Images at Librifly

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Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats, James Malton, 1761–1803, British, 1802, Gray wash, pen and black ink, and graphite on thin, slightly textured, pink laid paper mounted on

Drawing of a Hand, Sir Peter Lely, 1618–1680, Dutch, active in England (from 1643), 1650s-1660s, Black chalk, red chalk, and white chalk on medium, moderately textured, brown laid paper, Sheet: 8 3/8 × 10 3/4 inches (21.3 × 27.3 cm),

Sketchbook Drawing, Charles Samuel Keene, 1823–1891, British, between 1846 and 1852, Graphite with pen and brown ink on ruled, medium, smooth, cream wove paper, Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm) and Binding: 6 1/2 inches (16.5 cm

Sketchbook Drawing, George Romney, 1734–1802, British, ca. 1793, Graphite on moderately thick, slightly textured, cream wove paper, Sheet: 5 1/2 x 9 1/4 inches (14 x 23.5 cm) and Binding: 5 1/2 inches (14 cm), figure study, figures,

Page 5, Notes on Methods of Drawing, Alexander Cozens, 1717–1786, British, 1746, Graphite on medium, slightly textured, cream laid paper, bound in vellum, Spine: 7 5/8 inches (19.4 cm) and Sheet: 7 3/8 x 5 1/8 inches (18.7 x 13 cm),

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Interior of an Academy: The Critics, William Stewart, active 1847–1856, British, 1848, Oil on canvas, Support (PTG): 32 x 24 1/2 inches (81.3 x 62.2 cm), academy, ancient, art, boys, busts, casts, coats, crates, critics, dog

Sketchbook Drawing, Charles Samuel Keene, 1823–1891, British, between 1846 and 1852, Graphite with pen and brown ink on ruled, medium, smooth, cream wove paper, Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm) and Binding: 6 1/2 inches (16.5 cm

Seated Female Figure, Henri Gaudier-Brzeska, 1891–1915, French, between 1910 and 1915, Pen and green ink on medium, smooth, cream wove paper, Sheet: 11 3/4 x 8 3/8 inches (29.8 x 21.3 cm), female, figure, figure study, life drawing,

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Album Drawing, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) and Binding: 16 1/8 inches (41 cm),

Euphorbia abyssinica J.F. Gmel. (Ethiopian Tree-Spurge): finished drawing of single trunk, with details of whole and dissected fruits, Luigi Balugani, 1737–1770, Italian, Formerly James Bruce, 1730–1794, British, undated, Watercolor,

William Murray First Earl of Mansfield, Print made by Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99), Intermediary drawing by Giovanni Battista Cipriani RA, 1727–1785, Italian, active in Britain (1755-85),

Sketchbook Drawing, Charles Samuel Keene, 1823–1891, British, between 1846 and 1852, Graphite with pen and brown ink on ruled, medium, smooth, cream wove paper, Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm) and Binding: 6 1/2 inches (16.5 cm

Cyperus esculentus L. (Tiger Nut): finished drawing of whole plant with roots, Luigi Balugani, 1737–1770, Italian, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 15 15/16 × 12 5/16 inches (40.5 ×

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

Design for a Church: Elevation of the West Front, James Paine, 1717–1789, British, ca. 1750, Watercolor with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 9 7/8 × 9 3/8 inches (25.1 × 23.8 cm), architectural

Page 13, Notes on Methods of Drawing, Alexander Cozens, 1717–1786, British, 1746, Graphite on medium, slightly textured, cream laid paper, bound in vellum, Spine: 7 5/8 inches (19.4 cm) and Sheet: 7 3/8 x 5 1/8 inches (18.7 x 13 cm),

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Preparatory drawing for Design 16, Plate 12 of A Collection of Designs for Rural Retreats, James Malton, 1761–1803, British, 1802, Graphite on medium, slightly textured, cream laid paper, Sheet: 4 3/4 × 9 inches (12.1 × 22.9 cm),

King Henry VI, George Vertue, 1684–1756, British, after drawing by George Vertue, 1684–1756, British, after painting by unknown artist, 1732, Line engraving on medium, slightly textured, cream, laid paper, mounted on, moderately

