Images at Librifly

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Botanical Studies made from the Rio Magdalena, Colombia: Parasite, Dead Tree, Frederic Edwin Church, American, 1826–1900, Graphite on gray wove paper, Horizontal view of botanical studies of Columbia plants and trees., 1853, nature

Elevation of a Reliquary Cross, Pietro Belli, Italian, 1780–1828, Pen and ink, brush and ochre and black watercolor, graphite on paper, Vertical rectangle. Design for a reliquary, the pedestal in the shape of an antae sarcophagus,

Landscape Near Guaranda, Ecuador, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on greenish paper, Horizontal view of high mountains in the distance across foothills. A hill is shown in the foreground with a

Design for a Candlestick, Graphite, pen and ink, brush and watercolor and wash on paper, Two branches formed by leaves rise along the two lateral edges of the hexagonal gaine which forms the shaft. One leaf passes in front, the other behind,

Oil lamp, Pencil and brown wash on paper, Vertical rectangle. Lamp ornamented with three standing female nudes. Pencil framing lines. A, B, C pasted together., 1810–25, Drawing, Drawing

Study of Flower Boughs for Woven Textile, Black and red chalk, colored gouache on paper, Three sprays of fanciful flowers, in the Pillement taste., France, ca. 1780, Drawing, Drawing

Study of clouds, Rome, Italy, Francis Augustus Lathrop, American, 1849 - 1909, Brush and watercolor, gouache, graphite on paper, Sketch of a sunset and clouds., Rome, Italy, 1893–1894, nature studies, Drawing, Drawing

Sketches in Siena, Arnold William Brunner, American, 1857–1925, Graphite on paper, Details of architectural mouldings, profiles. Flask of vine, with dimensions indicated, upper left. Tower, right. Profile, lower center., USA, 1883,

Decorative Studies; Verso: Anatomical Studies of Toes, Felice Giani, Italian, 1758–1823, Pen and ink, brush and watercolor washes over graphite on cream laid paper, Five studies of ceilings with grotesques; friezes; four candalabra. Verso:

Bacchanalian Scene, Johann Sebastian Bach, German, 1685 - 1750, Pen and grey ink, brush and grey, green, and pink watercolor washes on off-white laid paper, with watermark of Fleur-de-lis in a shield surmounted by a crown. (Probably Dutch

Wooded Scene - West Campton, New Hampshire, Daniel Huntington, American, 1816–1906, Graphite on pale green paper, Road, foreground, running under trees, away at right. Many trees, shaded deeply at left., USA, September 21, 1855,

Study for 'The Gulf Stream', Winslow Homer, American, 1836–1910, Brush and watercolor, black chalk on heavy white wove paper, Vertical view showing the listing bow of a boat with a broken mast, among swelling waves., USA, 1898–99,

Study of a Lion, Charcoal on paper, Seated lion facing left and licking its forearm., Italy, ca. 1815, nature studies, Drawing, Drawing

Rent Due, Eugene Higgins, American, 1874–1958, Pastel on paper, A man is seen seated dejectedly at a table on which is a lighted lamp and a bowl. A woman, with her shadow enlarged by the light from the lamp, comes down a stairway in the

Sketches of Lake Lugano, Arnold William Brunner, American, 1857–1925, Graphite on paper, Page of a sketchbook. Vertical rectangle. View of lake with mountains in the background. Small boats with sailcloth covering a curved, ribbed casing

Group of Angels, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on laid paper, Central angel facing frontally with arms upraised. Angel to right in left profile, with a cloud. Others at right with hands folded., USA, ca. 1895,

Design for Plain Desk Organizer, A.N. Davenport Co., Graphite, blue color pencil on thin cream laid paper, 1900–05, furniture, Drawing, Drawing

Design for Equestrian Monument of Charles III, Pen and brown ink, brush and blue-gray watercolor on cream laid paper, Design for an equestrian monument of Charles III. The male figure seated upon his horse, whose front legs are raised and hind

Wallpaper Design: Psyche Bringing to Venus a Glass from the Fountain of Youth, Merry-Joseph Blondel, French, 1781–1853; active Paris, France 1802–1851, Joseph Dufour et Cie., French, 1752–1827, Graphite, black, white chalk, brush and

Female Monkey in Rococo Dress, Brush and gouache over graphite on thin board, A singerie, a work from the visual arts genre characterized by depictions of monkeys imitating human behavior, often fashionably attired. A female monkey is depicted in

