Images at Librifly

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Recto: Four preliminary design for the 'Vermis Sericus' (Silk-making) print series. Above left: Winding silk. Below left: preparing mulberry leaves. Above right: arranging the leaves on shelves. Below right: feeding the mulberry leaves to the

Sheet from a Sketchbook: Triumph of Silenus and Triumph of Bacchus and Ariadne, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash over traces of graphite on cream laid paper, Upper image: Silenus standing in a chariot

Discovery of Guaiacum as a Cure for Venereal Disease, design for 'Hyacum et lues venerea, ' plate 6 in the Nova Reperta (New Inventions of Modern Times) print series, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and ink,

View of Durham Cathedral, Arnold William Brunner, American, 1857–1925, Graphite, brush and watercolor on greenish-grey heavy paper, View over the treetops of Durham Cathedral, as seen from the southeast, and showing surrounding houses.,

Invention of the Stirrup, design for 'Staphae, sive stapedes, ' pl. 9 in the Nova Reperta (New Inventions of Modern Times) print series, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and ink, black chalk, brush and gray and

The introduction of the silkworm at the court of emperor Justinian, design for 'Ser, sive sericus vermis, ' plate 8 in the Nova Reperta (New Inventions of Modern Times) print series, Jan van der Straet, called Stradanus, Flemish, 1523–1605,

Recto: 'Horologia Ferrea, ' (Invention of Clockwork), preliminary design for plate 10 of the Nova Reperta (New Inventions of Modern Times) print series; Verso: Last Supper, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and

Recto: Invention of Distillation, preliminary design for 'Distillatio, ' plate 7 in the Nova Reperta (New Inventions of Modern Times) print series, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and ink, brush and gray wash on

Design for a Painted Ceiling, Graphite, brush and gouache, watercolor on paper, A quarter of the design is shown. Bands separate the central oblong from rows of coffers. A shell is placed in the corner of the central panel, the field of which

View of the Riverbank Village of Gaurumo with a Church, Houses, Many Palms and a Boat Visible Before a Distant Hill, With a Additional Sketches of Tree Top and Palm Below, Frederic Edwin Church, American, 1826–1900, Graphite on light gray

The Assumption of the Virgin, Ventura Salimbeni, Italian, 1568 - before 1613, Taddeo Zuccaro, Italian, 1529 - 1566, Red crayon, pen and ink, brush and gray wash, and sepia on paper, Horizontal rectangle. Upon Clouds. In the center is the

Recto, above: Charles V defeating the Turks near Vienna, 1529, preliminary design for lost painting on the Canto de' Bischeri in Florence erected on the occasion of the entry of Christina of Lorraine, bride of Duke Ferdinando de' Medici, 1589;

Project for a Case in a Vestry with Alternative Suggestions, Graphite, pen and black ink, brush and watercolor on paper, Measured elevation with alternative suggestions. Front and side view shown. At top, a crucifix in yellow watercolor.,

Landscape with Low Hill and Fields, Frederic Edwin Church, American, 1826–1900, Brush and oil paint on paperboard, A low hill, rendered in russet tones is seen in the distance across cultivated fields which are bordered by a fence. A few

Recto, above left: Passage regarding the Woman of the Apocalypse, from the Book of Revelation; Recto, above right: Woman of the Apocalyse; Recto, below left: Frontispiece to print series of the Life of the Virgin; Recto, below right: Coronation

Sketchbook Page with Rabbit Hunt, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and ink, brush and bistre on paper, Horizontal rectangle. Verso: Hunters, right, firing at rabbits. In the background, rabbits run toward net,

Sketchbook Page with Antelope Hunt, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and ink, brush and bistre on paper, Horizontal rectangle. Verso: Hunters, left, behind the bushes, fire at a group of antelopes. Another

Study for a Procession, “Vintage Festival, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Graphite, pastel crayon, brush and wash on canvas, Male and female figures in procession through an arcade

Study for a procession, “Vintage Festival, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Black pastel crayon, graphite on paper, Sketch of male and female figures in procession through an arcade

Study for a procession, “Vintage Festival, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Black pastel crayon, graphite on paper, Sketch of male and female figures in procession through an arcade

