Images at Librifly

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Icebergs, Frederic Edwin Church, American, 1826–1900, Brush and oil, graphite on thin paperboard, An iceberg, partly in shadow with sunlight glinting from the peaks, seen from a distance across a dark brownish body of water with cresting

Icebergs Under Cloudy Skies, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on buff paperboard, Iceberg with several peaks hollowed out in the center floating on a gray sea under cloudy skies. Bottom margin showing

Iceberg, Frederic Edwin Church, American, 1826–1900, Graphite on green paper; verso: graphite, brush and white gouache, An iceberg with a peak and range-shaped top. Verso: in opposite direction, the same iceberg shown from another side in

Waves Breaking Against Rocks, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on brown-gray wove paper, Horizontal view of sea with a wave breaking against a stony shore in the foreground., USA, 1856,

Iceberg, Newfoundland, Frederic Edwin Church, American, 1826–1900, Brush and white gouache, graphite on brown paper, Floating iceberg consisting of three sections. Dated top right., Newfoundland and Labrador, Canada, June 21, 1859,

Sketches from Labrador of Snow on Land, Man in Boat, and Bird, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on light brown paper, Sketches from Labrador. In the upper left, a bird shown in profile, turned

Lake Katahdin ?, Frederic Edwin Church, American, 1826–1900, Brush and oil, pencil on cardboard, View of a wooded shore across a lake. The shore rises toward the left. Part of a dead branch and a boulder are shown in the foreground., USA,

Colombia or Ecuador, mountains, moonlight, Frederic Edwin Church, American, 1826–1900, Brush and oil, pencil on cardboard with gray-brown background, View across a valley looking toward a mountain range with cloud capped peaks. Snow covered

Mountains in Jamaica, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on cardboard, Oblique view of hill ranges which are crossed by a valley. Cloudy sky with sun rays., USA, July 1865, landscapes, Drawing,

Woodland study, Frederic Edwin Church, American, 1826–1900, Brush and oil, pencil on cardboard, A part of the trunk of a tree is shown against a background of trees and bushes. Place and date, below right., USA, Jamaica, July 1865,

Sketches from Labrador, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on light brown paper, Five sketches on a single sheet. Top row: landscape scene depicting moss on rocks; a part of a roof of a house with a

Floating Icebergs, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on light brown paper, On a single sheet, two depictions of floating icebergs, each with planes highlighted in white gouache and a horizon line

Floating Icebergs, Frederic Edwin Church, American, 1826–1900, Graphite on light brown paper, Four sketches of icebergs arranged in two rows on a single sheet., Newfoundland and Labrador, Canada, July 16, 1859, seascapes, Drawing,

Last Iceberg, Frederic Edwin Church, American, 1826–1900, Graphite on light brown paper, Seascape drawing depicting an iceberg at top left of sheet., Newfoundland and Labrador, Canada, July 16, 1859, seascapes, Drawing, Drawing

Island off Henly Harbour and Two Floating Icebergs, Frederic Edwin Church, American, 1826–1900, Graphite on light brown paper, At top, two flat rocky land elevations are shown. Below, two floating icebergs., Newfoundland and Labrador,

Landscape in Jamaica, West Indies, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on paperboard, The lower parts of trees, upon two of which plants grow, within a forest. Similar to 1917-4-385., USA, 1865,

Kitchen of Hamstead Cottage, Jamaica, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on blue-green paper, Vertical rectangle showing the rear of a house with a steep shingle roof and a turret seen obliquely

Hudson River with Factory by Moonlight, Frederic Edwin Church, American, 1826–1900, Brush and oil on paperboard, Square view of the river and a factory which stands on a spit of land at right, and whose smoke billows from its chimney and

Ed Deir Rock Temple, Petra, Frederic Edwin Church, American, 1826–1900, Brush and oil, graphite on thick paper, Temple facade is shown flanked and surrounded by rocks. Blue sky is visible in the central and right top., USA, late February

Landscape, Hudson Valley, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on cardboard, View of a partially cloud-capped mountain range, across two slopes. The slope in the foreground shows a meadow, trees, and a

View of the Acropolis, Sunrise, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on paperboard, The Acropolis at sunrise shown in the right middle distance. Columns and houses are shown in the foreground., USA,

Bashan Fantasy, Frederic Edwin Church, American, 1826–1900, Brush and oil on heavy wove paper, View down a valley, a large boulder at right in foreground, a ruined columnar temple on a plateau at left middle distance; high snow-covered

Königssee, Bavaria, Frederic Edwin Church, American, 1826–1900, Brush and oil, graphite on thin cream paperboard, Oil sketch of mountain lake in spectacular alpine setting. The lake around the Falkenstein shown from the northeastern shore.

