Images at Librifly

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Woodland Path, Jamaica, Frederic Edwin Church, American, 1826–1900, Brush and oil on cardboard, View of woodland path bordered by rocks in the foreground, and a grassy bank in the distance. Path takes a turn to the right in the background.,

Icebergs, Twillingate, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on paperboard, Seascape drawing depicting one large iceberg at top; two separate studies below at right and left. Water indicated as dark blue;

Achilles Drags the Body of Hector around Walls of Troy, Priam Pleads for the Body of Hector, Ceiling Designs for the Galleria di Achille, Palazzo Milzetti, Faenza, Italy, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and

Title Page, Oeuvres de François de Cuvilliés père (Works of François de Cuvilliés the Elder), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, François de Cuvilliés the Elder, Belgian, active Germany, 1695 -

Liberty, Cartoon for Mosaic in Wisconsin State Capitol Rotunda, Kenyon Cox, American, 1856–1919, Charcoal on tan paper, Allegorical figure of Liberty, wearing a Phrygian cap and crowned with laurel. Her right hand guards the ballot box while

Mountain Landscape, Adirondacks, Daniel Huntington, American, 1816–1906, Graphite on grey paper, Top, mountains, highest one at left. Bottom, mountains - Adirondacks, Whiteface., USA, October 5, 1864, landscapes, Drawing, Drawing

Mexican landscape, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on paperboard, View across a hilly plain toward a mountain range. A high mountain is shown in the left background. A grazing herd is shown in the

The Pride of Romulus: The Mocking of the Old Captain of the Veii; Two Studies after Carracci, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash, over black chalk on white heavy wove paper, Upper drawing of groups of

Carter Dome from Carter Lake, New Hampshire, William Louis Sonntag, American, 1822 – 1900, Brush and watercolor, ink, gouache, graphite on wove paper, A bright winter landscape at sunrise or sunset. A lake inlet in center foreground with

Decorative Studies of Candelabrum and a Ceiling, Felice Giani, Italian, 1758–1823, Pen and ink, brush with watercolor washes over traces of graphite on laid paper, Four studies of friezes and grotesque candelabrum; study of ceiling; papal

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, A slightly undulating bough from which fantastic leaves and blossoms branch

Recto: Fountain Design with Oceanus and the River Gods Arno and Tiber, Jacopo Zucchi, Italian, ca. 1541– ca. 1590, Black chalk, pen and brown ink, brush and brown wash on laid paper, The figure of Oceanus, crowned with seaweed and spewing

Design for Hat Tree 'A' with Brass Feet, A.N. Davenport Co., Graphite on thin cream laid paper, 1900–05, furniture, Drawing, Drawing

Study for a maenad, “Vintage Festival, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Black, brown pastel crayon on tracing paper, Sketch of a male figure raising both arms. Shown somewhat turned

He is the image of you', Arthur Ignatius Keller, American, 1866–1924, Brush and watercolor, gouache on illustration board, A young man and woman are seated on the floor of an attic. The man looks over her shoulder at a book in her lap., USA,

Palm Tree, Jamaica, Frederic Edwin Church, American, 1826–1900, Oil on heavy green paperboard, A palm tree, with a hill shown in the distance., USA, June 1865, nature studies, Drawing, Drawing

Cloud Studies with a Common Popular, Frederic Edwin Church, American, 1826–1900, Graphite on off-white paper, Recto: Horizontal sheet with cloud studies and a common popular, Verso: Horizontal vignette of rapids at Catskill creek, August

Byzantine Scroll—Bonn, Arnold William Brunner, American, 1857–1925, Graphite on beige paper, Study of a relief panel or border. Left, bird facing left with beak inside dog’s mouth. Right figure running, right corner of panel or border is

Textile, Medium: silk, cotton, paper Technique: jacquard woven, A. Flowers, stems and leaves in a 17th Century-inspired design. Red on gold and red background. B. Drawing for the design on point paper., USA, 1906, woven textiles, Textile

Shoshone Falls, Snake River, Idaho, Thomas Moran, American, b. Britain, 1837–1926, Graphite on blue-gray wove paper, 1875, landscapes, Drawing, Drawing

View of the Parthenon and Surrounding Ruin Fragments from the West, Athens, Greece, Frederic Edwin Church, American, 1826–1900, Graphite on gray wove paper, Horizontal view of the Parthenon from the West with the focus on the many

