Images at Librifly

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Peaks and Glacier at Sunrise, Bernese Alps, Switzerland, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on cardboard, Rays of sunlight peaking over the mountains. Clouds are shown in the left foreground. The

Design for a Candelstick, Joseph Anton Seethaler II, German, 1799–1868, Pen and ink, brush and washes, graphite on paper, AUGSBURG, Germany, Germany, 1820, Drawing, Drawing

Study for figure, Francis Augustus Lathrop, American, 1849 - 1909, Pastel crayon, brush and gouache, graphite on paper, A male figure with wings stands, arms raised and draped in cloth, in front of a night sky full of stars., USA, ca.

Hudson Valley ? at Sunset, Frederic Edwin Church, American, 1826–1900, Brush and oil on cardboard, Horizontal view looking across a broad valley, with rolling distant hills (possibly the Hudson Valley). The clouds in the foreground glowing

Landscape in El Yeman, Frederic Edwin Church, American, 1826–1900, Graphite on paper, The steep bed of a stream. A: a rocky bank; B: the continuation of the bank in the rear; C: a lateral bank., Inscribed in A: gravelly / reddish / red /

Marshy Landscape near Millinocket, Maine, Frederic Edwin Church, American, 1826–1900, Brush and white gouache, graphite on brown paper, Marshy landscape with a group of trees in the distance, at center, and woods beyond., USA, September

The elevation of an altar with two alternative suggestions, Pencil, pen, black ink, brush, grey, rpse water colors on paper, Italy, 1775–1800, architecture, Drawing, Drawing

Design for an Interior, Pen and ink, brush and wash on paper, Elevations of a room. At top, two doors flank a console table and mirror. Left door had an overdoor painting with a temple in a landscape. To the right, detail for a ceiling. At

Palm Trees and Housetops, Ecuador, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, traces of graphite on thin paperboard, Recto: Vertical view of two housetops and top of palm tree, with two black birds, rising, Verso:

Competition Design for La Fenice, Venice: Ground Plan, Pen and black ink, brush and gray wash, watercolor on two sheets of white laid paper, laid down on blue paper with added border of blue paper, Ground plan of the theatre: horse-shoe shaped

Horseshoe Falls and Goat Island from the Canadian Bank, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on green-gray wove paper, Part of Goat Island and the Canadian Falls are shown from the Canadian bank. Trees

Great Aletasch Glacier, Switzerland, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on cardboard, The glacier extends from the right distance toward the right foreground, with one of its branches in the left

Village of Kuseiyeh, Mount Lebanon in the Distance, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on cream paper, A mosque and houses are shown on top of a wooded hill range, across a valley. Hills and

Floating Icebergs, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on brown paper, Twelve sketches of icebergs distributed in four rows. A sailing ship is shown between the central and the right designs in the

Cross section of church of S. Tommaso da Villanova, Giovanni Lorenzo Bernini, 1598 – 1680, Pencil, pen, and bistre ink on paper, Cross section of a church with a cupola, S. Tommaso da Villanova at Castelgandolfo. The altar with the frame of

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphite, brush and white gouache on glazed tracing paper, A slightly undulating bough with lacy leaves and flowers over a

Thunderstorm in the Alps, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on paperboard, Oblique view of a valley. A church (probably Austrian or Bavarian) building with an onion steeple is shown in the right middle

Design for a Candlestick, Joseph Anton Seethaler II, German, 1799–1868, Pen and ink, brush and wash on paper, Two horn-shaped branches with sockets branch off from the top of a column standing upon a round pedestal. A bust of Athena tops the

Iceberg, Frederic Edwin Church, American, 1826–1900, Graphite on gray paper, Seascape scene depicting an enormous iceberg with multiple peaks. Verso: head of an Eskimo figure shown from the front., USA, June or July 1859, seascapes,

Study of a dromedary, Frederic Edwin Church, American, 1826–1900, Oil on cardboard, Horizontal drawing of a dromedary shown isolated without background. It is at left, in profile, standing, toward the right. The bedouin is in a crouching

Anatomical Studies, Frederic Edwin Church, American, 1826–1900, Graphite on cream wove paper, USA, 1865–70, figures, Drawing, Drawing

The River 'Below the Whirlpool', Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on light-brown paper., Horizontal view of the Niagara River below the whirlpool, visible in the right central distance, shown

