Images at Librifly

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Study for a Composition, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Bistre pen and ink, wash on paper, Vertical rectangle. Interior, with three women sitting in the foreground, before a fireplace. A man in seated in the

Console Table, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Elevation of a console table supported by two columns with lion feet. A frieze with two birds and rinceaux., Italy, ca. 1790, furniture, Drawing, Drawing

Design for a Pendant in Shape of Niche, Pen and ink, brush and sepia on paper, An octagonal diamond is engraved with an anchor. The frame is shaped as an aedicule niche. On either side are allegorical figures of Love and Faith. Below are five

Balustrades des Orchestres du Grand Carre aux champs-Elysees (1833)', Félix-Jacques Duban, French, 1798 - 1870, Brush, pen, watercolor, graphite Support: off-white paper mounted on off-white paper, Design for two different red-bordered

Design for a Brooch with Putti, Graphite, pen and ink, brush and sepia on paper, An oblong diamond is framed with acanthus leaves, a festoon and putto., Italy, 16th century, jewelry, Drawing, Drawing

The raised forearm of a woman, Black and red crayon with white heightenings on brown paper, Vertical composition of a woman's raised forearm. The sleeves cover the majority of the upper arm and the fingers are bent., Italy, ca. 1750, figures,

Design for an Earring, Pen and black ink, brush and gray, green, yellow watercolor on light green paper, Jewelry design for an earring. The ring has two slopes. On the larger, a disk is fastened, intended to be enameled like the drop and the

The Holy Family and St. John the Baptist, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and brown ink on off-white laid paper, Vertical rectangle. Interior with the Madonna seated in the foreground, holding the Child. St.

Hunchback sitting on a step, Giuseppe Valadier, Italian, 1762–1839, Pen and brown ink, brush and brown wash, on paper, A stylishly dressed hunchback sits on a step reading a note., Italy, ca. 1785, theater, Drawing, Drawing

Chased Silver Medallion, Pen and brown ink, brown, blue wash Support: white laid paper, England, Germany, 1532–43, ornament, Drawing, Drawing

Devotional Picture: The Pentitent Magdalene, Brush and watercolor on paper, mounted, The Magdalene is seen seated by a mound of earth on which rests a skull; two seraph above. Below, a bunch of flowers and a blank inscriptional ribbon. Green

The Grand Canyon, Thomas Moran, American, b. Britain, 1837–1926, Brush and brown ink and wash, over traces of graphite on cream-colored wove paper, Horizontal view of distant vista, seen through troups of trees., USA, 1879, landscapes,

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, Four fantastic fruits hanging into scallops., France, 1805–1815,

Design for the Cover of a Snuff Box, Pen, brush and Chinese ink on sepia paper, Cupid, coming to Venus who is seated upon clouds, puts his left arm around her shoulders and points toward the earth as she does. Framed by a moulding with festoons

Peter and John Questioned by the High Council, preliminary design for 'Spiritus Scientiae' (The Spirit of Science), plate 5 in the 'Seven Gifts of the Holy Spirit' print series, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen

Design for an Earring, Giovanni Sebastiano Meyandi, Italian, active 1762 - 1794, Pen and black ink, brush and gray watercolor on paper, Jewelry design for an earring. Above a disk, below a drop, connected by branches with beads and blossoming

Head of Diety, Mariano Fortuny, (Spanish, active Italy, 1871–1949), Brush and watercolor on paper, 'Signed by Mr. Stewart as given to him by the artist', Spain, 1838–1874, Drawing, Drawing

Seated Woman, Luigi Vanvitelli, Italian, 1700 – 1773, Black crayon on paper, A seated woman facing left, her chin on her left shoulder. One hand in her lap, upon an apron., Italy, 1700–1773, figures, Drawing, Drawing

Design for an Earring, Pen and black ink, brush and gray watercolor on light green paper, Jewelry design for an earring. A disk and a drop, similar to 1938-88-820, but each having one row of disks and one more ribbon, are connected by a knot.,