Floral design for printed textile, Louis-Albert DuBois, Swiss, 1752–1818, Brush and gouache, graphite on pale green wove paper, Multi-colored floral border, green leaves, scattered buds on field above, on white ground., France,

Study of Two Men and Skirt Drapery for Mrs. Sheppard Gandy, Daniel Huntington, American, 1816–1906, Black crayon, red crayon, white chalk on blue wove paper, Upper left, a man seated at a table with his back to the viewer. Lower right, a

Fifteen Sketches for a Throne, Pen and brown ink, graphite on off-white laid paper, Top row: two angle views and two plans of platforms with thrones. Center row: three elevation, a plan of platforms with thrones; the right part of an elevation

Study of Angel with a Book, Francis Augustus Lathrop, American, 1849 - 1909, Black crayon on tracing paper, Angel in flight toward the left, holding an open book. The right hand points to text on the lefthand page, reading: 'IN THE BEGIN',

A Waterfall, Daniel Huntington, American, 1816–1906, Black and white crayon on grey-brown paper, Water falling from high rocks at right. Pool below, with outlined rocks in foreground and trees beyond., USA, 1855–65, landscapes, Drawing,

Rendering of One Sutton Place, New York City, Graphite, pen and black ink, brush and watercolor on white paper mounted on board, Front and side elevations of a four story brick and limestone trim corner house, erected for Mrs. William K.

Design for a ceiling, Robert de Cotte, 1656 – 1735, Pen and black ink, graphite, white heightening on blue paper, Two alternative designs are suggested for the cove: including festoons, scrolls, female masks, festoons, and gaines. For the

Marching Infantry Column, Winslow Homer, American, 1836–1910, Graphite, charcoal, white chalk on paper, Horizontal view of a marching infantry column with drummers at left drawn distinctly and a company of soldiers mounted on horses in the

West View of Bridge at Blenheim, Oxfordshire, John Buckler, F.S.A., British, 1770 – 1851, Graphite, pen and brown ink, brush and watercolor, View of the lake and bridge at left with the castle in the distance at right. A herd of deer is

Male Nude, Luigi Calamatta, Italian, 1802 - 1869, Black and white crayon on paper, Standing male holding a staff for balance, left foot on a block., Italy, 1825–1850, figures, Drawing, Drawing

Rocky Coast, Grand Manan, Canada, Frederic Edwin Church, American, 1826–1900, Black crayon, brush and white gouache on brown paper., Horizontal view of the rocky coast shown at right forming a cove with a sailboat in the middle distance.,

A Sculptor's Studio, Thure de Thulstrup, American, b. Sweden, 1848 - 1930, Gouache over traces of graphite on cream wove paper, Interior of a sculptor's studio. Sculptor working on a large figure in the background. Man at right examines a small

Sketch of a Woman's Head, Francis Augustus Lathrop, American, 1849 - 1909, Black crayon on tracing paper, Head of a woman looking up and slightly to the left., USA, ca. 1895, figures, Drawing, Drawing

Design for Ornate Carved Hat Tree, A.N. Davenport Co., Graphite on thin cream laid paper, 1900–05, furniture, Drawing, Drawing

Design for a Candlestick with Alternative Suggestions, Johann Nepomuk, Pen and ink, brush and sepia wash, graphite on paper, Three eagles support a base from which a gain rises showing heads with helmets under the top, and a vase on top. The

Design for a Tureen, Joseph Anton Seethaler II, German, 1799–1868, Pen and ink, brush and washes, The left half shows the vessel banded by wheat and rinceaux, with a bundle of wheat forming the handle. The finial is in the form of a basket

Study for Illustration, Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite, black and brown crayons on paper, A man in a bathing suit is shown in profile, sitting and reading. His head leans on the left hand. Separate studies above

Bust of Man Crowned with Vine Wreath, Walter Shirlaw, American, b. Scotland, 1838–1909, Pastel on cream wove paper, The man's head is shown in three-quarter profile, turned toward the left, crowned with leaves., USA, 1875–80,

Sketch of a Woman's Head, Francis Augustus Lathrop, American, 1849 - 1909, Black crayon on tracing paper, Sketch of a woman's head, looking up and toward the left., USA, ca. 1895, figures, Drawing, Drawing

