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Design for a Woven Fabric, Blue, white, yellow, and green gouache on oily tracing paper, Flower sprays. Three leaf scrolls are shown at left in a vertical row, another at right., France, 1815-1840, Drawing, Drawing

Design for Acanthus Rinceaux with Animals and Birds, Pen and brown ink, brush and brown wash, white gouache; scale in graphite added on each side; curving stroke (of a letter?) in pen and brown ink cut off on lower center of sheet, Symmetrical

Studies of Irises, Sophia L. Crownfield, (American, 1862–1929), Graphite, pen and ink, brush and watercolor on yellow tracing paper, Seven studies of irises in various stages of bloom. Three of the designs are colored with purple, green,

Elevation of Section of a Wall with Columns and Arch at Left, Graphite, brush and watercolor, pen and brown ink on cream laid paper, Design for Tuscan columns with arches, plans and elevations, supporting entablatures; scale in lower margin.,

Design for a Chinese Pavilion, Frederick Crace, English, 1779–1859, Brush and watercolor on paper, Horizontal rectangle. A large structure, with columns as supports on the section visible. The building is divided into three sections, each

Design for Embroidery, Corner of Gentleman's Waistcoat, Brush and gouache, pen and black ink on oiled translucent paper, joined at center, A chariot drawn by a butterfly and driven by another is followed by a third butterfly at the back. The

Sketches of Nude Figure and Arms, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, Nude male figure laying back and slightly to the right, with arms over head and left knee drawn up. Alternate position for right arm

Two Roundels with Victories in Chariots; River Victory, Felice Giani, Italian, 1758–1823, Pen and brown ink over traces of graphite on light blue paper, Chariot of Victory, who holds reed, is directed toward right in swampy county. Chariot

Design for a Clock, Brush and watercolor, pen and ink, graphite on paper, Vertical rectangle. Design for a clock intended to be executed in gilded and green bronze and white and colored marble. Two crouching griffins support a round pedestal with

Design for an Embroidered Waistcoat, Pattern 518 of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphite, brush and gouache on paper, Border motifs are shown along the edges. A waved garland is intertwined with the cord

Design for floor covering, Standish, Watercolors on paper, Vertical rectangle. Brown border with classical palm fronds in medallions and stylized leaf bunches at corners. Center: stylized leaves form medallion. Overall marblized pattern.

Design for a Woven or Embroidered Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, White chalk, brush and light blue and white gouache on glazed tracing paper, A kind of sunflower rises over the hollow of a

Design for Five Choir Stalls, Pen and ink, brush and bistre wash on paper, The main decoration consists of escutcheons. Those in the bottom row are empty, except for the central one, in which is written: 'questo e la parte/din anzi.' St. Jerome,

Proposed Design for the West Wall of the Music Room, Royal Pavilion, Brighton, Frederick Crace, English, 1779–1859, Watercolor over graphite on white wove paper, Elevation of the west wall with two large wall-paintings flanking the

Rock Cliff, Francis Hopkinson Smith, American, 1838–1915, Charcoal, black and white chalk on gray laid paper, Vertical rectangle with large, flat-faced boulders with beams laying across the top at the center surrounded by large boulders and

Alpine Lake (Bavaria or Switzerland), Frederic Edwin Church, American, 1826–1900, Brush and oil on cardboard, Horizontaldrawing of the border of an Alpine lake, possibly the Koenigsee near Berchtesgaden, Bavaria. A rowboat is moored in the

Cliff near Bolton, on the Winooski, Daniel Huntington, American, 1816–1906, Graphite on grey paper, Rocky ledges with brush, descending from the left. Mountains beyond, outlined, right., USA, October 1, 1864, landscapes, Drawing,

Design for the rest of a chair or a cushion, to be executed in tapestry, Alphonse de Neuville, French, 1835 - 1885, Pen, ink, watercolor, and gouache on paper, A trophy of filled quiver and flowers, suspended from a fleur-de-lis, in

Male Torso From a Plaster Cast, Daniel Huntington, American, 1816–1906, Graphite, white and black chalk on brown wove paper, Male torso, without legs, arms, or head, on a square base. Seen from behind. Light source upper right. Sheet of

Design for the Embroidery of a Lady's Dress of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphite, brush and gouache on paper, Three bunches of flowers and a rose bough are connected by garlands. Ther vertically