Design for a Vertical Rinceau for a Woven Fabric, Graphite, brush and gouache on paper, Somewhat more than two waves of an undulated s tem with boughs with various kinds of flowers and leaves are shown. Not quite finished., France, ca. 1840,

Two Roundels with Victories in Chariots, Felice Giani, Italian, 1758–1823, Pen and brown ink over traces of graphite on light blue paper, Chariot of Victory holding trophy is directed toward right. Janus temple shown at temple shown in

Project number 1599 of the Fabrique de St. Ruf, for Gentleman's Embroidered Waistcoat, Mademoiselle Bailieu, French, active ca. 1785, Pen and brown ink, brush and gouache on off-white laid paper, Waving boughs and flowers decorate the pocket

Autumn Landscape in North Carolina, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on cardboard, Mountain stream slopes horizontally across image. Sunlit hills in the distance., USA, 1880, landscapes, Drawing,

Philodendron Vines, Jamaica, Frederic Edwin Church, American, 1826–1900, Brush and oil paint on cardboard, Horizontal view of climbing and other plants., USA, 1865, landscapes, Drawing, Drawing

Stage Design, Entrance to Antique Hall, Angelo Toselli, ca. 1765? – 1826, Pen and ink on paper, Horizontal rectangle. Entrance to antique hall across stairs decorated with sculptures., Italy, early 19th century, theater, Drawing, Drawing

Cape St. John, Newfoundland, Frederic Edwin Church, American, 1826–1900, Brush and oil paint on paper, At top, a mountain range is shown from the sea with the point at left. Three icebergs float. Distant view of the cape. A margin at the

Inkstand for the Viceroy Eugène de Beauharnais of Italy, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite, on off-white laid paper, Intended to be executed in marble and gilt bronze. Below, an oblong

Design for a Gas Lamp and Candelabrum, Brush and watercolor, gouache, pen and blue ink over graphite on tracing paper, This drawing depicts a candelabrum and gas lamp consisting of a tall-necked porcelain vase in a floral design. The vase is

Design for Clock, Lefebvre Manufactory, Tournai, Graphite, pen and black ink, brush and yellow, red-brown watercolor on cream laid paper, Base of clock supported by tapered legs. Scene depicted on front horizontal panel is of a bearded man

Facade of Santa Cecilia in Bologna; Architectural Studies, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush with brown wash over traces of graphite on cream laid paper, Facade of Santa Cecilia in Bologna; four studies of capitals;

Architectural Fantasy: Temple of Athena Interior, Pen and black ink, gray wash and white gouache over pencil on laid paper, Flights of stairs lead downwards to the transept from a hall at left and from the apse at right. The design of the center

Unfinished design for a memorial sheet referring to erection of a papal factory (Magazins of Annona), Filippo Marchionni, Italian, 1732–1805, Carlo Marchionni, Italian, 1702–1786, Graphite, pen and ink, brush and sepia wash on laid

Beach with Boats and People, Cullercoats, England, Winslow Homer, American, 1836–1910, Charcoal, white crayon on cream wove paper, Horizontal view of two men in oilskins in foreground; beach with boats drawn up on it, and groups of peope

Nude Study of 'Comedy' for Headband, Kenyon Cox, American, 1856–1919, Graphite on cream laid paper, Semi-nude female figure seated on ground with legs extending to left. Drapery below waist, ivy in hair, holding a mirror or fan. Squared for

Sketch of Woman's Head, Francis Augustus Lathrop, American, 1849 - 1909, Black crayon on tracing paper, Woman facing to the right, wearing drapery over her head., USA, ca. 1895, figures, Drawing, Drawing

Ceiling in Handrian's Villa, Graphite, pen and ink on paper, Portion of a ceiling shown. At the lower right corner, a square with a candelabrum. This is flanked by a wide band of grotesques with nude women over tablet with birds and baskets. At

Virgin and Child with Saints, Domenico Gargiulo, called Micco Spadaro, Italian, 1609 - 1675, Pen and brown ink on paper, Figure of the Virgin Mary is shown seated on a cloud at upper center, holding the Christ child. She is crowned by two

Study for 'Astronomy, ' 'The Sciences, ' Library of Congress, Washington D.C., Kenyon Cox, American, 1856–1919, Graphite on paper, A nude female figure seated holding a compass in her right hand., ca. 1895, figures, Drawing, Drawing