Anatomical Studies, Frederic Edwin Church, American, 1826–1900, Graphite on green-gray wove paper, USA, 1865–70, figures, Drawing, Drawing

Costume Design: Ziegfeld Follies of 1922, Charles LeMaire, American, 1897–1985, Brush and watercolor, silver paint, graphite on paper, Vertical rectangle. Woman standing in left profile, tall headdress of colors flowers, wearing

Study of Tequendama Falls near Bogotá, Colombia, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white, blue, and pink gouache, brush and brown wash on gray paper., Vertical view of the falls., July 1853, landscapes,

Design for a Woven Fabric, Brush and blue, cream, brown, and white gouache on oily tracing paper, Undulated, rising fantastical acanthus stem and boughs., France, 1840–1870, Drawing, Drawing

Design for a Silk Brocade, Brush and watercolor, gouache, graphite on paper, Rising flower twigs form irregular ovoids and lozenges by being fastened together by branches upon which pairs of doves stand, by a laurel wreath with a card, and by

Part of a Rifted Mountain Range, Probably Ecuador or Colombia, Frederic Edwin Church, American, 1826–1900, Graphite, brush and oxidized white gouache on grayish paper, Horizontal view of a part of a rifted mountain range at the top center of

Design for a Candlestick, Joseph Anton Seethaler II, German, 1799–1868, Graphite, pen and ink, brush and wash on paper, A grape vine is wound around a column upon which two swans support a starred globe. Fasted to it by spokes is a ring

Design for a Candlestick, Joseph Anton Seethaler II, German, 1799–1868, Pen and ink on paper, The candlestick is in the shape of a censer. Topped by cupid in a chariot drawn by snails. Supported by a ring before which the foreparts of four

Valley of El Yemen, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on pale green-gray wove paper, View from a canyon rim of valley bottom with a small caravan (indicated as dots in a path) shown in central

Floating Icebergs, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on brown paper, Seven sketches of floating icebergs on a single sheet in two vertical rows. At top left, a part of an iceberg. At top right, a

Costume Design: Carnation Girls, Midnight Frolic, for Ziegfeld Follies, Charles LeMaire, American, 1897–1985, Brush and watercolor, crayon, graphite on paper, Vertical rectangle. Standing woman wearing elaborately ruffled costume; ruffles

Textile, Medium: cotton Technique: printed by enrgaved copper plate on plain weave, Four scenes, one of a mother reading a letter from Nantes to her sons, a cottage scene of parents and children, a picnic during haymaking and a domestic scene

Title Page, Part 9, from an Album of Drawings belonging to Don Gaspero Méndez de Haro y Guzman, Unknown, Pen and brown ink, brush and blue-gray and brown wash, black chalk on heavy brown laid paper, lined, Vertical format architectural

Design for a Woven Fabric of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, A partly naturalistic partly stylized rose bough with blossoms and leaves forms vertical rows. Somewhat

Project for the decoration of a chapel, Black chalk, pen, ink, brush, and grey, brown, greenish and rose water colors on paper., Vertical composition of a decorated chapel with framing lines. An arch and a section of a vaulted ceiling are

Study of a Zoomorphic Rock, Petra, Frederic Edwin Church, American, 1826–1900, Brush and oil, graphite on paperboard, A large reddish-brown rock, with architectural carving, in the right foreground. Two caves are shown at its base. A hill

Project for an Elevation of Garden Architecture (Entrance to a Villa or Garden), Pen and brown ink, brush and watercolor, black chalk on white paper, Design for a garden pavilion or decorative wall. A wall with an arched opening at the center. It

Design for a Tureen, Pen and ink, brush and washes, Vessel heavily decorated with garlands, dolphins, birds, medallion (center). Finial in the form of a hunter and woman seated together. Left handle composed of a pair of half figures issuing

Drummer Seen from the Back, Winslow Homer, American, 1836–1910, Charcoal, white chalk on blue-green wove paper, Recto: vertical view of the back of a drummer, shown facing left, and holding a drum., Verso: vertical view of a soldier with

Design for an Emrboidered or Woven Horizontal Border, Brush and white, beige gouache on oily tracing paper, A fantastical plant with lace blossoms and a rising spiral with a lace blossom are connected by festoons of lace ribbon. They are intended

