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Floor Lamp, Henry J. Allen Residence, Wichita, Kansas, George Mann Niedecken, 1878–1945, Henry J. Allen, Elsie J. Nuzman (Mrs. Henry J.) Allen, Graphite, color pencil on beige tracing paper, Design for a floor lamp showing in the center:

Design for Stained Glass Window, Brush and wash and white gouache, pen and black ink, graphite on paper, Three tall vertical panels, with cusped heads, each panel in two sections containing figures. Left: Saint Andrew, Saint Agnes. Center:

Center of the Madison Avenue Façade, Madison Square Garden, August-Florian Jaccaci, American, 1856–1930, Pen and ink on paper, Center of the Madison Avenue facade of the Madison Square Garden., USA, 1892, architecture, Drawing, Drawing

View of Olana, the Artist's Home, Hudson, New York, Frederic Edwin Church, American, 1826–1900, Graphite on off white laid paper, The house is shown in the left distance. Trees and bushes are in the foreground. An account is written in the

Design for a Plaster Ceiling with Bay, James Wyatt, British, 1746 - 1813, Pen and black ink, brush and gray wash, graphite on heavy wove paper, Vertical format design for a plaster ceiling with bay, scale in black ink at the bottom, ruled

Distant Views of a Wooded Hill, Frederic Edwin Church, American, 1826–1900, Black crayon on paper, Horizontal distant views of a wooded hill range at top and center, and a house standing at its base at right., USA, 1844, landscapes,

Floral Design, Black, white, and taupe crayon, brush and wash on bluish-grey paper, A bunch of stems, with six large blossoms and leaves in the bottom part and small sized blossoms in the top part., France, 1740–1770, Drawing, Drawing

Design for Wallpaper and Textile: Flowers, Brush and gouache, graphite on white paper, Horizontally-oriented diamond shape made up of flowers and foliage. Purple flowers and foliage with yellow berries outline the diamond, red and yellow flowers

Priam in the Tent of Achilles, Felice Giani, Italian, 1758–1823, Pen and brown ink over traces of graphite on light blue paper, Priam shown kneeling before Achilles who sits at right. He is followed by Idaeus carrying ransom, female

Study of a Dead Oak Tree, Daniel Huntington, American, 1816–1906, Graphite and black crayon on cream wove paper, Study of the branches of a dead oak tree., USA, ca. 1836, nature studies, Drawing, Drawing

Aletsch Glacier by Moonlight, Bernese Alps, Switzerland, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on light brown paper, Sketch of the glacier and the banks in the distance, beyond a sloping mountainside

Design for Wallpaper and Textiles: Flowers, Brush and gouache on off white paper, Brown branch at center of page with orange flowers all around, topped by green foliage. Branch of light blue, smaller flowers placed in front of brown branch.,

Project for a Catafalque for the Funeral Service for Pope Pius VI in Forli, Felice Giani, Italian, 1758–1823, Pen and ink, brush and wash on paper, The catafalque with obelisk topped with a star. Flanked by two burning candelabra. Letters PM

Design for clock, Lefebvre Manufactory, Tournai, Pen and black ink, yellow, red watercolor, on cream laid paper, Octagonal base, supported by tapered feet. Front panel shows a couple following Hymen to a circular temple. The dial is flanked

Maine Coast, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on cardboard on gray ground, Rocks project in the right foreground. Agitated sea. Verso: many brush strokes., USA, 1845–50, landscapes, Drawing,

Fishing Trawler, Winslow Homer, American, 1836–1910, Charcoal on paper, Horizontal view of a fishing trawler with a long trail of smoke and a large cloud across upper left corner., USA, ca. 1881, seascapes, Drawing, Drawing

Distant View of Mounts Katahdin and Traveller Shown from Lake Millinocket, Frederic Edwin Church, American, 1826–1900, Brush and oil, graphite on cardboard., Horizontal view of the wooded and hilly shore of the lake is shown in the

Design for a Woven Fabric Motif, Brush and gouache on brown oiled translucent paper, Textile design featuring a large paisley motif, also referred to as a Persian cone. Purple roses, with green leaves and stems with small thorns, appear inside

Designs for Teapot, Hot Water Pitcher, Milk Pitcher and Sugar Bowl, Brush and gray, yellow, brown watercolor, graphite on cream paper, Designs for parts of a tea service, including various pitchers and sugar bowl. Probably made of cut glass,

Landscape of Nantucket Island, Arnold William Brunner, American, 1857–1925, Brush and watercolor on paper, Landscape with rocks and trees, in the foreground. A view of a lake with a sailboat in the distance., USA, 1887, landscapes,

