Images at Librifly

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Sarcophagus and allegorical figures, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Sarcophagus and allegorical figures., Italy, 1746–1809, architecture, Drawing, Drawing

Design for a Brooch, Pen and sepia ink, brush and gray watercolor on light green paper, Jewelry design for a brooch. A flying eagle, wings open, supporting with his beak a teardrop-shaped diamond and in his claws a chain of five round diamonds,

Design for ceiling decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined, Design for ceiling decoration., Rome, Italy, 1746–1809, interiors, Drawing,

Detail: Wall Decoration, Palace of Fontainebleau, Frederick Marschall, Brush and watercolor on heavy paper, Narrow panels of painted decoration. A series of narrow panels, projecting and alternating recessed areas. Central panel includes a

Design for a Pendant, Pen and ink, brush and sepia on paper, Below is an escutcheon of scrollwork, with an oblong diamond in the center and three pending round diamonds. Above it, the oval frame of a big diamond. Psyche with butterfly wings. On

Study of a Young Bull Lying in a Meadow, Henry Bernard Chalon, English, 1770 - 1849, Black crayon on grayish cardboard, Shown from the left front shoulder. At right: a sketch; shown from the head, sleeping., England, 1820–1849, Drawing,

Three Goats, after an etching from Berchem's 'Animalia' (Animals) [ Animalia ad vivum delineata et aqua forti aeri impressa Studio et Arte Nicolai Berchem], Nicolaes Berchem, Dutch, 1620–1683, Red chalk on cream laid paper, Anonymous drawing

Design for the Decoration of a Panel, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Rome, Italy, 1746-1809, interiors, Drawing, Drawing

Table, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Table., Rome, Italy, 1746–1809, furniture, Drawing, Drawing

Design for the Decoration of a Panel, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, Rome, Italy, 1746-1809, architecture, Drawing, Drawing

An Elderly Saint, Probably Saint Matthew, Pen and ink on paper, Shown walking toward left and carrying in his right hand what probably is the purse. Framing ink line., probably Venice, Italy, 1750–1780, Drawing, Drawing

Design for the Decoration of a Frieze, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Rome, Italy, 1746-1809, architecture, Drawing, Drawing

The Quai des Tuileries in Paris, in 1550, Charles Nicolas Ransonnette, French, 1793 - 1877, Black crayon, pen and ink on light brown tracing paper, The old mansion and the gate are shown as still appearing in 1550. Caption in ink: 'emplacement

Design for an Earring, Pen and black ink, brush and gray watercolor, gold on paper, Jewelry design for an earring. In front of the ring is a disk supporting the chains, consisting respectively of alternating disks and blossoms, and of disks

Fender, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, Fender., Rome, Italy, 1746–1809, metalwork, Drawing, Drawing

Design for a Brooch, Pen and ink, brush and gray watercolor on light green paper, Jewelry design for a brooch. In the center, a circular diamond, between a thunderbolt with arrows pointing towards all four corners. On top of the diamond, an

Boats at Étretat, Samuel Colman, American, 1832–1920, Brush and watercolor, graphite on paper, A rowboat with three men is shown beside a sail boat with four people and lowered sails., Étretat, Normandy, France, August 1873,

Design for Part of a Wall or Ceiling Decoration: A Woman Dancer, Pen and ink on paper, mounted, Turned toward right with the head turned and lowered toward her right shoulder. She raises with her left hand a stick, from which a ribbon hangs down.

Design for an Earring, Pen and black ink, brush and gray watercolor on light green paper, Jewelry design for an earring, a disk above and three drops below. Design scheme is like 1938-88-837, with different designs. A basket with flowers at the

Design for an Earring, Pen and black ink, brush and gray watercolor on light green paper, Jewelry design for an earring. A disk above and three hanging drops below in the form of flowers, each framed by leaves, the drop at lower center the

Design for a Pendant, Pen and black ink, brush and gray, red watercolor on light green paper, Jewelry design for a pendant. Six rows of disks are hanging from a 'roof' with an entablature. On top a knot, hanging from a red ribbon., probably

Apollo and Diana, Albrecht Dürer, German, 1471–1528, Woodcut on paper, Apollo stands at left, facing right, drawing his bow and arrow. Diana is seated at right, carrying a stag with her right hand, and a tuft of grass in her left.