Design for a Turkish Bath Pavilion, Pen and ink, brush and brown wash, graphite on paper, Three story building with a two story wing either end pilasters and friezes in the classic revival style., France, 1820, drawing, drawing

Design for Wall Decoration for the South Wall of the Entrance Hall, Royal Pavilion, Brighton, Frederick Crace, English, 1779–1859, Graphite on paper, Horizontal rectangle. Design for the Royal Pavilion, Brighton. Elevation of a wall, with

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphite, brush and white gouache on glazed tracing paper, Bunches of flowers are connected by ivy festoons. A row of

Design for a Tureen, Joseph Anton Seethaler II, German, 1799–1868, Pen and ink, brush and wash on paper, The body is banded by an arabesque frieze with lions and a medallion portrait in the center. The handles are formed by paired snakes

View of the Acropolis, Athens, Frederic Edwin Church, American, 1826–1900, Brush and oil, graphite on cardboard, The view is from the southwest. The columms of the temple of Zeus are shown in the right middle distance. Much of the

Design for wallpaper and textiles, flowers, Brush and gouache on blue paper, Cluster of white and yellow flowers with brown-orange foliage behind them at center of page. Four clusters of flowers surround central cluster, clockwise from top: small

Sketch of Winged Figure, Possibly Fortuna, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, Winged figure center with crystal ball and scepter. Other figures below. Pen, scroll, dove, and cornucopia noted with

Beheading of John the Baptist, Mattia Preti, Italian, 1613 - 1699, Brush and watercolor, black chalk on paper; verso: red chalk on paper, A study for mural decoration around a window, S. Giovanni in Valletta, Malta; Verso a sketch for a

Government, Cartoon for Mosaic in Wisconsin State Capitol Rotunda, Kenyon Cox, American, 1856–1919, Charcoal on tan paper, Allegorical figure representing Government, his left hand resting upon a great sword. Roundel outline around figure.,

Ceiba Tree at Mompos, Champan Canoe, Trees, and a Partial Boat, Rio Magdelena, Colombia, Frederic Edwin Church, American, 1826–1900, Graphite on gray paper, Horizontal sheet containing a series of 4 sketches: A house stands beside an

Design for Stage Curtain: Temple of Fame, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash, black chalk on off-white laid paper, Vertical format. Variation of design 1901-39-3181. Putto raises tablet with inscription

Design for floor covering, Pen and ink with blue watercolor on paper, Vertical rectangle. Central ground made up of styleized flower forms with equally spaced pointed petals radiating out from a central square. Border composed of flower forms seen

Apostles after Raphael's 'Death of Ananias', Felice Giani, Italian, 1758–1823, Pen and ink, brush and sepia wash over black chalk on cream laid paper, Group of seven apostles based on Raphael's 'The Death of Ananias.', Italy, ca. 1820,

Architectural Sculptures, Brush and brown ink, traces of graphite on off-white laid paper, Upper left part of a capital with a cherub and acanthus leaves., Italy, 1725–1775, architecture, Drawing, Drawing

Design for an Embroidered or Woven Horizontal Border, of the 'Fabrique de St. Ruf, ' Unfinished, Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper pasted on paper, A rose garland. Somewhat over three repeats

Stage Design, Building Adjoining Park Scenery, Pen and brown ink, brush and wash on laid paper, Horizontal rectangle. Porticoes and arcades on both sides of a street leading up toward stairs in background and palace beyond. Park trees in the

Design for a Floor Covering, Lelia Huffman, Black ink, water color, on paper. Red seals., Vertical rectangle. The upper right section of the design, an adaptation of classical motifs, mainly in black against a neutral yellow background., USA,

Falls of Yosemite, Thomas Moran, American, b. Britain, 1837–1926, Recto: Brush and blue watercolor, black and gray wash, and graphite on tan paper Verso: Graphite on tan paper, Recto: Vertical view with a mountain river winding from the

Benedict Knew Him for the Man Whose Name Was Still Warm Upon Their Lips, Illustration for Scribner's Magazine (XXXVI, No. 2, August 1904, p. 187), Frank Walter Taylor, 1874 – 1921, Charles Scribner's Sons, New York, New York, USA,

Design for Sofa, with Alternative Suggestions, Richard de Lalonde, French, active 1780–96, Pen and black ink, brush and wash, pink and blue watercolor, graphite on heavy white laid paper, Sofa design in Louis XIV style. Alternative