Sunset cloud study, Frederic Edwin Church, American, 1826–1900, Brush and oil, pencil on cardboard., A hill slope is probably represented in the left foreground. The gray ground color is shown in the top corners., USA, ca. 1880, nature

Jael and Sisera, Luca Giordano, Italian, 1634 - 1705, Pen and brush and brown ink on cream paper, Woman holding a mallet in her right hand and large pin in her left kneels, facing the viewer. Behind her emerge the arms, shoulders, and head of

Design for Wallpaper and Textiles: Flowers, Brush and gouache, graphite on cream paper, Horizontally-oriented diamond shape at center of page. Diamond shape filled in with foliage and small purple flowersall facing various directions. Guidelines

Beheading of Saint Paul, Domenico Mondo, Italian, 1723 - 1806, Black chalk, brush and gray, white wash on gray-blue paper, lined, Several figures standing on an uneven surface, possibly a stairway, including an executioner at left wearing

Design for a Monochrome Painting, Church of Corpus Domini, Bologna, Italy, Marc Antonio Franceschini, Italian, 1648 – 1729, Pen and ink, brush and bistre, black wash, black chalk on paper, Figural group surrounding an obelisk on a

Great Basin, Mount Katahdin, Maine, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, traces of graphite on paperboard, In Autumn. View taken from Chimney Pond, looking South., USA, before 1878, landscapes, Drawing,

Study of boats on the coast, William Stanley Haseltine, American, 1835–1900, Graphite on paper, Sketch of boats on the beach., USA, ca. 1875, seascapes, Drawing, Drawing

Study for St. Sebastian, Museo Pomarici Santomasi, Puglia, Italy, Black crayon, white heightening on brown gray paper, Study of a nude young man, the figure shown from the front, with raised arms and with the left foot standing backwards and

Design for Wallpaper and Textiles: Flowers, Brush and gouache on light blue paper, At center of page three clusters of yellow flowers with foliage at base. Behind flowers, two stems of brown foliage., France, 19th century, wallpaper designs,

Saco Valley from White Horse Ledge, North Conway, Daniel Huntington, American, 1816–1906, Graphite on pale green paper, Rock ledges, foreground. Bare tree trunks, lower right. Valley and mountains beyond., USA, August 18, 1855,

Fragment of a cartoon for cotton printing: Neptune or L'Empire des Mers, Petitpierre & Compe., (Nantes, France, founded 1770, Black chalk, pen and black ink, brush and grey wash on white paper, Design of one of eight scenes. Center,

Canal Scene Near Bruges, Belgium, William Stanley Haseltine, American, 1835–1900, Point of brush, gray, blue-gray, and black washes, white gouache, graphite, possibly charcoal on blue-gray wove paper, laid down on illustration board.,

Officer and Aide Inspecting a Squadron, Winslow Homer, American, 1836–1910, Black and white crayon on blue-green laid paper, Horizontal view showing in foreground a column of infantry with colors standing to attention, while at extreme left,

Men and Women Unloading a Fishing Dory, Cullercoats, England, Winslow Homer, American, 1836–1910, Graphite on tan wove paper, mounted, Horizontal view of side of a boat drawn up on a beach with an indistinct number of men and women

Stage Design: Palace Architecture, Pen and bistre, pencil on paper, lined, Vertical rectangle showing alternative designs for a domes building with garlanded columns. Left side shows a monument in the center., Italy, 1700–1750, theater,

Designs for Scrollwork Escutcheons, Red chalk, pen and ink on paper, Vertical format sheet with designs for scrollwork escutcheons. Left row, top: a left half, ink, and a right half, chalk, pushed together. The latter shows a fruit festoon.

Fishermen Climbing over Gunwales, Cullercoats, England, Winslow Homer, American, 1836–1910, Charcoal on heavy cream wove paper, Horizontal view of figures of fishermen climbing over the gunwales of a dory boat that has just been launched.,

Design for a printed fabric, Pen, brush and black ink, gouache on paper, Tulip flower which is decorated with floral motifs, and black dotted boughs with flowers are shown upon an olivish ground., France, 1820–40, textile designs, Drawing,

Elevation of a Fountain, Pen and black ink, brush and watercolor, traces of graphite, off-white laid paper, A statue of Diana stands on a richly decorated niche. Water flows from a mask on the column below onto rocks, a snake, duck and plants.

