Images at Librifly

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Architectural design around door, Giovanni Battista Natali III, Italian, 1698 - 1765, Pen and brown ink, brown wash, black chalk on laid paper, Vertical rectangle showing archway. Only right side of drawing finished., Italy, ca. 1750,

Floral design for printed textile, Jean DuBois, Swiss, 1789 - 1849, Brush and gouache, graphite on white wove paper, Multi-colored floral border with carnations, pansies, dahlias, small floral sprigs above., France, 1800–1818, textile

Alpine Valley, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on cardboard, A narrow valley leads toward a rocky mountain in the rear; two houses with red roofs are shown on the left bank. High bottom margin showing

Design for a Ceiling, Pen and Chinese ink, graphite on paper, The zodiac with the twins are at the center of the composition. In the right corner, Auora and a puti are seated on clouds with an overflowing urn., France, 1780-1795, Drawing,

Sketch of a Female Figure, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on tracing paper, Female figure with drapery over her thighs, facing right. Limbs drawn in alternate positions. Her left arm over her head; the right arm over

Design for a Tureen, Pen and brown ink, brush and watercolor, The vessel rests on three eagles on a circular base decorated with leaves. The vessel is banded and decorated with stylized leaf forms and the handles terminate in lyres with the head

Mount Chimborazo from the House of Senior Pablo Bustamante, Riobamba, Ecuador, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on buff wove paper, Vertical view of snow-covered Mount Chimborazo rising in far

Two Saints, Pen and brown ink, brush and blue wash on cream laid paper, In a quatrefoil vegetal frame, a saint is about to step off a boat on shore. He is welcomed by another saint, while a third is bidding him farewell. Left, a crowd of mostly

Study for 'Diana and Her Attendants among the Constellations', Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, Sketch of a nude female figure reclining., USA, ca. 1894, figures, Drawing, Drawing

Design for Wallpaper and Textile: Flowers, Brush and gouache on cream paper, Two clusters of purple flowers with three leaves and a blue flower emerging from center on light gray ground., France, 19th century, wallpaper designs, Drawing,

Study of Covered Wagons, Samuel Colman, American, 1832–1920, Brush and oil paint on cardboard, Horizontal rectangle. Oblique view of five wagons standing on grass. Blue sky., USA, possibly 1871, transportation, Drawing, Drawing

Study of Nude Figure, Louis Schaettle, American, 1867–1917, Graphite on light brown paper, Full figure of bending female nude, shown from back. Figure standing on right leg, left knee slightly bent; arms extended, left toward top, right

Sala del Thorvaldsen, Rome, Franz Heinrich, German, 1802–1890, Brush and watercolor, white gouache, pen and brown ink, graphite on heavy white paper, The plaster frieze running around the upper walls depicts Thorvaldsen's relief of

Design for a salon wall, Pen and ink, brush and yellow, rose watercolor, graphite on paper, A mirror with a console at the bottom stands in a niche in the center. Arched windows showing four playing children at left., France, 1785-1795,

Portrait of Nancy Darling, Francis Hopkinson Smith, American, 1838–1915, Charcoal, brush and gouache on paper, Portrait of Nancy Darling in a rocking chair in front of a cabin's open window., USA, September 9, 1876, architecture,

Stage Design, Interior of Large Hall, Pen and bistre ink, brush and wash on paper, Horizontal rectangle. Interior of Gothic building with archways, opening views into various halls and staircase., Italy, early 19th century, theater, Drawing,

Study of landscape, Lake Maggiore, Italy, William Stanley Haseltine, American, 1835–1900, Graphite on paper, Sketch of a mounatin range., USA, 1857, landscapes, Drawing, Drawing

Study of landscape, William Stanley Haseltine, American, 1835–1900, Graphite on paper, Sketch of a landscape with buildings in the center and mountains in the background., USA, ca. 1855, landscapes, Drawing, Drawing

Male Nude Standing, Separ, Daniel Huntington, American, 1816–1906, Graphite, Black Crayon, Red Chalk Support: Blue-gray Wove Paper, London, Great Britain, USA, 1858, figures, Drawing, Drawing

Design for a Woven Corner Motif, Brush and white, beige, yellow and black gouche on oily tracing paper; on verso: white netting, A lace cloth suspended from blossom rosettes fills the corner obliquely. Parts of a flower bough stick through

