Images at Librifly

search results: Drawing clear search

Sketchbook Drawing, George Romney, 1734–1802, British, ca. 1793, Graphite on moderately thick, slightly textured, cream wove paper, Sheet: 5 1/2 x 9 1/4 inches (14 x 23.5 cm) and Binding: 5 1/2 inches (14 cm), figure study, figures,

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Design for a portrait of an architect or a painter, Sir James Thornhill, 1675–1734, British, undated, Pen and brown ink with brown wash over graphite on medium, slightly textured, beige laid paper, Sheet: 6 7/8 x 5 1/4 inches (17.5 x 13.3

Page 7, Notes on Methods of Drawing, Alexander Cozens, 1717–1786, British, 1746, Graphite on medium, slightly textured, cream laid paper, bound in vellum, Spine: 7 5/8 inches (19.4 cm) and Sheet: 7 3/8 x 5 1/8 inches (18.7 x 13 cm),

Two cows and two sheep in a stream, a Pl. for 'New Drawing Book...of Beasts in Various Actions' (1 of 9), Print made by George Bickham, 1683/4–1758, British, after unknown artist, Published by Henry Overton, 1675/6–1751, British,

Sketchbook Drawing, George Romney, 1734–1802, British, ca. 1793, Graphite on moderately thick, slightly textured, cream wove paper, Sheet: 5 1/2 x 9 1/4 inches (14 x 23.5 cm) and Binding: 5 1/2 inches (14 cm), figure study, figures,

New College, Hackney, unknown artist, after M. A. Gliddon, active 1840, British, 1842, Drawing

Sketchbook Drawing, Charles Samuel Keene, 1823–1891, British, between 1846 and 1852, Graphite with pen and brown ink on ruled, medium, smooth, cream wove paper, Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm) and Binding: 6 1/2 inches (16.5 cm

Design for a Naval Monument: Elevation, Charles Heathcote Tatham, 1772–1842, British, 1799, Pen and black ink and brown wash on slightly textured, moderately thick, cream wove paper, Sheet: 11 1/2 × 7 1/16 inches (29.2 × 17.9 cm),

Ziziphus abyssinica A. Rich. (Ethiopian Christ-Thorn): finished drawing without detail, Luigi Balugani, 1737–1770, Italian, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 15 15/16 × 12

Album Drawing, Thomas Bardwell, 1704–1767, British, Formerly attributed to James Wills, Active 1740–died 1777, British, ca. 1730, Gray and brown wash with pen and brown ink over graphite on laid paper, Sheet: 5 1/8 x 3 1/2in. (13 x

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Drawing of Hands, Sir Peter Lely, 1618–1680, Dutch, active in England (from 1643), 1650s-1660s, Black chalk, red chalk, and white chalk on medium, moderately textured, brown laid paper, Sheet: 9 1/8 × 10 1/2 inches (23.2 × 26.7 cm),

Unidentified Country House: Rear Elevation, Attributed to John Sanderson, active 1730–died 1774, British, undated, Pen and black ink with gray wash over graphite on medium, moderately textured, cream laid paper bar scale of 1/12 inch to 1

Sketchbook Drawing, Charles Samuel Keene, 1823–1891, British, between 1846 and 1852, Graphite with pen and brown ink on ruled, medium, smooth, cream wove paper, Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm) and Binding: 6 1/2 inches (16.5 cm

Sketchbook Drawing, Charles Samuel Keene, 1823–1891, British, between 1846 and 1852, Graphite with pen and brown ink on ruled, medium, smooth, cream wove paper, Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm) and Binding: 6 1/2 inches (16.5 cm

Canna bidentata Bertol. (Canna Lily; Indian Shot Plant): finished drawing, Luigi Balugani, 1737–1770, Italian, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 15 15/16 × 12 5/16 inches

Sketchbook Drawing, George Romney, 1734–1802, British, ca. 1793, Graphite on moderately thick, slightly textured, cream wove paper, Sheet: 5 1/2 x 9 1/4 inches (14 x 23.5 cm) and Binding: 5 1/2 inches (14 cm), figure study, figures,

Sketchbook Drawing, Charles Samuel Keene, 1823–1891, British, between 1846 and 1852, Graphite with pen and brown ink on ruled, medium, smooth, cream wove paper, Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm) and Binding: 6 1/2 inches (16.5 cm

Sketchbook Drawing, George Romney, 1734–1802, British, ca. 1793, Graphite on moderately thick, slightly textured, cream wove paper, Sheet: 5 1/2 x 9 1/4 inches (14 x 23.5 cm) and Binding: 5 1/2 inches (14 cm), figure study, figures,