American Officer (Spanish American War), Howard Chandler Christy, American, 1872 - 1952, Charles Scribner's Sons, New York, New York, USA, Pen and black ink, brush and white gouache, scraped highlights on illustration board, Full length

Portrait of a Man, Pietro Gagliardi, Italian, 1809 - 1890, Pen and ink on paper, Seated man wearing top hat and glasses faces left, reading a book inscribed: Orlando Furioso (an Italian epic poem)., Italy, ca. 1830, figures, Drawing,

Design for a Frame, Black chalk, pen and ink, brush and watercolor on paper, Design for a frame. The right hand shows contours only; the left hand side with shading. Scroll and florals throughout. A shell at top center., Italy, 1725–1750,

Design for the Embroidery of the Left Bottom Corner of a Man's Waistcoat of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and gouache on glazed tracing paper, Strips and rows of pierced ovoidal seeds and beads are shown

Black Point, Scarborough, Winslow Homer, American, 1836–1910, Charcoal, white chalk on gray laid paper, Waves crash on the rocky shore, below grey skies, and pine trees are visible in the distance., USA, 1884, landscapes, Drawing,

Decorative Studies of Ceilings with Grotesque; Studies of Monument with Papal Seale, Sisto V, Felice Giani, Italian, 1758–1823, Pen and ink over graphite on cream laid paper, Recto: Five studies of ceilings with grotesque; study of monument

Urn, Luigi Righetti, Italian, 1780 - 1819, Pen and gray ink, watercolor, black chalk Support: light blue laid paper, Scale: in pen and black ink, lower margin, in Palmi Romani. Design after the Warwick Vase., Rome, Italy, Italy, ca.

Assumption of the Virgin, Luca Giordano, Italian, 1634 - 1705, Pen and brown ink, brush and gray wash, white gouache, black chalk on cream laid paper, The figure of the Virgin held aloft by putti; below her are figures kneeling in prayer.

Design for the Cover of the Manhattan Illustrated Monthly Magazine, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, Woman in drapery seated on bench with scroll in left hand and lamp in right hand, raised above. Title of

Design for Stained Glass Window, Sir John Maxwell, Scottish, 1791–1865, Brush and watercolor, pen and ink, graphite on paper, Three tall vertical panels, with pointed arches, each containing figures, under Gothic canopies. Decorative

Design for a Ceiling, Pen and ink, brush and watercolor, graphite on paper, Slightly more than the top half is executed; the bottom half is outlined. The square is bordered at left by a colonnade. A large central oblong is surrounded by coffers,

Cloud-capped South American Mountain Landscape Seen Beside a Bay, Part 1?, Frederic Edwin Church, American, 1826–1900, Graphite on light gray paper, Horizontal cloud-capped mountain landscape, with outcropping of a large rock at center,

Cloud Study at Sunset, Frederic Edwin Church, American, 1826–1900, Brush and oil paint on cardboard, A spot of pink illuminates low hanging clouds. Low distant hills. Open meadow in foreground., USA, 1860–70, landscapes, Drawing,

Design for a Lunette with Allegory of Sculpture, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash, black chalk, traces of graphite on laid paper, Woman works at inscription of herm. At left, minerva seated looking

Niagara Falls, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on dark brown paper, A view of the eastern end of the Horseshoe Falls with the tower is shown at the center of the sheet. The falls crash

Design for a floor covering, Standish, Black ink, water color, on paper. Red seal, Vertical rectangle. The lower right section of the design, showing the adaptation of classical motifs. A tile floor covering., USA, about 1894, ornament,

Selene sees the sleeping Endymion, Black crayon, white heightening on grey/blue rough paper, Male youth reclines against logs, his dog rests in front of him biting its left hind leg. A slightly sketched goddess sits above on a cloud, watching

Trees in Jamaica, West Indies, Frederic Edwin Church, American, 1826–1900, Oil on thin green backed paperboard, Vertical view of a curved trunk of a palm tree at right with a vertical palm tree at left in the middle distance. A brightly

Proposed Design for the West Wall of the Music Room, Royal Pavilion, Brighton, Frederick Crace, English, 1779–1859, Brush and watercolor, graphite on paper, Horizontal rectangle. Design for the Royal Pavilion, Brighton. Elevation of the

Sunset, Hudson, New York, Frederic Edwin Church, American, 1826–1900, Oil, canvas-backed paper, HIlls run toward the background from the left middle plane. A tree is shown in the left foreground. Cloudy sunset sky., USA, July 1861,

