman (Mrs. Henry J.) Allen, Graphite, color pencil on cream tracing paper, Sheet divided into upper and lower parts. Upper part shows elevation views of

Kearsarge from Mill Pond, at Conway Corner, Daniel Huntington, American, 1816–1906, Graphite on pale green paper, A shore near a pond with low banks and groups of trees. A raft of logs, right. Mountain beyond, center and right. Place,

Study for a seated woman, “Vintage Festival, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Pastel crayon on wove paper, Nude female figure seated with her head resting on her arm., New York, NY,

Landscape with Classical Figures, Graphite, pen and black ink on paper, At right, two figures in classical dress. A road bordered by stones follows a lake at right. Trees and a town seen in the distance., Italy, late 18th century, landscapes,

Sketch of a Female Nude, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on light brown paper, Nude female figure reclining to the right, head on hand, looking to the right. Lower legs apart. Verso: Part of an elevation of an

Male Nude with One Foot on a Step, Daniel Huntington, American, 1816–1906, Graphite Support: green wove paper, London, United Kingdom, USA, 1858, figures, Drawing, Drawing

The Palace of Donn' Anna at Naples, Unknown, Brush and brown and gray wash, pen and brown ink on paper, Large palace with unfinished upper storey, seen from one corner, situated near a bay. Boats and fishermen. Beside it, at right, is a

Sketch of a Man, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, Man in a suit standing, facing frontally, and holding a tool or rod. This is likely a study for the central figure in the railroad mural., USA, ca. 1895,

Design for a Marble Throne for the Statue of St. Peter, St. Peter's, Rome, Luigi Vanvitelli, Italian, 1700 – 1773, Pen and brown ink, graphite on cream laid paper, Design for a marble throne for the Statue of St. Peter at St. Peter's

Design for One Floor of a Painted Facade, Lazzaro Tavarone, Italian, 1556 - 1641, Black crayon, pen and ink, brush and watercolor, white gouache on light brown paper, Horizontal format design for a painted facade. Four windows with a framing

Design for a Fountain, Pen and ink, brush and sepia, watercolor on paper, An aedicule with the papal arms of Clement XI in the pediment. Trophies on either side. Below, water flows from a row of stars., Italy, 1762, architecture, Drawing,

Design for Wallpaper and Textiles: Flowers, Brush and gouache on blue paper, At center: branch with green, spiked foliage and yellow blossoms, top of branch faces upper left corner of page. Three branches with green and maroon foliage radiate

Study of landscape, William Stanley Haseltine, American, 1835–1900, Graphite on paper, Sketch of landscape with a building surrounded by trees., USA, ca. 1855, landscapes, Drawing, Drawing

Window for the Palazzo dei Conservatori, Rome, Pen and brown ink, brown wash, black chalk on white laid paper, Rome, Italy, Italy, 1575–1600, architecture, Drawing, Drawing

Mount Katahdin from Lake Katahdin, Maine, Frederic Edwin Church, American, 1826–1900, Brush and oil paint on thin paperboard, Horizontal view of a pond or small body of water shown in the foreground with dark trees at left and right. A small

Study for 'Liberty, ' 'The Reign of the Law, ' Appellate Division Court House, New York, NY, Kenyon Cox, American, 1856–1919, Graphite on paper, A female figure reclining with left arm resting on a block and holding a staff in her right

A Road into the Woods, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on cardboard, Horizontal sheet with a road sloping downward and turning to the right into a dense wood, with dapples of sunlight visible on its

Decorative Study; Verso: Anatomical Study, Felice Giani, Italian, 1758–1823, Pen and ink over graphite on cream laid paper, Three capitals, fountain; facade of church from the 14th century. 15th century portal. Verso: barbarian head in

Two Designs for Altar Cross Bases; verso, Designs for Five Projects, Pen and brown ink, brush and brown wash, black chalk on heavy cream laid paper, Depicted on recto: two bases for altar crosses (only right half of each is shown). On the LEFT,

Study for a woman, “Vintage Festival, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Black, white pastel crayon on grey paper, Center left, sketch of a figure female leaning over a pedestal; Upper

Limburg, Arnold William Brunner, American, 1857–1925, Brush and watercolor on gray-green paper, A group of steep gabled roofs, with numerous dormer windows, church towers in distance., USA, 1883, architecture, Drawing, Drawing

Coastline, Grand Manan, Canada, Frederic Edwin Church, American, 1826–1900, Black crayon, brush and white gouache on brown paper, Horizontal view of a low rocky tongue of coast projecting in the middle distance toward the right., Canada,

Tethered Donkey and a Style of Fence, South America, Frederic Edwin Church, American, 1826–1900, Graphite on cream-colored paper, Horizontal view of a donkey tethered with a rope seen from the right back at center right and the detail of a

Back of the South Dome from the Nevada Trail, Yosemite, Thomas Moran, American, b. Britain, 1837–1926, Brush and gray, black, and white wash, graphite on gray paper; verso: brush and wash, graphite, Horizontal view of three peaks in the

