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Terminus of an All e (or, Graphite, gray wash Support: laid paper, Rome, Italy, Italy, 1775, architecture, Drawing, Drawing

Design for Ceiling Decoration, Probably for the Entrance Hall, Frederick Crace, English, 1779–1859, Brush and watercolor, graphite on paper, Vertical rectangle. Design for the Royal Pavilion, Brighton. Design for the ceiling of a square

Small Fan Palm, Jamaica, Frederic Edwin Church, American, 1826–1900, Graphite on cream-colored wove paper, Vertical view of a palm tree with two pending big leaves., Jamaica, June 14, 1865, nature studies, Drawing, Drawing

Design for a Brocade, Brush and lateritious gouache, brush and white, purple paint on oily tracing paper, Elongated quatrefoils with four circumscribed lilies and a five-pointed star on dotted ground are staggered in alternate overlapping

Portraits of Theatrical Performers, Italy, ca. 1781, Drawing, Drawing

Female Nude, Study for 'Mercy's Dream', Daniel Huntington, American, 1816–1906, Charcoal and white chalk on gray wove paper, Nude facing frontally with her head turned toward the right. Her knees bent and her legs extended to the right. She

Study of Nude Figure, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on cream paper, The boy is shown prone, leaning the left arm and the right hand on the top of a couch, which is not shown. Verso: in opposite direction, a scheme

Elevation of a Wall, Pen and ink, graphite on paper, Some details of the sparse decoration are suggested differently, and alternatively, in the left and right halves. Flanked by narrow wall panels, the central panel and two more with the door

Studies of Architectural Details, Arnold William Brunner, American, 1857–1925, Graphite and white heightening on grey-blue paper, Eight studies of mouldings and wood carvings., USA, ca. 1879, architecture, Drawing, Drawing

Designs for Wallpaper and Textiles: Insects, Brush and gouache, graphite on cream paper, Square composition outlined in thin black line with 22 insects represented in various positions., France, 19th century, wallpaper designs, Drawing,

Fishermen in Landscape, Carlo Marchionni, Italian, 1702–1786, Pen and brown ink with brown wash on off-white paper, lined, A scene framed by trees. A group of four men at the edge of a body of water. One stands in a boat spearing a fish. Two

Study of Chestnut Tree Branches, Sophia L. Crownfield, (American, 1862–1929), Brush and watercolor, gouache on brown wove paper, Horizontal sheet depicting two chestnut branches with leaves and blossoms. On verso, a single chestnut branch

Turkish Ambassador Presenting Gift to Don Giovanni of Austria, Belisario Corenzio, Italian, active 1590–1646, Pen and brown ink, brush and blue wash, red chalk on cream laid paper; verso: red chalk, Figures of Turkish Ambassadors kneeling

Study of lake, Francis Hopkinson Smith, American, 1838–1915, Charcoal, brush and gouache on paper, Two sketches of a lake shore., USA, ca. 1870, nature studies, Drawing, Drawing

Loches, Arnold William Brunner, American, 1857–1925, Brush and watercolor on paper, Small houses in the foreground, with the tall tower of a chateau rising behind them., USA, 1883, landscapes, Drawing, Drawing

Male Monkey sits on decorative frieze, Gouache over graphite, France, France, 1860–90, Drawing, Drawing

Design for an Earring, Pen and sepia ink, brush and gray watercolor on paper, Jewelry design for an earring. Above, a round diamond in a circular frame. In the center, a knot with three drops., Italy, early 18th century, jewelry, Drawing,

Jewelry Design, Connection Between the Disk and the Drop of an Earring, Pen and ink, brush and gray watercolor on light green paper, Jewelry design showing the connection between the disk and the drop of an earring. A spiral of a ribbon with two

Design for the letter C of a pictorial alphabet: Confession, Victor Vincent Adam, 1801–1866, Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper., Letter above, flanked by intertwining rinceau., France,