Sketch, A Centerpiece or 'Desser' Celebrating Napoleon's Victories, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, Bordered by balustrades with statues. Steps in the middles

Design for an Earring, Giovanni Sebastiano Meyandi, Italian, active 1762 - 1794, Pen and ink, brush and gray watercolor on paper, Jewelry design for an earring. Above, a blossom. In the center, two stems springing symmetrically from a

Design for pendant with female allegory, Pen and ink, brush and sepia on paper, At the center of an arch stands an allegorical figure with a scroll of paper. Baluster forms on either side. Below, three faceted gems and three hanging pearls.,

Design of Patch Box Cover, Pen and black ink, brush and olive green, brown watercolor on laid paper, An oval medallion shows a shepherdess and a shepherd with a pipe, is suspended before an oval background., France, ca. 1770, Drawing,

Decoration of a frieze, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, Decoration of a frieze., Rome, Italy, 1746–1809, architecture, Drawing, Drawing

Pillar strip with a candle bracket, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, A mask in front of a circular shell supports with the head a flower basket. From it rises a

St. Mark Writing, Pen and brown ink on cream paper, Within an oval line frame St. Mark is shown seated in right profile at his writing desk. His lion is asleep at his feet., Italy, 1800–1824, religion, Drawing, Drawing

Study for 'Herding, ' 'The Progress of Civilization: Hunting, Herding, Agriculture, ' State Capitol, Des Moines, IA, Kenyon Cox, American, 1856–1919, Graphite on paper, Partial sketch of a bull's head., USA, 1905–1906, animals,

Pillar strip, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Eight circular wreaths are intertwined vertically. Behind them rises a vertical stem with leaves. Surrounded by a

Design for the letter A of a primer: Ange Gardien (Guardian Angel), Victor Vincent Adam, 1801–1866, Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper., Letter A, flanked by intertwining rinceaux,

Doorknob, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Doorknob., Rome, Italy, 1746–1809, metalwork, Drawing, Drawing

Decoration of a frieze, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Decoration of a frieze., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

Decoration of a frieze, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Decoration of a frieze., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

Design for a Pendant with Sitting Woman with Book, Pen and ink, brush and sepia on paper, In a niche, a female is seated, supporting in her lap a book. Rays around her book. Below, three drops., Italy, 16th century, jewelry, Drawing,

Tempietto Elevation, Pen and brown ink on paper, Elevation of a domed tempietto set on a high base approached by steps. Matching porticos appear on all sides featuring columns of the Doric order and sculptured entablature and pediment., Italy,

Design for an Earring, Pen and ink, brush and gray watercolor on paper, Design for an earring. Decorative scheme composed of two ovals, one above the other and connected by two hanging stems. Above is in the center something like a crown and the

Design for a Papal Ordre del Moreto (Order of Moreto), Pen and ink on paper, Design for a papal medal. At top, a knotted bow, from which hangs a round ring, from which hangs a Maltese cross. Inscription at right., Italy, ca. 1820,

Design for a Brooch, Pen and ink, brush and watercolor on paper, A palmette consisting of a chalice and four leaves. In the center, a diamond. In the interval of the two upper leaves a small one. Pending, three round diamonds., Italy,

Design for a Palace, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on linedoff-white laid paper, Rome, Italy, 1746-1809, architecture, Drawing, Drawing

Design for a Brooch, Pen and black ink, brush and red, gray watercolor on light blue paper, Jewelry design for a brooch in the form of a sunflower. In the center, a red diamond with a face. Smaller round and teardrop-shaped diamonds and petals

Design for an Earring, Pen and black ink, brush and gray watercolor on light green paper, Jewelry design for an earring, a disk above and three drops below. The central part being mainly composed of three knots, disposed around the blossom in

Tailpiece, Franklin Booth, American, 1874–1948, Charles Scribner's Sons, New York, New York, USA, Pen and ink on paper, A small scroll design made up of grapes, grape-vine and leaves. Against a black-and-white speckled background., USA,