Aviary, Pen and brown ink, green, brown wash, ruled border in pen and brown Support: white laid paper, Scale: at bottom in pen and brown ink, green wash, in Piede di Bologna, Bologna, Italy, Italy, 1775–1800, architecture, Drawing,

Design for a table clock, Giuseppe Gagliardi, 1697 – 1749, Pen and ink, brush and watercolor, black crayon on laid paper, Italy, 1697-1740, Drawing, Drawing

Details of Adams Building, Arnold William Brunner, American, 1857–1925, Graphite on beige paper, Ten sketches of moulding, dentals, capitals., USA, 1878, architecture, Drawing, Drawing

Sketch for Central Figure in the Ascension, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on laid paper, Figure standing center, left arm around a cross, gaze directed downwards., USA, ca. 1895, figures, Drawing, Drawing

Furniture Designs, Pen and ink on paper, Page with furniture designs. At bottom, two chairs and a couch. Above, a bed and dresser. At top, two chairs, two tables and a couch., Italy, ca. 1800, furniture, Drawing, Drawing

Standing Cloaked Male Figure, Matteo Rosselli, Italian, 1578–1650, Red chalk on cream laid paper, laid down, A heavily cloaked standing male figure is seen frontally, with his right hand in front and his gaze directed to the left., Italy,

The Artist's Wife Sophie, Daniel Huntington, American, 1816–1906, Black and white crayon on grey-violet wove paper, Portrait of the artist's wife, Sophie Huntington, with her lowered head facing towards the left, obliquely., USA, 1853,

Woman With Hands Raised, Daniel Huntington, American, 1816–1906, Graphite, white chalk on grey wove paper, Half-length sketch of a woman. Woman's bust and arms shown; arms raised overhead. Right hand repeated, upper left corner. Left hand

Decorative Project: Three Trapezoids with Flora and Zefiro, Felice Giani, Italian, 1758–1823, Pen and ink on cream laid paper, Three Trapezoids with Flora and Zephyrs; nymphs with wreaths; nymphs and shepherds with wreaths., Italy, ca. 1815,

Stage Design, Gothic Palace, Church, and Fortress, Angelo Toselli, ca. 1765? – 1826, Pen and brown ink, brush and brown wash over black chalk on wove paper, ruled border in pen and black ink, Horizontal rectangle. Square, lined with

Haystack and Rail Fence, Winslow Homer, American, 1836–1910, Graphite on paper, Recto: Sketch of a haystack and a rail fence, with meadows visible in the background. Verso: Sketch of a girl., USA, 1869–70, nature studies, Drawing,

St. (Jerome?) in Ecstasy, Red chalk on brown paper, Vertical composition of a saint (St. Jerome?) in ecstasy. He looks up with right arm outstretched and left arm leaning against a ledge., Italy, 1816, religion, Drawing, Drawing

Justice, Cartoon for Mosaic in Wisconsin State Capitol Rotunda, Kenyon Cox, American, 1856–1919, Charcoal on tan paper, Allegorical figure representing Justice, holding one side of scale in each hand. Roundel outline around figure., USA,

View from Thompson's Hotel, North Conway, New Hampshire, Daniel Huntington, American, 1816–1906, Graphite, black and white crayon on pale green paper, Pasture in foreground, and farm at right under an elm. Mountain ridges beyond., North

Mt. Mansfield, Stowe, Vermont, Daniel Huntington, American, 1816–1906, Graphite, white crayon on grey paper, River with rocks and trees along banks; house, center; mountains in distance, left., USA, ca. 1864, landscapes, Drawing,

Study for a kneeling woman, “Vintage Festival, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Graphite on paper, A female figure kneeling. Similar to -a with the head shown and turned slightly more

Two capitals of columns, with alternative suggestions, Pen and black ink, brush and gray watercolor, graphite on off-white laid paper, At left: with a swan, at right: with a volute and a cherub; at right, with the half figure of a fantastic

Rocks and Moss Off Grand Manan, Frederic Edwin Church, American, 1826–1900, Brush and oil paint on compostion board, Rock are shown in or bordering the sea. Grayish sky. Top margin showing the rose ground color., USA, 1851–52, landscapes,

Study of building, William Stanley Haseltine, American, 1835–1900, Graphite on paper, Sketch of the corner of a building with a cactus plant., USA, ca. 1855, architecture, Drawing, Drawing