Exhibition Building, Alaska-Yukon-Pacific Exposition, Frank Calvert, American, 1876–1920, Graphite on illustration board, Corner of exterior of one of the exposition buildings set among tall pine trees., USA, 1909, architecture, Drawing,

Beach Scene, England, Winslow Homer, American, 1836–1910, Crayon on paper, Horizontal view of the water, beach and figures, with color notations. Spots of red and blue watercolor on margin at bottom., 1881–82, seascapes, Drawing,

Female Nude, Study for 'A Magdalen', Daniel Huntington, American, 1816–1906, Graphite and white chalk on buff wove paper, Female nude facing towards the right, her hands together as if praying or pleading. Verso: A three-quarter nude of a

Portrait of Bolivian Girl: Senorita Filetta Molina Bolador del Carmen, Colombia, Frederic Edwin Church, American, 1826–1900, Graphite on brown wove paper, Vertical view of half figure of a standing girl, drawn in the left center of sheet

A Seated Angel, Red chalk on paper, Vertical rectangle showing part of an arch. An angel sits and gestures with one hand. The lower part of one leg is not shown., Italy, 1650–1700, ornament, Drawing, Drawing

Echo Lake, New Hampshire, Francis Hopkinson Smith, American, 1838–1915, Charcoal, black and white chalk on gray laid paper, Horizontal view of Echo Lake in the foreground and trees on far right, with clouds and mists over the mountains in

Studies from the Rio Magdalena, Colombia: Tree Tops, Flying White Bird, Vines, and Three Flowering Plants, Frederic Edwin Church, American, 1826–1900, Graphite on gray paper, Horizontal view of tree tops, a flying white bird, vines and

Design for Painted Decoration of a Wall, Brush and gouache, watercolor, graphite on paper, Three pilasters, standing upon a dado, support an entablature, the frieze of which shows four semicircular representations of flowes in various

Fragments of an incomplete cartoon for cotton printing: La Course Anglaise, Petitpierre & Compe., (Nantes, France, founded 1770, Pen and black ink, brush and grey wash on white paper., One of two fragments, parts of three large islands of a

Study for 'June Woods', William Trost Richards, American, 1833–1905, Charcoal, graphite on paper, Scene in the woods with tall trees in bloom filling the composition. Tree stump and section of fallen tree in the foreground., USA, USA,

Design for a clock, Lefebvre Manufactory, Tournai, Brush and yellow, red, brown, watercolor, pen and black ink, graphite on cream laid paper, Base, supported by claw feet, its front panel decorated with four putti, two with a bow and

Among the Arbors at Père Lapin's a Table Had Been Set for Them, William Leroy Jacobs, American, 1869 - 1917, Charles Scribner's Sons, New York, New York, USA, Charcoal, colored chalk, brush and watercolor, white gouache on illustration

Design for an Embroidery Border, Brush and gouche on glazed tracing paper, A yellow stripe with orange edge rises at left of border composed of blossoms alternating with leaves. Bunches of flowers form a vertical row at right. One and a half

Yellowstone, Above Tower Falls, Thomas Moran, American, b. Britain, 1837–1926, Recto: Graphite on tan wove paper. Verso: Graphite, brush and white gouache on tan wove paper., Recto: Horizontal view of valley above Tower Falls,

Study of landscape, William Stanley Haseltine, American, 1835–1900, Graphite on paper, Sketch of a landscape with a church surrounded by trees., USA, ca. 1855, landscapes, Drawing, Drawing

Design for an Altar, Brush and gray wash, pen and gray ink, black chalk on paper, The left half of an architectural design for an altar is shown. The mensa had a convex plan, with four steps in front of the straight central part. The head piece

Alpine Landscape at night, Frederic Edwin Church, American, 1826–1900, Brush and oil on cardboard, Horizontal drawing of a village church and houses seen by the light of the full moon. Clouds hang low over mountain peaks in the distance.,

Elevation of a Bed Alcove, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined, Elevation of a bed alcove showing a canopy bed richly hung with textile and lambrequins.,

Mt. Katahdin from Lake Katahdin, Frederic Edwin Church, American, 1826–1900, Brush and oil on cardboard., Horizontal view of cloud capped mountains shown from Katahdin Lake., 1855–65, landscapes, Drawing, Drawing

Clouds and Sunset, Jamaica, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite traces on thin paperboard, Setting sun over hilly country., August 1865, landscapes, Drawing, Drawing

Design for a Painted Panel, Michel, French, active 1785, Graphite, brush and black and light blue watercolor washes on off-white laid paper, Candelabrum scheme includes a girl standing under a canopy on a sphere holds the ends of the ribbons

Venus at the Forge of Vulcan, Design for a Sideboard Panel, Jean Bernard Honoré Toro, French, 1661 - 1731, Black crayon, pen and black ink on paper, In the scheme of an altar retable. Venus accompanied by Cupid and calling for the weapons of