Sunset across the Catskills, Frederic Edwin Church, American, 1826–1900, Brush and oil paint on paperboard, A view with bright sunset clouds glowing over low hills that rise to the left and are obliterated by a heavy gray cloudbank., New

Designs for a Sofa, Armchair, Console Table, Console Looking Glass, Graphite on cream wove paper, Design for sofa at left, chair in center, both shown obliquely from the front corners. The sofa is supported at the front by four lion feet. The

CIncinnatus Summoned from the Field, study for the 'Storia di Cincinnato, ' Gallery of the Villa Sacchetti (Now Chigi), Castelfusano, Pietro da Cortona, Italian, 1596 - 1669, pen and brown ink, Italy, 1626–1629, Drawing, Drawing

Female Nude on a Stool, Daniel Huntington, American, 1816–1906, Black crayon and white chalk on light green wove paper, Female nude facing front resting on her right hip on a stool and holding the model stick., London, United Kingdom, 1858,

Design for the Embroidery of a Lady's Overskirt of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphite, brush and gouache on paper, Ruffled edge with a broad brown strip, the inside edge of which is formed by a flower stem

Sunset in Jamaica, West Indies, Frederic Edwin Church, American, 1826–1900, Oil and brush on paperboard, Horizontal distant view of mountain ranges across water and lower ranges with a wood in the foreground., 1865–66, landscapes,

Maine Coast, Frederic Edwin Church, American, 1826–1900, Brush and oil on paper., Horizontal image of a bird's eye view of the sea, where a rock protrudes in the right middle plane. Broad margin shows the dark orange ground color., USA, ca.

Design for a circular ceiling, Gilles Paul Cauvet, French, 1731–1788, Pen and ink, brush and watercolor, graphite on laid paper, This cofferred dome ceiling has a skylight at the center. Ciruclar medallions frame classical scenes in the

Law, Nude Study for 'Contemplative Spirit of the East, ' Lunette in East Grand Staircase, Minnesota State Capitol, Saint Paul, MN, Kenyon Cox, American, 1856–1919, Graphite on cream laid paper, Nude woman seated, looking towards the left

Sketch of Figures in a Circle, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, Group of figures, lower left, inside a circle of dashes., USA, ca. 1895, figures, Drawing, Drawing

Textile or Wallpaper Design: Insects, Brush and gouache on cream paper, Three yellowed stems with foliage all along length oriented diagonally, tops facing upward right. Four beetles and three bees crawl and fly on and around the stems. Three

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, A plant is shown over two festoons from which alternatively lacy triangles

Bridge over a Small River, Daniel Huntington, American, 1816–1906, Graphite on pale green paper, Bridge, left center, with mountains beyond. Banks, left and right; large trees, right., USA, 1855-56, landscapes, Drawing, Drawing

Ceiling Design with Apollo, Domenico Antonio Vaccaro, Italian, 1678–1745, Pen and brown ink on paper, Vertical rectangle. Group of mythological figures in clouds, composition contained within vase-shaped framing lines. At top, the figure of

Ulysesses Discovers Achilles in Scyros, Felice Giani, Italian, 1758–1823, Pen and brown ink over traces of graphite on light blue laid paper, Ulysses sits at right at table, at whose other end Achilles stands in garb of maiden, holding a

Sketches from the Rio Magdalene, Columbia: Botanical Studies and a Church, Frederic Edwin Church, American, 1826–1900, Graphite on gray paper, Horizontal rectangle: Isolated and a group of trees and plants, across the top row; three palms

The Artist's Wife Sophie, Daniel Huntington, American, 1816–1906, Black crayon, black chalk, white chalk on off-white wove paper, Frontal bust portrait of a young woman, probably the artist's wife, Sophie Huntington., USA, ca. 1853,

Architectural Sketches, Graphite on paper, A variety of sketches of pediments and other architectural fragments. At left, the head of a griffin., Italy, 1700–1800, ornament, Drawing, Drawing

Sketch of Trumpeting Angel, Francis Augustus Lathrop, American, 1849 - 1909, Blue pencil on tracing paper, Bust and head of angel, holding trumpet to his mouth with his right arm outstretched. Verso: two sketches of hands in black crayon.,

Design for Wallpaper or Textile of Daisy-Type Flower with Repeat, Unknown, Black and white chalk on heavy blue wove paper, squared in graphite, Carefully drawn study, in black and white, of daisy-type flower (perhaps rudbekia or coreopsis). One