Sketch in 'Hard Rain on Mt. Crawford', Daniel Huntington, American, 1816–1906, Graphite on grey paper, Outlines of mountain ridges. Foreground, ridge, left, with plant stems to right., USA, September 17, 1856, landscapes, Drawing,

Sketches of Nude Figures, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, Two sketches of a nude female figure laying back to the right. Lower right, dancing or moving figure with drapery. Sketches of arm and foot, lower

Rapid sketch of the Temple at Corinth, Frederic Edwin Church, American, 1826–1900, Oil on cardboard, Horizontal rectangle. The ruins shown from east of three sketched columns at the right, two are struck out. Creamy ground color is shown at

Four Vases, Felice Giani, Italian, 1758–1823, Black crayon on paper, Elevation of four vases. Upper right has snake handles. Lower right decorated with gadrooning and acanthus leaves., Italy, ca. 1790, classicism, Drawing, Drawing

Urn with the Representation of the Salvation of Loth, Red crayon on paper, Urn with frieze representing an angel holding the hand of Loth and guiding him. Followed by two women carrying bottle on their heads., Europe, 1825–1850, sculpture,

Design for a Room, Pen and red and black ink, graphite on paper, Two bays are shown, each containing a representation of a hunting dog and a bird in a setting of trees. A single suggestion is made for the dado and the pilaster stripes. But

Mount Altar, Ecuador, sho, Frederic Edwin Church, American, 1826–1900, Graphite, some white gouache Support: buff paper, Ecuador, USA, July 13, 1857, landscapes, Drawing, Drawing

Inkstand, Pen and brown ink, brush and gray wash, graphite on off-white laid paper, Vertical rectangle. Shown slightly from above. Below is a broad ovoidal base with four protruding angular parts laterally. Upon these sit sphixes who support an

Meeting of Saints Francis and Clara, Belisario Corenzio, Italian, active 1590–1646, Pen and brown ink, brush and gray wash, white gouache on cream laid paper , lined on secondary support tipped into paper frame, In a great hall, Clara,

Design for Stained Glass in the Laurentian Library, Florence, Italy, Brush and brown wash, black chalk on laid paper, squared in black chalk, Grotesque ornament with masks, putti and fantastic anaimals. In the center, a plaque displays the

Section of wall, salon Louis XIII, Palace of Fontainebleau, France, Frederick Marschall, Brush and watercolor, tempera on heavy paper, Section of wall, with painted panels of arabesques and figures set within marble borders. Left, portrait

Imaginary Classical Temple in the Mountains, Felice Giani, Italian, 1758–1823, Black chalk on cream wove paper, Stairs, high building with portico in front, all situated on substructure. Two figures in classical attire, one seated, one

Eagle Lake, Mt. Desert, Daniel Huntington, American, 1816–1906, Graphite and chalk on brown-grey paper, The shores of lake at right and at rear, beneath a mountain range. Three rowboats on the water., USA, August 23, 1856, landscapes,

Competition Design for La Fenice, Venice: Exterior Elevation of Annex, Pen and black ink, brush and gray wash, watercolor, graphite on paper, Elevation drawing of the exterior of theater 'annex' showing four portals and three stories, executed

Design for Window Wall Decoration, possibly for Library, Royal Pavilion, Brighton, Frederick Crace, English, 1779–1859, Brush and watercolor, graphite on paper, Elevation of a long wall, with a pair of windows at left, and a group of

Study for 'The Herring Net', Winslow Homer, American, 1836–1910, Black, brown and white chalk, brush and white gouache on green laid paper, Horizontal view of two men in a dinghy, at center left, haul into the boat a net filled with

Study for 'Isle of Capri: The Faraglioni', William Stanley Haseltine, American, 1835–1900, Brush and wash, graphite on wove paper, View of the rocky coast and sea with large rocks in lower left foreground leading to larger outcroppings. A

Head of a Woman, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on tracing paper, Sketch of a woman's head, looking up and slightly to the left., USA, ca. 1895, figures, Drawing, Drawing

Decorative Project for Ceiling, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash, traces of graphite on cream laid paper, Central Octagon with Euterpe; Two Tondi with Persona of Architecture and Music; Two Squares

Study of Sailboats, Venice, Italy, William Stanley Haseltine, American, 1835–1900, Graphite on paper, Sketch of sailboats with sails raised., USA, ca. 1871, seascapes, Drawing, Drawing

