Images at Librifly

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Sketch for a Mural, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on green paper, Meeting of frontiersmen and Native Americans at edge of woods, mountains beyond., USA, ca. 1895, mural designs, Drawing, Drawing

Study for 'A Lesson of Charity', Daniel Huntington, American, 1816–1906, Black crayon, white chalk on light brown wove paper, Lowered head of an elderly man in three-quarter profile., USA, 1863, figures, Drawing, Drawing

Design for Two Trophies, Jean-Charles Delafosse, French, 1734–1791, Black chalk, pen, brush and black ink on laid paper, Two trophies composed of weapons, crowns, and victory symbols. At left: Referring to the Church victorious over the

Design for a Sepulchral Monument, Giuseppe Barberi, Italian, 1746–1809, Graphite, pen and ink, brush and watercolor on paper, An obelisk rises before the wall of a narrow bay. Before it stand an urn on a pedestal. A displayed eagle and

Designs for Wallpaper and Textiles: Flowers, Brush and gouache on cream paper, Six clusters of blue and purple flowers of different types with stems and foliage scattered at center of page. Also scattered are beige stems of various sizes with

Nude Angel, Angel's Arm, and Drapery Studies, Study for 'Mercy's Dream', Daniel Huntington, American, 1816–1906, Graphite, pen and black ink, white chalk on blue wove paper, Study of a nude figure with left arm raised. Additional study of

Mountain Landscape at Sunset, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite traces on heavy paperboard, View into valley between mountains left and right. A stream at lower right and low bishes and hill in

Design for the West Wall of the Entrance Hall, Royal Pavilion at Brighton, Frederick Crace, English, 1779–1859, Pen and black ink, brush and watercolor, graphite on white wove paper, Elevation of a wall, with a central niche containing a

St. John, Cartoon for Carlisle Window, Paisley Abbey, Scotland, Sir Edward Burne-Jones, English, 1833–1898, Crayon on board, Cartoon for a stained glass window depicting St. John holding a chalice with a serpent in it., England, 1876,

Tree Studies seen from the Rio Magadalena, Colombia, Frederic Edwin Church, American, 1826–1900, Graphite, brush and oxidized white gouache on gray wove paper, Horizontal view with nine designs of trees, tree tops, plants, and leaves.,

Sketches of Two Heads, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on tracing paper, At left, head of a woman, shown in profile, looking up to the left; additional sketch of contour of profile at left. Verso: upper left, sketch

View of Mount Pichincha from Chillo, Ecuador, Frederic Edwin Church, American, 1826–1900, Graphite on buff paper, Horizontal view of the mountain range with the peak rising in the background over low ranges and a valley filled with foliage

Costume Design: No. 29, Two Wealthy Russian Peasants, for Snow Maiden, Boris Anisfeld, Russian, active USA, 1879–1973, Metropolitan Opera, New York, New York, USA, Brush and watercolor on board, USA, 1922, theater, Drawing, Drawing

Standing Female Nude, Daniel Huntington, American, 1816–1906, Black crayon and white chalk on grey wove paper, Study of a standing nude woman facing frontally and slightly to the right. Left arm raised, as if resting on furniture. Left arm

Pavilion in a park, Pen and brown ink with gray wash and traces of graphite on off-white laid paper, Vertical rectangle. The pavilion has the general shape of a triumphal arch, with one entrance on each side. The central room has a circular

Design for a title page or frontispiece dedicated to the Empress Maria Theresa, Johann Gottfried Eichler The Younger, German, 1715 – 1770, Pen and black ink, brush and ink wash, A queen is seated on a throne under a canopy, surrounded by

Entombment of Christ, Brush and bistre wash, red watercolor, red chalk, white gouache (oxidized) on paper, St. John and one of the Elders have begun to carry the corpse away. Mary Magdalene kneels at right, the Virgin sits at left. Two persons

Eagle and Snake, Black crayon, pen and ink, brush and sepia on paper, Eagle standing upon a rock holding the neck of a snake in its right talon. Seen from the front., Italy, ca. 1805, sculpture, Drawing, Drawing

Wall Decoration (West) Wall, Music Room, Royal Pavilion, Brighton, Frederick Crace, 1779 - 1859, Graphite on paper, Elevation of a wall, with a mantelpiece indicated in the center. The walls to left and right are covered by painted panels,

