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Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

Skeletal Drawing, and Leg Studies, of Cattle, Sawrey Gilpin, 1733–1807, British, undated, Pen and brown ink on medium, moderately textured, beige, laid paper, mounded on, moderately thick, slightly textured, cream, wove paper,

Vernonia amygdalina Del. (Bitter Leaf): finished drawing, Luigi Balugani, 1737–1770, Italian, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 15 15/16 × 12 5/16 inches (40.5 × 31.3 cm)

Album Drawing, Thomas Bardwell, 1704–1767, British, Previously attributed: James Wills, Active 1740–died 1777, British, ca. 1730, Pen and brown ink over graphite on white laid paper, Sheet: 5 1/8 x 3 1/2in. (13 x 8.9cm

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Cobham Hall, Kent: Drawing for Wall Decoration, James Wyatt, 1746–1813, British, ca. 1790, Graphite, pen and black ink on moderately thick, slightly textured, beige laid paper, Sheet: 15 1/8 x 21 1/2 inches (38.5 x 54.6 cm),

Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats, James Malton, 1761–1803, British, 1802, Gray wash and graphite with pen and black on medium, slightly textured, cream laid paper, Sheet: 5 1/8 × 7

Sir Peter Lely, Print made by A. Birrell, ca.1770–ca. 1820, British, after Sylvester Harding, (drawing), 1745–1809, British, after Sir Peter Lely, (painting), 1618–1680, Dutch, active in England (from 1643), undated, Stipple

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Headfort House, Ireland: Elevations of the Front Hall, Robert Adam, 1728–1792, British, between 1771 and 1775, Pen with black ink and gray wash over graphite on moderately thick, moderately textured, cream laid paper mounted on canvas,

Carissa edulis (Forssk) Vahl.: finished drawing, Luigi Balugani, 1737–1770, Italian, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 15 15/16 x 12 5/16in. (40.5 x 31.3cm) and Binding: 16

Architectural Drawing of a Stone Relief, Depicting a Bird of Prey, Sir Robert Smirke the younger, 1781–1867, British, 1802-1804, Gray wash, graphite, pen and brown ink on moderately thick, moderately textured, beige, wove paper, Sheet:

Album Drawing, Thomas Bardwell, 1704–1767, British, Previously attributed: James Wills, Active 1740–died 1777, British, ca. 1730, Gray and brown wash with pen and brown ink over graphite on laid paper, Sheet: 5 1/8 x 3 1/2in. (13 x

Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats, James Malton, 1761–1803, British, 1802, Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 6 × 9

Architectural Drawing of a Temple Near Ancient Phigalia, Sir Robert Smirke the younger, 1781–1867, British, 1802-1804, Graphite, gray wash, pen and black ink on medium, moderately textured, beige, wove paper, Sheet: 11 3/4 x 16 15/16in.

Dracaena steudneri Engl. (Dragon Tree): finished drawing with floral details below, Luigi Balugani, 1737–1770, Italian, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 15 15/16 × 12 5/16

Plan of the West India Docks, Print made by Benjamin Baker, 1766–1841, British, after Ralph Walker, active 1768–1796, Published by Benjamin Baker, 1766–1841, British, 1802, Etching, hand-colored on moderately thick, slightly

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Sketchbook Drawing, George Romney, 1734–1802, British, ca. 1793, Graphite on moderately thick, slightly textured, cream wove paper, Sheet: 5 1/2 x 9 1/4 inches (14 x 23.5 cm) and Binding: 5 1/2 inches (14 cm), figure study, figures,

Sketchbook Drawing, George Romney, 1734–1802, British, ca. 1793, Graphite on moderately thick, slightly textured, cream wove paper, Sheet: 5 1/2 x 9 1/4 inches (14 x 23.5 cm) and Binding: 5 1/2 inches (14 cm), figure study, figures,

Sketchbook Drawing, Charles Samuel Keene, 1823–1891, British, between 1846 and 1852, Graphite with pen and brown ink on ruled, medium, smooth, cream wove paper, Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm) and Binding: 6 1/2 inches (16.5 cm