Design for an Earring, Pen and black ink, brush and gray watercolor on light green paper, Jewelry design for an earring, a disk above and three drops below. Design scheme is like 1938-88-833, but the knot consists of a single ribbon with

A Capuchin Saint, Pen and ink on paper, Shown standing in his cell, holding a flower stem in his right hand and touching a skull with his left hand. Framing ink line, probably Venice, Italy, 1710–1810, Drawing, Drawing

Design for the Letter U of a Pictoral Alphabet: Urania, Victor Vincent Adam, 1801–1866, Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper, Letter above, flanked by intertwining rinceau. A woman with

Project for the Decoration of a Panel, Pen and ink, brush and gray watercolor wash on laid paper., One half of an oblong panel with an escutcheon at top., Italy, ca. 1580, ornament, Drawing, Drawing

Design for an Earring, Pen and sepia ink, brush and gray watercolor on paper, Design for an earring. Above is a kind of escutcheon with a blossom of diamonds. Below, an oval formed by a row of beads, with a vase inside. Both parts are connected

Marriage at Cana, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and ink, brush and bistre wash on paper, mounted, Horizontal rectangle. Christ is seated at the table, left, the wine casks beside Him. The married couple is

Design for a Pendant with Leaf Volutes and Child's Head, Graphite, pen and ink, brush and sepia on paper, An oblong diamond with architectural frame. At top, a mask and ring. Below, volutes, a rosette and festoon., Italy, 16th century,

Design for the letters V and X of a Pictoral Alphabet: Victoire/Xystus (Victory in the Xystus), Victor Vincent Adam, 1801–1866, Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper, Letters above, flanked

Candlestick, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Candlestick., Rome, Italy, 1746–1809, metalwork, Drawing, Drawing

Design for an Earring, Pen and sepia ink, brush and gray watercolor on paper, Design for an earring. Scrolls of ribbon connected by round diamonds create an oval frame. Inside is a vase with a blossom and three beads. On top is a palmette.

Square Panel with a Roset, Pen and brown ink, brush and brown, gray wash, over black chalk on white laid paper, Five acanthus leaves revolve around a circle of beads and a band and molded frame., Italy, Italy, 1750–1800, ornament,

Design for a Pendant, Pen and ink on paper, In the shape of a pediment with a circular diamond between two framing volutes. On either side are seated female figures, a cherub head below. Below, hanging two round pearls., Italy, 1850–75,

An escutcheon, Filippo Marchionni, Italian, 1732–1805, Pen and ink on paper, A symmetrical stucco scrollwork cartouche with crossed branches above. On verso: accounting figures and part of a sketch., Italy, 1740–1800, ornament, Drawing,

Necklace design: Project for a rincauex to be engraved on metal, Black chalk, pen and ink on paper, Necklace design: Project for a rincauex to be engraved on metal., Italy, 16th century, jewelry, Drawing, Drawing

Design for Part of a Wall or Ceiling Decoration: A Woman Dancer, Pen and ink on paper, mounted, In classical attire as are 1931-65-56 and -57, shown from the front, carrying a flower in the raised right hand. Framed by an ink line., possibly

Design for ceiling decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Design for ceiling decoration., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

Design for a Pendant, Pen and sepia on paper, In the center, a square diamond flanked by female terms. Above, a bucranium and below, a putto head. Pearl hanging from the bottom; ring on top., Italy, 16th century, jewelry, Drawing, Drawing

Design for a Brooch, Pen and sepia ink, brush and gray watercolor on light green paper, Jewelry design for a brooch. An eagle with spread wings, supporting with his beak a teardrop-shaped diamond, and in his claws a scroll with the inscription:

A Standing Man, Luigi Vanvitelli, Italian, 1700 – 1773, Black crayon on paper, A standing man in a brimmed hat, viewed from behind., Italy, 1700–1773, figures, Drawing, Drawing

Chased Silver Medallion, Pen and brown ink, brown wash Support: white laid paper, England, Germany, 1532–43, ornament, Drawing, Drawing