Adirondack from Mt. Mansfield; Mt. Mansfield from Stowe, Vermont, Daniel Huntington, American, 1816–1906, Graphite on pale green paper, Top, ridge in foreground, mountains beyond (Sterling Range). Below, valley with high mountain range

Design for Living Room with Alternate Suggestions, Gaspare Salvi, Italian, 1786 - 1849, Graphite, brush and watercolor, gold on paper, Page divided into three parts. At top, a view of a ceiling decoration with neoclassical grotesque. At

Design for a Ceiling, Graphite, pen and ink, brush and wash on paper, Portion of a ceiling divided into framed panels, each with a figural frieze, mask, animals or grotesque., Italy, ca. 1780, interiors, Drawing, Drawing

Decorative Cartouche with a Lagoon Capricco, Pen and black ink, brush and watercolor over black chalk on white laid paper, A view of a waterway with a ruined structure on a small promentory and surrounded by various figures, enclosed in a central

A Jack Tar (Spanish American War), Howard Chandler Christy, American, 1872 - 1952, Charles Scribner's Sons, New York, New York, USA, Pastel on paper, The full-length figure of an American sailor in uniform, facing the spectator, the head

Fortuna, Francis Augustus Lathrop, American, 1849 - 1909, Charcoal, red chalk, brush and white gouache on paper, laid down on grey board, Octagonal composition. The goddess Fortuna rests her left hand on a wheel. An angel heralds her at left.

Elevation of a Sepulcher Monument, Francesco Massimiliano Laboureur, Italian, 1767 - 1831, Graphite, pen and ink, brush and wash on paper, Contour drawing of an arched niche encloses a frame topped by a small bust. Upon a pedestal between two

Design for Wallpaper and Textiles: Flowers, Brush and gouache, graphite on cream paper, Horizontally-oriented diamond shape made up of flowers. Alternating pink and white flowers outline the diamond, white flowers at the center. Guidelines in

Sketchbook Page with Christ Walking over Water, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and ink, brush and bistre wash on paper, Vertical rectangle. Verso: Peter holds the right hand of the Lord with his left hand. A

Recto: Medieval Crucifix; Verso: Baptism of Christ from the Life of St. John the Baptist (left); Assumption of the Virgin (right), Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and brown ink, brush and brown wash on laid

Design for Wallpaper and Textile: Flowers and Birds, Brush and gouache on cream paper, Branch of pink blossoms and leaves oriented diagonally, top to the right. On light gray ground., France, 19th century, wallpaper designs, Drawing, Drawing

Study of Cotopaxi Erupting, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on paperboard, The cone from which heavy smoke pours rises in the left middle plane. A ridge stretches from left toward right, in the

Recto: Whale Hunt by the Emperor Claudius in the harbour at Ostia; Verso: inscription relating to Pliny the Elder's Natural History, Book 9, ch. 5, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and ink, brush and bistre wash

The Marque, Paris, Whitney Warren Jr., American, 1864–1943, Brush and watercolor on heavy board, View looking across the bridge to the Marque, Paris., USA, 1887, landscapes, Drawing, Drawing

Eight preliminary designs for a print series dedicated to the Life of the Virgin (recto and verso), Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and brown ink, brush and brown wash on white laid paper, Recto: above left,

Sketchbook Page with The Last Judgment, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and ink, brush and brown wash on paper, Vertical rectangle. Obverse shows Christ above, in a blaze of light, flanked by the Virgin and

Design for Textile or Wallpaper: Butterflies, Brush and gouache, graphite on cream paper, Square composition at center of page with butterflies and moths of various colors and sizes flying in different directions., France, 19th century,

Recto: Bull hunt with Lassos; Verso, above: Bear hunt by Men in Armor; Verso, below: Hunting Monkeys by Deception; all preliminary designs for the Venationes series, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and brown

Recto: 'Indians' in Mexico hunt by using torches to smoke out animals; Verso: St. James on horseback, defeating the Saracens at Clavijo, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and brown ink, brush and brown wash on

Recto: The Roman Consul Attilius Regulus Fighting a Giant African Serpent, from Pliny's Natural History, Book 8, ch. 14; Verso: Ptyolomy catching a Giant Serpent with a Net, from Diodorus Siculus, Bibliotheca Historica III, 37, Jan van der

Printed Textile Design, Louis-Albert DuBois, Swiss, 1752–1818, Fabrique de Fazy aux Bergues, Gouache, graphite, ruled border in pen and black Support: white laid paper, Geneva, Switzerland, Switzerland, ca. 1801, textile designs,

Wall Decoration, Michelangelo Pergolesi, Italian, active ca. 1760–1801, Pen and black ink, watercolor, graphite, ruled border in pen and black Support: white laid paper laid down on white wove paper, Rome, Italy, Italy, ca. 1776,

Recto: Battle between Pygmies and Cranes; Verso: inscription relating to Pliny the Elder's Natural History, Book 7, ch. 2, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and brown ink, brush and brown wash on paper, The

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