Figure Sketches in Arabia, Frederic Edwin Church, American, 1826–1900, Brush and oil paint on brown cardboard, The sheet is covered with a brown grounding color. Sketches are show at the top and in the right center. Most of them are shown in

Man and Woman Being Martyred, Belisario Corenzio, Italian, active 1590–1646, Pen and brown ink, brush and brown wash on cream laid paper, lined, Vertical rectangle. Figures of a man and woman tied to a stake together, awaiting execution. A

Ceiling of Cabinet dedicated to Peace, Palazzo Quirinale, Rome, Felice Giani, Italian, 1758–1823, Pen and dark gray ink, brush and gray wash over black chalk ruled lines on light greenish-beige wove paper. Support: light greenish-beige wove

Three Friezes; A Base; An Ornament, Felice Giani, Italian, 1758–1823, Pen and dark brown ink on laid paper, Top row, left: vine rinceau, bucrania support festoons at right. Both friezes framed above and below by moldings. Bottom row, left:

Landscape View From El Bordo On The Rio Patia Guachicona Valley Between Popayan and Pasto, Colombia, Frederic Edwin Church, American, 1826–1900, Graphite, brush and touces of oxidized white gouache on cream-colored paper, Horizontal view

Unfinished cartoon for an alternate design for cotton printing: La Vie de Bélisaire, B. M. Lebert, 1759–1836, Hartmann et Fils, (Munster, France), Pen and grey washes on cream-colored paper (mounted), A central island and four smaller ones

Maine, Lake Katahdin?, Frederic Edwin Church, American, 1826–1900, Brush and oil on cardboard., Windswept water with a hilly shore in the background. Dated bottom right., USA, September 1879, seascapes, drawing, drawing

Elevation and Cross-Section of an Opera House, Pen and ink, brush and watercolor, graphite on paper, Side elevation, above, of a large and elaborate design for an opera house. Below, a section through the same area, revealing the foyer and

Design for a Candlestick, Joseph Anton Seethaler II, German, 1799–1868, Pen and ink, brush and watercolor, graphite on paper, Octagonal base and pedestal showing a woman on a sphere and ornamented candelabra. The shape is formed by a vase

The Gorge, Niagara, Looking Toward the Suspension Bridge, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on paper, Horizontal view upstream, with spray of river in white gouache, while river banks and

Floating Icebergs, Frederic Edwin Church, American, 1826–1900, Graphite on olive paper, Three sketches for seascapes on a single sheet. At top, close view of an iceberg, the disintegration of which has begun laterally. At bottom left,

Mount Lebanon, near Baalbek, Frederic Edwin Church, American, 1826–1900, Graphite and gouche on green gray paper, Sketch of a mountain range with foot ridges., Baalbek, Lebanon, May 6, 1868, landscapes, Drawing, Drawing

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, Two boughs with fan leaves and seeds are separated from each other by a lacy

Interior of the Temple of Bacchus, Baalbek, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on cardboard, The lower parts of two bays and the separating columns of one long side are shown. Parts of the entablature

View of Naples (or vicinity), Brush and gouache on paper, Neapolitan landscape of a courtyard with walls and columns visible on three sides. Ruin of a building at center, with smaller structure at left and four figures., Italy, 19th century,

Cotopaxi from Guapulo, Ecuador, Frederic Edwin Church, American, 1826–1900, Graphite on paper, The smoking cone is shown on top. A peak is shown in the left rear. The terrain in the foreground and the middle distance is similar to top of

Studies of Irises, Sophia L. Crownfield, (American, 1862–1929), Graphite, pen and black ink on trace, Studies of various parts of irises, including stems and blossoms, from different angles filling most of the sheet., USA, early 20th

He Sat Still, Studying His Mother's Strong, Lined Face, Elizabeth Shippen Green, American, 1871–1954, Charcoal, brush and grey oil paint on paper, varnished and mounted on illustration board, A young man is seated beside an elderly woman

Valley Near Guaranda, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on buff paper, Horizontal view of valley with a stream receding toward left background., June 3, 1857, landscapes, Drawing, Drawing

Study of Wisteria Foliage, Sophia L. Crownfield, (American, 1862–1929), Brush and watercolor on white tissue paper, Horizontal sheet depicting a single branch of wisteria drawn diagonally across the sheet., USA, early 20th century, nature