Albizia gummifera (J.F.Gmel.) C.A. Sm. (Gummy Albizia Tree): finished drawing with minor variations in flowering head, Luigi Balugani, 1737–1770, Italian, Formerly James Bruce, 1730–1794, British, undated, Watercolor over graphite on

Cyperus species 1: finished drawing of sedge-like plant with roots, Luigi Balugani, 1737–1770, Italian, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 15 15/16 × 12 5/16 inches (40.5 × 31.3 cm) and

Acokanthera schimperi (DC) Schweinfurth: finished drawing of flowering shoot, Luigi Balugani, 1737–1770, Italian, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 15 15/16 × 12 5/16

Preparatory drawing for the Title page, 'Designs for Villas' (A Collection of Designs for Rural Retreats), James Malton, 1761–1803, British, undated, Graphite and pen and brown ink on medium, slightly textured, cream laid paper, Sheet: 5

Plans and Views of Two Pyramids, One Cephron's at Giza, Giovanni Battista Borra, 1713–1770, Italian, ca. 1750, Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper, Sheet: 21 1/4 x 14

Acanthus Sennii Chiov. : finished drawing with added details, Luigi Balugani, 1737–1770, Italian, undated, Watercolor and gouache over graphite on moderately thick, slightly textured, cream laid paper, Sheet: 16 × 12 inches (40.6 × 30.5

Sketchbook Drawing, Charles Samuel Keene, 1823–1891, British, between 1846 and 1852, Graphite with pen and brown ink on ruled, medium, smooth, cream wove paper, Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm) and Binding: 6 1/2 inches (16.5 cm

Sketchbook Drawing, Charles Samuel Keene, 1823–1891, British, between 1846 and 1852, Graphite with pen and brown ink on ruled, medium, smooth, cream wove paper, Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm) and Binding: 6 1/2 inches (16.5 cm

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Sketchbook Drawing, Charles Samuel Keene, 1823–1891, British, between 1846 and 1852, Graphite with pen and brown ink on ruled, medium, smooth, cream wove paper, Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm) and Binding: 6 1/2 inches (16.5 cm

Langford House, Dublin, Ireland: Elevations of Room Facing the Garden, Robert Adam, 1728–1792, British, 1765, Pen and black ink with gray wash over graphite on moderately thick, moderately textured, cream laid paper mounted on linen,

Album Drawing, Thomas Bardwell, 1704–1767, British, Previously attributed: James Wills, Active 1740–died 1777, British, ca. 1730, Graphite on white laid paper, Sheet: 5 1/8 x 3 1/2in. (13 x 8.9cm

Architectural Drawing of the Temple of Sunias Minerva, Sir Robert Smirke the younger, 1781–1867, British, 1802-1804, Gray wash, graphite, pen and black ink on thin, moderately textured, beige, wove paper, Sheet: 15 3/16 × 10 inches

Album Drawing, Thomas Bardwell, 1704–1767, British, Previously attributed: James Wills, Active 1740–died 1777, British, ca. 1730, Gray wash with pen and brown ink over graphite on laid paper, Sheet: 5 1/8 x 3 1/2in. (13 x 8.9cm

Euphorbia abyssinica J.F. Gmel. (Ethiopian Tree-Spurge): finished drawing of the tree's habit, Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on moderately thick, slightly textured, cream laid paper, Sheet:

A Marriage Fete at Bermondsey about 1590, John Le Keux, 1783–1846, British, after drawing by Charles Grignion, 1717–1810, British, after Joris Hoefnagel, 1542–1600, Flemish, undated, Photo-reproduction on smooth, medium, cream wove

Cobham Hall, Kent: Ground Plan, James Wyatt, 1746–1813, British, 1798, Graphite, pen and black and brown ink on moderately thick, moderately textured, cream laid paper, Sheet: 22 5/8 x 21 3/4 inches (57.5 x 55.2 cm) and Sheet: 6 1/4 x 17

Two hunting dogs, a wolf and a sheep, a Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 9), Print made by George Bickham, 1683/4–1758, British, after unknown artist, Published by Henry Overton, 1675/6–1751, British,

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Sketchbook Drawing, George Romney, 1734–1802, British, ca. 1793, Graphite on moderately thick, slightly textured, cream wove paper, Sheet: 5 1/2 x 9 1/4 inches (14 x 23.5 cm) and Binding: 5 1/2 inches (14 cm), figure study, figures,

Impatiens rothii Hook. f. (Balsam): finished drawing of flowering plant, Luigi Balugani, 1737–1770, Italian, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 15 15/16 × 12 5/16 inches