Man Wearing Zouave's Cap, Winslow Homer, American, 1836–1910, Graphite on gray-brown paper, Recto: Vertical view of a man wearing a Zouave's cap and blowing a bugle., Verso: Figures of women and a flight of steps., USA, ca. 1861, figures,

Rome, Rooftops at Sunset, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on paperboard, View of Rome looking down upon houses. Multi colored skies., USA, 1868–69, architecture, Drawing, Drawing

Design for the Embroidery of the Lower Front Part of an Overskirt of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphite, brush and gouache on paper, Boughs with leaves and clusteres of flowers. Arched edge. Frills sketched

Study of Roses, Sophia L. Crownfield, (American, 1862–1929), Graphite, brush and ink, watercolor on tracing paper., Horizontal sheet with six studies of roses depicted from various angles., USA, early 20th century, nature studies,

Design for a Wallpaper, Brush and blue, green, yellow, cream, and brownish black paint on paper, Circles composed of bead chains cross each other so to form spherical octagons staggered in alternate rows. Eight-pointed rosettes are shown in

Design for a Wallpaper Frieze, Graphite, brush and paint on paper, Mouldings form a half circle and a framing band of it. Half a laural wreath surrounds a black sun in the half circle. a zigzag thread hands on beads from the upper moulding. In the

Project for a Country Villa, Pen and black ink, brush and watercolor, black chalk on paper, lined, A rendering of a country house (villa). The building is presented from an oblique angle and set against a cloudy sky. It is elevated on a high

A Royal French Galley Seen from the Stern, Pierre Puget, French, 1622 - 1694, Pen and brush and black ink, wash on vellum, Seen from the stern, a ship at anchor with sails lowered. The stern is elaborately decorated with figures and scenes. A

Designs for Six Trophies Composed of Hunting Attributes, Pierre Ranson, French, 1736–1786, Brush and gouache, white heightening, pen and black ink, graphite on cream paper, Six designs for hunting trophies. Upper left: French horn, rifle,

Design for a Tureen with Alternate Suggestions, Joseph Anton Seethaler II, German, 1799–1868, Pen and black ink, brush and wash on paper, Design for a tureen with alternate schemes of decoration. The left half of the vessel is decorated with

Preliminary Design for the Salon d'Angle at the Palais Royal, Paris, France, Gilles-Marie Oppenord, French, 1672–1742, Pen and black ink, brush and watercolor on white laid paper, The sectional elevation shows a two-storied chamber, the

Soldier Giving Water to a Wounded Companion, Winslow Homer, American, 1836–1910, Charcoal, white chalk, brush and white gouache on greenish-grey wove paper, mounted on cardboard, Recto: Horizontal view of a soldier kneeling beside a wounded

Studies of Soldiers, Winslow Homer, American, 1836–1910, Black and white chalk on two joined sheets of brown paper, lined, Four sketches of soldiers; two soldiers charging with rifles, at top; and two lying wounded on the ground, at

Cavalry Soldier, Winslow Homer, American, 1836–1910, Black chalk on tan wove paper, lined, Vertical study of a soldier holding reigns in his left hand and a sword in his right hand, as he faces right, and sitting on horseback [horse is not

Zouave, Winslow Homer, American, 1836–1910, Black and white chalk on blue-green paper, Vertical frontal view of a Zouave, with his hands on his hips, looking down and to the left., USA, 1864, figures, Drawing, Drawing

Six Studies of Soldiers' Heads, Winslow Homer, American, 1836–1910, Recto: Graphite on wove paper Verso: Graphite, brown and gray crayon on wove paper, Six studies of soldiers' heads; three across top and bottom. Four corner heads wear same

Two Horses, One Mounted, Winslow Homer, American, 1836–1910, Graphite on paper, Recto: Vertical view of two horses, the lower horse having a rider., Verso: Several sketches of cavalrymen., USA, 1862, figures, Drawing, Drawing

General McClellan's Sixth Cavalry Regiment, Embarking at Alexandria for Old Point Comfort, Winslow Homer, American, 1836–1910, Graphite, brush and gray wash on cream paper, Horizontal view filled with figures of lancers on horseback in left

Army Encampment, Winslow Homer, American, 1836–1910, Graphite on paper, Recto: Horizontal composite of various scenes in an army encampment., Verso: Vertical sketches, a saluting Zouave, probably shown from the back; head is show in

