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Four Putti Making Music, Study after Lodovico Carracci; Christ, Study after Massari, Felice Giani, Italian, 1758–1823, Pen and ink, brush and brown wash, over black chalk on white wove paper, Upper drawing of four putti, one with wings,

A Recumbent Sphinx, red crayon on paper, A lion with a human head and Egyptian head dress., Italy, mid- 18th century, classicism, Drawing, Drawing

Study of lagoon, Venice, Italy, William Stanley Haseltine, American, 1835–1900, Graphite on paper, Sketch of the lagoon in Venice with Santa Maria della Salute on the horizon., Venice, Italy, July 8, 1871, seascapes, Drawing, Drawing

Sense of Taste, Brush and tempera on linen, Panel of natural colored linen plain cloth painted in polychrome tempera, showing one of the series of five senses. Figures of a man and woman seated at right, a winged putto offers them a branch of

Cloud Study, Frederic Edwin Church, American, 1826–1900, Brush and oil paint on composition board, Scattered clouds in blue sky. Outline of a mountain, bottom right, lateritious grounding color bottom left., USA, ca. 1868–69,

Design for Wallpaper and Textile: Flowers and Birds, Brush and gouache on cream paper, Two branches of silvery green foliage and red berries form a V-shape, to the right side, a red-orange flower blooms on light gray ground. A dark bird flies

Design for a Chapel Wall, Giovanni Battista della Rovere, Italian, ca. 1561–ca. 1630, Pen and brown ink, brush and gray wash on beige prepared paper, Design for a chapel wall topped with an arch, filled with sculptural projects at top and

View of Mount Chocorua, from Hill to Right of Albany Road, Daniel Huntington, American, 1816–1906, Graphite and white chalk on brown wove paper, Trees and rocks in foreground leading to a meadow containing a lake, which spreads out before a

Study for a Mountain Locality, Pompeo Savini, Italian, active 18th century, Pen and black ink, brush and gray wash on paper, Horizontal format view of a church and a villa in the precinct of a fortified castle and a group of houses at their

Design for a Woven Fabric, Brush and gouache on oily tracing paper, Two obliquely shown leaf boughs are of opposite directions in alternate horizontal rows. Rising undulated stems, which are fastened together by bowknots, connect the boughs in

Design for a Water Kettle with Stand, Joseph Anton Seethaler II, German, 1799–1868, Pen and black ink, brush and gray, black wash, graphite on wove paper, Kettle shown from side view; spout at left. Upper and lower parts of body surrounded

Landscape, near Syria or Greece, Frederic Edwin Church, American, 1826–1900, Brush and oil on cardboard, Top half: view of the sea and a mountain range in the right background, across hilly country. A circular structure is shown in the left

Sketch for a Cotton printing: Robinson Crusoe, Graphite on paper, Friday kneels before Robinson Cruso, and gestures toward a scimitar on the ground, and holds Crusoe's right foot in his left hand. Crusoe balances himself on his gun., France,

Dresser for Mr. Allen, Henry J. Allen Residence, Wichita, Kansas, George Mann Niedecken, 1878–1945, Henry J. Allen, Elsie J. Nuzman (Mrs. Henry J.) Allen, Graphite on cream tracing paper, Page divided into two registers horizontally about

Two Spanish Women, Constantin Guys, French, 1802 – 1892, Brush and watercolor, pen and brown ink, graphite on paper, Vertical rectangle. Two women seen from the back, both wearing white dresses with black scarves and high Spanish combs. One

Study of coastal cliff, Amalphi, Italy, William Stanley Haseltine, American, 1835–1900, Brush and wash, graphite, on paper, Sketch of coastline along the Bay of Naples., USA, 1858, seascapes, Drawing, Drawing

Design for a clock, Pen and black ink, brush and yellow, red watercolor, on cream laid paper, Base of clock supported by tapered feet. Octagonal base decorated with elongated leaf design and bow. Wreaths at either end. On top of clock case, a

Design for a Cartel Clock, Gilles-Marie Oppenord, French, 1672–1742, Pen and black ink, brush and black, rose and green wash on two sheets of off-white laid paper, joined horizontally, Drawing of a clock, to scale in elevation. Above the

Sunset Across the Hudson Valley, Winter, Frederic Edwin Church, American, 1826–1900, Brush and oil, graphite on thin cream paperboard, A snow covered slope in the right forground frames a sunset view across a valley in the Catskills.,