Design for the decoration of a panel, Black chalk, brush and grey and black watercolor on paper, A quiver in front of two crossed arrows and surrounded by a wreath is suggested as a central motif between festoons, at right, flanked by rinceaux,

Design for the Letter M of a Pictoral Alphabet: Molière, Victor Vincent Adam, 1801–1866, Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper, Letter above, flanked by intertwining rinceau. Molière is

Study for a Composition, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Bistre pen and ink, wash on paper, Vertical rectangle. Interior, with three figures seated in the foreground. Through an opening, at upper right, a saintly

Fender, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, Fender., Rome, Italy, 1746–1809, metalwork, Drawing, Drawing

Design for an escutcheon, Carlo Bianconi, Italian, 1732–1802, Pen and sepia ink, brush and gray-brown watercolor, graphite on paper, Two snakes wind below and through holes at the sides of a scrollwork frame. Above at center is a foliated

Saint Simon, Pen and ink on paper, Shown from the front standing, holding the sack with his right hand. Framing ink line, black chalk stroke., probably Venice, Italy, 1750–1780, Drawing, Drawing

Fountain in a Mountainous Country, Pen and brown ink, brush and brown wash on off-white laid paper, Loosely drawn view of a fountain in a landscape. Suggestion of temples on hills in the background., Italy, 1775–1809, architecture, Drawing,

Design for a Table Centerpiece, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, 'Dresser, ' table center piece for the Altieri family., Rome, Italy, 1790-1795, metalwork,

A Landscape, Charles Nicolas Ransonnette, French, 1793 - 1877, Graphite, brush and watercolor on paper, mounted, A woman and two cows are shown obliquely in front of a group of trees., France, 1850–1870, Drawing, Drawing

Design for a Table Ornament, Pen and ink, brush and wash on paper, Elevation of a table ornament in the form of nudes supported a plate decorated with flowers. At top, a vase., Italy, early 19th century, tableware designs, Drawing, Drawing

Design for a Brooch, Pen and ink, brush and watercolor on paper, A cherub supports a round escutcheon framing a diamond. Pending is a round diamond., Italy, 16th century, jewelry, Drawing, Drawing

Trophies with Historical Attributes, Pierre Ranson, French, 1736–1786, Black chalk, pen, ink, watercolor, paper, A harp, a trumpet, a tambour, a sheet of music are included., France, ca. 1780, Drawing, Drawing

Pillar strip, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, A floral candelabrum with heart-like motifs, formed by scrolls with a blossom at the end, separated by two leaf

Design for an Earring, Pen and black ink, brush and gray, red watercolor on light green paper, Jewelry design for an earring. The central diamonds of the disk and the drop are red, as is the diamond upon the knotted ribbon, which is similar to

Design for an Earring, Giovanni Sebastiano Meyandi, Italian, active 1762 - 1794, Pen and ink, brush and gray watercolor on paper, Jewelry design for an earring. In the middle, between the disk above and the three drops below, is a blossom at

Design for an Earring, Pen and ink, brush and gray watercolor on light green paper, Jewelry design for an earring. In the shape of a pavilion, having inside a blossom with four loops of ribbon. Below the base is a knot supporting three drops.,

Design for the Letter I of a Pictoral Alphabet: Idolatry, Victor Vincent Adam, 1801–1866, Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper, Letter above, flanked by intertwining rinceau. Worshippers in

Design for a Painting, Two Flying Putti, Jacob de Wit, 1695 – 1754, Black chalk, pen and ink, brush and brown and gray watercolor, brush and white gouache on paper, mounted, One is directed toward right with the head turned toward the

Design for the Letter L of a Pictoral Alphabet: The Reading Lesson, Victor Vincent Adam, 1801–1866, Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper, Letter above, flanked by intertwining rinceau. A

Sketch of a Tree, Daniel Huntington, American, 1816–1906, Graphite on paper, Upper section of an evergreen tree. Verso: The wooded shore of a lake., USA, September 1850, nature studies, Drawing, Drawing