An Infantry Column on the March, Winslow Homer, American, 1836–1910, Graphite on tracing paper, View of an infantry column marching, with a few soldiers' figures drawn distinctly; trees and tree stumps shown in middle ground; small company of

Men Looking Over Earthworks, Pen and brown ink on light-brown wove paper, Recto: Horizontal view of the heads and hats of five men with rifles looking over earthworks, whose grass covering is suggested by short vertical pen strokes; a steamer is

Seated Soldier, Winslow Homer, American, 1836–1910, Graphite on paper, Vertical view of a soldier seated, seen from the rear., USA, 1862, figures, Drawing, Drawing

Sketches of Soldiers, Winslow Homer, American, 1836–1910, Graphite, heightened with pen and ink on pasteboard, Recto: Vertical view of two soldiers, shown in three-quarter length, with color notations., Verso: Slight sketches in graphite,

Standing Officer, Winslow Homer, American, 1836–1910, Graphite on cream paper, Vertical view of an officer standing at ease., USA, 1862, figures, Drawing, Drawing

Two Studies of a Sentry, Winslow Homer, American, 1836–1910, Graphite on cream paper, Two vertical studies of a sentry., USA, 1862, figures, Drawing, Drawing

Three Soldiers, Winslow Homer, American, 1836–1910, Graphite on cream paper, Vertical view of three soldiers with rifles with fixed bayonets., USA, 1862, figures, Drawing, Drawing

Soldier Marching, Winslow Homer, American, 1836–1910, Graphite on paper, laid down, Vertical view of a sentry, carrying a rifle with fixed bayonet., USA, 1862, figures, Drawing, Drawing

Soldier Sitting on a Box, Winslow Homer, American, 1836–1910, Graphite on cream-colored paper, Vertical view of a soldier sitting on a box, having his hair cut, with tents visible in background., USA, 1862, figures, Drawing, Drawing

Woodland Stream, Winslow Homer, American, 1836–1910, Brush and watercolor, charcoal on paper, Recto: A stream punctuated by boulders in the white-capped, steel-gray waters; Verso: arithmetic notations in graphite, a sketch of a Chinese vase

Stage Design: Gallery in a Palace, Pen and black ink, brush and wash on laid paper, Horizontal rectangle showing a view into an elaborately decorated hall with several recesses, a painted dome. Mirrors and high backed chairs line each wall.,

Shepherdess Resting, Winslow Homer, American, 1836–1910, Charcoal on heavy white wove paper, Horizontal view of a woman, clothed as shepherdess, lying on the ground in an open field, with a crook beside her; a flock of sheep, and trees,

Bridle Path, White Mountains, Winslow Homer, American, 1836–1910, Graphite on cream wove paper, Horizontal view of a woman riding side-saddle on a horse., USA, August 24, 1868, landscapes, Drawing, Drawing

Men and Women Looking Out to Sea, Cullercoats, England, Winslow Homer, American, 1836–1910, Graphite on heavy cream wove paper; verso: violet crayon, Four figures of women in shawls in lower left foreground, walking across wet ground with a

Fishermen in Oilskins, Cullercoats, England, Winslow Homer, American, 1836–1910, Graphite, charcoal, white chalk on heavy beige wove paper, View of a group of men in oilskins, at center middleground, standing on wet ground against wall

Man with a Scythe, Winslow Homer, American, 1836–1910, Graphite, corrections in brush and white gouache on heavy white wove paper, Horizontal view of a man, shown from the back, mowing with a scythe at lower center foreground while the

Study for 'Rocky Coast and Gulls', Winslow Homer, American, 1836–1910, Graphite on wove paper, Sketch of a beach with rocks in the foreground and three figures in the distance. Houses line the coast along the horizon., USA, 1869, seascapes,

Seated Girl, Winslow Homer, American, 1836–1910, Black chalk, brush and white gouache on light-brown laid paper, Young woman seated on a wall, facing towards left, with white flowers lower right. Clouds in background., USA, 1880,

House at a Railing with Beached Dories, Winslow Homer, American, 1836–1910, Pen and brown ink on tan laid paper, Horizontal view of a life brigade house and railing shown at left with three beached rowboats in front. Figures visible inside