Three Days on the Front, Winslow Homer, American, 1836–1910, Black and white chalk on blue paper, A wounded soldier attempts to rise off the ground. Vague sketches of figures appear at right., USA, 1863–64, figures, Drawing, Drawing

Agamemnon Refuses to Liberate Chryseis; Minerva Appears to Achilles; The Abduction of Briseis: Galerie d'Iliad, Palazzo Milzetti, Faenza, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and gray-brown wash over traces of graphite

Birth of Bacchus; Banquet of Bacchus and Ariadne, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and wash over graphite on wove paper. Borders ruled in ink., Rome, Italy, Italy, early 19th century, figures, Drawing, Drawing

Sketch for an Interior, Pen and brown ink (iron gall ink), traces of graphite on paper, At bottom, a frieze with a roundel and panels showing architecture (?). Above, diamonds containing sketches of dancing figures and laurel wreaths., Italy,

Partial Design for Sideboard in Elevation and Plan, A.N. Davenport Co., Pen and black ink on thin cream paper, Elevation view [left half only]: elaborate oblong sideboard with cabriole legs and niche at center, flanked by 2 doors; top shelf

Two Masked Ladies Bowing, Edouard de Beaumont, French, 1821 - 1888, Graphite, brush and white, blue gouache, red, grey watercolor on brown paper, Two women bowing to each other. One female figure wears a black mask, the other a false face

Hilly Landscape, Early Autumn, Frederic Edwin Church, American, 1826–1900, Brush and oil paint on cardboard, Horizontal image of an early autumn foliage in right foregound of a hilly landscape, perhaps Vermont, with gray-blue mountains in

Ruin Fantasy, Louis-Joseph Le Lorrain, French, 1715–1759, Brush and black, gray wash, black chalk on cream laid paper, Statues and columns stand on the top of a city fountain in front of a ruined classical building. A colonade is visible in

Glorification of St. Filippo Neri, Giacomo Farelli, Italian, 1624 - 1706, Pen and brown ink, black chalk on cream laid paper; verso: black chalk, The saint is carried upwards, kneeling upon a cloud, and accompanied by angels, two of whom

Stuy of Maidenhair Fern, Trumpet Vine and Nasturtium, Sophia L. Crownfield, (American, 1862–1929), Brush and watercolor on paper, Vertical sheet depicting studies of maidenhair fern, trumpet vine and nasturtium naturalistically rendered. On

Apollo in Chariot with Aurora and the Hours, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown watercolor washes over traces of graphite on light brown rough paper, Apollo shown riding in chariot drawn by three horses.

Three Bedouins, Frederic Edwin Church, American, 1826–1900, Brush and oil, graphite on cardboard, At top left a standing man is shown from the right back. At center and below right two men are seated, the first with a pipe and a gun, the

Chandelier, Pen and black ink, watercolor, graphite Support: thick white wove paper; old fold(?) at center, Belgium, Europe, 1810–25, lighting, Drawing, Drawing

In the New England Woods, Frederic Edwin Church, American, 1826–1900, Brush and oil paint on cream paperboard, Horizontal view showing a mountain stream between wooded banks. In the foreground the water, separated from the stream by a stone

Ceiling Design with Fretwork Balcony and Open Sky, possibly for Conservatory/ Music Room, or Dining Room, Frederick Crace, English, 1779–1859, Pen and black ink, brush and grey wash, watercolor on thick white wove paper, Design for the

Cloud study, Frederic Edwin Church, American, 1826–1900, Brush and oil paint on paperboard., Horizontal study of dark clouds and a reddened one at the rear in a blue sky, with two boulders or the peak of a mountain at bottom right; irregular

Design for a clock, Pen and black ink, brush and yellow, red watercolor, graphite, on cream laid paper, Base of clock supported by tapered feet, front panel decorated with crossed horns and wreath, trophies at either side. A lyre stands on

Arrest of Major Wildman, Frederick Coffay Yohn, American, 1875–1933, Brush and black and grey watercolor, white gouache, graphite on illustration board, Illustration showing a group of men with drawn swords entering a room with two figures.