North Peristyle of the Parthenon, Athens, Frederic Edwin Church, American, 1826–1900, Brush and oil, graphite on thin board, A view of northern peristyle shown from the west is framed dramatically by two high stone walls., USA, 1869,

Broken Columns, View from the Parthenon, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on thin paperboard, Oil sketch of ruined columns. The lower part of a standing column and the neighboring four fragments of

High Clouds across the Hudson, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on paperboard, Horizontal view from Church's home, Olana, looking across the hilly, wooded landscape and a lake towards a range of

Nightfall near Olana, Frederic Edwin Church, American, 1826–1900, Brush and oil paint on paperboard, Horizontal view of dark sky with clouds, some of which are reddened, over a wooded range of hills., Hudson, New York, USA, August 1872,

In the Woods, Maine, Frederic Edwin Church, American, 1826–1900, Brush and oil paint on paperboard, Probably Maine landscape. Lower part of a tree is shown against a background of undergrowth and trees., USA, 1850–60, landscapes,

Birch Trees in Autumn, Frederic Edwin Church, American, 1826–1900, Brush and oil paint on paperboard, The trunks of two birch trees stand amid autumn foliage. Red and yellow leaves partially obscure the lower section of the trees. Sketch

Olana from the Southwest, Frederic Edwin Church, American, 1826–1900, Brush and oil paint on thin paperboard, Vertical view of a large, two-towered house with balconies and a porch, situated on the overlook of a hill, viewed from a distance

Woodland Stream, possibly Mt. Desert, Maine, Frederic Edwin Church, American, 1826–1900, Brush and oil, graphite on paperboard, A mountain brook flows over stony riverbed from a low fall in the central middle distance, the moss-covered

botanical study, Frederic Edwin Church, American, 1826–1900, Brush and oil, pencil on cardboard, Horizontal view of a fern shown on a brown background., USA, Jamaica, August 1865, nature studies, drawing, drawing

Icebergs at Midnight, Labrador, Frederic Edwin Church, American, 1826–1900, Brush and oil paint on paperboard, A loosely painted large blue iceberg is highlighted at right, while a smaller blue iceberg lurks slightly behind the other in dark

Clouds over Church's farm, Hudson N.Y., Frederic Edwin Church, American, 1826–1900, Brush and oil on cream cardboard, Horizontal image of tops of trees on left, a rising slope at right. Clouds, some of which are red. The date is written

View Towards Damascus, Syria, Frederic Edwin Church, American, 1826–1900, Brush and oil on thin cream paperboard, A plane is bordered by the slopes of the Anti Lebanon. In the far distance is the city, the Barada stream appears like a lake.,

Iceberg Fantasy, Frederic Edwin Church, American, 1826–1900, Brush and oil on paper backed with canvas, A bay is bordered by a shore in the foreground, showing a rock at right, by glaciers or icebergs in the back. A sailboat is in the left

Study of a Standing Bedouin, Frederic Edwin Church, American, 1826–1900, Brush and oil on brown paper, USA, 1868, figures, Drawing, Drawing

Study of a Standing Bedouin, Frederic Edwin Church, American, 1826–1900, Brush and oil on brown paper, A verticle drawing of a standing male figure wearing layers of clothing and holding a long gun in his left hand., USA, 1869, figures,

Tree trunk, Frederic Edwin Church, American, 1826–1900, Brush and oil on thin cardboard, Vertical image of the lower part of the trunk of a tree is shown. A road, stones, bushes, trees are behind it., USA, May 1865, nature studies,

View of the Canadian Falls and Goat Island, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on paperboard, Horizontal view of Niagara Falls, New York, shown from the Canadian bank., USA, September or October

Stormy Sea, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on paper, Agitated sea with short waves under a cloudy sky at dusk. Rain falls in the right background. A part of a rock is shown in the left middle

Project for a painted ceiling, Flaminio Innocenzi Minozzi, Italian, 1735 – 1817, Brush and gray and brown wash, pen and ink, on paper., One quarter is shown. An entablature is shown from below. Above its front rise the balustrades of upper