Design for the Letter Q of a Pictoral Alphabet: Quietness, Victor Vincent Adam, 1801–1866, Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper, Letter above, flanked by intertwining rinceau. A young woman

Console table, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Console table., Rome, Italy, 1746–1809, furniture, Drawing, Drawing

Design for a Pendant, Pen and sepia on paper, A circular diamond is framed by two snakes, strapwork serve as handles, by which the chain is fastened. Below is a diamond., Italy, 1850–75, jewelry, Drawing, Drawing

Design for a Patch-Box, Pierre Edme Babel, French, ca. 1720-1775, Black chalk, pen and black ink, brush and black wash on laid paper, Rocaille architectural frame (with four figures reclining or standing on it) through which is a fountain (on

Design for an Earring, Pen and black ink, brush and sepia wash, silver paint on paper, Jewelry design for an earring. The disk above and the three drops below are framed by leaves in the shape of palmettes. In the center, a knotted ribbon with

Design for Brooch with Winged Half Figures, Pen and sepia on paper, An oval gem with a dentil frame held on either side by a winged mermaid. Crowning the top, a volute and palmette flanked by square gems. Below, a winged head, a garland and a

Design for the letter B of a pictorial alphabet: Bienfaisance (Charity), Victor Vincent Adam, 1801–1866, Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper., Letter above, flanked by intertwining

Devotional Picture: The Miraculous Virgin of Cell, Brush and pink and gold watercolor on paper, mounted, An icon is shown with the Mother and Child above, resting on cornucopiae and below two vignettes of a man on horseback and an encampment.

Design for an Embroidered or Woven Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, A vertical row of obliquely shown lace ovals with pairs of leaves on top and at the

A Landscape, Charles Nicolas Ransonnette, French, 1793 - 1877, Graphite, brush and sepia wash on paper, View of a lake which is bordered by mountains. Trees are at right., France, Paris, France, 1850-1875, Drawing, Drawing

Design for an Earring, Pen and ink, brush and red, olive watercolor on paper, Jewelry design for an earring. A ring with a second big slope below and a small slope above. Upon the front is a bar of red diamonds., probably Naples, South Italy,

Design for a Title Page, Pen and black ink, brush and grey wash, graphite on cream paper, A scalloped cloth, intended for an inscription, is draped before a sculptured panel. Below, Cupid is shown seated on a high base., France, 1770–85,

Design for a Brooch, Giovanni Sebastiano Meyandi, Italian, active 1762 - 1794, Pen and black ink, brush and gray watercolor on paper, Jewelry design for a brooch. A branch with leaves and blossoms, curved to the right; it springs from

Design for the letters Y and Z of a primer: Yacht/ Zéphir (Yachts driven by Zephyrs), Victor Vincent Adam, 1801–1866, Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper., Letters above, flanked by

Sketchbook Page with Bird-baiting, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and ink, brush and bistre wash on paper, Horizontal rectangle. A prowler is shown from the back, kneeling behind the cages, in the left

Design for a Pendant, Pen, brush and sepia on paper, A circular diamond is framed by two snakes. Two more serve as handles, by which the chain is fastened. Below, a diamond., Italy, 1840–70, jewelry, Drawing, Drawing

Design for a Pendant, Pen and black ink, brush and gray watercolor on light green paper, Jewelry design for a pendant. Above, a knotted ribbon with a ring, below an oval frame with the cross of the order of Saint John the Baptist. Bevelled

Design for an Earring, Pen and black ink, brush and gray, red watercolor, black chalk on cream laid paper, Jewelry design for an earring. The scheme and the central part is similar to 1938-88-847, the disk and the drops having a different

Trophy, Pierre Ranson, French, 1736–1786, Pen and ink, brush and watercolor, black chalk on water, A burning torch, a lyre, and a sheet of music., France, ca. 1780, Drawing, Drawing

Page of a drawing book; Elderly man in classical attire, Brush, bistre on paper, Vertical rectangle. Section of a page in a drawing book. Man is standing, obliquely shown, turned toward right, with the head raised and turned backwards. The