Bavarian Landscape, Frederic Edwin Church, American, 1826–1900, Brush and oil, pencil on Academy board., A church in the Alps is shown in the left middle ground. The steeple rises behind the Gothic structure. A walled park is shown at left.,

Sunset Near Bar Harbor, Maine, Frederic Edwin Church, American, 1826–1900, Recto: Brush and oil on light brown paperboard Verso: Graphite on light brown paperboard., Recto: Horizontal view of a sunset, with a water-filled foreground

Study for 'Titian Showing the Entombment to Charles V and Pope Clement VII', Daniel Huntington, American, 1816–1906, Graphite and white chalk on light brown wove paper, Man with short beard and mustache, seated in a chair, head turned toward

Study of landscape, Meiringen, Switzerland, William Stanley Haseltine, American, 1835–1900, Brush and wash, gouache, graphite on wove paper, View of a valley between two wooded hillsides with snow-covered mountains in right distance.,

Drawing study: Narcissus (?), Black crayon, pen, ink, brown and black water color washes with white heightening on paper, A man is shown partly in profile, partly from the left rear, kneeling under trees beside what evidently is water. A

Moonlit Coast (Possibly Maine), Frederic Edwin Church, American, 1826–1900, Brush and oil paint on cardboard, Horizontal drawing of a calm sea, with distant shore seen behind in the light of a full moon., USA, 1845–55, landscapes,

From under Nose of Mt. Mansfield, Daniel Huntington, American, 1816–1906, Graphite on grey paper, High rock cliff falling from left. Trees and boulders below., USA, September 7, 1864, landscapes, Drawing, Drawing

Four Studies of Works by Perugino and Francia, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash over black chalk on cream wove paper, Madonna with Infant and St. Rocco, Benedict, Sebastian, Anthony. After Francesco

Trophy with Flute, Ivy and Blue Ribbon, Antoine Berjon, 1754 – 1843, Pastel, black chalk, watercolor Support: white laid paper, glued to mount of ruled borders, A wreath of leaves with a flute tied to it below by a ribbon., Lyon, France,

Valley With a Stream and Houses, near Guaranda, Ecuador, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on greenish gray paper, Horizontal view of a valley, at left, with mountain ranges rising toward the

Study of a Right Hand, Daniel Huntington, American, 1816–1906, Graphite, white chalk on brown wove paper, Study of a lowered with hand with thumb facing the viewer and pinky slightly raised., USA, 1850–60, figures, Drawing, Drawing

Two Figures in a Rowboat, Winslow Homer, American, 1836–1910, Brush and gray wash, graphite on off-white paper, Horizontal view of a boy and girl in rowboat, at center, with a schooner on horizon, at right., USA, 1880, seascapes,

Design for a country villa, Pen and ink, brush and watercolor, graphite on laid paper, A two-story structure with dormers and lateral wings. The central section consists of seven bays and the ground floor projects semicircularly., France,

Design for a Chimneypiece, Luigi Righetti, Italian, 1780 - 1819, Pen and black ink, brush and watercolor, graphite on white paper, Horizontal rectangle. Design for a chimneypiece intended to be executed in marble and bronze. Satyrs without

Two designs for andirons, Lefebvre Manufactory, Tournai, Brush and yellow, red-brown, green watercolor, black wash, graphite, on cream laid paper, Above, a lion stands in profile, front right paw on a ball. Pilasters decorated with a

Trunk and top of a palm tree, Frederic Edwin Church, American, 1826–1900, Brush and oil on paper, Drawing of an upper part of the truch and the top of a palm tree., USA, 1865, nature studies, drawing, drawing

Studies of Peace for 'Justice and Peace', Daniel Huntington, American, 1816–1906, Graphite, white chalk on grey wove paper, Woman's head in left profile, at left. At right, drapery study for a seated female figure, turned towards the left,

Design after 13th Century Arcade, Bologna; Verso, Anatomical Study, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash over traces of graphite on cream laid paper, Double sided sheet from sketchbook. Recto, courtyard

Figure Study, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on cream paper, Half-figure with bare chest. The head leans on the right hand and is turned toward the left shoulder. The left hand and right elbow lean on the same surface.