Girl Holding a Branch of an Apple Tree, Winslow Homer, American, 1836–1910, Graphite on heavy off-white wove paper, A view of a young woman dressed in a pinafore and hat at center, clinging to the branch of an apple tree. She looks to the

Two Girls Seated on a Bank, Winslow Homer, American, 1836–1910, Graphite on heavy off-white wove paper, Two girls, viewed from behind, sit in the shadow under a tree., USA, 1879, figures, Drawing, Drawing

Seated Girl with a Basket, Winslow Homer, American, 1836–1910, Black and white chalk, brush and white gouache on gray paper, Vertical full view of a young girl sitting, with her head turned toward the right, and holding a basket with her

Bay at Cullercoats, England, Winslow Homer, American, 1836–1910, Charcoal, chalk on white paper, View of the bay at Cullercoats, with waves breaking on the sand, followed by a darker area of rocks, in right foreground. Suggestions of

Tree Roots on a Hillside, Prout's Neck, Winslow Homer, American, 1836–1910, Charcoal, brush and white gouache on laid paper, Bare juniper tree branches spread diagonally over a hillside., USA, 1884, landscapes, Drawing, Drawing

Landscape with Deer in a Morning Haze, Winslow Homer, American, 1836–1910, Brush and watercolor, graphite on wove paper, A hillside landscape with a fence and three deer in the foreground, tree tops and mist in the middleground, and

Mountain River or Lake, Winslow Homer, American, 1836–1910, Brush and wash, chalk, graphite on paper, Recto: View of a sloping hill with a male figure, seen from behind, seated on two fallen pine tree trunks and also framed by two live

View Across the Hudson at Sunset, Frederic Edwin Church, American, 1826–1900, Oil on paperboard, One bank of the Hudson is shown in foreground with opposite bank in middle distance. The Catskills are seen in the background. The setting sun is

Tower in a Village, Francis Augustus Lathrop, American, 1849 - 1909, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on white paper, Sketchbook drawing of a tower in a small village. The tower at right, built upon a rocky landscape

Mill House by a Stream, Francis Augustus Lathrop, American, 1849 - 1909, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on white paper, Sketchbook drawing of a millhouse on a stream. The building is at center, the stream running

Buildings on a Lake, Francis Augustus Lathrop, American, 1849 - 1909, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on white paper, Landscape scene of a series of small domestic buildings on a lake. A vertical and horizontal axis

House and Well, Francis Augustus Lathrop, American, 1849 - 1909, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on white paper, Sketchbook drawing of a house with a wall and a well in back foreground. Small trees at right and

Fishing Boats, Francis Augustus Lathrop, American, 1849 - 1909, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on white paper, Sketchbook drawing of fishing boats. The lake at right, the shore with fishing boats drawn up in the

Sketches of a Shed and House on the Shore, Francis Augustus Lathrop, American, 1849 - 1909, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on white paper, Two sketches on vertical format sheet. At top, a wood shed on a shore,

River Valley, Francis Augustus Lathrop, American, 1849 - 1909, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on white paper, Sketchbook drawing of a view of a town on banks of small river. Boats and figures, steep mountains

Ruins by a Road, Francis Augustus Lathrop, American, 1849 - 1909, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on white paper, Sketchbook drawing. Two figures of peasants sit on rocks from the ruins of a small church, by the

Bridge for the New York Connecting Railroad, Queens Boulevard, Long Island, Graphite, pen and black ink, white chalk on paper, View of a stone bridge from angled perspective. Trees on left., USA, 1910–20, architecture, Drawing, Drawing

Decorative Design, Walter Shirlaw, American, b. Scotland, 1838–1909, Black and red crayon on grey paper, A circular niche, framed by two hanging leaves, upon which two figures are shown playing musical instruments and two others sing from a

Projects for a statuary group: 'Friendship, ' 'Accord', Jan Claudius de Cock, Flemish, 1667 - 1735, Black crayon, pen, ink, brush, gray watercolor on paper., Horizontal rectangle. At left: a sitting girl and a standing boy unite the flames

Projects for statues: 'Wisdom.' 'Constancy.' 'Eloquence.' 'Cupid Disguised.', Jan Claudius de Cock, Flemish, 1667 - 1735, Black crayon, pen, ink, brush, gray watercolor on paper, Horizontal rectangle. From left to right: a youth standing

The Upper End of Little Cottonwood Canyon, Wasatch Range, near Ogden, Utah, Thomas Moran, American, b. Britain, 1837–1926, Brush and watercolor, white goauche, graphite on gray laid paper, Panorama over a cliff edge toward three

Mount Chimborazo, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, traces of graphite on paperboard, The snow covered peak rises over ranges in the central rear. Tops of trees and a house are sketched in the foreground.