Sketch for 'Night', Francis Augustus Lathrop, American, 1849 - 1909, Black crayon on paper, Probably after the model. Nude female torso from behind, showing back and parts of arms. The arms are raised, and the head is turned to the left.,

Study for Watercolor, Siena Cathedral, Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite and watercolor on paper, A view from the third bay of the left aisle of the Cathedral. The altar of Cardinal Francesco Piccolomini is shown at

Haystack Mountain from Littleton, New Hampshire, Daniel Huntington, American, 1816–1906, Graphite on paper, Haystack Mountain in center, towards the right, with mountains beyond and a ridge below., USA, Littleton, New Hampshire, USA,

Sketchbook Page: Death of Flaminius in the Battle of Trasimeno; Annabelle Loses an Eye in the Swamps of Fiano, Tuscany, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash over traces of graphite on cream laid paper,

Cloudy Skies, Jamaica, Frederic Edwin Church, American, 1826–1900, Brush and oil, graphite on paperboard, Distant vista over mountainous country., August 1865, landscapes, Drawing, Drawing

Sunset over the Catskills, Frederic Edwin Church, American, 1826–1900, Oil paint on cardboard, View of rough unfinished sketch of a sunset scene over the Catskills. Clouds glow golden in right center; all others gray or lavendar., USA,

Three Herms, Studies after Carracci, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash, over black chalk on white heavy wove paper, Upper left drawing of seated female herm flanked by 2 putti and 2 female herms,

Sketches from Colombia: River Landscape, Men on Rafts, and Trees, Frederic Edwin Church, American, 1826–1900, Graphite on gray paper., Recto: Horizontal view containing sketches from Colombia, South America: at top, a river or a bay

Study of Cliffs, Mt. Desert, Maine, William Stanley Haseltine, American, 1835–1900, Brush and watercolor, graphite on wove paper, View of rocky cliffs topped with pine trees; pond below., USA, ca. 1859, landscapes, Drawing, Drawing

Male Monkey with tambourine, Gouache over graphite, France, France, 1860–90, Drawing, Drawing

Landscape, Frederic Edwin Church, American, 1826–1900, Brush and oil, graphite on cardboard, An unfinished sketch. Distant view over hill and mountain range., USA, 1865, landscapes, Drawing, Drawing

Design for an Embroidered or Woven Border, Graphite, brush and gouache on paper, Rising garland of leaves with small flower boughs in the intervals. Framing strips laterally., France, 1780–1800, Drawing, Drawing

Male Head From a Plaster Cast, Daniel Huntington, American, 1816–1906, Black and white chalk, graphite on light brown wove paper, Head and neck of a man facing frontally. Source of light from upper left., Rome, Italy, 1840, figures,

Architectural Fantasy: Buildings, Monuments and Stairways, Charles Michel-Ange Challe, French, 1718 – 1778, Pen and red crayon with brown, gray and black washes on laid paper, Horizontal rectangle. Staircases are leading up to the level of

Sketchbook page, Frederick Krieg, American, b. Germany 1852–1932, drawing, One of fourteen pages in a sketchbook, USA, 1864–78, Sketchbook page

Study of landscape, William Stanley Haseltine, American, 1835–1900, Brush and watercolor, graphite on paper, Sketch of a natural arch with detail of rocks., USA, ca. 1857, nature studies, Drawing, Drawing

In the Mountains (Decorative Design), Walter Shirlaw, American, b. Scotland, 1838–1909, Pen and ink, graphite on heavy cream paper, Two women and a girl gather flowers. Behind them, a farmer drives a team of oxen down the slope. Doves in

Design for a Monument to Emperor Charles VI of Naples, Baldassare De Caro, Italian, active early 18th century, Pen and black ink, brush and black wash, black chalk on cream laid paper, Vertical rectangle. At upper left, an allegorical figure

Prudence, Johann August Nahl The Younger, German, 1752 - 1825, Giulio Romano, Italian, 1499–1546, Lead pencil, pen and dark ink, brush and black and grey watercolors on paper, Drawing after a fresco devised by Giulio Romano in the Palazzo

Design for an Embroidered Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white, yellow, lateritious gouache on glazed tracing paper, The bottom scrolls of rinceaux are connected by blossom and

Sunset Over Sailing Boats, Arnold William Brunner, American, 1857–1925, Graphite, brush and watercolor on paper, Boats with brightly colored sails, in the foreground. Building along the shore shown in silhouette against the sunset sky.,

Design for a wallpaper frieze, Brush and orange, greenish-black gouache on paper, Rinceau formed by boughs with leaves and thorns in the shape of horizontal S, with blossoms in the hollows, over two bands. The upper one shows rosettes, the

Chama Below the Summit, Thomas Moran, American, b. Britain, 1837–1926, Brush and gray wash, watercolor, graphite on off-white wove paper, Landscape with railroad track in lower right foreground; view across ravine, with evergreen tree