Design for an Agraffe, Girolamo Venturi, Black crayon, pen and ink, brush and sephia on paper, Large bow-like design with stones and vertical hanging stones in teardrop shape and cabochon., Italy, ca. 1742, jewelry, Drawing, Drawing

Design for an Earring, Pen and black ink, brush and gray, olive watercolor on paper, Jewelry design for an earring. Ring with a large and small slope. On the front (at left), a double row of seven diamonds connected by scrolls, shaped like the

Mausoleum for family of Alexander the Great, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined, Distant angle view of the enormous precinct, in which the domed mausoleum

Design for Pendant with Putti, Pen, brush and sepia on paper, A round diamond is framed by an escutcheon with scrollwork and a ram's head on top, supporting the ring. The escutcheon is supported by two putti sitting upon pedestals. In the center

Design for a Brooch, George E Germer, 1868 – 1936, Brush and white gouache, graphite, brush and yellow, blue watercolor on cardboard, Bordering lines as 1939-84-20. Broad ovoid with filgree, with blue stones; bordered by small pearls.,

Painting, from a Series of Seated Muses, Pen and bistre on paper, mounted, Shown from the front. She carries the brush in the right hand, the palette in the left hand. Framed by ink lines., probably Venice, Nothern Italy, 1750–1780,

Design for an Earring, Pen and ink, brush and gray watercolor on paper, Jewelry design for an earring. Above, a bunch of flowers and leaves fastened by a knotted ribbon, on top of a pavilion without a base, composed of bands and rows of

Saint Bartholomew, Pen and ink on paper, Shown standing and holding the knife in his right hand. Framing ink line., probably Venice, Italy, 1750–1780, Drawing, Drawing

Design for Pendant with Half Figures, Pen and ink, brush and watercolor, sepia on paper, An oval diamond is framed by an escutcheon. At the sides are female half figures with a volute as a leg from which a round diamond is pending. Above, the

Paper Sample, Coated paper, Paper sample in red., England, 19th century, decorated papers, Drawing, Drawing

Woodblock Trial Proof for a Printed Textile, Brush and gouache on paper, Sprig of small clusters of blue flowers, with leaves on yellow ground., France, 1790–1800, textile designs, Drawing, Drawing

Trophies with Historical Attributes, Pierre Ranson, French, 1736–1786, black chalk, pen, ink, watercolor, paper, France, ca. 1780, Drawing, Drawing

Design for a Printed Project, Pen and ink, brush and watercolor on paper, Most of a fantastic flower bough is shown obliquely on dark lilac ground., France, 1820–40, textile designs, Drawing, Drawing

Designs for Sarcophagi, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, The left half is shown, with the left support shown from inside. Bathtub form a carved gaine with a lion

Design for an Earring, Pen and black ink, brush and gray watercolor on light green paper, Jewelry design for an earring. Above a disk, in the center a knot, three drops below. The knot is of a ribbon with disks between bands, a jour., probably

Design for an Earring, Pen and black ink, brush and gray watercolor on light green paper, Jewelry design for an earring. Design scheme is like 1938-88-833, above a disk, in the center a knot, three drops below. Ribbon at center enriched with

Design for an Earring, Pen and black ink, brush and gray, green watercolor on paper, Jewelry design for an earring. The scheme is similar to 1938-88-818, but the shape of the palmette is stressed by omitting the fourth band. Green diamonds at

Design for Brooch with Diamonds, Pen and sepia on paper, An escutcheon formed of shell-like volutes frames a round gem. A garland of flowers draped below, with a hanging pearl., Italy, 16th century, jewelry, Drawing, Drawing

Two elevations of a doorway, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, The door openings are cut in a niche, topped by a medallion and flanked by columns carrying an inscription