Oak Wood, Montauk, New York, Samuel Colman, American, 1832–1920, Recto and verso: Graphite, pen and brown ink, brush and watercolor and white gouache on gray-green wove paper, Recto: Horizontal view of two oak trees appearing in a hilly

Study for a standing woman with child, “Vintage Festival, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Black and white pastel crayon on grey paper, Draped female figure standing with her arm

The Artist's Wife Sophie, Daniel Huntington, American, 1816–1906, Black and white crayon on brown wove paper, laid down, Portrait of Sophie Huntington showing the left profile of her lowered head., USA, 1853, portraits, Drawing, Drawing

Study of Left Hand for 'Lesson of Charity', Daniel Huntington, American, 1816–1906, Graphite, black crayon, white chalk on grey wove paper, Left hand and forearm outstretched. Verso: Young woman in left profile, walking with arms

Angels Bearing Symbols of Martyrdom, Study after Domenichino, Felice Giani, Italian, 1758–1823, Pen and brown ink, brown wash, over traces of black chalk Support: white heavy wove paper, Upper drawing of two angels and seven putti atop

Elevation of a Salon Wall, for the Palace of the Prince of Hesse, Etienne Dubois, French, 1766 - 1839, Pen and black ink, brush and watercolor, gold paint on paper, Sofa stands under an empty oblong frame and two pilaster strips and is

Design for a Book Cover and Book Binding, Alice Cordelia Morse, American, 1863–1961, Brush and gouache on paper, On tan ground, red-burgundy frame composed of lettuce-like leaves and arcs., USA, ca. 1887–1903, graphic design, Drawing,

Design for an Oval Gallery Tray, with Alternate Suggestions, Joseph Anton Seethaler II, German, 1799–1868, Pen and black, brown ink, brush and gray washes on wove paper, Oval gallery tray with six alternate designs for the galleries,

Cupid from Amor Arguing with Zeus, After Raphael, Raphael, (Italian, 1483–1520), Red crayon on paper, Standing figure of cupid facing right. Copy of Cupid from the fresco, 'Armor Arguing with Zeus.', Italy, 1550–1600, figures, Drawing,

Capital in St. Chapelle de Paris, Arnold William Brunner, American, 1857–1925, Graphite on beige paper, Five-lobed leaves decorating a capital., USA, 1879, architecture, Drawing, Drawing

A Candlestick with Four Branches, Luigi Righetti, Italian, 1780 - 1819, Pen and ink, brush and watercolor on paper, The oblong plinth of a half circular pedestal of marble is supported by two eagles. The pedestal is decorated above and below by

Design for Two-Shelf Wall Rack, A.N. Davenport Co., Graphite on thin cream paper, 1900–05, furniture, Drawing, Drawing

Full Scale Plan for Engraved George III Style Silver Teapot, Gorham Manufacturing Company, Providence, Rhode Island, USA, founded 1818, Pen and black and red ink on board, USA, 1818-1900, Drawing, Drawing

Study for a woman, “Vintage Festival, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Black, brown pastel crayon on tracing paper, A female figure leaning over a pedestal. After a slim model. The

Hospital de San Juan de Dios, Honda, Colombia, Frederic Edwin Church, American, 1826–1900, Graphite on light gray paper, Recto: Horizontal view of a one story windowed building with the ruins of a church attached to its left side among hills

Looking across the Hudson Valley, Frederic Edwin Church, American, 1826–1900, Brush and oil paint on canvas, Horizontal view looking across the Hudson Valley toward the sun setting behind the Catskill Mountains., New York, USA, August 14,

Design for Painted Decoration of a Wall, Brush and gouache, watercolor, graphite on paper, Three pilaster strips, standing upon a dado, support the entablature. They have volutes as capitals, above which arches rise, and eagles are perched.

The elevation of a case for a vestry, Pencil, pen, wash, chinese black and light yellow watercolor wash on paper., A case for vestments with a crucifixion above a folding door flanked by volutes in the upper section and frames in pilasters and

Schooner with Dinghy, Winslow Homer, American, 1836–1910, Graphite on gray paper, Horizontal view of a schooner and its dinghy with a wooded hill in the background; two small sketches of yawls (boats) in upper right corner., USA, 1880,

To the Ford at North Conway, By Road to Jackson, New Hampshire, Daniel Huntington, American, 1816–1906, Graphite and black crayon on cream wove paper, Junction of two roads, with a sign, figure, and house at right. A pasture, at left,