Study for a seated woman, “Vintage Festival, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Pastel crayon on grey paper, Draped female figure seated with her head resting on her arm., New York, NY,

Design for Stained Glass Window, Sir Andrew Orr, Scottish, 1801–1872, William Stuart Stirling-Crawford, Scottish, 1819–1883, W. Cowper, Brush and watercolor, pen and ink, graphite on paper, Three tall vertical panels, with pointed

Sunset Over Tower and River, Arnold William Brunner, American, 1857–1925, Brush and watercolor on paper, A river in the foreground, with a building group dominated by a large tower silhouetted against a summer sky. To figures in foreground.,

Design for a Surtout de Table, for State Porcelain Service of Ismail, Khedive of Egypt, Gaetano Lodi, Italian, 1830 – 1886, Manifattura Ginori, Italian, Brush and watercolor, gouache, gold paint, black ink and wash, traces of graphite

Study of a Leafless Tree, Daniel Huntington, American, 1816–1906, Graphite and black crayon on cream wove paper, Study of a leafless tree. The trunk is turned to the right, with its two main branches extending to the left., USA, 1836,

Looking towards Franconia & Pemigewasset River from Hill South of Sanborn - W. Campton, Daniel Huntington, American, 1816–1906, Graphite on pale green paper, Figures on ridge, foreground. Trees below, left and center; river below, right.

Landscape, Hudson Valley, Frederic Edwin Church, American, 1826–1900, Brush and oil, graphite on paperboard with orange back, Horizontal view over wooded hills under a clloudy sky, with a patch of blue, one stripe reddened., July 1870,

Seated Bedouin, Frederic Edwin Church, American, 1826–1900, Brush and oil on brown paper, Vertical drawing of a Bedouin figure seated upon a rug on the ground. His gun leans against his right shoulder., USA, probably February 1868, figures,

Design for a Woven or Printed Fabric or Wallaper, Graphite, brush and purple watercolor on paper, Escutcheon in Neo-Rococo style with evergreens and festoons of flowers. The left half of an escutcheon and part of the plant design are shown. Verso:

Plant Studies from the Rio Magdalena, Colombia, Frederic Edwin Church, American, 1826–1900, Graphite on gray paper, Horizontal view of a palm at left and two designs of hanging boughs at right., 1853, probably May, nature studies,

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache, graphite on glazed tracing paper, The repeat, of which somewhat more than one is shown, consists

Landscape at sunset, Hudson, N.Y., Brush and oil on paper laminate, Horizontal view of a mountain range across a valley. THe top of a tree is shown in the right foreground. Reddened sky with some clouds., USA, July 1870, landscapes, drawing,

Study for 'Diana and Her Attendants among the Constellations', Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, Sketch of a female nude figure reclining., USA, ca. 1894, mural designs, Drawing, Drawing

Daniel in the Lion's Den, Pietro Novelli, Italian, 1603 - 1647, Pen and brown ink on paper, Vertical rectangle. The Figure of Daniel at left, surrounded by lions, is pleading for divine assistance to rescue him from imminent death. He kneels

Parish Church of Our Lady of Chiquinquira del Cerrito, Chiquinquira, Colombia, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on buff-colored paper, Horizontal oblique view of the church at left; the

Nature Studies including a Candelabra Tree with a Sloth, Rio Magdalena, Colombia, Frederic Edwin Church, American, 1826–1900, Graphite, brush and oxidized white gouache on gray paper, Horizontal view containing a group of trees at upper

Design for Textile or Wallpaper, Brush and watercolor on paper, Design for textile or wallpaper that shows flowers in scroll arrangement in which human figures and a cupid are shown. Painting is in shades of red., France, 19th century, Drawing,

Study of Mark Anthony from a Statue, Daniel Huntington, American, 1816–1906, Graphite Support: white wove paper, Rome, Italy, USA, 1840, figures, Drawing, Drawing

Water color; A Neapolitan watermelon shop, Saverio della Gatta, Italian, 1777 - 1829, Pen and black ink and yellow, red, blue, green, brown, gray water colors on wove paper., Horizontal rectangle. The business goes on in front of the

Costumes of Sicily, Saverio della Gatta, Italian, 1777 - 1829, Pen and black ink, and watercolors on paper, A man with a donkey carrying baskets with fruits is shown at left in the middle distance. 'Venditore di Frutta di Monreale.' In the

