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The Execution by Gunpowder of Hendrik Eemkens in 1562 in Utrecht, design for illustration in T.J. van Bragt, 'Het bloedig tooneel, of Martelaers spiegel der doopsgesinde of weereloose christenen (The Mirror of Martyrs), 1685., Jan Luyken,

Design for a Pier Table, Pen and ink, brush and brown ink, graphite on thick off-white laid paper, Elevation of a pier glass above a console table, both with the right hand side decorated with scrolls and floral garlands., Italy, 1750–1790,

Men and Women Unloading a Fishing Dory, Cullercoats, England, Winslow Homer, American, 1836–1910, Graphite on gray paper, Horizontal view of one portion of a fisherman's dory drawn up on to a beach., Cullercoats, England, USA, 1881–82,

Design for the Embroidery or Printed Fabric of Wearing-Apparel of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and gouache, impressed lines on paper, Three horizontal rows are shown in the two upper of which two Persian

Sketch of a Female Nude, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on grey-violet paper, Nude female figure reclining to the left, facing frontally; right knee bent under left leg, head in right hand, left arm resting on

Design for a Woven or Printed Fabric or Wallpaper, Graphite, brush and purple watercolor on paper, One repeat is shown consistsing of undulated rising flower stems which are crossed at the bottoms by a horizontally disposed bough. Right bottom:

Design for Wallpaper and Textiles: Flowers, Brush and gouache on brown paper, Cluster of flowers and foliage at center of page, on brown ground. Left to right: blue flowers, pink rose with buds, white flower. Above this cluster: two stalks with

Design for a Cabriolet, Johann Michael Hoppenhaupt II, German, 1709–ca. 1778, Pen and black ink, brush and grey, pale blue, and pale lavender wash, black chalk on laid paper; Verso: pen and brown ink, An elaborate four wheeled open

Side Chapel, with Figures of Charity, the Virgin, and Saints, Pen and gray ink, gray, pink wash, white gouche on white laid paper, A canopy is shown as the frame of a painting over an altar in the center. Laterally are pilasters, the left

Design for an Embroidered or Woven Fabric of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, Top row: flower boughs with naturalistic and lace leaves. Bottom row: staggered boughs

The Organ and the Voice Once More Beneath Our Very Windows, Frederick Coffay Yohn, American, 1875–1933, Charles Scribner's Sons, New York, New York, USA, Brush and black, white, and grey gouache, with graphite on illustration board, Two

Two Sketches for a Wall Mural, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, Two horiztonal rectangular compositions. Above, enthroned figure at right, many figures to the left, with notes on sizes. Below, female figure

Two Schooners, Winslow Homer, American, 1836–1910, Graphite, brush and white gouache on neutral yellow paper, Horizontal view of two schooners, one with a broken spinnaker, and a yawl with other sailing craft visible on the horizon., USA,

The Statute Law, Study for Right Panel of 'The Reign of Law, ' Frieze for Appellate Court, New York, Kenyon Cox, American, 1856–1919, Brush and brown wash, red-brown pastel, graphite on canvas, The central alleogrical figure represents The

Stage Design, Palace Courtyard, Pen and brown ink, brush and brown wash, black chalk on white laid paper laid down on light brown wove paper, Horizontal rectangle. Design for a stage set, entrance into a vast palace in antique style. Massive

Housetops at Dawn, 10th Street, New York, NY, Frederic Edwin Church, American, 1826–1900, Brush and oil, graphite on cardboard, Upper part of two town houses, separated by a street. Two towers rise upon the roof of the house at right.

Design for a Chimneypiece, Graphite, pen and ink, brush and watercolor on paper, Elevation of a chimney piece. Tablet at center with four putti dancing and making music. Bucranium and flowers on either side. Profile shown at left., Italy, ca.

Study: Two right hands, of a woman, Black crayon and white heightening on rough brown paper, Horizontal composition of two right hands, one above the other. Both are seen from above and turned toward the right with a slightly altered position of

Study of landscape, William Stanley Haseltine, American, 1835–1900, Graphite on paper, Sketch of a village in a valley surrounded by large mountains., USA, ca. 1855, landscapes, Drawing, Drawing

Study of clouds, Rome, Italy, Francis Augustus Lathrop, American, 1849 - 1909, Brush and watercolor, gouache, graphite on paper, Sketch of a sunset and clouds., Rome, Italy, 1893–1894, nature studies, Drawing, Drawing

Design for Wallpaper and Textiles: Flowers, Brush and gouache on gray paper, Three branches with light green foliage at center right of composition point towards edges of page. Between each branch there is a stem with green foliage and maroon