Three Large Pine Trees Along a Rocky Stream Bank, Frederic Edwin Church, American, 1826–1900, Graphite on off-white wove paper, Recto: Vertical view of a moss covered, fern filled, rocky stream bank in lower foreground with three pine trees

Rim of the American Falls, Niagara River, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on green wove paper., Recto: Horizontal view of the rim of the American side of Niagara Falls., Verso: Horizontal view

Horseshoe Falls and Table Rock, Niagara River, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on green paper, Recto: Vertical view of the Canadian Falls at Niagara, shown from the South., Verso: Vertical view

Hennequin Point and the American Falls, Niagara River, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on green paper., Recto: Horizontal view of Hennequin Point and the American falls at Niagara., Verso:

American Falls, Niagara River, Frederic Edwin Church, American, 1826–1900, Graphite on green wove paper, Recto: Horizontal view with the Hudson River after the falls shown in the right foreground; the American bank is at left., 1856,

Study for a Painting of Niagara Falls, Frederic Edwin Church, American, 1826–1900, Graphite on paperboard, Recto: Horizontal view of Niagara Falls similar to the painting of 1857 in the Corcoran Gallery, Washington, DC, but seen from a more

Botanical Sketches Showing Details of a Plant, Jamaica, Frederic Edwin Church, American, 1826–1900, Graphite on gray paper, Vertical view showing details of a plant: two details of the stem and leaves at bottom; a high stem grows out of a

Sketches from Jamaica, West Indies, Frederic Edwin Church, American, 1826–1900, Recto: Graphite on gray paper Verso: Graphite, brush and white gouache on gray paper, Recto: Horizontal view showing: distant view of four women, three of whom

Iceberg with Strange Resemblance to a House, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on light brown paper, At upper left, sketch of coastline. At upper right, view of an iceberg in the foreground and

Two Icebergs, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on light brown paper, Two sketches of icebergs. Above, an iceberg protruding from the sea, the word 'green' inscribed within its form. Below, an

Floating Icebergs, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on light brown paper, Four sketches of icebergs, two highlighted with contrasting white gouache., Newfoundland and Labrador, Canada, July 4

Floating Iceberg with Sailboat, Frederic Edwin Church, American, 1826–1900, Graphite on light brown paper, Seascape depicting a large iceberg rising from the water before a coastline with a sailing boat approaching in front., Newfoundland and

Sketches of Icebergs, Off Greenspond, Newfoundland, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on light brown paper, At left, a uniqely shaped iceberg with an arched opening and a twisted tower. A sailing

Floating Icebergs, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on light brown paper, At top, distant view of three icebergs. At bottom, two drawings of single icebergs, each with a horizon line indicated

Floating Icebergs, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on light brown paper, At upper right, distant views of two icebergs. At upper left and lower left and right, three designs of single icebergs,

Floating Icebergs, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on light brown paper, Seascape design with distant views of five individual icebergs, two at top and three at bottom of composition, each with

Floating Icebergs, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on light brown paper, At top, distant views of three icebergs. Second row: distant view of an iceberg. Third row: distant view of five icebergs.

Floating Iceberg, Labrador, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on thick buff wove paper, Large iceberg, with extreme mass on left, is shown floating on dark gray waves. Lower portion of image left

Floating Iceberg, Labrador, Frederic Edwin Church, American, 1826–1900, Brush and oil, graphite on cardboard, Horizontal format of a white and pale blue iceberg rising from a dark blue ocean. Sky indicated in pale orange and blue., USA,

Floating Icebergs, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on tan paperboard, Two icebergs, partly in shadow with sunlight glinting from the peaks, are seen from a distance across a dark brownish body of

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