Designs for Chairs, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Designs for the five chairs. Seen from an oblique angle, on a washed ground. Detail of one chair leg at lower

Snow-covered Peak of Mount Chimborazo, Ecuador, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on heavy greenish paper, Horizontal view of the snow-covered peak of Mount Chimborazo, seen from same point as in

Design for a Woven Fabric, Fragment, Gouache on oily tracing paper, mounted, A fantastical flower plant with a tree trunk grows from a strip of soil; low plants. A bunch of flowers at right., France, 1815-1840, Drawing, Drawing

Candlestick, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined, A stepped plinth supporting five fluted columns; at front, four small columns with floral bobeches supporting long tapers. Connecting these are

Hebe Offering a Drink to Zeus, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash over traces of graphite on cream laid paper, Sitting god extends his right hand with bowl towards Hebe, who stands pouring ambrosia with

Ceiling light suggestions for a music room, John C. Wolf, Brush and watercolor, graphite on heavy white paper, mounted on gray illustration board, Several stained glass suggestions some containing wreaths with ribbons; others with trophies

Study of clouds, Rome, Italy, Francis Augustus Lathrop, American, 1849 - 1909, Brush and watercolor, gouache, graphite on paper, Sketch of a clouds., Rome, Italy, 1893–1894, nature studies, Drawing, Drawing

Two Partial Anatomical Studies, Daniel Huntington, American, 1816–1906, Graphite on green wove paper, At top, legs of a man walking, from the rear. Drapery sketched about his hips. Below, oriented differently, back and right arm of a man

Design for two andirons, Lefebvre Manufactory, Tournai, Brush and yellow, green, red, black watercolor, graphite, on cream laid paper, Above: center panel with a lion mask flanked by pilasters decorated with palmette motif. On top, lowered

Design for Wallpaper and Textiles: Flowers, Brush and gouache on cream paper, Light brown branches with yellow flowers and yellow-green foliage interspersed with single red flowers on stems. All plants point different directions., France, 19th

Design for a Waistcoat, Black crayon and various gouaches on paper, Design for the embroidery at the border of a man's waistcoat. Lower left corner. The outlines of the pocket are shown. Dark brown and lilac edges. Two bunches of flowers are

The Drawing Academy of Francesco Rosaspina, Giulio Tomba, Italian, 1780 - 1841, Felice Giani, Italian, 1758–1823, Etching with engraving on paper, Most of the artists are seated at a long table stnading under the lighted lamps. Others stand

Ceiling Ornament, Pen and gray ink, watercolor, traces of graphite, ruled borders in pen and gray, Support: white laid paper, Italy, Italy, ca. 1870, interiors, Drawing, Drawing

Academic Study of a Male Nude, Giuseppe Longhi, Italian, 1766–1831, Black and white chalk on brown paper, A male nude is seen standing, frontally, with his head turned in left profile. His right hand clasps a cord pulled around before him

Designs for Mechanical Furniture: Wardrobe, Desk and Dressing Table, Graphite, pen and black ink, brush and watercolor on paper, Above, wardrobe; center, desk; lower, combination writing and dressing table; top, two plans, section and

Designs for Architectural Ornament, Pen and ink, brush and wash on paper, At left, a profile medallion of a soldier framed with a wreath, resting on a grotesque base. At right, the corner of garden architecture with a vase., Italy, 18th

Design for a Tondo with Arms of Cardinal Giulio della Rovere, Niccolò Martinelli, called il Trometta, Italian, 1565 – 1620, Pen and brown ink, brush and brown wash, white gouache over traces of black chalk on blue laid paper, The tondo is

Project for a Case in a Vestry with Alternative Suggestions, Graphite, pen and black ink, brush and watercolor on paper, Measured elevation with alternative suggestions. Front and side view shown. At top, a crucifix in yellow watercolor.,

Venus and Cupid, Study after Annibale Carracci, Felice Giani, Italian, 1758–1823, Pen and ink, brush and brown wash over black chalk on heavy white paper, Upper drawing of Venus seated on clouds, holding apple(?) in left hand; at left,

Design for a Pavilion, Giuseppe Valadier, Italian, 1762–1839, Pen and ink on paper, Elevation of pavilion in the Pompeian style with thin columns. Plan below., Italy, 1815–1835, architecture, Drawing, Drawing

Hercules and Antaeus, Annibale Carracci, Italian, 1560–1609, Pen and black ink, brush and brown wash on cream paper, Hercules, wearing a lion's skin, lifts the giant, Antaeus, over his head. The figures are seen foreshortened from below.