Altar Tablet with the Arms of Pope Pius VII, Luigi Righetti, Italian, 1780 - 1819, Pope Pius VII, Italian, 1742 - 1823, Pen and black ink, brush and gray, brown, yellow wash, over graphite on white laid paper, Vertical rectangle. Design

Study of Pansies, Sophia L. Crownfield, (American, 1862–1929), Brush and watercolor, graphite on white paper, Horizontal sheet depicting five pansies in brown, violet and yellow, and blue and yellow. On verso, a pink tulip near center of

Design for Ceiling, City Hall, Vienna, Austria, Friedrich von Schmidt, German, 1825 - 1891, Brush and watercolor, pen and black ink, graphite on paper, Vertical format. At left, part of a ceiling showing four panels with sixteen sides, a

On Mount Mansfield, Looking Towards the Hump, Daniel Huntington, American, 1816–1906, Graphite and white crayon on grey paper, Rock cliff, at right; ridge moving away from center to left. Mountains beyond, right and center., September 6,

Study for Head of Mercy in 'Christiana and Her Children', Daniel Huntington, American, 1816–1906, Graphite, white chalk on grey wove paper, Raised head of a girl in three-quarter left profile. Verso: A left leg from knee downward., USA,

Project for a sepulchral monument. With alternative suggestions., Pencil, gray and brown watercolor, Italy, 1830–50, Drawing, Drawing

Design for Wallpaper and Textiles: Flowers, Brush and gouache on cream paper, Cluster of pink and red blossoms and blooms surrounded by foliage at center of page., France, 19th century, wallpaper designs, Drawing, Drawing

Project for an Alter, Pen and black ink, brush and wash on white laid paper, Elevation of an alter shown within an arch. At top, a broken pediment with angels holding festoons. Below, within a tablet is a radiant crown within a wreath. On either

Design for an Ovoidal Tureen, Pietro Belli, Italian, 1780–1828, Pen and ink, brush and gray, yellow watercolor, graphite on paper, Vertical rectangle. Design for an ovoidal tureen. Below are a base and an ovoidal pedestal, which is

Design for decoration of a title page, Carlo Marchionni, Italian, 1702–1786, Graphite, pen and dark ink, brush and gray watercolor on laid paper, A scroll of paper, cut above and below to form scrolls, like those of an escutcheon, is

Study of a Lion, Charcoal on paper, Walking lion, viewed from behind. Contour study of face at right., Italy, ca. 1815, nature studies, Drawing, Drawing

Group of Angels, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on laid paper, The center figure faces frontally, arms upraised. Three heads indicated at left, another figure shown at right., USA, ca. 1895, figures, Drawing,

St. John the Baptist, Francesco Saverio Mergolo, Italian, 1746–1786, Brush and wash, pen and ink on paper, Drawing of John the Baptist sitting on a rock. He holds a staff in his right hand while he stretches out the other and looks up to the

Zeus Angered, Graphite on cream paper, Zeus, brandishing a bundle of lightning and accompanied by an eagle, hovers on a cloud over a group of falling nude figures that appear to be Furies, creatures in Greek mythology that were responsible for

Sketchbook Page: Studies after Paintings in Ferrara, Rome, Bologna, Mantua after Artists Tibaldi, Raphael, Andrea del Sarto and Polidoro; Verso: Bird Skeleton and Horse's Head, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush

Drawing: Elevation of the window wall of the drawing room of the house of Herman Oelrichs, New York., Graphite, brush and watercolors on two sheets of paper (joined), An arched bay divides two arched windows, each surmounted by painted panels in

Temples at Morning, Baalbek, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on green-gray paper, The drawing is in the right part of the sheet, bordered at left by a line. Structures in the ruins and the

Design for the Crest of a Mirror with Alternative Suggestions, Black chalk, pen and ink on paper, Design for the crest of a mirror. Scrolling acanthus leaves and floral garlands. At center, an asymmetrical rocaille., Italy, 1740–1775,

Design for an Embroidered (or Woven) Field, Brush and gouache on cream paper; verso: graphite, Fantastic flowers in blue, orange, and purple, some resembling sea-shells, are attached to root tendrils with branches and leaves. Verso: sketch of a

Drapery Study, Francis Augustus Lathrop, American, 1849 - 1909, Charcoal on heavy cream paper, Drapery of figure kneeling, facing right., USA, ca. 1895, figures, Drawing, Drawing

Punchbowl for U.S.S. Louisiana, Reed & Barton, American, 1824–2015, Graphite, pen and ink, wash on cream wove paper, Design for footed metal punchbowl with sculptural composition made up of eagles, cornucopia, medallions, and a central