Study for Charity, Faith, and Hope, Francis Augustus Lathrop, American, 1849 - 1909, Black crayon on paper, Charity holds a baby, another child stands beside her. The angel is seated and leans his left arm on her leg. Faith holds the cross on

Portrait of a Young Woman, Gilbert Tompkins, New York, NY, USA, Pencil on cream paper, Vertical rectangle. Bust-length portrait of a young woman, facing the spectator, her figure turned toward the right., New York, USA, 1902, portraits,

Sepulchral monument, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, Large tiered monument with several figures; topped with a robed warrior., Italy, 18th century, architecture, Drawing, Drawing

Four Candelabra Designs, Felice Giani, Italian, 1758–1823, Pen and ink, black chalk on light blue paper, Horizontal rectangle showing design for four candelabra. At left, entitled All Amore (to Love), the three graces, two cupids with bows

Cattle Study for Sheep-Shearing, Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite on heavy cream wove paper, Interior view of a cattle shed showing an ox facing right and four resting cows at a feeding trough. At lower left, a

Saco River, North Conway, New Hampshire, Daniel Huntington, American, 1816–1906, Graphite on paper, The river, low in foreground, with pebbles showing. Ridge, slanting down from left to right. Beyond, a forest, with a mountain in

Damascus, Syria, Seen from the Northwest, Part 1, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on blueish green paper, Horizontal view of the city in the right middleground. Continues on 1917-4-158-b.,

Thetis Plunges Achilles in River Styx, Felice Giani, Italian, 1758–1823, Pen and brown ink over traces of graphite on light blue paper, Water flows from jar of god in narrow valley. Thetis holds kneeling Achilles by his right leg. She is

Sepulchral Chapel seen through a Colonnade, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, Horizontal rectangle: view from within an antique building in which sculptural monuments are massed, through an opening

Female Nude, Daniel Huntington, American, 1816–1906, Black crayon and white chalk on light green wove paper, Standing nude female figure shown from right rear. Study of feet, at upper right., London, United Kingdom, June 1858, figures,

Franconia Notch from the Pemigewasset River near Grafton House, Daniel Huntington, American, 1816–1906, Graphite and white crayon on pale green paper, Stream feeding river, center, running from right foreground. Trees beyond, pasture close

Design for Stage Curtain: Apollo and Marsyas, Palazzo Conti-Sinibaldi, Faenza, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash over black chalk on wove paper, Horizontal rectangle. Curtains frame scene, stage

Design for Sideboard with Glass Door Cabinet Above, A.N. Davenport Co., Graphite on thin cream paper, Oblong sideboard with 6 straight tapering legs [5 shown]; rounded front corners decorated in neo-classical motifs; flat front has center niche

Sepulchral Monument of the Three Last Stuarts, Pencil, pen, wash, Chinese ink., The half figure of James III, the “Old Pretender” (1688-1760) is shown between two of his sons behind the parapet of a loggia which is covered by a cloth and

Ground Plan and Elevations of Theater Boxes, Probably for the Teatro del Versaro (later Morlacchi), Perugia, Italy, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, Vertical

The Lupercalian Festivals, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash, over traces of black chalk on white heavy wove paper, Upper drawing, male figure in classical dress at center, with robe billowing behind

Study for 'Zodiac', Francis Augustus Lathrop, American, 1849 - 1909, Pastel crayon on tracing paper mounted to board, Sketch of an octagonal ceiling panel with figures in loose garments., USA, ca. 1894, mural designs, Drawing, Drawing

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, A flower bunch containing some roses is obliquely disposed over a row of

Design for a Woven Shawl, Brush and green, yellow, red, and lilac gouache on dark brown tracing paper, mounted, Waved and rising stems with naturalistic flowers of different kinds, with leaves and a kind of tentacle., France, 1820–1850,

Clouds, Daniel Huntington, American, 1816–1906, White chalk Support: Gray wove paper, USA, USA, ca. 1840, landscapes, Drawing, Drawing

Study for 'Zodiac', Francis Augustus Lathrop, American, 1849 - 1909, Brush and watercolor, gouache, graphite on paper, Sketch of an octagonal ceiling panel with figures in loose garments., USA, ca. 1894, mural designs, Drawing, Drawing

Printed Textile Design, Louis-Albert DuBois, Swiss, 1752–1818, Fabrique de Fazy aux Bergues, Brush and gouache, graphite on white laid paper, Left corner border of flowers in pink and blue against black background patterned with ten double