Orchstres places aux Champs elysees, dans le gran carres', Félix-Jacques Duban, French, 1798 - 1870, Watercolor, pen and black ink, graphite Support: light tan paper mounted on off-white paper, Design for two open air pavilions. At right: A

Henry J. Allen Residence, Wichita, KS: Dressing Table and Chair for Mrs. Allen's Boudoir, Henry J. Allen, Elsie J. Nuzman (Mrs. Henry J.) Allen, Graphite, color pencil on cream tracing paper, Page divided into upper and lower parts. In upper

Design for a Ceiling with the Arms of Pope Clement XI, Pen and sepia, brush and watercolor on paper, Ceiling divided into panels. At bottom center, an anchor and two palm branches fastened together by a ribbons. Opposite to this, a crucifix and

Frieze with Rinceau, Jean-Charles Delafosse, French, 1734–1791, Pen and black ink, traces of black chalk on white laid paper, The right half is shown; rinceau flanking the central motif, of which half is an escutcheon; a crouching lion

Wallpaper Design: Reconciliation of Venus and Psyche, Merry-Joseph Blondel, French, 1781–1853; active Paris, France 1802–1851, Joseph Dufour et Cie., French, 1752–1827, Graphite, black, white chalk, brush and black ink on brown

Joseph and his Brothers, Joseph Bergler the younger, Austrian, 1753 - 1829, Chalk, pen and ink, brush and wash on paper, The brothers have entered the vestibule of a palace and observe the salutation of Benjamin by Joseph. One of them is shown

Design for a Candelabrum, Anna M. de Pool, Water color on paper, Vertical rectangle. Design for a three-branched candelabrum., USA, ca. 1894, appliances & tools, Drawing, Drawing

Woman, Robert Frederick Blum, American, 1857–1903, Ink on laid paper, Three sketches of a female figure reading within an interior room., USA, 1882–1883, figures, Drawing, Drawing

Decorative Studies; Verso: Profile Heads of Barbarians, Felice Giani, Italian, 1758–1823, Pen and ink, brush and watercolor washes over graphite on laid paper, Three studies of partitions; study of ceiling with grotesque; festoon. Verso: two

Church of St. Paul the Apostle, New York City, Chancel Decoration, Watercolor, gouache, over graphite on buff-colored thick wove paper, A perspective view of the interior looking toward the sanctuary. Behind the altar, the rendering of the

Designs for embroidery, Black brayon on tracing paper., Vertical rectangle. Designs of abstract floral patterns for panels and borders. Each drawing stamped at top: 'Dessin original a broderie.' Designs numbered 178 (K), France, ca. 1890,

Study of Nude Figure, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on cream wove paper, Three-quarters of the woman's figure is shown and two studies for the left hand. An account, top right. Verso: the left part of the outlined

Eight Sacrificial Scenes, Felice Giani, Italian, 1758–1823, Pen and ink, brush and brown wash, red chalk on textured laid paper, In four rows, caption above. Top row, left, shepherd and shepherdess revering hermae. Top row, right,

Textile Design: Woven Border, Brush and goauche on two sheets of paper, South-Asian inspired design for a woven border featuring an arcade at top and a carnation rinceaux at bottom. Central portion features two flower-filled medallions intended for

Design for a Ceiling Painting on Theme of Olympus, Brush and black and gray gouche, pen and black ink, black chalk, white gouache on paper, Inscribed in a square. Upper center, the seated Diana converses with Jupiter; Apollo stands between the

Figural Study, Black and white crayon on brown paper, The man is shown seated and turned toward right. The left foot stands higher than the right one and the right forearm leans leans upon the left thigh. The left arm is turned backward; verso: in

Chariot with the Hours, Felice Giani, Italian, 1758–1823, Pen and brown ink over traces of red chalk on paper, Decorative project showing central quadrant with Venus carried through skies in chariot; eight octagonals with cupid and angels.