Sheet from a Sketchbook: The Triumph of Silenus; Sacrifice to Bacchus, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash, traces of graphite on cream laid paper, Upper image. Silenus, supported by a Maenad, rides

Sepulchral Monument for Architect Filipp del Rosso, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined, Three steps lead to an oblong platform obliquely and incompletely shown. A pyramid which is topped by a

Study of Gesturing Hands, Red crayon on light brown paper, Horizontal rectangle. In the center, a study of a man's pointing right hand with pushed-up sleeve. Top left corner, a man's right hand holding a stick., Italy, 18th century, figures,

Design for a Woven Horizontal Border, Brush and gouache on oily tracing paper, A white and blue border of hanging ears of grain is at the bottom. Tulip boughs rise from it in great intervals; one and part of another are shown. Flower bunches

Salisbury, Arnold William Brunner, American, 1857–1925, Graphite on beige paper, Looking up a slope, house tops and chimneys are visible. Figure standing in front of arched doorway in lower center., USA, 1879–80, architecture, Drawing,

Study of Irises, Sophia L. Crownfield, (American, 1862–1929), Pen and ink, graphite and watercolor on yellow tracing paper, Horizontal sheet illustrating four sprays of irses, three of which are partially colored with white, yellow, green

Adoration of the Magi (Design for Stained Glass Window), Francis Augustus Lathrop, American, 1849 - 1909, Brush and watercolor, pen and red ink, graphite on cream wove paper, Stained glass design in two halves. Left, Joseph, Madonna, and

Decorative Studies; Verso: Anatomical Studies, Felice Giani, Italian, 1758–1823, Pen and ink, brush and watercolor washes over graphite on laid paper, Six studies of grotesque decoritve motifs for partitions and ceilings. Verso: two

Young Soldier, Sketch of a Soldier Giving Water to a Wounded Companion, Winslow Homer, American, 1836–1910, Brush and oil, gouache, graphite on canvas, lined, A young soldier stands in uniform, wearing a grey field cape. Sketched at left

Studies of the Left Arm and Right Hand of a Woman, Walter Shirlaw, American, b. Scotland, 1838–1909, Black crayon on paper, Top: the right hand, hanging, shown from the inside. Bottom: a left arm with the hand lying on a lyre, shown

Design for a Painted Porcelain Soup Plate, Brush and watercolor, black chalk on cream laid paper, View of plate in plan (above) and in elevation (below). Above, soup late with slightly scalloped rim decorated in fishscale pattern in gold, with a

Saint Germain-des-Prés, Paris, Whitney Warren Jr., American, 1864–1943, Brush and watercolor on paper, View of the steeple and roof of the church of Saint-Germain-des-Prés in Paris., USA, ca. 1887, architecture, Drawing, Drawing

Design for a Jardiniere and Candelabrum, Pencil, brush with ink, watercolor, tempera colors, gold on trading paper, tipped down., The body of the jardiniere is of blue porcelain, with a central field depicting three figures in a landscape,

Living Room Table, Henry J. Allen Residence, Wichita, Kansas, George Mann Niedecken, 1878–1945, Henry J. Allen, Elsie J. Nuzman (Mrs. Henry J.) Allen, Graphite on cream tracing paper, Elevation of a long, thin table from the front and the

Camels Hump from Stowe, Vermont, Daniel Huntington, American, 1816–1906, Graphite on cream paper, Rock ledge at left. Wooded ridges and valleys, below, with high mountain in distance, center., USA, September 2, 1864, landscapes,

Sketchbook page, Frederick Krieg, American, b. Germany 1852–1932, drawing, One of fourteen pages in a sketchbook, USA, 1864–78, Sketchbook page

Tree, Stream, Frederic Edwin Church, American, 1826–1900, Black crayon on paper, Vertical view of the upper part of a tree at right, a fence crossing the rocky bed of a stream at bottom left, and a captioned indistinct design at bottom

Drawing: A) Personification of charity, B) A terrified woman, Black chalk and pen with grayish-brown water color on paper, Obverse: Charity is shown de face walking and carrying an eating boy on her left hand. She looks down and gives an apple to

Design for a Palace Gate, Pen and ink, brush and wash on light brown paper, Horizontal format. Steps are leading to an entrance pavilion giving access to a palace compound. Left and right of the pavilion is a wall made of bricks and stones. The

View of Venice, Italy, Robert Frederick Blum, American, 1857–1903, Pen and ink on paper, Sketch of shoreline, including basilica Santa Maria della Salute, from across the Grand canal in Venice., Venice, Italy, 1880, seascapes, Drawing,

Design of a Centerpiece, Pen and ink, brush with light blue, light brown washes, graphite on paper, Boys with raised arms support a basket standing on top of a column with a glass shaft. Two branches with sockets are fastened to the capital.

