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Design for a Brooch, Pen and ink, brush and sepia on paper, Row of three big oval diamonds, framed by leaves and fruits. Recto: accounting., Italy, 1850–75, jewelry, Drawing, Drawing

Saint Felix of Cantalupe, Pen and ink on paper, Shown walking with his sack toward left. Framing ink line., probably Venice, Italy, 1780–1810, Drawing, Drawing

Design for an Earring, Pen and black ink, brush and gray watercolor, gold on paper, Jewelry design for an earring. The same scheme as 1938-88-787, the frontal half consisting of alternating ovals with a disk in the center and oblongs, equally

Pillar strip, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, In the top center is a female mask from which two entwined ribbons spring, forming ovals; three are above, four are

The Sacrifice of Isaac, Pen and brown ink, graphite on cream paper, Abraham is shown being stopped by a flying angel as he is about to sacrifice Isaac. Rays of light shine upon the figures. Verso: sketches of Abraham and the angel., Italy,

Design for ceiling decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Design for ceiling decoration., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

Design for a Painted Wall, Pen and ink, brush and wash on paper, Two flying putti with a cloth between them., Italy, early 19th century, interiors, Drawing, Drawing

Design for a Pendant, Pen and black ink, brush and gray, green, red watercolor on light green paper, Jewelry design for a pendant. On top is a knotted ribbon with a red diamond in the center, below a frame in the shape of an escutcheon with a

Design for an Earring, Pen and black ink, brush and gray, red watercolor on paper, Jewelry design for an earring. The central diamonds of the disk and the drop are red, as is the diamond in the middle of the central part, framed by two

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, A fantastic plant fills the hollow of a pointed crest border over which it

Design for an Urn, Giuseppe Barberi, Italian, 1746–1809, Graphite, pen and black ink, brush and wash on paper, Elevation of an urn decorated with a frieze of dancing women. The lower part of the body has gadrooning., Italy, ca. 1790,

In Thrinacia, Odysseus sleeps while his men devour cattle belonging to Helios, the sun god. Illustration to book XII of Homer's Odyssey., Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and brown ink, brush and brown wash on

Palmettes de Couronnement des orchestres', Félix-Jacques Duban, French, 1798 - 1870, Watercolor, pen and black/brown ink, graphite Support: off-white paper mounted on off-white laid paper, Two different designs of red palmettes with black

Panel with fasces in wreath; eagle in wreath, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, One above the other., Rome, Italy, 1780–1800, architecture, Drawing, Drawing

Sketch for a Wall Painting, Giuseppe Bernardino Bison, Italian, 1762 - 1844, Pen and ink, brush and bistre on paper, A seated woman, raising her right arm with a sword., Italy, early 19th century, interiors, Drawing, Drawing

Design for an Earring, Giovanni Sebastiano Meyandi, Italian, active 1762 - 1794, Pen and black ink, brush and gray watercolor on paper, Jewelry design for an earring; the right edge cut irregularly. Earring consists of a bunch of flowers with a

Urn in front of a niche, Black crayon on paper., With a cover above the projecting rim. The lower part of the body is fluted., Rome, Italy, ca. 1775, Drawing, Drawing

Pillar strip, three putti with ribbon and garlands, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, A waved garland and a ribbon, hanging, and crossing each other. They are

Sculpture, from a Series of Seated Muses, Pen and bistre on paper, mounted, Shown from the front, she works at a bust standing at right beside her. Franked by ink lines., probably Venice, Northern Italy, 1750–1780, Drawing, Drawing

Design for an Urn, Giuseppe Barberi, Italian, 1746–1809, Graphite, pen and black ink, brush and gray wash on paper, Elevation of an urn decorated with bucranium, swags and gadrooning at lower half., Italy, 1775–1800, classicism,

Brooch, Pen and ink, white heightening on paper, An escutcheon with a vase on top and two scrolls forming the sides. Below hang three pearls., Italy, 1825–50, jewelry, Drawing, Drawing

Design for an Earring, Giovanni Sebastiano Meyandi, Italian, active 1762 - 1794, Pen and black ink, brush and gray watercolor on paper, Jewelry design for an earring. Above, a disk framed by a wreath of leaves, below three drops, framed