Designs for Embroidery, Black crayon on tracing paper, Vertical rectangle. Designs of abstract floral patterns for panels and borders. Each drawing stamped at top: 'Sessin original a broderie.' Designs numbered 162 (G), France, ca. 1890,

Design for an Embroidered or Woven Border, Brush and gouache on oily tracing paper, Fantastical plants are horizontally connected by lace festoons. Most of one plant and a part of a bough of another are shown., France, 1815–1840, Drawing,

Study for a fresco for the hall of the Senate, Genova: The relics of St. John Baptist are brought to Genova, Brush and gray wash, pen and ink, over graphite on paper., At right the dock with ships. At left, a procession headed by the archbishop

Landscape near Petra, Frederic Edwin Church, American, 1826–1900, Brush and oil on thin cream board, Horizontal image on a hill range stretching form left to the right background interrupted by an indentation in the middle distance. A plain is

Mise-en-carte for Textile, No. 8359, Robert M. Davidson, Orinoka Mills, (Philadelphia, Pennsylvania, USA), F. Jones & Co., Brush and gouache, graphite on pre-printed graph paper, Floral design of tulips, berries and stylized leaves., USA,

Hacienda on the Lerma River, San Juan, Mexico, Thomas Moran, American, b. Britain, 1837–1926, Brush and watercolor, white gouache, pen and red ink, graphite on gray laid paper. Ruled border in graphite, mounted on off-white wove paper.,

Stage Design: Walled Courtyard with View of a Garden, Andrea Pozzo, Italian, 1642–1709, Pen and brown, red ink, watercolor on paper, Horizontal rectangle showing a paved courtyard decorated with Tuscan columns, roundels and and sculpture

Design for a Printed Textile: Floral Border with Islands on a Lake, Louis-Albert DuBois, Swiss, 1752–1818, Fabrique de Fazy aux Bergues, Pen and black ink, brush and watercolor, graphite on blue laid paper, Flowered border enclosing small

The Last Supper, Francesco Saverio Mergolo, Italian, 1746–1786, Brush and wash, pen and ink on paper, Drawings of the side view of Jesus at the Last Supper. He stands at center left in front of a table and surrounded by his disciples below a

Front Elevation of the Newport Country Club, Harrison Avenue, Newport, Rhode Island, Whitney Warren Jr., American, 1864–1943, Brush and water-colors over graphite on heavy cream illustration board, Elevation, executed in delicate

Design for a Coffee Urn, Joseph Anton Seethaler II, German, 1799–1868, Pen and black ink, brush and gray, black wash, graphite on paper, Side view with the spout at right. On a square plinth on knobs. Egg-shaped urn with cover. Two snakes

Study of a Horse, Charcoal on paper, Head of horse. Mane missing., Italy, 1810–1820, nature studies, Drawing, Drawing

Study of an Arm for Portrait of Mrs. Rutherford B. Hayes, Daniel Huntington, American, 1816–1906, Black crayon and white chalk on grey-brown paper, Study of a right arm extending from below the shoulder. Drapery and shadow around the lower arm

Mountainous landscape between Popayan and Pasto, Colombia, Frederic Edwin Church, American, 1826–1900, Graphite on brown-green paper, Horizonal sketch of a mountain range. Caption below written in pencil: 'Recollection of a bit of scenery/

Five Caryatids, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash over traces of graphite on blue laid paper, Figures, one beside other. First and fourth figures, seen with upper part of bodies from back, legs in

Narrow Steps between Houses, Arnold William Brunner, American, 1857–1925, Graphite and white heightening on green paper, Cottages on both sides, steps going upwards. Vegetation scattered throughout., USA, 1870–80, architecture, Drawing,

Study for the Clubhouse of the golf club of Newport, Whitney Warren Jr., American, 1864–1943, Graphite, pen and red ink, brush and brown, red, light blue, green, and black watercolor, on cream wove paper, Elevation, executed in

Designs for Wallpaper and Textiles: Pink Blossoms in Wreath, Brush and gouache on paper, Dark red background with wreath of pink blossoms and green foliage at center. Foliage in gold surrounds composition. Brush strokes in gold on four sides of

Forest in Jamaica, Frederic Edwin Church, American, 1826–1900, Brush and oil paint on cardboard, In the woods, lower parts of trees are shown in the foreground, with bushes and blooming plant in the middle distance., Jamaica, May–July