Sketch of Two Heads, Francis Augustus Lathrop, American, 1849 - 1909, Black crayon on tracing paper, Center, woman's face in profile, looking toward the left. Right, woman's face looking down., USA, ca. 1895, figures, Drawing, Drawing

Granada, Arnold William Brunner, American, 1857–1925, Brush and watercolor on tan paper, Steep tower-like walls, right, with window openings near the top, and surmounted by arcades beneath tile roofs. Mountain in background, left., USA,

Study for 'Genius, ' 'The Arts, ' Library of Congress, Washington D.C., Kenyon Cox, American, 1856–1919, Graphite on paper, A young male figure is kneeling, with his back turned and arms raised. The paper is squared for transferring the

From Window of Chalet, Top of Mt. Scheidegg , After a Mist and Storm, Daniel Huntington, American, 1816–1906, Brush and gouache, graphite on pink paper, Unfinished sketch of a mountain peak. Pencil shading, with the snow a dark brown.,

Whiteface Mountain, North of Tamworth Village, New Hampshire, Daniel Huntington, American, 1816–1906, Graphite on pale green paper, Pasture with some trees - over ridges into valley, with mountains beyond., USA, September 4, 1855,

Designs for paintings in Montmorency: The Nine Muses and two masks, Tragedy and Comedy, Felice Giani, Italian, 1758–1823, Pen, black ink, and grey/ brown wash on rough grey paper, Horizontal rectangle. Written top left corner: 'S E Aldini

Cross-section of the Théâtre de l'Ambigu Comique in Paris, Jacques Ignace Hittorff, German, 1792–1867, Jean-François Joseph Lecointe, 1783 - 1858, Pencil, pen and black ink, pink and green watercolors on tan tracing paper, Cross-section

Drawing, Louis-Albert DuBois, Swiss, 1752–1818, Opaque watercolors, One quarter of design showing corner border with alternate suggestions and field of scattered flowers., Geneva, Switzerland, ca. 1801, textile designs, Drawing

A Court Scene, Francesco Galli Bibiena, Italian, 1659–1739, Pen and brown ink; brush and gray, blue and pale rose wash on white paper, laid down, Vertical rectangle showing a palace court scene with clouds hang above an elaborate

Two Studies of the Artist's Son Charlie, Daniel Huntington, American, 1816–1906, Graphite, white chalk on buff wove paper, Studies for painting of Chocorua. Two sketches of the artist's son, Charlie, sitting on the ground with a rifle.

Design for a Candlestick with a Clock, Luigi Righetti, Italian, 1780 - 1819, Pen and ink, brush and watercolor, graphite on paper, Vertical rectangle. Design for a candlestick with clock intended to be executed in gilded and green bronze and

Seagull and Waves, Winslow Homer, American, 1836–1910, Chalk on blue blotting paper, Study of rippling waves in a body of water., USA, ca. 1884, seascapes, Drawing, Drawing

Cleopatra Pleading with Caesar, Felice Giani, Italian, 1758–1823, Pen and brown ink, brown wash, over black chalk, ruled border in pen and brown Support: thick white wove paper, Italy, Italy, ca. 1820, figures, Drawing, Drawing

Study of landscape, William Stanley Haseltine, American, 1835–1900, Brush and watercolor, graphite on paper, Sketch of a landscape with ruins., USA, ca. 1855, landscapes, Drawing, Drawing

Vases and Urns, Jean-Charles Delafosse, French, 1734–1791, Pen and ink, brush and watercolor, graphite on laid paper, Assemblage of vases and urns in a classical cemetary. Some stand on pedestals, others are on the ground. At lower left the

The Rape of the Sabines, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash, over black chalk on white heavy wove paper, Upper drawing of struggle between women and classically dressed warriors. Lower drawing of man

Design for a Woven Fabric, Brush and gouche on oily tracing paper, Boughs connect six fantastical flower motifs, which are disposed in two horizontal rows. A flower bunch grows from a big shell, bottom left., France, 1825–1850, Drawing,

The Blessing of Sleep, ' Study for a Poster for Paine's Celery Compound, Kenyon Cox, American, 1856–1919, Graphite, brush and black and gray wash on tan laid paper, Draped woman at left with attributes of Hypnos (winged head and poppy) hovers

Groton Heights from Hill Northeast of New London, Daniel Huntington, American, 1816–1906, Graphite on paper, Slope, at right, with trees and houses. Water, left and center, with ridge of land, at left, with trees and houses. Opposite, a

Mounted Chinese Vase on a Pedestal, for the Music Room, Brighton, Royal Pavilion, Brush and water color, graphite on white wove paper, A tall Chinese porcelain vase on a porcelain pedestal which is enclosed in an ormolu gallery in two tiers

Five Ceiling Schemes, Felice Giani, Italian, 1758–1823, Pen and brown ink on laid paper, Top: Oblong ceiling with three sections, framed by bands; entire panels of sections held by pair of crossed boughs. Second row: at left, oblong ceiling

Study for Hercules and Antaeus, Annibale Carracci, Italian, 1560–1609, Black chalk on paper, Hercules, wearing a flowing loin-cloth, lifts the giant, Antaeus, over his head. The figures are seen foreshortened from below., Italy,