Floral design for printed textiles, Louis-Albert DuBois, Swiss, 1752–1818, Brush and gouache, graphite on pale green wove paper, Floral border design, multi-colored flowers, scattered buds on field above. On white ground., France,

Design for a Crystal Urn with Silver Mounts, Pen and black ink, brush and wash, green water color on paper, Ovoidal carved glass urn, with a circular base and tall neck, decorated with spiral fluting. Silver handles terminating in roosters'

Study of landscape, William Stanley Haseltine, American, 1835–1900, Brush and wash, graphite on paper, Sketch of rock formations., USA, ca. 1855, nature studies, Drawing, Drawing

Distant View of Damascus, Syria, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on green-gray paper, Landscape view across two pages, A showing slightly less than two thirds. Hills form the banks of a valley

Sketch of a Woman's Head, Francis Augustus Lathrop, American, 1849 - 1909, Black crayon on tracing paper, Sketch of a woman's head, looking upward toward the right., USA, ca. 1895, figures, Drawing, Drawing

The Crucifixion, Pen, ink and dark brown watercolor on paper; verso: red crayon, Crucifixion with cross made of rough logs; verso: oriented horizontally with four men scourging while a fifth binds a fagot., Italy, late 16th–early 17th century,

Design for a loggia, Lead pencil, pen and ink, bistre on paper, On top, the elevation. Part of the left half only is outlined. Bottom: the plan, scheme of a triumphal arch. A Palladian arch with two rows of three columns each, and with

Gate to the Temple of Hymen, Pavilion Erected in the Place Dauphin, Paris, France, Charles-François Hutin, French, 1715 - 1776, Pen and black ink, brush and watercolor, white gouache (oxidized), over graphite on thick white wove paper, A

Cartoon for Harper Window with Alternate Border Design, Larchmont Yacht Club, Larchmont, NY, Alice Cordelia Morse, American, 1863–1961, Graphite, brush and watercolor on pierced tracing paper, Design in horizontal rectangle of laurel

Woodland Scene, Frederic Edwin Church, American, 1826–1900, Oil on heavy paperboard, Sunlight penetrates a grove of trees. At right, a hill slopes upward., USA, 1870–80, landscapes, Drawing, Drawing

Design for a Tureen, Giuseppe Gagliardi, 1697 – 1749, Graphite, pen and ink, brush and wash on paper, Elevation of a bowl with scrolling feet. In the center, a putto with a garland, in a cartouche. Finial in the form of a putto., Italy,

Sheet of Balusters, Black chalk on off-white laid paper, Two rows of four balusters each, the left halves being shown., Italy, 1700–1725, ornament, Drawing, Drawing

Drawing, Louis-Albert DuBois, Swiss, 1752–1818, Fabrique de Fazy aux Bergues, Gouache and graphite on pale blue laid paper, Four flowers and berries with plume-like leaves outlined in white against dark brown background., Geneva,

Design for a Chimneypiece, Luigi Righetti, Italian, 1780 - 1819, Pen and ink, brush and gray watercolor on paper, Horizontal rectangle. Design for a chimneypiece intended to be executed in marble. Doric columns at either side. The frieze,

Design for Wallpaper and Textiles: Flowers, Brush and gouache on brown paper, Two branches with flowers and foliage at center of page on rust-colored ground. Branches diagonal with tops facing right. Branch in foreground has white flowers, one in

Sketch of a Woman's Head, Francis Augustus Lathrop, American, 1849 - 1909, Black crayon on tracing paper, Sketch of a woman's head in profile, looking to the left., USA, ca. 1895, figures, Drawing, Drawing

Piazza San Domenico in Bologna; Piazza San Francesco and Villa Aldini in Bologna; Study of Tomb of Glossatori, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush with brown wash over traces of graphite on cream laid paper, Piazza San

Study of Pines, Borghese Villa, Rome, Daniel Huntington, American, 1816–1906, Black crayon and white heightening (oxidized) on brown paper, Group of pine trees, with a small bird on a branch., Rome, Italy, March 1844, nature studies,

The elevation of a tower-like structure for a firework at the feast of St. Rosalia in Palermo, Pencil with grey and black brush on paper, Vertical composition of a tower-like structure. A dado is at the bottom with sprial-shaped candelabra and

Design for Sofa and Mirror, Portrait Room, Royal Palace; Warsaw, Poland, Jean Louis Prieur, French, 1732 - 1795, Stanislas Augustus II, King of Poland, 1732–1798, Pen and black ink, brush and gray wash, rose watercolor on cream laid

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