Study for a Church Window, John La Farge, American, 1835–1910, Graphite and watercolor on paper, Arched window with the Cross dividing the opening. Below, double arch, with three roundels set into each side., USA, 1890–1900,

Design for an Earring, Pen and black ink, brush and gray watercolor on light green paper, Jewelry design for an earring. Design scheme similar to 1938-88-833, a disk above and three drops below, a knotted ribbon at center., probably Naples,

Design for a Cameo, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and brown ink, brush and wash on paper, Vertical rectangle. Design for a cameo. A figure in full armor, posibly Mars, holding a sword in his right hand.

Table legs, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Table legs, Rome, Italy, 1746–1809, furniture, Drawing, Drawing

Design for the Letter G of a Pictoral Alphabet: Greek Warfare, Victor Vincent Adam, 1801–1866, Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper, Letter above, flanked by intertwining rinceau. Greeks

Necklace design: Project for a rincauex to be engraved on metal, Black chalk, pen and ink on paper, Rising stems with leaves and blossoms, springing from two leaves, below at left., Italy, 1650–1675, jewelry, Drawing, Drawing

Design for a carved panel, Gilles Paul Cauvet, French, 1731–1788, Pen and Chinese ink, brush and watercolor, graphite on laid paper, France, ca. 1770, Drawing, Drawing

Elevation of a Palace, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Elevation of a Palace., Rome, Italy, 1746–1809, architecture, Drawing, Drawing

Design for a Paper Knife, Graphite, brush and white gouache on brown paper, A variation of 1931-72-3 with a different design of the handle, which has below the monogram DT., France, 1850–1875, Drawing, Drawing

Sketches of Four Heads in Caricature, Carlo Marchionni, Italian, 1702–1786, Pen and black ink on paper, At left are two clerics in three-quarter profile; at right, two profiles, in caricature., Italy, 1725–75, figures, Drawing,

Design for a Decorative Panel, John La Farge, American, 1835–1910, Graphite and watercolor on paper, Horizontal panel with a curved frame on a blue ground setting off a smaller green and blue-black panel. Verso: graphite sketch of a similar

Design for a Woven Border, Brush and green, brown, black, and white gouache on oiled paper, Pairs of green and white maple leaves repeat along t wo horizontal spiked st rips. A simple double stripe along top edge., France, 1790–1800,

Design for a Decorative Panel, John La Farge, American, 1835–1910, Graphite and watercolor on paper, Horiztonal panel showing a scallop shell on a red ground, within a floral wreath. Flower rosettes at the outer corners. Verso: graphite

Project for an Engraved Ornament, Black chalk, pen and bistre on paper, A plant with a calyx. The central motif consists of a heart form with leaves outside and a blossom in the center. On either side is a branch curved downwards with a blossom at

Design for a brooch, Steingraber, Pen and brush and sepia wash, brush and blue, red, and gray wash on parchment, Outlines of a vase below, and a bunch of leaf volutes above, with a red and two white drop-like diamonds, hanging. The vase has

Earring Design, Snake Holding a Pearl, Pen and brown ink, graphite on paper, laid down, Earring design featuring a snake with its tail coiled around its body., Italy, ca. 1840, jewelry, Drawing, Drawing

St. Peter in prison, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Brown ink, wash on paper, Vertical rectangle. The saint is shown behind the bars of a prison window. Two men stand outside, conversing with him., Netherlands,

Decoration detail of a coach, Brush and gray watercolor, pen and ink, black chalk on paper., Vertical drawing of a flying genius opens a curtain. A part of a bracket is above at left., Europe and USA, Italy, 1650–75, transportation,

A Landscape, Charles Nicolas Ransonnette, French, 1793 - 1877, Pen and ink, brush and bistre on paper, A stream leads backwards, through wooded land. Sailing boats are upon it., France, 1825–1840, Drawing, Drawing

Bust Portrait of a Classical Woman, Giuseppe Bernardino Bison, Italian, 1762 - 1844, Pen, ink, grey watercolor, sepia, and brush on paper, A profile bust of a woman with her hair styled classically within an oval niche., Italy, late 18th