Study of an Autumn Bouquet, Sophia L. Crownfield, (American, 1862–1929), Brush and oil on black paper, A painting depicting an autumn bouquet of daisies, asters and autumn leaves on black paper., USA, ca. 1890, nature studies, Drawing,

Design for a Fountain, Pen and ink, brush and watercolor, graphite on paper, A fountain, under an architectural canopy, showing on top the royal French coat of arms and dolphins with a crown. A native with a loin cloth, a stick, a bottle, a

Elevation of a Country Villa, Pen and black ink, brush and rose, brown and blue watercolor, black wash, with black chalk indications on paper, Elevation of a free standing villa. The central part of the building has two stories, the upper one

Design for a Church Façade, Pen and brown ink, brush and grey and yellow wash on cream paper, Architectural elevation of a large domed church, with smaller flanking domes and a heavily sculptured façade composed of a portico, with engaged and

Stage Design, Group of Antique Monuments, Angelo Toselli, ca. 1765? – 1826, Pen and ink on paper, Horizontal rectangle. Group of antique monuments on stairs., Italy, early 19th century, theater, Drawing, Drawing

Architectural Fantasy with Fountain and Obelisk, Louis-Joseph Le Lorrain, French, 1715–1759, Black chalk, brush and gray wash on off-white laid paper, A fountain, an obelisk, and a statue of a horse are shown against parts of a colonnade.

Dormer on Maison des Quatrans, Caen, Arnold William Brunner, American, 1857–1925, Graphite and white heightening on light brown paper, Wooden building, looking up at dormer from left of center. Above, smaller sketch of dormer seen from the

Man and Woman, Cartoon for 'Death of Ananias' after Raphael Sanzio, Felice Giani, Italian, 1758–1823, Pen and ink, brush and sepia wash over black chalk on laid paper, Staircase with two figures, Italy, ca. 1820, figures, Drawing,

View from Mount Salus, Jamaica, Frederic Edwin Church, American, 1826–1900, Graphite on cream-colored paper, Horizontal landscape view with a wooded slope in the foreground, hills rising in the middle distance to mountains covered by a

Tree, Frederic Edwin Church, American, 1826–1900, Graphite on paper, Horizontal view of a tree, with many dry boughs, rising from a ridge, USA, July 1844, nature studies, Drawing, Drawing

Baltimore Skyline, Griffith Baily Coale, American, 1890–1950, Graphite on paper, Sketch looking through an upper window. The Washington Monument is in the left foreground, with the Walters Art Gallery (at the corner of Center and Charles

Mt. Desert Island, Maine Coast, Frederic Edwin Church, American, 1826–1900, Oil on cream wove paper, A large group of rocks at lower right foreground, jut out into a body of water. On the horizon line at center left is the distant shoreline.

Figure Studies, Carlo Bononi, Italian, 1569–1632, Black chalk on grey laid paper, Recto: three sketches of the upper parts of male nudes, one shown frontally, left arm extended, one with hands clasped, and the third, from the back,

Sketches for a Classical Scene, Felice Giani, Italian, 1758–1823, Black crayon on paper, A loosely drawn scene shows figure in the foreground, with a tented structure (mausoleum?) behind. Figures labeled from classical mythology. Detail of a

Sketches for Paintings, Pen and ink, brush and watercolor, white heightening on paper, At top, an expulsion. Below, a battle scene with an Amazon., Italy, ca. 1800, figures, Drawing, Drawing

Design for Wallpaper or Textile, Graphite, blotted crayon, brush and purple watercolor on paper, Recto: rising, undulated leaf stem with blossoms and buds, a bunch of grapes and scrolls. Verso: Vertically, top right unfinished: a motif with

Rendering of the Palazzo Farnese, Rome, Pen and brown ink, brush and gray and red wash, over black chalk on paper, lined, Elevation of a large, three-story building (Palazzo Farnese, Rome). Northeastern half of elevation of the facade with

Hilltop and Clouds, Frederic Edwin Church, American, 1826–1900, Graphite, oil on paperboard with green back., The skies are shown over mountain tops., USA, 1865–66, landscapes, drawing, drawing

Design for a Woven Fabric, Green gouache, black paint on oily tracing paper, mounted, Two bough scrolls are shown in a vertical row, at left. A festoon is suspended from the upper one. A rinceau composed of a flower stem rises at right.,

Sketches of Sailing Boats, Winslow Homer, American, 1836–1910, Graphite, brush and white gouache on light brown paper, Horizontal sketch showing twelve sailing boats and, inverted at bottom of sheet, one rowboat. Three sketches of sails;