Study for 'Zodiac', Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, Sketch of reclining figures., USA, ca. 1894, figures, Drawing, Drawing

Catafalque, with Coat-of-, Albani, 1995, Pen and brown ink, blue wash, black chalk Support: white laid paper laid down, Rome, Italy, Italy, 1650–75, architecture, Drawing, Drawing

Design for an Oil Lamp, Joseph Anton Seethaler II, German, 1799–1868, Graphite, brush and brown ink on paper, Two seated griffins flank the fluted shaft, topped by acanthus capital supporting the fuel bowl, decorated with classical palm and

Sketch of a Male Nude, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on light brown paper, Nude male figure reclining to the right, head on hand and feet apart. Small sketch of male nude, upper left. Lower left, sketch on an

St. John Writing the Revelation in Ecstasy, Black crayon, white heightening, and one stroke of red crayon on colored green paper, The apostle is depicted as an old, bearded man with his eyes closed in three-quarter profile. In his right hand,

Study of landscape, William Stanley Haseltine, American, 1835–1900, Graphite on paper, Sketch of landscape with houses and mountains in the background., USA, ca. 1855, landscapes, Drawing, Drawing

Design for Rose Window, St. John the Baptist, Brooklyn, NY, Leon Dabo, American, 1868–1960, Brush and watercolor, graphite on beige paperboard, Design shows quarter-circle with half-length figure in roundel in center holding tablet. Border

Design for a Silver and Crystal Compote, Joseph Anton Seethaler II, German, 1799–1868, Pen and black ink, brush and wash on paper, A crystal bowl with scalloped edges rests on three silver dolphins, which appear as if on the crest of a

Floral design for printed textiles, Louis-Albert DuBois, Swiss, 1752–1818, Brush and gouache, graphite on blue wove paper, Yellow, pink and orange vines with pink tri-lobed flowers, white daisies with blue centers create a scattered pattern

Design for Stained Glass Window, Sir Walter Sterling of Drumpellier, Scottish, 1780–1864, Brush and watercolor, pen and ink, graphite on paper, Three tall vertical panels, with pointed arches. Two small panels to upper right and left of

Design for Two Small Breakfast Tables, Angelo Mezzetti, Italian, Pen and black ink, brush and watercolor, gold paint on white paper, lined with blue paper, Sheet of designs for a table divided horizontally into two parts. At the upper part,

A Bacchanalian Revel, Henri Antoine de Favanne, French, born England, 1668 - 1752, Pen and brown ink, charcoal, brush and gray wash on laid paper, Maenads resting in a wood at the edge of a mountain lake. At far right, a woman dances holding

Study for Memorial Window in Church at Oceanic, New Jersey, Francis Augustus Lathrop, American, 1849 - 1909, Pen and black ink, brown and black wash, and white gouache on paper mounted to board, Acanthus scrolls surround a circular design.

Looking Across the Hudson Valley, New York, Frederic Edwin Church, American, 1826–1900, Brush and oil paint on thin paperboard, Image of cloud-filled valley with sliver of water visible. Dark clouds in strip above valley; orange clouds with

Study of a nude elderly man, Bacchus or one of his companions, Giovanni Battista Merano, Italian, 1632 - 1698, Black, red crayon, brush and white heightening on blue-grey paper, Figure crowned with vine leaves is shown sitting upon stone

Base of the American Falls, Niagara, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on paperboard, A rocky crag juts out from gray mist in the background, while verdant growth fills the foreground., New York,

Nature Study, Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite on paper, Study of plants with long branches or stems and flowers., USA, 1875–80, nature studies, Drawing, Drawing

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, A fantastical plant stands over three lace flowers and a scalloped edge.

That's No Good, the Squire Said, Quietly, Walter Appleton Clark, American, 1876–1906, Graphite and black crayon on illustration board, Three men stand around a bed upon which a fourth lies on his stomach, hands bound behind him., USA,

Project for a Wall Decoration, Graphite, pen and ink, brush and watercolor, sepia on paper, Right half of design shown. At center is a framed partial roundel with a figure. Above and below, a grotesque. At right, a candelabrum., Italy, late

A Moorish Arch, Lelia Huffman, Water color, gold, on paper. Red seals., USA, 1911, ornament, Drawing, Drawing

Designs for embroidery, Black crayon on tracing paper, Vertical rectangle. Designs of abstract floral patterns for panels and borders. Each drawing stamped at top: 'Dessin original a broderie.' Designs numbered 183 (N), France, ca. 1890,