Trophies with Historical Attributes, Pierre Ranson, French, 1736–1786, black chalk, pen, ink, watercolor, paper, France, ca. 1780, drawing, drawing

Design for an Earring, Pen and black ink, brush and gray watercolor on light green paper, Jewelry design for an earring. The usual scheme with a disk above and three drops below. In the center a knot, interlaced with two fruit stems., probably

Design for a Paper Knife, Graphite, brush and white gouache on brown paper, Intended to be executed in metal. The edge is formed by the wings of a fantastic body of an eagle with one foot. The edge and the foot are curved toward right, the head

Design for Brooch, Pen and ink, brush and sepia on paper, An oblong diamond framed by palmettes., Italy, 1820–30, jewelry, Drawing, Drawing

Fisherman from Gaëta, Italy, Charles Joseph Hullmandel, British, 1789–1850, Pen and Chinese ink, brush and brown watercolor on paper, mounted, A man stands in a rowing boat holding ropes with hands and mouth. The sailboats are shown in the

Design for Door and Overdoor with Fantastic Bird, probably for the Yellow Room, Royal Pavilion, Brighton, Frederick Crace, English, 1779–1859, George IV, King of England, English, 1762 – 1830, Brush and watercolor, graphite on white

Design for ceiling decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Design for ceiling decoration., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

Design for the Letter D of a Pictorial Alphabet: Dieu (God), Victor Vincent Adam, 1801–1866, Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper, Letter above, flanked by intertwining rinceau. God, the

Design for the Letter P of a Pictoral Alphabet: Pope, Victor Vincent Adam, 1801–1866, Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper, Letter above, flanked by intertwining rinceau. A Popoe in

Woodblock Trial Proof for a Printed Textile, Brush and gouache on white paper, Blue tuberose blooms and buds with leaves on single stem., France, 1780–90, textile designs, Drawing, Drawing

Architecture, from a Series of Seated Muses, Pen and bistre on paper, mounted, Shown from the front. She carries a T-square in her lowered right hand and something in her raised left hand. A paper roll with the plan on a building lies beside her.

A Sleeping Man and Mother with Baby, Giuseppe Bernardino Bison, Italian, 1762 - 1844, Pen and ink, brush and watercolor on paper, At left, a sleeping man with his feet toward the viewer. At right, the woman. Probably sketches for a rest

Sketchbook Page; Hunting scene, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and ink, brush and bistre wash on paper, Horizontal rectangle. Hunters on horseback and on foot, accompanied by hounds, have trapped an animal in

Design for an Earring, Giovanni Sebastiano Meyandi, Italian, active 1762 - 1794, Pen and ink, brush and green, brown watercolor on paper, Jewelry design for an earring. The upper part of a left ear is outlined. A brilliant gem is in the center

Design for Part of a Wall or Ceiling Decoration: A Woman Dancer, Pen and ink on paper, mounted, Directed toward the right, with the bust turned toward the spectator. Supporting with her right hand a vase with a flower upon her head. Framed by an

Design for the decoration of a panel, Black chalk, brush and gray, black, and blue watercolor on paper, A caduceus rises in the center from a calyx. It is flanked by rinceaux. Measurements are written in ink beloe and at right. A scale is on the

Design for a Motif of a Woven Fabric, Gouache on oily traving paper, mounted, A lily of the valley spray a bough with a leaf and a fantastical blossom., France, 1815-1840, Drawing, Drawing

Study of Child's Head, Red chalk on paper, Child's head shown in three-quarter profile, the figure turned toward the left looking toward right. Verso: shows blotter of a raised bearded head., Italy, late 18th century, figures, Drawing,

Design for an Urn, Giuseppe Barberi, Italian, 1746–1809, Graphite, pen and black ink, brush and gray wash on paper, Wide footed urn decorated with spiraling gadrooning, masks and festoons., Italy, 1780–1790, classicism, Drawing,