Michael Rysbrack, Print made by Thomas Chambars, ca. 1724–1789, British, after John Vanderbank, 1694–1739, British, undated, Etching on moderately thick, smooth, cream wove paper, Sheet: 11 7/8 x 9 1/8 inches (30.1 x 23.1 cm), Plate:

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Dregea abyssinica (Hochst) K. : finished drawing, Luigi Balugani, 1737–1770, Italian, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 15 15/16 × 12 5/16 inches (40.5 × 31.3 cm) and

Avicennia marina (Forssk.) Vierh. (White Mangrove): finished drawing of flowering shoot with details of flowers, Luigi Balugani, 1737–1770, Italian, Formerly James Bruce, 1730–1794, British, undated, Watercolor, gouache, and graphite on

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Drawing Covert, Possibly Henry Thomas Alken, 1785–1851, British, or possibly Samuel Henry Gordon Alken, 1810–1894, British, undated, Graphite and watercolor on medium, slightly textured, cream, wove paper, Sheet: 8 5/8 × 10 11/16

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Ensete ventricosum (Welw.) Cheesman (African Wild Banana): finished drawing, Luigi Balugani, 1737–1770, Italian, Formerly James Bruce, 1730–1794, British, 1765-1770, Watercolor over graphite on medium, slightly textured, cream laid

Sketchbook Drawing, Charles Samuel Keene, 1823–1891, British, between 1846 and 1852, Graphite with pen and brown ink on ruled, medium, smooth, cream wove paper, Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm) and Binding: 6 1/2 inches (16.5 cm

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Tiddy-Doll, the great Gingerbread Baker, drawing out a new Batch of Kings, James Gillray, 1757–1815, British, 1806, Etching

The Drawing of the Clyde, Etched by Joseph Mallord William Turner, 1775–1851, British, after Joseph Mallord William Turner, 1775–1851, British, 1809, Etching printed in brown ink Engraver's proof on medium, slightly textured, cream wove

Drawing from the Madonna del Popolo, Santa Maria del Popolo, Rome, Sir William Chambers RA, 1723–1796, British, between 1750 and 1755, Graphite, pen and black and brown ink and gray wash on moderately thick, moderately textured, cream

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

Solanum piperiferum A. Rich. (Nightshade): finished drawing, Luigi Balugani, 1737–1770, Italian, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 15 15/16 × 12 5/16 inches (40.5 × 31.3

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Page 4, Notes on Methods of Drawing, Alexander Cozens, 1717–1786, British, 1746, Graphite on medium, slightly textured, cream laid paper, bound in vellum, Spine: 7 5/8 inches (19.4 cm) and Sheet: 7 3/8 x 5 1/8 inches (18.7 x 13 cm),

Osyris lanceolate A.DC. (African Sandalwood): finished drawing without details, Luigi Balugani, 1737–1770, Italian, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 15 15/16 × 12 5/16

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Album Drawing, Thomas Bardwell, 1704–1767, British, Previously attributed: James Wills, Active 1740–died 1777, British, ca. 1730, Watercolor with pen and brown ink over graphite on white laid paper, Sheet: 5 1/8 x 3 1/2in. (13 x 8.9cm

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Mariscus cyperoides (L.) O. Kuntze (Sedge): finished drawing of inflorescence, Luigi Balugani, 1737–1770, Italian, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 15 15/16 × 12 5/16

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Jasminum abyssinicum DC. (Ethiopian Jasmine): finished drawing, Luigi Balugani, 1737–1770, Italian, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 15 15/16 × 12 5/16 inches (40.5 ×

Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot and berries, Luigi Balugani, 1737–1770, Italian, ca. 1768, Pen and black ink, gray wash over graphite on moderately thick, moderately textured, blued white, laid paper,

Cordia abyssinica: finished drawing, Luigi Balugani, 1737–1770, Italian, Formerly James Bruce, 1730–1794, British, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 12 1/2 × 9 3/4

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Drawing for The First Voyage, William Mulready, 1786–1863, Irish, ca. 1833, Red chalk, white chalk, white gouache, and graphite on moderately thick, slightly textured, beige wove paper, Sheet: 19 1/8 x 23 5/8 inches (48.6 x 60 cm) and

Page 9, Two Ideal Female Heads, Notes on Methods of Drawing, Alexander Cozens, 1717–1786, British, 1746, Graphite on medium, slightly textured, cream laid paper, bound in vellum, Spine: 7 5/8 inches (19.4 cm) and Sheet: 7 3/8 x 5 1/8