Water color; A midwife with a baby on the way to church for christening, Saverio della Gatta, Italian, 1777 - 1829, Black chalk, pen and black ink, various water colors on paper., Horizontal rectangle. Two men carry a sedan chair, labeled

Water color; Two peasants dancing to the music of bagpipe and horn, Saverio della Gatta, Italian, 1777 - 1829, Pen and black ink and water colors on wove paper., Horizontal rectangle. Two male peasants dance in front of a cask (butt), upon

Water color; A vegetable stall, Saverio della Gatta, Italian, 1777 - 1829, Pen and black ink and water colors on paper., Horizontal rectangle. The vegetables are displayed upon a scaffold at the corner of a house, and in baskets. Others are

Water color; A woman selling roasted corn, Saverio della Gatta, Italian, 1777 - 1829, Pen and black ink and water colors on paper., Horizontal rectangle. A woman with a baby and two bigger children sits upon the pavement in the southeast corner

Water color; Performers of a Commedia dell'Arte, Saverio della Gatta, Italian, 1777 - 1829, Pen and black ink and water colors on paper., Horizontal rectangle. Pulcinella carrying a horn in his right hand and pointing with the left forefinger

Water color; On the shore in Chiaja, Saverio della Gatta, Italian, 1777 - 1829, Black chalk and various water colors on paper., Horizontal rectangle. Three men move a boat lying on the shore, at left. At right are a standing and spinning woman,

Water color; Rinaldo Rinaldini is reciting upon the jetty, Saverio della Gatta, Italian, 1777 - 1829, Pen and black ink, water colors on paper, Horizontal rectangle. A man is show [sic] standing upon the jetty and reciting from a book. His hat

Water color; Tarantella dancers, Saverio della Gatta, Italian, 1777 - 1829, Pen and black ink and water colors on paper., Horizontal rectangle. Two couples dance in the open to the music played by a man with a guitar and a woman with a

Journey by Sedan Chair, Saverio della Gatta, Italian, 1777 - 1829, Black chalk, pen and black ink, brush and watercolor on paper, Horizontal rectangle. A man riding upon a horse which carries luggage beside him, leads the front mule carrying

Water color; Night Fishing at the Entrance to a Cave, Saverio della Gatta, Italian, 1777 - 1829, Pen and black ink and water colors on wove paper., Horizontal rectangle. Three fishermen in boat and another seated upon a stone are shown fishing

Water color; Costumes of South Calabria, Saverio della Gatta, Italian, 1777 - 1829, Water colors, In the middle distance at left sits a woman upon a stone, 'Donna di Nicastro.' In the center is a group of three women, one holding a spinning

Water color; A fruit stall in Naples at Christmas, Saverio della Gatta, Italian, 1777 - 1829, Black chalk and various water colors on paper., Horizontal rectangle. The fruit boxes are displayed at left outside of a house at a square. A scaffold

Study for 'Zodiac', Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, Sketch of a reclining female figure with wings., USA, ca. 1894, figures, Drawing, Drawing

Study of Right Arm for 'Christiana and Her Family Passing through the Valley of the Shadow of Death', Daniel Huntington, American, 1816–1906, Graphite and white chalk on grey wove paper, Man's raised right forearm holding a staff, with palm

Design for Wallpaper and Textiles: Birds, Brush and gouache, graphite on cream paper, Grouping of seven birds in flight, all flying different directions. Clockwise from top: brown bird facing downward and right, light blue bird facing right,

Study of landscape, Sorrento, William Stanley Haseltine, American, 1835–1900, Brush and watercolor, graphite on paper, Sketch of hillside and Bay of Naples., Sorrento, Italy, 1858, landscapes, Drawing, Drawing

Elevation of a wall with a soloist singing, Pencil and ink on paper, Vertical composition of a wall with a soloist singing over a balcony. Five figures are below the balcony., Italy, ca. 1790, architecture, Drawing, Drawing

Moat Mountain and Knowles Pond, New Hampshire, Daniel Huntington, American, 1816–1906, Graphite on cream wove paper, Pond seen through bushes, with hill beyond and mountain slightly left. Verso: Outlines of hills., USA, September 25,