Design for Brooch with Female Head, Pen, brush and sepia on paper, A female head is framed above by a fan and at the sides by rinceaux. Suspended below is a gem or pearl., Italy, 16th century, jewelry, Drawing, Drawing

Landscape, Charles Nicolas Ransonnette, French, 1793 - 1877, Red crayon, brush and sepia wash on cardboard, A hilly country with two trees. A man drives two cows down toward a river. Verso: A printed invitation for a meeting of the Association

Trellis-work Design, Frederick Crace, English, 1779–1859, George IV, King of England, English, 1762 – 1830, Brush and watercolor, graphite on white wove paper, Horizontal rectangle. Design for the Royal Pavilion, Brighton. A

Design for the Decoration of a Panel, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Rome, Italy, 1746-1809, architecture, Drawing, Drawing

Woods with a Sleeping Man, Charles Nicolas Ransonnette, French, 1793 - 1877, Pen and ink on paper, The man lies with his chest downwards at a hillside. The signature Chles Ransonnette is written below., France, ca. 1850, Drawing, Drawing

Trial Proof for a Printed Textile, Woodblock, handcolored with brush and gouache on paper, Pink, yellow and green sword-shaped leaves on two stalks, one with spines, the other with roots., France, 1790–1800, textile designs, Drawing,

Design for a Pendant with Woman on Throne, Pen and ink, brush and sepia on paper, A woman seated under a volute. Below, an oblong diamond with architectural frame. Three gems drop below., Italy, 16th century, jewelry, Drawing, Drawing

Mausoleum (or Library), Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, A variation of the design -1128, the plan of the surrounding colonnade being square with steeples in

Project for a Ceiling, Giuseppe Bernardino Bison, Italian, 1762 - 1844, Pen and ink, brush and watercolor on paper, A flying woman raises an urn with her right arm, the left upon a book which is also supported by a putto. A fire is burning in

Design for the Letter T of a Pictoral Alphabet: Turk, Victor Vincent Adam, 1801–1866, Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper, Letter above, flanked by intertwining rinceau. A Turk in rich

Zeuxis painting Helen, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and brown ink, brush and light brown wash on paper, Vertical rectangle. One of the girls stands behind Zeuxis; three are in the foreground. One with

Design for an Earring, Pen and ink, brush and gray, olive watercolor on wove paper, Jewelry design for an earring. Three diamonds on the front of the double-sloped ring. The main body is formed by two curves of diamonds, one below the other, in

Design for Brooch with Apollo, Pen and ink, brush and sepia wash, gray watercolor on paper, Jewelry design for a brooch. An oval diamond is framed by an escutcheon, with one volute in the upper half, scrollwork in the lower half, with a ram's

Sacrifices of Cain and Abel, preliminary design for 'Spiritus Pietatis' (The Spirit of Piety, plate 6 in 'The Seven Gifts of the Holy Spirit' print series, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and brown ink, brush

Design for a Woven Border, Brush and blue, white, orange, and red gouache on oiled paper, A stylized bud motif rises from dotted beadwork. Above, a blue pointed archway with fret motifs. Only one complete repeat shown., France, 1790-1800,

Design for a Strapwork Brooch, Pen and sepia on paper, A faced oval gem at center surrounded with a frame. Curling strap work frame with four round gems., Italy, 16th century, jewelry, Drawing, Drawing

Design for an Embroidered or Woven Corner Motif of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, A motif consisting of a kind of mace flanked by dolphins, together with which it

Design for an Earring, Pen and black ink, brush and gray watercolor on light green paper, Jewelry design for an earring. Design scheme similar to 1938-88-833, the ribbon being decorated with vertically disposed disks, separated by bands. Disk

Candlesticks, Probably for the Palazzo Altieri, Rome, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Left row: above a monumental column, with a bracket on top with three

Design for Pendant with Oval Diamond, Pen and sepia ink, brush and wash on paper, Design for a pendant. An escutcheon containing an oval diamond at center; at the sides, two palm branches. Below, a pear-like pearl is hanging. A ring above.,

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