Dionysus with Panther, Giuseppe Bernardino Bison, Italian, 1762 - 1844, Pen, ink, grey water color, and brush on paper, Dionysus, his nudity emphasized by a cloth tossed over his shoulder, holds a sheaf of long vines in his right hand and a

Design for a Brooch, Pen and sepia ink, brush and olive watercolor on paper, Jewelry design for a brooch. A flower branch with an interlaced ribbon. A big blossom is at right, smaller blossoms on vine at upper and lower left., Italy, mid- 18th

Flagellation (?), Jan van der Straet, called Stradanus, Flemish, 1523–1605, Brown ink, wash on paper, Vertical rectangle. A prison-like interior, with the main scene taking place in the background, possibly the flagellation of Christ. A

Sketchbook Page with Homer, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and ink, brush and bistre wash on laid paper, Vertical rectangle. Probably a fragment of a title page. Homer is shown standing, and crowned by a

Design for a Brooch, Pen and ink, brush and sepia wash on paper, Jewelry design for a brooch. A vase with a large flower stem, a small one, and a leaf stem. In the center is a large blossom., Italy, mid- 18th century, jewelry, Drawing,

Woodblock Trial Proof for a Printed Textile, Brush and gouache on paper, Pink blooms, similar to foxglove, with leaf, sprig on three stems., France, 1790–1800, textile designs, Drawing, Drawing

Design for a Pendant, Pen, brush and sepia on paper, A rectangular diamond framed with columns. Above, chains suspending from a ring attach to dolphin tails. Below, a shell with a round gem., Italy, 1875–1900, jewelry, Drawing, Drawing

Half Page of a sketchbook; Virgin and Child and a third figure, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Brown ink and wash on paper, Virgin seated under a tree holding the Infant Jesus on her lap. Behind her another figure,

Design for a Buckle, Red crayon on paper, Sketchy design for a belt buckle. Light round gems disposed in the corners and in the middle of the sides of an oblong, are connected with their neighboring gems by a scroll., Italy, mid- 18th century,

Woodblock Trial Proof for a Printed Textile, Brush and gouache, black chalk on paper, Two red, green and yellow leaves, with seed pods dropping seeds., France, 1790–1800, textile designs, Drawing, Drawing

Urn, Graphite, black chalk on off-white laid paper, Vertical rectangle with loose sketch of an urn., Italy, ca. 1775, architecture, Drawing, Drawing

Earring Design, Three Entwined Snakes Holding Pearls, Pen and ink, graphite on paper, laid down, Design for an earring with three entwined snakes holding three dangling, teardrop-shaped pearls., Italy, ca. 1840, jewelry, Drawing, Drawing

Pillar strip, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, A rising rinceau with leaves., Rome, Italy, 1700–1800, interiors, Drawing, Drawing

Half Page of a sketchbook; Virgin and Child with Joseph, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Brown ink and wash on paper, Virgin and Child seated against a wall. Joseph standing up beside them. Recto: left half of a

Stage Design: Palace Interior, Pasquale Canna, Italian, active 18th century, Pen and brown ink, graphite on paper, View into hall decorated in the antique way, sketched roughly., Italy, early 18th century, Drawing, Drawing

Cartago, Colombia, Frederic Edwin Church, American, 1826–1900, Graphite, brush and traces of oxidized white gouache on grayish paper, Horizontal view of the town in the middleground surounded by hills as mountain ranges rise in the

Design for Decoration, Tomb in Wood, Pen and bistre ink, brush and wash on paper, Horizontal rectangle. View through arch of wooded area with tomb at right, richly decorated sarcophagus of distinguished officer. Hat, sword, and sash on top of

House in Hudson, New York, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite traces on paperboard, Horizontal view of a house with tower, in the center middle distance, flanked by and in front of trees. In the

Cascades of the Ausable River, near Keesevill, New York, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on brown paper, Horizontal view of the upper falls framed by sandstone walls in the central middleground,