Mountains near Baalbec, Frederic Edwin Church, American, 1826–1900, Oil on cardboard, Horizontal drawing of view of the snow covered range across a fertile valley and a hardly discernible town, Baalbek., USA, May 1868, landscapes,

Design in Three Views for Mahogany and Inlay Sideboard, A.N. Davenport Co., Pen and black ink on thin cream paper, Elevation view: rectangular sideboard with four front legs with animal paw feet; central niche with punch bowl inside, topped by

Section of wall, bedroom of Marie Antoinette, Palace of Fontainebleau, France, Frederick Marschall, Brush and watercolor, tempera on heavy paper, Section of wall, with painted panels of small-scale motifs of foliage, figures, sphinxes, in

Bernese Alps, Daniel Huntington, American, 1816–1906, Graphite on paper, Trees in foreground. Church steeple and forest in middleground, with mountains beyond. Verso: Mountain ridge, with cliifs at upper left., June 8, 1844, landscapes,

Jupiter, Felice Giani, Italian, 1758–1823, Felice Giani, Italian, 1758–1823, Graphite, pen and ink, brush and watercolor on paper, Jupiter shown recumbent, one leg extended. He holds a plate with a drink for the eagle., Italy, 1804,

Stage Design: View Through Archway, Pen and ink, brush and sepia wash on paper, Vertical rectangle showing view through archway surmounted by statues into the nave of a building., Italy, late 17th century, theater, Drawing, Drawing

Design for Wallpaper and Textiles: Flowers and Birds, Brush and gouache on beige paper, Branch with clusters of white flowers and foliage, placed diagonally, top towards the right. Toward bottom of branch, two more branches of purple flowers

Mustical Instruments, for Snow Maiden, Boris Anisfeld, Russian, active USA, 1879–1973, Metropolitan Opera, New York, New York, USA, Brush and watercolor on board, USA, 1922, theater, Drawing, Drawing

Project for a Wall Decoration, Graphite, pen and ink, brush and sepia on paper, Right half of a framed panel with grotesques. At center, left is a partial tablet with figures., Italy, late 18th century, ornament, Drawing, Drawing

Study of a Man's Hand for 'Tribute Money', Daniel Huntington, American, 1816–1906, Graphite, white chalk on grey wove paper, Study of a man's right hand holding a roll of paper., USA, 1852, figures, Drawing, Drawing

Sketch of Female Figure with a Dove, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on tracing paper, Reclining woman in drapery, holding her left arm to a bird, above., USA, ca. 1895, figures, Drawing, Drawing

Series of Botanical Studies including an Alligator and a Monstrous Tree, seen from the Rio Magdalena, Colombia, Frederic Edwin Church, American, 1826–1900, Graphite on gray wove paper, Horizontal view containing tree trops on top row; a

An altar dedicated to Apollo, Black chalk on paper with double circled lily watermark, Vertical composition of an altar featuring a tripod with griffons on a circular pedestal. The front features the inscription 'S APPOLI.' The top features a bowl

Rock Ledge at Stowe, Daniel Huntington, American, 1816–1906, Graphite on cream paper, Ledge jutting from left. Valley and mountains in distance, right., USA, September 1864, landscapes, Drawing, Drawing

Study for 'Equity' in 'The Common Law' Frieze for 'The Reign of Law' Mural at New York Appellate Division Courthouse, Kenyon Cox, American, 1856–1919, Graphite on off-white laid paper, Nude female figure in semi-reclining position, facing to

Design for a Classical Temple with a Tempietto and Semicircular Aedicule, Pen and brush and black ink, gray wash, blue and brown watercolor, black chalk on heavy cream laid paper, double ruled border in pen and brush and black ink, A circular

Sunset cloud study, Frederic Edwin Church, American, 1826–1900, Brush and oil, pencil on cardboard., The sunset appears over a hill and a mountain range, both showing toward right., USA, ca. 1880, nature studies, Drawing, Drawing

Study for a dancing women, “Moods to Music, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Pen and ink, graphite on laid paper, Sketch of women dancing figures. At top, a crowd with linked hands

Design of a Wall with a Built-in Cabinet, Pen and ink, graphite on paper, The left bay of the wall, the left half of a door and the overdoor are shown. Children carry the Bacchus boy in the latter. A pilaster beside the door shows a wreath in the

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