Altar Dedicated to a Virgin Martyr [St. Lucy?], Pen and black ink, brush and watercolor, over black chalk; ruled border in pen and black ink, pink wash on thick paper, joined at center, Design for an altar. The sepulcher has the shape of the

Decoration of Facade of Building Dedicated to Music, Felice Giani, Italian, 1758–1823, Pen and ink over traces of graphite on laid paper, Elevation of three-story building, eight windows in ground and top floors, six windows and two doors in

Mt. Katahdin, Great Basin from South Turner Mountain, Frederic Edwin Church, American, 1826–1900, Brush and oil paint on board, USA, 1877, landscapes, Drawing, Drawing

Elevation of an Altar with Alternative Suggestions, Pen and brown ink, brush and brown and blue wash on off-white laid paper, laid down, Horizontal rectangle consisting of two separate pieces of paper. The left side of the central part was

Senses of Smell and Hearing, Brush and tempera on linen, Panel of natural colored linen plain cloth painted in polychrome tempera showing two scenes from a series depicting the five senses. At left, figures of a seated man and woman are offered a

Design for Pitcher and Basin, Pen and black ink, brush and watercolor, graphite and black chalk on paper, A pitcher in the shape of a pilgrim's flask with small, knob handles occupies the upper half of the sheet. The vessel has a peacock-blue

Mt. Katahdin from Togue Pond, Frederic Edwin Church, American, 1826–1900, Oil on paperboard, Shores of Togue Pond are shown at left and the back. Autumn. In the center, Baxter Peak, with Pomola, right. Looking northwest., USA, 1878,

Iceberg with Two Peaks, Frederic Edwin Church, American, 1826–1900, Graphite on green paper, A sketch of a large iceberg with two peaks fills the sheet., USA, June or July 1859, seascapes, Drawing, Drawing

Ten Lunettes with Muse and Mnemosine, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash over traces of graphite on cream laid paper, Italy, 1805, figures, Drawing, Drawing

Sketch for 'The Wreck', Winslow Homer, American, 1836–1910, Charcoal on paper, Horizontal view showing a group of figures; at center is a man with his right arm upraised; at left are two figures; and to the right is a faintly indicated rough

Tapestry Design: Apollo in his Chariot Led by Aurora, Fedele Fischetti, Italian, 1734 - 1789, Pen and brush and black ink, gray wash on off-white laid paper, ruled border in pen and black ink, lined, Design is based on Guido Reni's 'Aurora, '

Project for the entrance wall of a salon with alternative suggestions, Jean-Charles Delafosse, French, 1734–1791, Pen and ink, brush and rose and brown washes, graphite on white paper, The left and right halves suggest different details.

Euterpe, Muse of Lyric Poetry, Felice Giani, Italian, 1758–1823, Black chalk on laid paper, Seen in three-quarter profile, walking toward the right, holding a flute in both hands., Italy, ca. 1820, figures, Drawing, Drawing

Jungle Foliage, Jamaica, Frederic Edwin Church, American, 1826–1900, Brush and oil paint on paperboard, The thick of dense jungle below a grey-blue sky, a fern tree distinctive in the center., Jamaica, USA, June or July 1865, landscapes,

Study for Painted Decoration of a Ceiling, Casino de la Reina (Queen's Casino), Madrid, Spain, Vicente López y Portaña, Spanish, 1772–1850, Black and white chalk on blue paper, Study for a ceiling decoration painted for the main salon of

Study of Bamboo, Jamaica, Frederic Edwin Church, American, 1826–1900, Graphite on greenish paper, Horizontal view of a long stem of bamboo drawn obliquely from top right to bottome left, with two small stems at top left., May–August 1865,

Water Carriers on the Magdalena (Bay), Barranquilla, Republic of Nueva Grenada, now Colombia, Frederic Edwin Church, American, 1826–1900, Graphite, brush and oxidized white gouache on cream-colored wove paper, darkened to brown and

Mts. Katahdin and Turner from Lake Katahdin, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on paperboard, View of Katahdin, the Basin and the begining of Turner from Katahadin Lake, USA, 1860–78, landscapes,