Foxhunting: Drawing Covert, George Alken, 1794–active 1837, British, undated, Graphite and watercolor on medium, slightly textured, blued white, wove paper, Sheet: 6 9/16 × 9 7/8 inches (16.7 × 25.1 cm), dogs (animals), fields, fox

Cucumis metuliferus Naud (Wild Cucumber): finished drawing, James Bruce, 1730–1794, British, undated, Watercolor and gouache over graphite on medium, sligthly textured, cream laid paper, Sheet: 16 × 12 1/8 inches (40.6 × 30.8 cm

Mimosa pigra (L.): finished drawing, Luigi Balugani, 1737–1770, Italian, Formerly James Bruce, 1730–1794, British, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Sheet: 12 3/4 × 9 1/4

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Plan and View of a Cave, Temple, or Tomb, Giovanni Battista Borra, 1713–1770, Italian, ca. 1750, Black and brown ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper, Sheet: 21 1/4 x 15 inches (54 x

The Coliseum, Rome, Sir John Frederick William Herschel, first Baronet, 1792–1871, British, 1824, Graphite camera lucida drawing on medium, smooth, cream wove paper, Mount: 10 × 15 1/4 inches (25.4 × 38.7 cm) and Sheet: 8 × 12 1/4

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

Wollaton Hall, Nottingham: Elevation, Studio of Sir Jeffry Wyatville, 1766–1840, British, ca. 1801, Watercolor over graphite on medium, slightly textured, white wove paper, Sheet: 15 9/16 × 21 5/8 inches (39.5 × 55 cm), architectural

Sketchbook Drawing, Charles Samuel Keene, 1823–1891, British, between 1846 and 1852, Graphite with pen and brown ink on ruled, medium, smooth, cream wove paper, Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm) and Binding: 6 1/2 inches (16.5 cm

Cobham Hall, Kent: Drawing at large for the ornament in the center of the ceiling of the vestibule at Cobham, James Wyatt, 1746–1813, British, 1791, Graphite, pen and black ink on moderatly thick, moderately textured, cream laid paper,

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Hunting Scene: Drawing the Cover, Henry Thomas Alken, 1785–1851, British, ca. 1840, Oil on canvas, Support (PTG): 18 x 24 1/4 inches (45.7 x 61.6 cm), costume, dogs (animals), falling, fence, horses (animals), hunters, hunting,

Myrsine africana L. (African Myrsine ): finished drawing, Luigi Balugani, 1737–1770, Italian, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 15 15/16 × 12 5/16 inches (40.5 × 31.3 cm)

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Sketchbook Drawing, Charles Samuel Keene, 1823–1891, British, between 1846 and 1852, Graphite with pen and brown ink on ruled, medium, smooth, cream wove paper, Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm) and Binding: 6 1/2 inches (16.5 cm

Standing Female Figure, Henri Gaudier-Brzeska, 1891–1915, French, between 1910 and 1915, Pen and green ink on medium, smooth, cream wove paper, Sheet: 11 5/8 x 8 1/4 inches (29.5 x 21 cm), drapery, female, figure, figure study, life

Sketchbook Drawing, Charles Samuel Keene, 1823–1891, British, between 1846 and 1852, Graphite with pen and brown ink on ruled, medium, smooth, cream wove paper, Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm) and Binding: 6 1/2 inches (16.5 cm

Drawing of a Man's Skeleton, James Ward, 1769–1859, British, undated, Brown ink over graphite on medium, slightly textured, beige laid paper, Sheet: 20 1/2 x 13 1/8 inches (52.1 x 33.3 cm), anatomical study, anatomy, medicine, science,

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Album Drawing, Thomas Bardwell, 1704–1767, British, Previously attributed: James Wills, Active 1740–died 1777, British, ca. 1730, Gray wash with pen and brown ink over graphite on laid paper, Sheet: 5 1/8 x 3 1/2in. (13 x 8.9cm

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Drawing of a Hand, Sir Peter Lely, 1618–1680, Dutch, active in England (from 1643), 1650s-1660s, Black chalk, red chalk, and white chalk on medium, moderately textured, brown laid paper, Sheet: 5 3/8 × 6 3/8 inches (13.7 × 16.2 cm),

Architectural Drawing of the Porticos of a Temple, Sir Robert Smirke the younger, 1781–1867, British, 1802-1804, Gray wash, graphite, pen and black ink on moderately thick, moderately textured, beige, wove paper, Sheet: 14 7/8 × 10 5/8

Trade Card for Thomas Sandby, Jr., Print made by Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99), after Benjamin West, 1738–1820, American, active in Britain (from 1763), Published by Thomas Sandby RA,

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