Irlande et sa Religion, (Ireland and its Religion), portal design for plate 44 in the 'Nouvelle iconologie historique', Jean-Charles Delafosse, French, 1734–1791, Pen and brush and black ink, wash, black chalk on white laid paper, pen and

Study of Thistles, Sophia L. Crownfield, (American, 1862–1929), Brush and oil on black paper, Vertical sheet depicting a stalk of thistles with five blossoms and leaves., USA, ca. 1890, nature studies, Drawing, Drawing

Design for a Vase on an Octagonal Pedestal, Joseph Anton Seethaler II, German, 1799–1868, Pen and black ink, brush and wash on paper, Sphinxes project from the oblique sides of the pedestal which shows farther up a palmette fringe. Satyr

Design for Three Lamps, Graphite, pen and ink, brush and watercolor, tempera on tracing paper, Designs for three lamps of ornamental bronze, surmounted by glass globes. Each one varies in design, but they all have leaf and foliage details and

Design for Woven or Printed Textile, Brush and gouache with graphite on off-white laid paper, Square sheet depicting large boughs of pale purple lilacs with smaller, thinner branches of yellow flowers and buds. One repeat shown. Framing lines are

Mount Washington from Road by Jefferson, New Hampshire, Daniel Huntington, American, 1816–1906, Graphite on pale green paper, Fence and pasture in foreground, surrounded by trees. Valley toward right and mountain beyond, center and right.,

Study of Figure for 'In the Mountains', Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite on cream paper, The figure of the woman and several studies for the hands are shown., USA, 1875–80, figures, Drawing, Drawing

View of a Doorway, Graphite, pen and black ink, brush and wash on paper, An arched doorway with a prominent keystone surrounded by rusticated stone. Engaged Doric columns on either side. Above, two figures sit on a pediment, flanking a

Design for a Silk Brocade, Pastel, India ink squaring on bluish-grey paper, A variation of the scheme of 1914-21-47. The sprays start from four boughs which project from the bands. One completely shown, and part of another one., France, ca.

Landscape from North American (Road by a Lake), Frederic Edwin Church, American, 1826–1900, Brush and oil, graphite on cardboard, A wooded slope in hilly country with water at left middle distance. A road and two trees at right., USA, ca.

Sandwich Mountains and Chocorua Pond, Daniel Huntington, American, 1816–1906, Graphite and white crayon on brown paper, Landscape from shore, with rocks and grass in foreground. Pond, low hills and mountains, beyond., New Hampshire, USA,

Sketchbook page, Frederick Krieg, American, b. Germany 1852–1932, drawing, One of fourteen pages in a sketchbook, USA, 1864–78, Sketchbook page

Ten Octagons with Mythological Figures, Felice Giani, Italian, 1758–1823, Pen and brown ink over traces of graphite on cream laid paper, Ten octagons with Vesta, Cibele, Minerva, Bacus, Diana, Endimione, Jove, Giunone, Venus, Neptune,

Design for a Painted Square Ceiling, Eugenio Agneni, Italian, 1816 - 1897, Brush and gouache, graphite on cardboard, Horizontal format design for a painted ceiling. In the center is a rosette, supported by four supports rising obliquely from

Mt. Katahdin from Lake Katahdin, Frederic Edwin Church, American, 1826–1900, Brush and oil, pencil on cardboard, Horizontal image of a lake with the mountian background and gray clouded sky., USA, 1860–70, landscapes, Drawing, Drawing

Elevation of a Candelabra, Graphite, pen and ink, brush and watercolor on paper, Octagonal base. The shaft consists of a pedestal showing a circular medallion of Christ, seated laterally, and lambrequins under a broken pediment, of a low

Six Antique Gods and Goddesses, Felice Giani, Italian, 1758–1823, Pen and brown ink, black chalk, graphite on laid paper, Vertical rectangle. One below the other, standing upon a line. A sacrificing woman, carrying in left hand torch;

Angels with a Medallion Representing the Martyred Bishop St. Rufinus, Pen and ink, black chalk on paper, Four figures of flying angels support a medallion at center from the bottom. Two angels above the medallion hold a paper scroll showing the

Sepulchral Monument of James III and Henry Cardinal York, Pencil, pen, wash, and Chinese ink., James is seated on top of a round pedestal against which the Cardinal is leaning. The lower pedestal is formed by a sepulchral chamber with closed