Design for Mechanical Furniture: Canopy Bed, Pen and black ink, brush and watercolor on paper, A canopy tent bed surmounted by an urn. Underneath, a drawer for chamber pots, exposed. Bed decorated with batwing fan and bow, arrow and quiver

Design for a Wall Elevation, Pen and ink and brush and wash on paper, France, before 1906, Drawing, Drawing

Sketch for a Fountain in Park, Carlo Marchionni, Italian, 1702–1786, Graphite, brush and gray watercolor on laid paper, Double-flighted stairs connecting an upper and a lower levels. Fountain consisting, on the upper level, of a basin with

Baking Pottery at Laguna, New Mexico, Thomas Moran, American, b. Britain, 1837–1926, Brush and gray wash, graphite on cream-colored wove paper, Horizontal view of two potters at work in left foreground; houses, with a church at right,

Project for Cross, Paolo Roberto, Neapolitan?, active ca. 1837, Pen and brown ink, brush and green and gray wash, black chalk on cream wove paper, A triangular pedestal resting on three lion paws supports a round shaft decorated with a festoon

Berchtesgaden, Bavaria, general view, Frederic Edwin Church, American, 1826–1900, Graphite, oil on paperboard, The street leading to the Franciscan Church and to the gateway to the Court House which are shown in the left middle distance.

Study for a Tribute to Giorgio Vasari, Sante Pacini, Italian, 1735–1790, Pen and black and brown ink, brush and brown wash, black chalk on white laid paper, Minerva dictating to Story, who writes 'I STUR[ia]' in a book which the kneeling

Two Studies of Capitals, Arnold William Brunner, American, 1857–1925, Graphite on beige paper, Two semi-detached capitals, left, from Southern Minster, and right, a Rayonnaut capital. Carved leaves on both capitals., USA, ca. 1879,

Sketches from Colombia: Bank of a River or Bay, and Trees., Frederic Edwin Church, American, 1826–1900, Graphite on gray paper, Horizontal view with a landscape at top, a group of trees at the bottom left, and two palms at center right.,

Design for a Painted Ceiling, Brush and gouache, watercolor on paper, One half of the design is shown. A rosette in a laurel wreath decorates the central oblong panel. Squares are shown in the corners and in the centers of the sides; they are

Design for a Woven Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and blue, white, and purple gouache on oily tracing paper, The rising waves of an undulating band which have blossoms at their bases are

National Theater, New York, R. Bengough, Lithograph with black ink on paper, Horizontal rectangle. Straight view at the theater, which is flanked at left by a street. Carriages and people are shown. Caption: Day + Haghe, lith 17. Gate St.,

Five Figures from Parnassus by Raphael Sanzio, Felice Giani, Italian, 1758–1823, Pen and ink, brush and sepia wash over black chalk on laid paper, Seated boy, head and part of right leg shown. Drawn twofold. Two poets at right of Homer and

Vitré, Arnold William Brunner, American, 1857–1925, Graphite, brush and watercolor on paper, Interior of a large kitchen, with a monumental stone fireplace facing the spectator. A woman sits beside a long table, right, and a cat is seated

Section, Small Domed Building, Pen and black ink, rose, brown and blue wash, black chalk on paper, with fragments of blue paper framing, Temple in section and plan with porch and elliptical domed narthex behind which is nave with niches in

Sketches for the Painted Decoration of Ceilings, Felice Giani, Italian, 1758–1823, Pen and dark brown ink on light brown laid paper, Recto: decoration for three panels, square panel with lunettes and two oblong panels. Each panel has frame.

Scene in the House of Parliament, March 2, 1629, Frederick Coffay Yohn, American, 1875–1933, Brush and grey and white oil on canvas, Numerous figures are shown in various states of agitation in the House of Lords., USA, 1899, figures,

Madonna and Child, Leon Dabo, American, 1868–1960, Charcoal on brown paper, Student work. Half-length figure of the Madonna, turned towards the right, holding the sleeping Child in her arms., USA, 1886–92, figures, Drawing, Drawing

Dance Movement, J. Carroll Beckwith, American, 1852–1917, Pastel on paper, Full-length figure of a woman, facing toward the left, and wearing a yellow, loose-fitting blouse and skirt. Her left hand rests on her hip, and her right hand is

Decorative Studies; Verso: Anatomical Studies, Felice Giani, Italian, 1758–1823, Pen and ink over graphite on laid paper, Five Studies of Ceilings with Grotesques; Two Studies of Ceilings. Verso: anatomical studies of toes with frontal and

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