Sketchbook Drawing, George Romney, 1734–1802, British, ca. 1793, Graphite on moderately thick, slightly textured, cream wove paper, Sheet: 5 1/2 x 9 1/4 inches (14 x 23.5 cm) and Binding: 5 1/2 inches (14 cm), figure study, figures,

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Sketchbook Drawing, George Romney, 1734–1802, British, ca. 1793, Graphite on moderately thick, slightly textured, cream wove paper, Sheet: 5 1/2 x 9 1/4 inches (14 x 23.5 cm) and Binding: 5 1/2 inches (14 cm), figure study, figures,

A Vulture with prey, and a heron, a Pl. for 'A New Drawing Book...of various kinds of Birds, Drawn from life by Mr. Francis Barlow, 1731' (1 of 9), Print made by George Bickham, 1683/4–1758, British, after Francis Barlow, ca. 1626–1704,

Drawing Study of a Man, Drawing by Philippe-Jacques de Loutherbourg, 1740–1812, French, active in Britain (from 1771), Etched by Philippe-Jacques de Loutherbourg, 1740–1812, French, active in Britain (from 1771), undated, Pen and black

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Design for a Chapel at Enfield: Longitudinal Section, Lewis Vulliamy, 1791–1871, British, undated, Pen and black ink with watercolor on moderately thick, slightly textured, beige wove paper, Sheet: 12 11/16 x 17 15/16 inches (32.2 x 45.6

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Album Drawing, Thomas Bardwell, 1704–1767, British, Previously attributed: James Wills, Active 1740–died 1777, British, ca. 1730, Gray and brown wash with pen and brown ink over graphite on laid paper, Sheet: 5 1/8 x 3 1/2in. (13 x

Drawing Academy, Print made by William Pether, ca. 1738–1821, British, after Joseph Wright of Derby, 1734–1797, British, active in Italy (1773–75), ca. 1772, Mezzotint, proof before title, Plate: 22 7/8 x 17 7/8in. (58.1 x 45.4cm)

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

Preparatory drawing for Design 30, Plate 31 of A Collection of Designs for Rural Retreats, James Malton, 1761–1803, British, 1802, Graphite on medium, sligihtly textured, cream laid paper, Sheet: 4 13/16 × 4 1/2 inches (12.2 × 11.4 cm),

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Lawsonia inermis L. (Henna): finished drawing of a flowering leafy shoot, James Bruce, 1730–1794, British, ca. 1769, Watercolor and graphite on moderately thick, moderately textured, cream, laid paper, Sheet: 20 3/8 × 14 1/2 inches (51.8

Sketchbook Drawing, Charles Samuel Keene, 1823–1891, British, between 1846 and 1852, Graphite with pen and brown ink on ruled, medium, smooth, cream wove paper, Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm) and Binding: 6 1/2 inches (16.5 cm

Millettia ferruginea (Hochst.) Baker: finished drawing with a few details excluded, Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Sheet: 15 15/16 × 12 1/8

Cyperus species 2: finished drawing of flowering plant and root, Luigi Balugani, 1737–1770, Italian, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 15 15/16 × 12 5/16 inches (40.5 × 31.3 cm) and

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

A House of Assembly, Quebec: Plan, Studio of Sir Jeffry Wyatville, 1766–1840, British, ca. 1812, Graphite, pen and black ink and watercolor on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 x 17 7/8 inches (32.7 x

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Sketchbook Drawing, Charles Samuel Keene, 1823–1891, British, between 1846 and 1852, Graphite with pen and brown ink on ruled, medium, smooth, cream wove paper, Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm) and Binding: 6 1/2 inches (16.5 cm

Woodfordia uniflora (A. Rich.) Koehne: finished drawing of flowering shoot, James Bruce, 1730–1794, British, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 16 × 12 1/8 inches (40.6 ×

Album Drawing, Thomas Bardwell, 1704–1767, British, Previously attributed: James Wills, Active 1740–died 1777, British, ca. 1730, Gray and brown wash with pen and brown ink over graphite on laid paper, Sheet: 5 1/8 x 3 1/2in. (13 x

A measured drawing of a skull, Cornelius Varley, 1781–1873, British, 1826, Graphite with black ink on medium, smooth, cream wove paper, Sheet: 15 1/4 x 9 7/8 inches (38.7 x 25.1 cm), anatomical, anatomical study, anatomy, bone,