Pillar strip, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Below is a crouching lion, upon a base. Between his forelegs rises a rinceau, oak, with two birds sitting upon

Portrait of a Woman, France, before 1908, drawing, drawing

In a Town of Southern Style, Charles Nicolas Ransonnette, French, 1793 - 1877, Graphite, brush and brown watercolor on paper, A classical precinct is bordered at right by a high wall at the rear by an archway. Upper parts of building and a

Design for Ceiling Decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, An acanthus rinceaux. Rising from a calix, with two spirals. The panel is outlined. Beside, at right, and

Design for Ceiling Decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Semi-oblong composition features figures at left with hexagonal panel at right above which additional

Design for Frieze or Relief with Various Allegories, Red chalk, brush and wash on paper, Design for frieze or relief with various allegories., Italy, 17th century, Drawing, Drawing

Woodblock Trial Proof for a Printed Textile, Brush and gouache on white paper, A rose bloom with two buds, with leaves on a single stem., France, 1790–1800, textile designs, Drawing, Drawing

Design for a Vase, Graphite, pen and black ink on paper, Elevation of a vase with a vertical row of beading at center and acanthus leaves at left and right., Italy, 1800–1830, tableware designs, Drawing, Drawing

Page of a sketchbook; A monk in his study, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Bistre, pen and ink, wash on paper, Horizontal rectangle. A monk is seated in his study, surrounded by his books. He looks out toward the

Design for an Embroidered or Woven Corner Motif of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, A calyx is obliquely shown at an angle; it carries an oblong from which two

Design for an Earring, Pen and black ink, brush and gray watercolor on light green paper; verso: graphite, Jewelry design for an earring. A disk and a drop, similar to those of 1938-88-829, are connected by a scroll of a ribbon, with some disks

The Judgment of Solomon, preliminary design for 'Spiritus Sapientiae' (The Spirit of Wisdom), plate 1 in the 'Seven Gifts of the Holy Spirit' print series, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and brown ink, brush

Design for an Ornament Panel, Juste-Aurèle Meissonnier, French, b. Italy, 1695–1750, Pen and black ink, brush and gray wash, black chalk on paper, A palace atrium in rocaille architecture is obliquely shown. An elaborate urn stands upon a

A Stream in Woods, Charles Nicolas Ransonnette, French, 1793 - 1877, Black crayon, brush and brown watercolor on paper, A boat is shown pulled by a man, in the first plane, a man and a woman sit in the boat. The stream winds backwards.,

Design for the decoration of a panel, Black chalk, brush and watercolor on paper, The upper corners are curved. A censer stands in the center; a dog is at left, musical instruments lie at right. Festoons have above., France, 1760–1780,

Design for an Earring, Pen and black ink, brush and gray watercolor on light green paper, Jewelry design for an earring. The disk above and the drop below are connected by a knotted ribbon with two flower stems at either side and a round gem at

Design for a Pyramidal Tomb, Pen and black ink on paper, A pyramid, surmounted by sculpture, is embellished by three free-standing Doric porticos, surmounted by sculptured reliefs. The facing relief shows figures supporting a portrait

Design for an Embroidery Motif, Pen and ink, brush and gouache on paper, Rising flower rinceau, two waves forming the repeat. Purple and black strips at left., France, 1790–1800, Drawing, Drawing

Design for Brooch Escuteneon, Pen and ink, brush and sepia on paper, Escutcheon with an acanthus leaf at top and mask below., Italy, 16th century, jewelry, Drawing, Drawing

Design for the letter S of a primer: Satan, Victor Vincent Adam, 1801–1866, Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper., Letter above, flanked by intertwining rinceau., France, France, ca.