Doorway of San Salvatore in Lauro with Decoration for the Funeral of King Frederick August III of Poland, Rome, Italy, Carlo Marchionni, Italian, 1702–1786, Brush and gray wash, graphite; border and inscription in pen and brown ink on

Design for a Ewer, Auguste Bergeret, French, Pen and brown ink, brush and gray wash, graphite on paper, Shown in profile; the handle is at right. It consists of baluster forms and masks. A satyr with fishtail legs is below the spout. The body

Window Decoration, Probably for the East Wall of the Music Room, Royal Pavilion, Brighton, Frederick Crace, English, 1779–1859, Watercolor, graphite on white wove paper, Horizontal rectangle. Design for the Royal Pavilion, Brighton.

Study for 'Contemplative Spirit of the East, ' Minnesota State Capitol, St. Paul, MN, Kenyon Cox, American, 1856–1919, Graphite on paper, Two sketches of an outspread wing., ca. 1904, figures, Drawing, Drawing

Memorial Panel Depicting Painting and Music, Pen and black ink, brush and brown wash and white gouache, black chalk, A tablet contains an imaginative picture frame in the central park. It is flanked by pilasters, in front of which the statues of

Sketch of a Textile Printing Factory, Graphite on paper, Frontal elevation of a large textile printing factory, showing lengths of cloth hanging from a bower. At the right is a water wheel. Figures in various occupations. Numbering, in ink, on

Mountain Landscape near Jorje, Ecuador, Frederic Edwin Church, American, 1826–1900, Graphite on cream-colored paper, Horizontal view of a mountain range, bordered by the banks of a valley with clouds., July 23, 1857, landscapes, Drawing,

Design for Clock, Lefebvre Manufactory, Tournai, Graphite, pen and black ink, brush and yellow, red watercolor on cream laid paper, Base supported by tapered legs of descending concentric circles. Front panel decorated with festoons and

Elevation toward Polo Grounds, Clubhouse, Newport, Rhode Island and Golf Club, Whitney Warren Jr., American, 1864–1943, Graphite, brush and watercolor on paper, Two-story building with pointed roof, balustrades, and greenery. In front of

Figural Studies, Red crayon on paper, Figure shown from the front, seated. The left foot stands upon a step. The arms are crossed. The head is lowered and turned towards the left shoulder., Italy, 1550–1600, figures, Drawing, Drawing

The Rear Elevation of the Chateau de Boufflers, Pen and ink, brush and watercolor, graphite on paper, France, 1680, Drawing, Drawing

Sacrifice of Noah, Pietro Novelli, Italian, 1603 - 1647, Brush and brown wash, pen and ink on white laid paper, Depiction of the Sacrifice of Noah. At right, figure of Noah is kneeling at the foot of a brick altar. His sacrifice of a ram is

Botanical Studies from Jamaica, West Indies, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on paperboard, Fern and a wild plantain as an underneath in a wood., Jamaica, USA, June 1887, nature studies,

Design for Renaissance-Style Sideboard in Plan and Elevation, A.N. Davenport Co., Graphite on thin cream paper, Elevation view (with wall paneling suggested in background): massive carved Renaissance-style sideboard on low rectangular platform;

Study of a Capital and Base, Arnold William Brunner, American, 1857–1925, Graphite and white heightening on beige paper, Corinthian Capital, rounded base, fluted column., USA, 1879, architecture, Drawing, Drawing

Design for an Embroidery or Woven Fabric of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and light blue, white, and brown gouache on glazed tracing paper, A row of four hanging feathers is shown at the bottom. A fifth

Peace Burning Attributes of War, Francesco Salviati, Italian, 1510 – 1563, Pen and brown ink, brush and white gouache, black chalk on blue paper, varnished and lined, Italy, mid–late 16th century, architecture, Drawing, Drawing

Designs for Wallpaper and Textiles: Flowers, Brush and gouache, graphite on beige paper, Ten pink flowers and buds with the flowers equal in size to their stems, some with foliage and some with two flowers. The ten flowers are spread across page.

Grotto in the Boboli Gardens, Florence, Brush and watercolor, white gouache, pen and black ink over graphite on off-white laid paper, View across a meadow toward a grotto in the Boboli Gardens which features a fountain. The central portal is

Architectural Details of El Khasneh, Petra, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on cream paper, View of the entire façade with the flanking rocks. Architectural detail at left and capital details at

Antique Statue of a Priestess, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and sepia wash on off white laid paper, Figure shown walking toward right while holding something in his left hand., Italy, ca. 1820, figures,

Landscape Sketch, Mount Desert, Maine, Daniel Huntington, American, 1816–1906, Black and white crayon, graphite on grey paper, Sketch of a mountainous landscape., August 19, 1856, landscapes, Drawing, Drawing