Sketchbook Drawing, Charles Samuel Keene, 1823–1891, British, between 1846 and 1852, Graphite with pen and brown ink on ruled, medium, smooth, cream wove paper, Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm) and Binding: 6 1/2 inches (16.5 cm

Album Drawing, Thomas Bardwell, 1704–1767, British, Previously attributed: James Wills, Active 1740–died 1777, British, ca. 1730, Pen and brown ink over graphite on white laid paper, Sheet: 5 1/8 x 3 1/2in. (13 x 8.9cm

Conservatory at Thoresby Hall, Nottinghamshire: Plans and Elevation, Studio of Sir Jeffry Wyatville, 1766–1840, British, undated, Graphite, pen and black ink and watercolor on medium, slightly textured, cream wove paper, Sheet: 21 9/16 x

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Tiger Body, Lateral View (Finished Drawing for Unpublished Table; Shows the Third Stage in Dissection), George Stubbs, 1724–1806, British, 1795 to 1806, Graphite on thick, moderately textured, cream wove paper, Sheet: 16 x 21 1/4 inches

Euphorbia nubica N.E. Br. (Nubian Spurge): finished drawing of flowering and fruiting shoot, with details of floral dissections, James Bruce, 1730–1794, British, ca. 1769, Watercolor, gouache, and graphite on moderately thick, moderately

Album Drawing, Thomas Bardwell, 1704–1767, British, Previously attributed: James Wills, Active 1740–died 1777, British, ca. 1730, Gray wash with pen and brown ink over graphite on laid paper, Sheet: 5 1/8 x 3 1/2in. (13 x 8.9cm

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Album Drawing, Thomas Bardwell, 1704–1767, British, Previously attributed: James Wills, Active 1740–died 1777, British, ca. 1730, Gray wash with pen and brown ink over graphite on laid paper, Sheet: 5 1/8 x 3 1/2in. (13 x 8.9cm

Human Figure, Posterior View (Outline drawing for a key figure showing the final stage of dissection), George Stubbs, 1724–1806, British, 1795 to 1806, Graphite on cream, thin, smooth, wove paper, Sheet: 20 x 13 7/8 inches (50.8 x 35.2

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

A Life Drawing, Sir Thomas Lawrence, 1769–1830, British, ca. 1789, Black chalk, red chalk, and white chalk on medium, slightly textured, cream wove paper, Sheet: 13 1/2 × 9 1/2 inches (34.3 × 24.1 cm), figure study

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Design for a Naval Monument: Elevation, Charles Heathcote Tatham, 1772–1842, British, 1799, Pen and gray wash on slightly textured, moderately thick, cream wove paper, Sheet: 10 1/16 × 8 5/8 inches (25.6 × 21.9 cm), architectural

Ticket: Mr. Cox's Museum, Print made by Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99), after Biagio Rebecca, Italian, 1735–1808, Italian, 1772, Etching, line engraving, and stipple engraving on medium,

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Athenaeum, Print made by R. F. Cahusac, active 1830, British, after Decimus Burton, 1800–1881, British, 1830, Etching and line engraving on moderately thick, slightly textured, cream wove paper, Sheet: 12 15/16 x 18 7/8 inches (32.8 x 48

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

Sketchbook Drawing, Charles Samuel Keene, 1823–1891, British, between 1846 and 1852, Graphite with pen and brown ink on ruled, medium, smooth, cream wove paper, Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm) and Binding: 6 1/2 inches (16.5 cm

Page 6, Notes on Methods of Drawing, Alexander Cozens, 1717–1786, British, 1746, Graphite on medium, slightly textured, cream laid paper, bound in vellum, Spine: 7 5/8 inches (19.4 cm) and Sheet: 7 3/8 x 5 1/8 inches (18.7 x 13 cm),

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Sketchbook Drawing, Charles Samuel Keene, 1823–1891, British, between 1846 and 1852, Graphite with pen and brown ink on ruled, medium, smooth, cream wove paper, Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm) and Binding: 6 1/2 inches (16.5 cm

Standing Female Figure, Henri Gaudier-Brzeska, 1891–1915, French, between 1910 and 1915, Pen and green ink on medium, smooth, cream wove paper, Sheet: 11 3/4 x 8 1/4 inches (29.8 x 21 cm), female, figure, figure study, life drawing,