Design for a Chimney Wall in the Salon of the Prince de Chimay, Pen and ink, brush and watercolor on paper, The chimney wall is flanked by double doors. Over the fireplace is a large mirror in a gilt frame decorated with garlands. The overdoors

Sepulchral Chamber, Pen and black ink, brush and watercolor, gouache, graphite on paper, lined, The sheet depicts an interior of a cross-shaped space with an open skylight. The interior is viewed through the entrance into the space. Inside,

Church's Farm, Hudson, New York, Frederic Edwin Church, American, 1826–1900, Brush and oil paint on thin paperboard, Horizontal distant view of a small snow-covered valley with a copse of trees. A band of lavender clouds streches across the

Design for Mahogany Hanging Plate Rack, A.N. Davenport Co., Graphite, yellow color pencil on thin cream laid paper, 1900–05, furniture, Drawing, Drawing

Elevation of the Wall of a Bedroom with Alcove, Pierre Ranson, French, 1736–1786, Pen and brown ink, brush and gouache, black wash, graphite on white heightening on paper, Interior wall decoration with alcove for a painting. Wall decorated

Study of a Woman in Profile, Daniel Huntington, American, 1816–1906, Graphite, white chalk on grey wove paper, Study of a female figure with back turned to the spectator, and her left hand at her shoulder. She looks down in left profile. At

Frieze with Rinceau, Jean-Charles Delafosse, French, 1734–1791, Pen and black ink, traces of black chalk on white laid paper, The right half is shown: rinceau flanking a shell, half of which is shown., Paris, France, France, 1775–80,

Study of a Saint During a Plague, Mariano Rossi, Italian, 1731–1807, Brush and black wash, pen and black ink, black chalk on paper, A saint is shown praying in the moat of a town in the right foreground. Dead and dying persons lie in the

Thatch Palm, Jamaica, Frederic Edwin Church, American, 1826–1900, Oil on thin cream paperboard, A bush-like palm is shown in the center of deep foliage., USA, May 1865, nature studies, Drawing, Drawing

Study for a woman, “Vintage Festival, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Graphite on paper, Female figure standing with gown draped over her right arm. The woman is turned toward right and

Architectural Details from Church in Brookline, Arnold William Brunner, American, 1857–1925, Graphite on light brown paper, Left, buttress and small tower; center and right, gable and niches., USA, 1878, architecture, Drawing, Drawing

Sketch for a Window or Ceiling, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on cream wove paper, A modified quatrefoil, with the Virgin above, center; a large group of figures, right; Mother and Child, lower center; clergy,

Architectural Ornaments:, Watercolor, over pen and brown ink Support: coarse white laid paper, Italy, Italy, 1675–1700, architecture, Drawing, Drawing

Design for a Woven Fabric, Brush and green, blue, white, and yellow gouache, brush and black paint on oily tracing paper, Vertically undulated stems of which one unit and a part of the neighboring at right are shown. A bough with leaves and a

Study of Plant, Possibly Tufted Hairgrass, Sophia L. Crownfield, (American, 1862–1929), Brush and oil on black paper, Vertical sheet depicting grasses and leaves., USA, ca. 1890, nature studies, Drawing, Drawing

Vernal Falls, Yosemite, Thomas Moran, American, b. Britain, 1837–1926, Brush and gray wash, white goauche, graphite on gray wove paper, Vertical view of rocky crag with two cascades in right foreground; South Dome rises in center of

In the woods, Jamaica, Frederic Edwin Church, American, 1826–1900, Graphite and oil on paperboard with orange back, The lower trunks of two trees are shown against a background of bushes and trees., USA, August 1865, landscapes, Drawing,

Design for Right Half of a Door Frame, A. Quadrío, Italian, active 18th century, Pen and ink, brush and wash on blue-gray paper, Vertical format design for the right half of a door frame. An arch is supported by pilasters, one of which stands

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper pasted on paper, Rinceaux with leaves and flowers over a stripe showing short

Design for a Book Cover, Alice Cordelia Morse, American, 1863–1961, Brush and gouache on paper, The drawing has been mounted on a recycled board from the Tiffany Glass Co., USA, ca. 1890, graphic design, Drawing, Drawing

Section of a wall showing groups of painted panels, Oval Chamber, Salon Louis XIV, Palace of Fontainebleau, France, Frederick Marschall, Brush and watercolor, tempera on heavy paper, Section of wall, the wainscoting containing groups of

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