Aedicule with Profile, Pen and black ink, brush and yellow, pink and gray wash on off-white wove paper, Elevation view of an aedicule in high relief. An center, a cameo profile of a left-facing man with sideburns On either side, pilasters with

Looking from Olana, Southwest Across Hudson Valley, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on paperboard, Marsh and low lands in the foreground with an inlet to the Hudson River in the middle ground and the

Polyhymnia, Muse of Eloquence, Felice Giani, Italian, 1758–1823, Felice Giani, Italian, 1758–1823, Black chalk on laid paper, A woman seen in profile hurrying toward the right, holding a trumpet and scroll., Italy, ca. 1820, figures,

View Overlooking San Francisco, On The Road Between Popayan and Pasto, Valley Of The Patia River, Colombia, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on light brown paper, Horizontal view of a large

Cartoon for Printed Textile: The History of Henri IV [L'Histoire de Henri IV], Hartmann et Fils, (Munster, France), Pen and black ink, brush and gray wash on cream wove paper (mounted), Scenes from the life of Henri IV (1553-1610), King of

Project for an Overdoor, Pencil, pen, brush and sepia, watercolor on paper, Horizontal rectangle framing an oval landscape. In the center, above, Leda with the swan after Michelangelo; at left, the eagle of Zeus received by a nude woman; at

Mountain Ranges with Rugged Peaks, near Machachi, Ecuador, Frederic Edwin Church, American, 1826–1900, Graphite on cream-colored paper, Horizontal view of mountain ranges and rugged peaks across upper portion of sheet., June 19, 1857,

Tequendama Falls near Bogotá, Colombia, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on buff wove paper, laid down, View of river cascading over long and precipitous descent in a series of waterfalls. Trees

Worship of Venus in a Classical Landscape, Felice Giani, Italian, 1758–1823, Pen and black ink, brush and brown wash, graphite on cream laid paper, A statue of Venus is shown in profile at right. A man carrying a child points to it; he

Project for a Fountain, Mario Asprucci The Younger, Italian, 1764 – 1804, Pen and black ink, brush and watercolor, graphite on paper, lined, Elevation and plan of a large scale horizontal structure, an elaborate fountain. The upper portion

Thalia, Muse of Comedy and Calliope, Muse of Epic Poetry, Felice Giani, Italian, 1758–1823, Black chalk on laid paper, Two women walking to the left. Calliope, at right, reads a book and Thalia, at left holds a mask., Italy, ca. 1820,

Decorative Design for the Stern of a Ship, Black chalk, brush and grey wash on paper, The stern of a ship featuring two rectangular central windows and decorated with an English coat of arms used by the Stuarts, the initial D, and sculptural

Christ and the adulterous woman, Brush and gray wash, red crayon, and pencil on light gray paper., Nude figures. At left, a group of four disciples. Christ extends his left hand toward the woman, who kneels ashamed and points with the right

Floating Icebergs near Twillingate, Newfoundland, Frederic Edwin Church, American, 1826–1900, Brush and oil, graphite on thin cream paperboard, Seascape drawing with one large-scale and two small-scale iceberg designs shown on top and at the

Anatomical Studies, Frederic Edwin Church, American, 1826–1900, Graphite on green-gray wove paper, USA, 1865–70, figures, Drawing, Drawing

Sheets of Studies after Bolognese Monuments, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash, black chalk on paper, Sheet of studies of sculptures and architectural fragments. It shows ten fragments of monuments,

Dancing Faun, John Trumbull, American, 1756–1843, Black and white chalk on greyish-blue paper, Drawn after a plastic cast. Shown obliquely from the right front corner., USA, 1784, Drawing, Drawing

Seated Woman and Grazing Donkey Before a House near Jorje, Ecuador, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on brownish gray paper, Horizontal view of half of a thatched house and a group of high plants,

Green River, Wyoming Territory, Thomas Moran, American, b. Britain, 1837–1926, Brush and watercolor, white gouache, graphite on tan wove paper, Landscape viewed horizontally across a body of water with a rocky mesa at right center.