Design for Mantelpieceand Adjoining Wall Friezes, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, The right half of the fireplace and the lower right corner of the looking-glass

Design for a Damask, Brush and yellow, red, blue, green, white, and purple gouache on oily tracing paper, A vertical row composed of a part of a motif, a plant growing from a scroll with a dot, a bead., France, 1850–1875, Drawing,

Design for a Pendant, Pen and ink, brush and watercolor on paper, A big square diamond framed by a segmented pediment at the sides by volutes with masks in profile. Below, a chalice with two volutes. Pending a bead. Above, a link., Italy,

Study for a Church Window, John La Farge, American, 1835–1910, Graphite on paper, Design for a church window with scale-like design in center and double panel below, with two roundrels and cross in each side., USA, 1890–1900,

Design for an Earring, Salvatori, Italian, active 19th century, Graphite on cardboard, In the center a ram's head with a palmette above and a shield below. Three hanging drops beneath., Italy, ca. 1880, jewelry, Drawing, Drawing

Trophy, Pen and ink, brush and watercolor, black chalk on paper, A tambourin, a bow, and a hunting horn., France, ca. 1780, Drawing, Drawing

Design for a Wall Altar, Pen and black ink on paper, Design for a semi-domed balducchino supported on paired columns and divided by niches on either side of an arched opening. The ground plan of the structure is below., Italy, 1750–70,

Design for the Letter N of a Pictoral Alphabet: Napoléon, Victor Vincent Adam, 1801–1866, Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper, Letter above, flanked by intertwining rinceau. Napoléon

Design for an Earring, Pen and ink, brush and gray watercolor on paper, Jewelry design for an earring. The lower part has the shape of a vase with a flower blossom at center. Above, a knotted ribbon with a palmette on top; the decorative scheme

Zeuxis painting Helen, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and brown ink, brush and wash on paper, Zeuxis paints with his left hand a back view. The figures of two girls at the corners of the platform. Two more

Design for a Brooch, Pen and ink on paper, An escutcheon contains a comparatively small diamond; in the center above the mask of a lion. Scrollwork surround. Below hangs a pearl., Italy, 1850–75, jewelry, Drawing, Drawing

Design for a Decorative Tablet, John La Farge, American, 1835–1910, Graphite and watercolor on paper, Vertical panel showing a vase of Easter lilies against a blue background, and six flower rosettes in the frame. Verso: pencil sketch of a

A Basket with Floweres Standing upon a Base, Jan van Huysum, Dutch, 1682 - 1749, Pen and Chinese ink, brush and watercolor on paper, mounted, The upper corners are stepped; framing lines., Netherlands, 1720–1749, Drawing, Drawing

Design for a Brooch, Pen and ink, brush and green, red watercolor on paper, Jewelry design for a brooch. Nine hanging drop-like jewels on the exterior of the brooch and at center; five rounded medium-sized gems and six small round gems are

Study of Child's Head, Red chalk on paper, Study of child's head shown from the frontside, gazing down. The outline of the figure's left shoulder is shown in profile. Verso: blotter of drawing of child's head (1921-22-1)., Italy, late 18th

The Sacrifice of Job, preliminary design for 'Spiritus Timoris Domini' (The Gift of the Fear of the Lord), plate 7 in 'The Seven Gifts of the Holy Spirit' print series, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and brown

Trophy, Pen and ink, brush and watercolor, black chalk on paper, A lyre and mirror intertwined with floral wreaths., France, ca. 1780, Drawing, Drawing

Design for the Decoration of a Frieze, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Rome, Italy, 1746-1809, architecture, Drawing, Drawing

Design for a Brooch, Pen and ink, brush and sepia wash, green watercolor on paper, Jewelry design for a brooch. A branch turned to the left, springing from a blossom, with big leaves and small flower stems. Hanging at center, a green drop-like

Design for a Brooch or Earring in Shape of a Lyre, Pen and black ink, brush and gray watercolor on light green paper, Design for a brooch or earring in the form of a lyre. On top a palmette, the strings of the musical instrument in green.