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Cobham Hall, Kent: Elevations of Stables, James Wyatt, 1746–1813, British, 1789, Graphite, pen and black and brown ink on moderately thick, moderately textured, cream laid paper, Sheet: 13 1/8 x 21 3/8 inches (33.3 x 54.3 cm),

A Man, a horse and two dogs, a Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 6), Print made by George Bickham, 1683/4–1758, British, after unknown artist, Published by Henry Overton, 1675/6–1751, British, undated,

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Disproportioned Horse Drawing, Sawrey Gilpin, 1733–1807, British, ca. 1760, Watercolor, graphite, pen and black ink on medium, moderately textured, beige, laid paper, Sheet: 8 3/16 × 13 3/8 inches (20.8 × 34 cm), animal art

Sketchbook Drawing, Charles Samuel Keene, 1823–1891, British, between 1846 and 1852, Graphite with pen and brown ink on ruled, medium, smooth, cream wove paper, Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm) and Binding: 6 1/2 inches (16.5 cm

Preparatory drawing for Design 10, Plate 7 for A Collection of Designs for Rural Retreats, James Malton, 1761–1803, British, 1802, Gray wash, pen and black ink, and graphite on thin, slightly textured, cream laid paper, Sheet: 7 7/16 x 9

Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats, James Malton, 1761–1803, British, 1802, Gray wash, pen and black ink, and graphite on thin, slightly textured, cream laid paper mounted on medium,

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Sketchbook Drawing, Charles Samuel Keene, 1823–1891, British, between 1846 and 1852, Graphite with pen and brown ink on ruled, medium, smooth, cream wove paper, Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm) and Binding: 6 1/2 inches (16.5 cm

Letter to Rev. Richard Burney with drawing of Colossal Head from British Museum Courtyard, Edward Francis Burney, 1760–1848, British, undated, Watercolor, pen and black and brown ink on medium, slightly textured, cream wove paper, Sheet: 6

Henry Fuseli, James Thomson, 1800–1883, British, after drawing by Henry Corbould, 1787–1844, British, after sculpture by Edward Hodges Baily, 1788–1867, British, 1825

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Cobham Hall, Kent: Section of the drawing room, James Wyatt, 1746–1813, British, ca. 1790, Watercolor and pink and gray wash, over pen, black ink and graphite on moderately thick, moderately textured, cream laid paper, Sheet: 14 x 19 3/4

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

Sketchbook Drawing, Charles Samuel Keene, 1823–1891, British, between 1846 and 1852, Graphite with pen and brown ink on ruled, medium, smooth, cream wove paper, Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm) and Binding: 6 1/2 inches (16.5 cm

A View in Hudson's River of Pakepsey & the Catts-Kill Mountains, from Sopos Island in Hudson's River, Print made by Paul Sandby RA, 1731–1809, British, after Paul Sandby RA, 1731–1809, British, after drawing by Thomas Pownall,

Sketchbook Drawing, Charles Samuel Keene, 1823–1891, British, between 1846 and 1852, Graphite with pen and brown ink on ruled, medium, smooth, cream wove paper, Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm) and Binding: 6 1/2 inches (16.5 cm

Henry Sass, Daniel Maclise, 1806–1870, Irish, between 1830 and 1835, Black chalk, graphite, watercolor, and red chalk on medium, slightly textured, blue wove paper, Sheet: 7 7/16 × 5 1/2 inches (18.9 × 14 cm), artist, bench, chair,

Sketchbook Drawing, George Romney, 1734–1802, British, ca. 1793, Graphite on moderately thick, slightly textured, cream wove paper, Sheet: 5 1/2 x 9 1/4 inches (14 x 23.5 cm) and Binding: 5 1/2 inches (14 cm), figure study, figures,

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

Seated Female Figure, Henri Gaudier-Brzeska, 1891–1915, French, between 1910 and 1915, Pen and green ink and graphite on medium, smooth, cream wove paper, Sheet: 11 3/4 x 8 3/8 inches (29.8 x 21.2 cm), female, figure, figure study, life

Clausena anisata (Willd) Benth. (Mosquito Plant): finished drawing, Luigi Balugani, 1737–1770, Italian, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 15 15/16 × 12 5/16 inches (40.5 ×

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