Floating Iceberg, Frederic Edwin Church, American, 1826–1900, Brush and white gouache, graphite on green wove paper, An iceberg peak with highlights in white gouache, a horizon line indicated below., USA, July 9, 1859, seascapes,

Arrowroot and Cardamum Studies, Jamaica, Frederic Edwin Church, American, 1826–1900, Graphite on greenish paper, Horizontal view of a plant with many leaves and a bunch of blossoms at left, and a leaf plant and a detail at right., Jamaica,

Studies of Trees and Rocks, Road to Mocho near Chimborazo, Ecuador, Frederic Edwin Church, American, 1826–1900, Graphite on buff paper, Horizontal sheet containing details of trees and rock on a road, USA, June 16, 1857, landscapes,

Sepulchral Monument of the Last Three Stuarts, Pencil, pen, wash, Chinese ink, Vertical rectangle in shape with a dado below. A sarcophagus stands between Corinthian columns. It is supported by two crouching lions and decorated at the front with

The Assassination of the Duke of Buckingham by Felton, Frederick Coffay Yohn, American, 1875–1933, Brush and black, grey and white oil on canvas, Surrounded by a group of astonished courtiers, the Duke of Buckingham slumps to the ground

Design for a Woven Fabric, Graphite, brush and yellow, beige, green, lilac, rose, and red paint on paper, A metal pole rises from a calyx which is supported by two acanthus spirals. The pole is surrounded by rings. Leaves and two ears of

Mise-en-carte for Textile, No. 7242, Orinoka Mills, (Philadelphia, Pennsylvania, USA), F. Jones & Co., Brush and gouache, graphite on pre-printed graph paper, Stylized floral design with birds., USA, ca. 1920, textile designs, Drawing,

Mounts Katahdin and Turner from Lake Katahdin, Maine, Frederic Edwin Church, American, 1826–1900, Graphite, brush and oil paint on paperboard, View of a lake with two mountain peaks at left and right and a mountainous ridge in the central

Iris Encourages Priam to Beg the Body of Hector from Achilles, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash, graphite on thick white wove paper, Iris flies besides the walking Priam; a view into a room with

Lower Falls, Genesee River, Rochester, New York, Frederic Edwin Church, American, 1826–1900, Brush and white gouache, pencil on dark olive-green paper, Horizontal view of the rushing water of the lower falls shown in white gouache at

Mt. Katahdin from Togue Pond, Frederic Edwin Church, American, 1826–1900, Graphite, oil on cardboard, The boat on water, parts of the shore are shown in the study; autumn landscape. Written in graphite, bottom left: Upper Togue Lake.

In the Woods of Jamacia, West Indies, Frederic Edwin Church, American, 1826–1900, Oil paint on paper laminate, green coated paper board, Fern trees shown as underbrush, USA, 1865, landscapes, Drawing, Drawing

Studies of Trees with Details of Bamboo and a Small Detail of a Man Carrying Bananas on His Head, Bellevue, Jamaica, Frederic Edwin Church, American, 1826–1900, Graphite on green paper, Horizontal view of trees and details of bamboos with a

Ruined Old Windmill, Jamaica, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on greenish, darkened to olive brown in places, heavy wove paper, Vertical view of an old windmill with the conical part in masonry

Five Sketches of Young Boys, Winslow Homer, American, 1836–1910, Black crayon on heavy wove gray-blue paper, Recto: Horizontal view showing five sketches of young boys, some kneeling or seated., Verso: Geometrical figures and parts of such

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf, ' Unfinished, Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper pasted on paper, A fantastical tulip bough and a fern leafe

Landscape in El Yeman, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on paper, The steep bed of a stream. A: a rocky bank; B: the continuation of the bank in the rear; C: a lateral bank., Inscribed in A:

Landscape in Jamaica, West Indies, Frederic Edwin Church, American, 1826–1900, Brush and oil paint on cardboard, Bird's eye view of rugged mountains. A road is shown in a valley in the central middle distance. Two wooded slopes form the

Two Bedouins, Frederic Edwin Church, American, 1826–1900, Brush and oil on cardboard, An old Bedouin figure standing and holding a gun and a younger one hiding with the lower part of the body behind a rock., USA, 1874, figures, Drawing,

Views from Labrador or Newfoundland, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on brown paper; verso: graphite, At upper left, distant view of an iceberg. At center, a ship with two masts with sails up,

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