Project for a Sepulchral Monument, Pen and ink, brush and watercolor on paper, Vertical rectangle. Retable scheme. Below are a base and a dado. A sarcophagus with the tablet for the inscription between its legs stands below in the center of the

Six Lamps in Classical Style, Pen and brown ink, brown wash on off-white laid paper, laid down, Six oil lamps each with a small head with an open mouth as the spout, all spouts are turned to the right., Italy, Italy, 1540, lighting,

The Niagara Falls, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouace on paper., Horizontal view showing full width of Niagara Falls; a double rainbow is indicated., September or October 1856, landscapes, Drawing,

Niagara Falls in the Snow, seen from Goat Island, Frederic Edwin Church, American, 1826–1900, Brush and oil paint on paperboard, Horizontal view of the American Falls and of the river bend showing a snow-covered landscape., USA, 1856,

Sketch of an Angel, Francis Augustus Lathrop, American, 1849 - 1909, Black and blue crayons on tracing paper, Winged figure blowing a trumpet, directed toward left. The bust, the head, parts of the right arm, the right wing are shown., USA,

Study for the Fifth Avenue Elevation of the New York Public Library, Whitney Warren Jr., American, 1864–1943, Graphite, brush and ink, pen and ink on tan paper, Horizontal building with rows of windows and cornices. No lions are shown, but

Two Decorartive Studies of Ceilings; Verso: Studies of Heads, Felice Giani, Italian, 1758–1823, Pen and ink, brush and watercolor washes over graphite on laid paper, Two decorative studies of ceilings; three candelabra; frieze with shaft and

Design for Curtains on the East Wall of the Music Room, Royal Pavilion, Brighton, Frederick Crace, English, 1779–1859, Brush and watercolor, graphite on white wove paper, Elevation of the east wall, showing a design for the decoration of

Cover of Manhattan Illustrated Magazine, April 1884, with Corrections, Francis Augustus Lathrop, American, 1849 - 1909, Photograph with graphite corrections on brown board, Photograph of cover for the Manhattan Illustrated Magazine, New York,

Legislation, Cartoon for Mosaic in Wisconsin State Capitol Rotunda, Kenyon Cox, American, 1856–1919, Charcoal and graphite on tan paper, An allegorical figure with a beard represents Legislation, holding a stylus in his right hand. He is

Design for Stage Curtain: Hercules Receives Gifts from Nymphys after his Victory over the River God Achelous, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and bistre on paper., Horizontal rectangle. Stage framing is shown.

Study for a group, “Vintage Festival, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Pastel crayon, graphite on tracing paper mounted to board, Above, Sketch of a male figure's head, torso, and

Funerary Vessel with Thre, Watercolor, graphite, ruled border in brush and blac Support: white laid paper, Rome, Italy, Europe, ca. 1800, architecture, Drawing, Drawing

Bank of a Stream, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on paperboard, Moss and plants by the rocky shore of a stream, which is shown below at right., USA, 1860–70, landscapes, Drawing, Drawing

Decorative Studies for Ceilings; Verso: Head in Profile with Antique Helmet, Felice Giani, Italian, 1758–1823, Pen and ink, brush and watercolor washes over graphite on cream laid paper, Five studies of ceilings; door of chapel with Papal

Mountain Landscape, Jamaica, Frederic Edwin Church, American, 1826–1900, Brush and oil, graphite on cardboard, View of a mountain range and peaks across wooded valleys., August 1865, landscapes, Drawing, Drawing

Design for clock, Lefebvre Manufactory, Tournai, Brush and yellow, red, watercolor, pen and black ink, graphite, on cream laid paper, Base decorated with horizontally placed bow, erased arrows and a wreath of roses. Above, at right, a

Sketch of the Ascension, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on laid paper, Figure holding cross, center, surrounded by angels. Below, figures with raised arms. Figures labeled throughout, including: Hope, Charity,

The Battle Between the Romans and the Sabines; Apparition of Romulus to Proculus, Two Studies after the Carracci; Candelabrum, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash, over traces of black chalk on white

Design for a Silk Damask, Graphite, brush and white opaque paint (recto design); brush and red, rose, black, and green opaque paint partly applied (verso); white for the frame along the left edge, The right half of a floral palmette is shown

Valley and Hillside, Winslow Homer, American, 1836–1910, Brush and watercolor, graphite on off-white wove paper, View of a wooded valley and mountain in distance; pentimento of logger with ax over his shoulder, near tree-truck, at right of