Female Torso From a Plaster Cast, Daniel Huntington, American, 1816–1906, Black chalk, white chalk on cream wove paper, Nude female torso, facing frontally, leaning slightly to left. Light source to left. Arms, head, and lower legs

Century Plant, Agave Americana, Jamaica, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on cream-colored wove paper, Vertical view showing a straight stem growing from a calyx of leaves, and a detail of the

Plan, Sketch for Library Museum for J. Pierpont Morgan, Esq., New York, Graphite, pen and black ink, brush and blue and yellow watercolor, red and green crayon, on tracing paper mounted on white laid paper, Floor plan of the 'Library Museum'

Battaglia (Battle), Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash over traces of graphite on cream laid paper, Measured design for a frieze showing a battle scene with figures in the antique style., Italy, ca.

Apollo and Daphne, Felice Giani, Italian, 1758–1823, Pencil, pen and black ink, brush and watercolors on Paper., Horizontal rectangle. Apollo reaches the nymph who, begins to be changed into a laurel tree. Her father Peneus is shown in the

Design for Wallpaper: Birds on Stands, Pen and brown ink on laid paper, Eight birds on perches enclosed by arced branches, in four horizontal rows, and staggered in alternate, rows., France, ca. 1730, wallpaper designs, Drawing, Drawing

Studies for a Sepulchral Monument, possibly commissioned by King John II of Portugal-Brazil (1815-1826), Graphite, pen, and brown ink on paper, At top half of sheet, elevation of sculptural tomb: flights of steps lead to a platform with

Elevation of a Stately Building with Three Entrances, Pen and ink, brush and gray wash on white laid paper, Horizontal format architectural drawing. The building depicted has three floors and a basement. The central part of three bays, and the

Study of Peonies, Sophia L. Crownfield, (American, 1862–1929), Graphite, pen and ink, brush and white gouache on tracing paper, Vertical sheet depicting two peony blossoms whose stalks cross at the right. The blossom on the left has been

Design for the Embroidery of a Man's Waistcoat, Pen and ink on paper, A working drawing. Lower left section of a waistcoat. Leaves and small flowers on pocket. A similar motif indicated in corner and in border design, upper left to upper right.

A Sepulchral Monument of Henry Cardinal York (1725-1807) and Charles Edward Stuart, the 'Young Pretender' (1720-1788), Pencil, pen, wash, Chinese ink, The two half-figures are shown as standing behind the balustrade of a loggia. A canopy with

Study of Two Antlers, Frederic Edwin Church, American, 1826–1900, Graphite on gray paper, Horizontal view with two antlers, USA, ca. 1850, nature studies, Drawing, Drawing

Sketches of Lambs, Trees and a House with a Study of a Boulder., Frederic Edwin Church, American, 1826–1900, Black crayon on paper, Recto: Horizontal study showing in the top row a grazing lamb seen obliquely from the left hind leg, a detail

Hudson Valley, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on board, View across desolate, wooded hilly country. Sky with clouds., April 2, 1867, landscapes, Drawing, Drawing

Courtyard of a Medieval Manor, Arnold William Brunner, American, 1857–1925, Pen and ink, brush and watercolor on grey drawing paper, Courtyard of a medieval manor. Flight of steps leads up to an open gallery, where a figure stands ready to

Study for 'Communion of the Sick', Daniel Huntington, American, 1816–1906, Graphite, white chalk, black pastel on light brown wove paper, Head of an elderly woman with raised eyes, her head turned slightly toward the left, a cap on her

Sketch of Figures for Ascension, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on laid paper, Figure at right with cross. Central figure likely holds a trumpet., USA, ca. 1895, figures, Drawing, Drawing

A Pitch Pine, Frederic Edwin Church, American, 1826–1900, Black crayon on paper, Recto: Vertical view of an evergreen in a storm swept country., Verso: Horizontal view of a seated dog shown turned toward the left and ferns, upon an outlined

Drawing, Louis-Albert DuBois, Swiss, 1752–1818, Gouache and graphite on pale blue laid paper, Horizontal rectangle or four vignettes. Upper left, a pink fountain; upper right, an urn containing a flowering tree; lower left, yellow house;

Designs for Two Drawer Handles, Pen and black ink, brush and yellow, brown, gray wash on paper; verso: graphite, Vertical rectangle. Designs for two drawer handles intended to be executed in metal, one below the other, the lower intended to be

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