Altar to Apollo from the Villa di Cicerone, after a print by Piranesi, Giovanni Battista Piranesi, Italian, 1720–1778, Pen and ink, brush and watercolor on paper, Vertical rectangle. Perspective view of the Apollo altar, decorated with the

English Landscape Garden, Unknown, Pen and brown and gray ink, brush and water color on off-white laid paper, possibly France, France, ca. 1775, architecture, Drawing, Drawing

Young Man Pulling a Rope, Black and white chalk on blue paper, A man in three-quarter view is pulling a rope extending from the left. He leans back, muscles taut. More lightly drawn to right: a pair of crossing hands. Verso: A man is sitting with

Sketch for Central Figure in the Ascension, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on laid paper, Figure standing center, facing slightly to the right, gaze directed upwards. His left arm is around a cross., USA, ca. 1895,

Design for Magazine Cover, Kenyon Cox, American, 1856–1919, Graphite on paper, Three sketches of magazine covers; Left, inscribed “McCLURES/ MAGAZINE” at top with a female figure is holding a flower in her right hand below; Center, a

Design for a Fountain, Pen and black ink, brush and gray wash, traces of graphite on off-white laid paper, A statue of Diana within a decorated niche. Water pours from a mask at the columnar support upon boulders. At bottom, a plan., Italy,

Satirical Print: The Suitor, Pen and ink, brush and watercolor on paper, An old man with a staff standing at right looks through a lorgnon (monocle) at a young girl seated at left. She is accompanied by a sewing chaperone. A cat with a string lays

The Pigodeon, Printed in black ink on paper, Article clipping from Electrical Review. Center, bear with glasses sitting by piano, with music sheet, labelled, turned to see woman. Right, profile of a woman sitting on chair, with hat, head

The Old School-House, Illustration for Scribner's Monthly (XVIII, No. 5, September 1879, p. 651), J. F. Jungling, Scribner's Monthly, Printed in black ink on paper, Article clipping from Scribner's Monthly on the history on Sandy Hook.

Teatro Filarmonico, Accademia Filarmonica, Verona, Italy: Section and Ceiling, Pen and brown ink, brush and brown wash, black chalk on white laid paper, Architectural drawing for the Teatro Filarmonico. Lower right side of drawing details

The Koenigsee, near Berchtesgeden, Bavaria, Frederic Edwin Church, American, 1826–1900, Graphite, oil on paperboard, The northeastern part of the lake shown from the road to the Malerwinkel. Part of the northeastern shore is in the

Study for the Sala di Apollo, Palazzo Milzetti, Faenza, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash, black chalk on white laid paper, At top left in ink, one section of an octagonal ceiling; below in black

The Teton Range from the East, Thomas Moran, American, b. Britain, 1837–1926, Graphite on gray-brown paper, Recto: horizontal view of the distant ranges, across mountainous country, with a valley containing rocks and barren pine land in the

Century Plant, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on cardboard, Horizontal rectangle of a cactus shown against a background of bushes. Small plants are in the front., USA, 1865–66, nature studies,

Bedroom alcove with a figure, Pen and brown ink, brush and brown wash, graphite, red ink on off-white laid paper, lined, Bed decorated with drapery and plumes; a figure at center smoking from a long opium pipe., Italy, 18th century,

Design for a Printed Border, Black chalk, brush and gouache, blue ink on paper, Lower left corner is shown. From inner side of waved leaf bough rise boughs with leaves and blossoms. In the corner rises obliquely fantastic plant with three Persian

Project for a Wall Decoration, Pen and ink, brush and watercolor on paper, Left half of a design shown. At bottom, a frieze with grotesques. Above, at left, a candelabrum motif supported by a griffin. At right, a roundel with a winged figure

Alternative Design for the High Altar, Santa Maria del Priorato, Rome, Italy, Filippo Marchionni, Italian, 1732–1805, Carlo Marchionni, Italian, 1702–1786, Pen and black ink, brush and gray wash, black chalk on white laid paper,

Design for the Grand Staircase at the Royal Palace of Caserta, Italy, Pen and black ink, brush and gray wash, graphite on laid paper; verso: graphite, Section and half of the lowest flight of the stair shown in bird's eye view. The plan is an

Stage Design, Prison Interior with the Death of Socrates, Antonio Giuseppe Basoli, Italian, 1774–1843, Pen and brown ink, brush and gray and black wash on off-white laid paper, partially laid down on paper, Horizontal rectangle. Interior of

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