Cloud Study, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on paperboard, Clouds shown against blue sky. At lower edge, the cream colored ground is visible., Verso: graphite landscape and cloud study with

Design for an Embroidered Horizontal Border of the 'Fabrique de St. Ruf, ' Unfinished, Fabrique de Saint Ruf, Lyon, France, Brush and white, yellow, and orange gouache on glazed tracing paper pasted on paper, A flower bough is shown over leaf

Study of Dogwood, Sophia L. Crownfield, (American, 1862–1929), Pen and ink, graphite on tracing paper, Horizontal sheet depicting four sprays of dogwood with two single blossoms., USA, early 20th century, nature studies, Drawing,

Sketch of a Man, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, Man in work clothes, seen from behind. Probably a figure study for a wall mural. Sketches of shoes, lower left and right. Sketch of head, upper right., USA,

Notes of the Duomo Choir, Siena, Italy, Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite, black crayon on paper, View of the interior of the cathedral, noting details in the floor, columns, and arches., Siena, Italy, ca.

The Four Continents: America, Asia, Africa, Europe, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash on light brown laid paper, Female figure with head gear of feathers sits upon base of enormous column and writes:

Project: The elevation of a Victory monument, Giuseppe Valadier, Italian, 1762–1839, Pencil. Brush, various watercolors. Paper., Vertical rectangle. Similar 1901-39-2190. The standing figures beside the lateral seated ones are omitted. Women

Botanical Sketches, Possibly Bamboos, Palms and Bushes, Ecuador or Colombia, Frederic Edwin Church, American, 1826–1900, Graphite on greenish-gray paper., Horizontal view containing two stalks of bamboo [?] at left with a group of palms and

Study of landscape, William Stanley Haseltine, American, 1835–1900, Graphite on paper, Sketch of a landscape with a sailboat in the center., USA, ca. 1855, landscapes, Drawing, Drawing

Sunset over bare hills, Frederic Edwin Church, American, 1826–1900, Oil paints on cardboard, View of black clouds in the center revealing a sunset. Distant hills appear lavendar. Foreground devoid of distinct vegetation., USA, 1870–80,

Bedouins in Camp at Night, Frederic Edwin Church, American, 1826–1900, Brush and oil, graphite on thin paperboard, Two Bedouin figures and four dromedaries crouch around a fire in the night., USA, February or March 1868, figures, Drawing,

Study of an Orchid, Sophia L. Crownfield, (American, 1862–1929), Pen and ink, brush and gouache, graphite on tracing paper, Vertical sheet depicting an orchid with two blossoms. The flowers are paritally colored with black, white, green

A Thatch Roof and a Tiled Roof with Tree Tops in a Mountainous Landscape near Chimborazo, Ambato, Ecuador, Frederic Edwin Church, American, 1826–1900, Graphite on cream-colored paper, Horizontal view containing the roofs of two houses and

View of a Monastery Receiving Visit from Great People, Carlo Marchionni, Italian, 1702–1786, Black chalk, brush and gray-black watercolor on cream laid paper, Horizontal rectangle.The buildings of the monastery are in the middle ground upon a

The Second Installation of Cromwell as Protector, in Westminster Hall, June 26, 1657, Frederick Coffay Yohn, American, 1875–1933, Brush and grey and black watercolor, white gouache, on illustration board, Illustration showing Cromwell

Design for a Frame, Pen and ink, brush and watercolor on paper, Design for a frame to be executed in silver. Asymmetrical decoration with C- and S- scrolls, vase forms, flowers and putti., Europe, 1750–1775, ornament, Drawing, Drawing

Design for a Mantelpice, Graphite, pen and ink, brush and watercolor on paper, Elevation of a mantelpiece. Aedicule frame with dolphin and trident crest. Twelve rosettes on fireplace surround. Scale below., Europe, 1800–1830, interiors,

Design for a Metal Candelabrum of Four Branches, for Louis XV's Service, Thomas Germain, French, 1673 – 1748, Graphite, pen and black ink, brush and wash on paper, framing lines in pen and black ink, The royal French coat-of-arms is on the

Design for an Urn on a Stand, Joseph Anton Seethaler II, German, 1799–1868, Pen and black ink, brush and gray, black wash on paper, The spout shown in right profile. The spout terminates in a bird's head, and a fish forms the valve handle.

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