Hector's Farewell (Addio di Ettore a Andromaca), Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash, charcoal on light blue laid paper, Hector is shown removing his helmet. The nurse holding the frightened Astyanax

Design for Fountain with Canopic Jar, Giuseppe Barberi, Italian, 1746–1809, Pen and black ink, brush and gray wash, traces of graphite on off-white laid paper, In the center of a wide, low basin stands a column topped with a canopic jar. At

Recollections of a View from a Hill near Cartago, Colombia with a Woman Carrying a Water Jar on Her Head, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on buff-colored paper, Horizontal view over hills in the

Floating Icebergs, Frederic Edwin Church, American, 1826–1900, Brush and white gouache, graphite on green wove paper, Four floating icebergs depicted; two rows of two designs with the larger forms at top and smaller icebergs at bottom., USA,

Cardinal Pamphili Villa, Facade Decorated for a Visit of Pope Clement XIII, Paolo Posi, Italian, 1708 - 1776, Pen and black ink, brush and gray, pink wash, graphite on white laid paper, Shown is the elevation of a two-story villa, laterally

Five Studies of Autumn Landscape, Possibly Vermont, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on paperboard, Five separate studies float on creamy ground. Upper row center: a tree with red leaves stands in

Study of a Woman's Skirt and Overcoat, Red and white chalk on light brown paper, Vertical rectangle with the top-right corner cut out. Figure of a woman, turning dynamically away from the viewer, without head, arms or feet. The construction and

Bacchus, Apollo and Mnemosine; Minerva with Trophies, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash over cream laid paper, Italy, 1798–1801, figures, Drawing, Drawing

Textile, Medium: plain weave cotton Technique: mordant and resist painted; immersion dyed (chintz), Scrolling vines with red and blue flowers, including tulips and carnations, on a cream-colored ground. Emphasis is given to the forms of the

Design for a Woven Fabric, Unfinished, Brush and white, blue gouache, brish and watercolor on black paper, Neo-rococo escutcheon with flowers, a shell, a satyr gaine with a pitcher from which water flows., France, 1815–1840, Drawing,

Unfinished cartoon for cotton printing: Unidentified subject, B. M. Lebert, 1759–1836, Hartmann et Fils, (Munster, France), Pen and grey washes on cream-colored paper (mounted), The design for a textile shows three scenes from an

Cartoon for Printed Cotton: Les Quatre Elements, Hartmann et Fils, (Munster, France), Pen and black ink, brush and grey wash on cream laid paper, mounted, An unfinished cartoon for cotton printing. Within vertically-disposed ornamental

Rocky Seashore, Maine, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on cream-colored paperboard, Horizontal view of rocky Maine coast with breaking waves in right foreground and sea in the distance., Maine,

Design for a Candlestick, Joseph Anton Seethaler II, German, 1799–1868, Pen and ink, brush and wash on paper, A column surrounded by a grapevine stands on a high pedestal and is topped by two swans supporting a starred sphere. Fasted to it is

Mt. Katahdin and Turner, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on paperboard, View of Katahdin, the Basin and and partial view of Turner at right, USA, 1860–78, landscapes, Drawing, Drawing

Feste Bacchique, Graphite, red and black chalk on two sheets of grey-brown paper, joined, On a platform within an arabesque enframement is a scene from Don Quixote, showing Sancho Panza on a donkey approaching three figures, while in the

Sketches for a Ceiling Painting: The Triumphant Church, Domenico Antonio Vaccaro, Italian, 1678–1745, Pen and brown ink, brush and gray wash on laid paper; verso: black chalk, A figure of a woman in the attire of a Pope is seated on clouds

Preliminary study for cartoon for printed cotton: The History of Henry the IV [L'Histoire de Henri IV], Hartmann et Fils, (Munster, France), Graphite on cream colored paper (mounted), Six islands show scenes from Voltaire's epic 'Henriade':

Facade of Church, Plan of, Pen & black ink, gray & pink wash Support: white laid paper, Rome, Italy, Italy, 1757–58, architecture, Drawing, Drawing

View from Grand Manan Island, Canada, to the Sea, Frederic Edwin Church, American, 1826–1900, Graphite on cream-colored paper, Horizontal view across a fenced meadow with scattered houses and trees to the land which protrudes in the lateral

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