Design for an Earring, Pen and black ink, brush and gray watercolor on light green paper, Jewelry design for an earring, a disk above and three drops below. The center is in the same shape as 1938-88-823. Bevelled corners., probably Naples,

Design for a Chain, Pen and ink, brush and gray watercolor on light green paper, Jewelry design for a chain, the right side visible. Design consists of entwined ribbons. The crossing points alternate with rosettes and crosses, composed of small

At the Banks of the Loire, Charles Nicolas Ransonnette, French, 1793 - 1877, Graphite, brush and black ink and white heightening on apricot colored paper, A sailboat is on the river., France, Paris, France, ca. 1860, Drawing, Drawing

Design for carved panel, Gilles Paul Cauvet, French, 1731–1788, Pen and Chinese ink, brush and watercolor, graphite on laid paper, Half-figures of a girl and satyr support an oval medallion depicting nympths and a satyr., France, ca. 1770,

Design for the Letter E of a Pictoral Alphabet: Etude (Study), Victor Vincent Adam, 1801–1866, Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper, Letter above, flanked by intertwining rinceau. A man

Design for a Fountain, Pen and brown ink, brush and blue wash on off-white laid paper, Vertical rectangle. From among stones rises a round pedestal. Above it stands a sculpted figure of a boy upon a row of dolphins carrying in his raised arms a

Design for a Comb, Pen and brown ink, brush and watercolor, graphite on white laid paper, laid down, Horizontal rectangle. Design for the cresting of a hair comb intended to be executed in gilded metal with diamonds and three engraved gems. In

Design for a Pitcher, Pen and ink, brush and wash on paper, Vertical rectangle showing design for a pitcher in the antique style., Italy, 1800–1830, ornament, Drawing, Drawing

Design for an Embroidery Border Motif, Brush and gouache on paper, Three leaf boughs, two of which end in a peacock feather motif, rise from a bunch of flowers. Framing strip at right., France, 1775–1800, Drawing, Drawing

Design for a Pendant, George E Germer, 1868 – 1936, George E Germer, 1868 – 1936, Graphite, brush and watercolor on cardboard, Vertical rectangle. A circular medallion with filigree, pearls, and a diamond is transformed in a sketchy way

Design for the decoration of a panel, Brush and grey, black, blue, and rose watercolor on paper, Two half-figures, smiliar to those in 1931-70-42, carry a medallion with a bush of a girl. Rectilinear framing line surrounds., France,

Madonna and Child, Ink wash on paper, Madonna and Child in roundel, Italy, 18th century, figures, Drawing, Drawing

Design for an Urn, Pen and ink on paper, Vertical rectangle with loose elevation sketch of an urn with spiraling gadrooning., Italy, 1800–1820, classicism, Drawing, Drawing

Design for a Frieze: 'Time', Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, The left half. The central motif is the frame of an escutcheon. From it, below, springs a rinceau

Recto: Lamentation over the dead Christ; Verso: Zeuxis painting Helen of Troy, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Black chalk, pen and brown ink, grayish-brown wash on laid paper, Recto: Christ is shown lying upon a

Tasso, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, brush and wash on dark brown paper, An oval bust portrait of a bearded man with a laurel wreath. Seen in three-quarter profile. Framed rectangularly and seemingly placed on a tablet.,

Design with Minerva under an Arch, Red chalk on paper, The statue and the right of the ornamentation is shown. The architecture is of stone. A canopy hangs over the statue. A putto holds the ends of a bowknot to which a trophy is fastened, in

Design for a Vase, Graphite, pen and black ink on paper, Loose sketch showing the elevation of a footed vase decorated with two masks., Italy, 1810–1830, classicism, Drawing, Drawing

Section of a Vestibule, Pen and ink, brush and watercolor on paper, The entrance is at left. Two folding doors flank a niche in which a statue of a classical woman stands. In oblong panel, with a rinceau beside a medallion serves as a frieze.,

Woodblock Trial Proof for a Printed Textile, Brush and gouache on white paper, Two carnation blooms with leaves on single stem., France, 1790–1800, textile designs, Drawing, Drawing

Design for a Grotesque Pendant, Pen, brush and sepia on paper, The half figure of a boy with outstretched arms resting upon scrolls of rinceaux who form the legs and frame two gems. A gem dropping below. Above, a ring., Italy, 16th century,

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