Music, from a Series of Seated Muses, Pen and bistre on paper, mounted, Shown from the front. She carries in her right hand a sheet of paper with notes, and supports with her left hand a viola da gamba standing beside her. Lying on the soil are,

Design for the Decoration of a Panel, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Rome, Italy, 1746-1809, architecture, Drawing, Drawing

Circular Frame of Branches Fastened with Ribbon, Giuseppe Bernardino Bison, Italian, 1762 - 1844, Pen, ink, sepia, and brush on paper, Two crossed branches, fastened together with a knotted ribbon, form circular aframe, Italy, late 18th

Study of Saint Joseph Carrying the Christ Child, Pen and ink, brush and wash on paper, Half figure of bearded man holding a child, both looking heavenward., Italy, 1750–1800, figures, Drawing, Drawing

In the Woods, Charles Nicolas Ransonnette, French, 1793 - 1877, Graphite, pen and ink on paper, Trees on a hillside. On verso, horizontally: part of graphite notations by the artist, accounts, a scale with irregular measures; below is the

Rectangular Box Cover, Pen and black ink, brush and watercolor on laid paper, An oval medallion showing shepherdess and shepherd., France, 18th century, Drawing, Drawing

Landscape at Nightfall, Eugène Edouard Soulès, French, 1811–1876, Brush and gouache, brush and watercolor on paper, A river winds into the background in the center. People walk about on its left bank. Mountains are at right. Ruins of a

Head of Christ, Marc Antonio Franceschini, Italian, 1648 – 1729, Red chalk on paper, Sketchy view of a portrait of Jesus Christ, shown in profile, facing right., Bologna, Italy, 1700–29, figures, Drawing, Drawing

Design for a Brooch, Pen and ink, brush and sepia wash on light brown paper, Jewelry design for a brooch. A round diamond is framed by scrolls, forming something like three clips, supporting upon their cusps a small round and in their intervals

Design for the Letter J of a Pictoral Alphabet: Jupiter, Victor Vincent Adam, 1801–1866, Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper, Letter above, flanked by intertwining rinceau. Jupiter is seen

Design for a Woven Fabric, Brush and gouache on oily tracing paper, TWo motifs form a vertical row. Top: a scrollwork escutcheon and a bough with leaves and seeds. Bottom: fantastical plant over a scroll and pending peads., France, 1815–1830,

Design for an Earring, Pen and black ink, brush and gray watercolor, gold on paper, Jewelry design for an earring. Hanging from two points of the ring is a chain consisting in its front half of alternating blossoms and disks, in its rear half of

Design for a Buckle, Giovanni Sebastiano Meyandi, Italian, active 1762 - 1794, Pen and ink, brush and gray, gold watercolor on wove paper, Jewelry design for a buckle. Two entwined escutcheons, formed by ribbons; in the middle of the four

Design for the Letter O of a Pictoral Alphabet: Odalisque, Victor Vincent Adam, 1801–1866, Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper, Letter above, flanked by intertwining rinceau. A half nude

Design for the printed center field of a handkerchief, Brush and lilac, red, black gouache, graphite on paper, Four lozenges with zig-zag outlines are shown disposed in three staggered rows., France, 1775–1800, ornament, Drawing, Drawing

Design for Pendant with Woman in Helmet, Graphite, pen and ink, brush and sepia on paper, A female figure wearing a helmet is seated within a broken pediment, on an escutcheon. Below, two term figures flank a center tablet. Winged head below.,

Designs for Two Decorative Panels, John La Farge, American, 1835–1910, Graphite and watercolor on paper, Incomplete horizontal panel (left), and vertical panel (right) with leaf meander enframing a blank panel., USA, 1890–1900,

Design for a Pitcher, Pen and ink, brush and wash on paper, Sketch of a pitcher, spout facing right. Handel was figural ornament. Suggestion of grotesque decoration on body., Italy, 1550–1600, metalwork, Drawing, Drawing

Poetry, from a Series of Seated Muses, Pen and bistre on paper, mounted, She carries the writing pen in her right hand, and supports with the left hand, the lyre, which stands beside her. Lying beside her are, at left, a flute and a