Cove Back of Dumpling Fort, Newport, Daniel Huntington, American, 1816–1906, Graphite on paper, Large mass of rocks sloping into the water from left. More rocks, at right, across water. At center, a sailboat and shore beyond., USA, July

Study of Drapery, Walter Shirlaw, American, b. Scotland, 1838–1909, Charcoal, chalk, graphite on brown paper, A seated figure in drapery is shown from the waist down., USA, 1875–80, figures, Drawing, Drawing

Study of women, William Stanley Haseltine, American, 1835–1900, Graphite on paper, Sketch of four female figures seated and washing clothes., USA, ca. 1855, figures, Drawing, Drawing

Design for a Silver Standing Cup, or Centerpiece, Wenzel von Olmütz, Pen and brown ink, brush and brown wash Support: white laid paper, cut out and laid down, The silver centerpiece is bossed and decorated with croquets; from the center of the

Day Couch for Mrs. Allen's Boudoir, Henry J. Allen Residence, Wichita, Kansas, Henry J. Allen, Elsie J. Nuzman (Mrs. Henry J.) Allen, Graphite, color pencil on cream tracing paper, At center of page, two colored drawings of day couch, one

Design for a Woven Fabric, Brush and gouache on oily tracing paper, Big-sized flower boughs staggered and of different designs in alternating horizontal rows are stuck into a rising undulated flower stem, from which boughs with leaves and blossoms

Wallpaper Design, Brush and gouache, graphite on paper, A dado is decorated with rising waved bands consisting of rows of petals which are framed by ribbons. Suggested are alternate white and dark colorings below, a white coloring above.

Decorative Studies; Verso: Anatomical Studies, Felice Giani, Italian, 1758–1823, Pen and ink over graphite on laid paper, Two studies of partition with grotesque; three friezes with grotesque and masks. Verso: two anatomical studies of knees

View of Venice, Italy, Robert Frederick Blum, American, 1857–1903, Pen and ink on wove paper, Sketch of gondolas and sailboats in Venice., Venice, Italy, 1880, seascapes, Drawing, Drawing

Study of a Linden Branch, Sophia L. Crownfield, (American, 1862–1929), Brush and watercolor on paper, Vertical sheet depicting a linden branch with leaves and berries. On verso, three studies of raspberry canes., USA, early 20th century,

Design for Bottle Cooler, Glasses, and Tray, Giovacchino Belli, Italian, 1756 - 1822, Pen and black ink, brush and gray wash, yellow watercolor, graphite on cream laid paper, Vertical rectangle. Design for bottle cooler, glasses, and

River Bank with Mountains and Clouds, Three Botanical Sketches and Busts Studies of Men with Hats, Frederic Edwin Church, American, 1826–1900, Graphite on grey paper, Horizontal view containing at upper left a man's hat, a bust-length fontal

Mt. Chocorua from Swift River Road, Daniel Huntington, American, 1816–1906, Graphite on paper, Mount Chocorua in distance, at center. Ridges in front at left and right. Lower right, rock ledge with road bending around it. Fence and meadow at

Elevation of a Domed Chur, Franz Rust, 1720 – 1807, Pen and brown ink, brown wash, traces of black chalk, ruled border in pen and brown Support: white laid paper, Rome, Italy, Italy, ca. 1780, architecture, Drawing, Drawing

Study for 'Diana and Her Attendants among the Constellations', Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, Sketch of a female nude figure reclining., USA, ca. 1894, mural designs, Drawing, Drawing

Study of a Woman, Walter Shirlaw, American, b. Scotland, 1838–1909, Black crayon and graphite on paper, A woman is shown frontally, up almost to her shoulders. Her left hand holds the hem of her upper skirt, her right hand is shown from the

Project for Trophies with the Arms of the Passion, Pencil, pen, brush and grey ink on paper, Design for two vertical trophies with the arms of the Passion of Christ. At left, the cross, vellum, hammer, tongs; at right, nails, crown of

Parthenon and Erectheion, Athens, Frederic Edwin Church, American, 1826–1900, Graphite on green-gray paper, Horizontal view of the west side of the Parthenon in the right middleground; the southern side of the Erechtheion in the center;

Clovel, Arnold William Brunner, American, 1857–1925, Graphite, black pastel and white heightening on beige paper., Man leaning against low wall near a cottage on high cliffs. In the background are mountains, lower background are houses and

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