The left arm of a monk and his left hand, Black crayon and white heightenings on green-gray paper, Vertical composition of a monk's left arm and hand. The right thumb shown on the back is evidently the remnant of the monk's other hand., Italy,

Achilles Taught by Centaur Chiron How to Play Lyre, Felice Giani, Italian, 1758–1823, Pen and brown ink over traces of graphite on light blue paper, At left, sea with Thetis and her companions. At right, Chiron and lad in grotto., Italy,

Design for a fan: Worship of Venus by Art, Pencil, pen and ink, brown wash, Before a classic portico, a female figure with the attributes of the Visual Arts kneels in adoration before a statue of Venus. Cupid flies above. Other figures,

Academic Study of a Male Nude, Giuseppe Longhi, Italian, 1766–1831, Black and white chalk on brown paper, A young male nude is seen standing, frontally, with his head tilted downward, and his right hand behind his head. His left arm hangs

Bust of a Woman, Possibly Study for Portrait of Mrs. Rutherford B. Hayes, Daniel Huntington, American, 1816–1906, Graphite on tan wove paper, Bust of a woman with body turned silghtly right. Her head, indicated only in outline, is turned

Aletsch Glacier, Bernese Alps, Switzerland, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on grey paper, Oblique view of the glacier and the banks. Another glacier is shown in the left middle distance.

Design for Oak Painting Easel, A.N. Davenport Co., Pen and black ink, graphite on thin cream laid paper, 1900–05, furniture, Drawing, Drawing

Design for a Wrought Iron Light Fixture, Anna M. de Pool, Pen and ink, watercolor on Bristol board. Red seals., Vertical rectangle. A lamp fixture, suspended from a wall bracket., USA, 1894, appliances & tools, Drawing, Drawing

Nature Studies, Blue Mountains, Jamaica, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on heavy wove greenish, darkened to olive brown, paper, Vertical view containing various images: the bough of a tree

Two Designs for Candlesticks, Black crayon on light blue paper, Vertical rectangle. Two candlesticks shown beside each other. Candlestick at left has only the left side fully executed, candlestick at right has only the right side fully executed.

Tree with Vines, Jamaica, West Indies, Frederic Edwin Church, American, 1826–1900, Brush and oil paint on paperboard, The lower parts of two trees and of a climbing plant are shown in the foreground against a hilly, wooded background.,

Four Decorative Studies of Ceilings; Verso: Anatomical Studies, Felice Giani, Italian, 1758–1823, Pen and ink, brush and watercolor washes over graphite on laid paper, Four decorative studies of ceilings with grotesque; frieze with cupid.

Design for Wallpaper and Textiles: Flowers, Brush and gouache on cream paper, Cluster of flowers and foliage at center of page. Five purple flowers facing various directions, four green leaves facing various directions, three branches with white

Beach at Low Tide, Cullercoats, England, Winslow Homer, American, 1836–1910, Charcoal on paper, Horizontal view of a beach at low tide with small boats standing in to port and one boat being beached with a carriage., USA, 1881, seascapes,

Sketch of Woman's Head, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on tracing paper, Young woman, her head turned to the left., USA, ca. 1895, figures, Drawing, Drawing

Studies of Hands, Daniel Huntington, American, 1816–1906, Graphite, white chalk on brown wove paper, Study of a right hand and the lower part of an arm, resting on drapery. Additional study of right hand, upper left., USA, 1850–60,

Portal Design, 'la Prusse et la Religion, ' design for plate 40 in the 'Nouvelle iconologie historique...', Jean-Charles Delafosse, French, 1734–1791, Pen and ink, brush and watercolor, graphite on laid paper, A doorway flanked by two draped

God the Father, Brush and oil on laid paper, God the Father is seen descending in a beam of light, with a portion of his robe flying above his head. A cherub, upper left, and numerous seraphs suround him., Italy, 1700–50, religion,

Design for a Woven Fabric, Various gouache colors, black paint on oily tracing paper, mounted, A rinceau, undulated rising flower stems. The designs of the motifs hanging into the four wedges shown are different; they are of opposite directions

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