Floral field and border, White on glazed paper, France, 1780–1815, textile designs, Drawing, Drawing

Memorial Structure, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite, gray ink on off-white laid paper, Curved colonnades flank a tower which rises in three sections. Ramps lead to its doorway. Side

Astronomy, from a Series of Seated Muses, Pen and bistre on paper, mounted, Shown in profile, turned toward the left. She looks through a telescope. Behind her stands a globe. Framed by ink lines., probably Venice, Northern Italy,

Elevation of a bell tower, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Three stories; beside the lower and the central ones are remnants of designs of architecture. The plans of

Design for the Letter K of a Pictoral Alphabet: Kalmucks, Victor Vincent Adam, 1801–1866, Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper, Letter above, flanked by intertwining rinceau. A Kalmuck

Design for the Cover of a Snuff Box, Pen, brush and Chinese ink on sepia paper, Cupid seated beside Hermes, gives him what probably is a letter. The setting is a park. Framed by a moulding with festoons hanging from bow knots and rosettes.,

Design for a Paper Knife, Graphite, brush and white heightening on brown paper, The design is a variation of that of 1931-72-2, turned in the opposite direction. The handle has below two bearded masks., France, 1850–1875, Drawing, Drawing

Design for a Buckle, Giovanni Sebastiano Meyandi, Italian, active 1762 - 1794, Pen and black ink, brush and gray watercolor on paper, Jewelry design for a buckle. An interlaced ribbon is springing from a central rosette., Siena, Italy, ca.

Design for an Earring, Giovanni Sebastiano Meyandi, Italian, active 1762 - 1794, Pen and black ink, brush and gray watercolor on paper, Jewelry design for an earring. A disk above, below three hanging blossoms composed of a square and

Console table with candlestick, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, The legs have eagle's feet. The central one has the shape of fasces, with the ax turned toward

Design for an Earring, Pen and black ink, brush and gray watercolor on light green paper, Jewelry design for an earring, a disk above and three drops below, each having outside rows of round diamonds. In the center, an escutcheon in the shape

Design for an Earring, Pen and ink, brush and gray watercolor on light green paper, Jewelry design for an earring. The ring with diamonds on its front. The pendant in pavilion shape, with on top a roof and five chains with blossoms, serving as

In the Woods, Charles Nicolas Ransonnette, French, 1793 - 1877, Red crayon, brush and sepia wash and white hightening on cardboard, A boulder lies at left in the first plane., France, Paris, France, 1850-1875, Drawing, Drawing

A Bacchanale, Raymond Lafage, French, 1656–1684, Black chalk, pen and ink, brush and gray wash on laid paper, A group of five dancers and a maenad who interrupted the dance is flanked by two maenads caring for a vomiting satyr, at left,

Drawing for a Cameo or Gem, Graphite, pen and ink on paper, Portrait head of a bearded man facing right. Thick double framing lines., 16th–17th century, portraits, Drawing, Drawing

Chased Silver Medallion, Pen and brown ink, brown, blue wash Support: white laid paper, England, Germany, 1532–43, ornament, Drawing, Drawing

Virgin and Child, Girolamo Siciolante, Italian, ca. 1521 - 1575, Graphite, brush and white gouache on blue laid paper, On blue-gray ground, a seated figure of the Virgin Mary holding the Christ child on her lap. She gestures with her right

Design for an Earring, Pen and sepia ink, brush and gray watercolor on paper, Jewelry design for an earring. On top, a chalice with a vertically disposed blossom. The central part is composed of two erected cornucopias, each containing an

Two escutcheons for coat of arms of Pope Benedict XIV, Carlo Marchionni, Italian, 1702–1786, Pen and ink on laid paper, In the left one the charges are outlined. In the background, on top of both, are shells., Italy, 1740–58, ornament,

Pillar strip, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, A rising olive rinceau, with five birds sitting on it, and two more flying nearby., Rome, Italy, 1780–1800,

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