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Album Drawing, Thomas Bardwell, 1704–1767, British, Previously attributed: James Wills, Active 1740–died 1777, British, ca. 1730, Brown wash with pen and brown ink over graphite on white laid paper, Sheet: 5 1/8 x 3 1/2in. (13 x 8.9cm

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Album Drawing, Thomas Bardwell, 1704–1767, British, Previously attributed: James Wills, Active 1740–died 1777, British, ca. 1730, Gray wash, watercolor, pen and brown ink, and graphite on laid paper, Sheet: 5 1/8 x 3 1/2in. (13 x

Sketchbook Drawing, George Romney, 1734–1802, British, ca. 1793, Graphite on moderately thick, slightly textured, cream wove paper, Sheet: 5 1/2 x 9 1/4 inches (14 x 23.5 cm) and Binding: 5 1/2 inches (14 cm), figure study, figures,

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Preparatory drawing for Design 24, Plate 27 of A Collection of Designs for Rural Retreats, James Malton, 1761–1803, British, 1802, Graphite and pen and black ink on thin, slightly textured, pink and cream laid paper laid mounted on medium,

Benjamin West and His Son Raphael, Print made by Valentine Green, 1739–1813, British, after Benjamin West, 1738–1820, American, active in Britain (from 1763), Published by Valentine Green, 1739–1813, British, 1775, Mezzotint and

Album Drawing, Thomas Bardwell, 1704–1767, British, Previously attributed: James Wills, Active 1740–died 1777, British, ca. 1730, Gray wash and watercolor with pen and brown ink over graphite on laid paper, Sheet: 5 1/8 x 3 1/2in. (13 x

Album Drawing, Thomas Bardwell, 1704–1767, British, Previously attributed: James Wills, Active 1740–died 1777, British, ca. 1730, Gray and brown wash and watercolor with pen and brown ink, over graphite on laid paper, Sheet: 5 1/8 x 3

Design for a Naval Monument: Elevation, Charles Heathcote Tatham, 1772–1842, British, 1799, Pen and black ink, brown and gray wash on slightly textured, moderately thick, cream wove paper bar scale of 1/4 inch to 10 feet, Sheet: 11 5/8 ×

Album Drawing, Thomas Bardwell, 1704–1767, British, Previously attributed: James Wills, Active 1740–died 1777, British, ca. 1730, Watercolor with pen and brown ink over graphite, Sheet: 5 1/8 x 3 1/2in. (13 x 8.9cm

A Duck and an Eagle with prey, a Pl. for 'A New Drawing Book...of Various Kinds of Birds, Drawn From the Life by Mr. Francis Barlow, 1731 (1 of 9), Print made by George Bickham, 1683/4–1758, British, after Francis Barlow, ca. 1626–1704,

Preparatory drawing for The Waltz, Edward Francis Burney, 1760–1848, British, 1820s, Graphite on thin, slightly textured, cream wove paper, Sheet: 11 3/8 × 17 3/4 inches (28.9 × 45.1 cm

Plan of the Regent's Park, Print made by John Cleghorn, active 1840–1881, British, after Thomas Hosmer Shepherd, 1792–1864, British, Printed by Jones & Co., active 1822–1850, British, 1827, Etching on moderately thick, slightly

Drawing Cover, Thomas Rowlandson, 1756–1827, British, undated, Watercolor with pen and brown, gray and red-brown ink, with pen and ink line and wash border on medium, moderately textured, blued white, wove paper, Sheet: 3 3/16 x 5 9/16

Design for a Chapel at Enfield: Longitudinal Section, Lewis Vulliamy, 1791–1871, British, undated, Pen and black ink with watercolor on moderately thick, slightly textured, beige wove paper, Sheet: 12 5/8 x 18 13/16 inches (32.1 x 47.8 cm)

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Euphorbia helioscopia L. (Sun Spurge): finished drawing of flowering plant with details of flowers and leaf and fruit, James Bruce, 1730–1794, British, undated, Watercolor, gouache, and graphite on moderately thick, moderately textured,

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Headfort House, Ireland: Plan of Principal Floor, Sir William Chambers RA, 1723–1796, British, ca. 1765, Graphite, gray wash, watercolor and pen and black and brown ink on moderately thick, moderately textured, cream laid paper, Sheet:

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Preparatory drawing for Design 15, Plate 12 of A Collection of Designs for Rural Retreats, James Malton, 1761–1803, British, 1802, Graphite on medium, slightly textured, cream laid paper, Sheet: 4 5/8 × 7 3/8 inches (11.7 × 18.7 cm),

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Gladiator at Saltram, William Brockedon, 1787–1854, British, 1800, Graphite (part of drawing #7), Sheet: 7 5/8 x 11 1/2in. (19.4 x 29.2cm

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Sketches of a Hare, Horse, Stag, Man and Woman, James Seymour, 1702–1752, British, undated, Pen, in brown ink on medium, slightly textured, beige, laid paper, Mount: 11 1/4 × 9 11/16 inches (28.6 × 24.6 cm), Contemporary drawn

Cobham Hall, Kent: Ground Plan of Part of the Offices and New Passage, James Wyatt, 1746–1813, British, 1798, Graphite, pen and black ink and gray wash on medium, moderately textured, cream laid paper, Sheet: 27 1/2 x 21 1/2 inches (69.9

Nicholas Stone Sr. and Nicholas Stone Jr., Print made by Thomas Chambars, ca. 1724–1789, British, after unknown artist, undated, Etching on moderately thick, smooth, cream wove paper, Plate: 11 9/16 x 8 11/16 inches (29.4 x 22 cm), Sheet:

Sketchbook Drawing, Charles Samuel Keene, 1823–1891, British, between 1846 and 1852, Graphite with pen and brown ink on ruled, medium, smooth, cream wove paper, Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm) and Binding: 6 1/2 inches (16.5 cm

Pittosporum viridiflorum Sims (pittosporum): finished drawing, Luigi Balugani, 1737–1770, Italian, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 15 15/16 × 12 5/16 inches (40.5 × 31.3

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

Abutilon longicuspe A. Rich. (Abutilon): finished drawing, Luigi Balugani, 1737–1770, Italian, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 15 15/16 × 12 5/16 inches (40.5 × 31.3 cm)

Working Drawing for the Plasterwork of a Frieze for Clifton Castle, Attributed to Thomas Harrison, 1744–1829, British, ca. 1780-1790, Pen and brown ink, gray wash on textured, moderately thick, beige laid paper, Sheet: 21 5/16 × 15 1/4

Rhus glutinosa A. Rich. : finished drawing, Luigi Balugani, 1737–1770, Italian, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 15 15/16 × 12 5/16 inches (40.5 × 31.3 cm

Life School at the Royal Academy, Print made by Richard Earlom, 1743–1822, British, after Johan Joseph Zoffany RA, 1733–1810, German, active in Britain (from 1760), Published by Robert Sayer, 1725–1794, British, 1773, Mezzotint on

Drawing after The Transfiguration, Sir Thomas Lawrence, 1769–1830, British, copy after Raphael, Italian, 1483–1520, Italian, 1782, Pastel on medium, slightly textured, gray wove paper mounted on linen, Sheet: 46 1/4 x 29 inches (117.5

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

Salix subserrata Willd. (Willow Tree): finished drawing without details, Luigi Balugani, 1737–1770, Italian, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 15 15/16 × 12 5/16 inches

Title page for ' A New Drawing Book...of Various Kinds of Birds, Drawn from the Life by Mr. Francis Barlow' 1731 (1 of 9), Print made by George Bickham, 1683/4–1758, British, after Francis Barlow, ca. 1626–1704, British, Published by

Figure Studies: A Farm Worker, Mr. Samuel, the Drawing Master Reclining and Dozing, and a Slight Sketch of a Man in a Hat, Robert Hills, 1769–1844, British, undated, Watercolor and graphite on medium, cream, slightly textured wove paper

James Paine, Charles Grignion, 1717–1810, British, after Francis Hayman, 1707/8–1776, British, undated, Etching and line engraving on moderately thick, moderately textured, beige wove paper, Sheet: 5 3/4 x 6 15/16 inches (14.6 x 17.6

Headfort House: East Elevation of House, East Elevation of Offices, and Attic Story Plan, Sir William Chambers RA, 1723–1796, British, 1765, Gray and brown wash with pen and brown and black ink over graphite on moderately thick, moderately

The Lonely Tower, Samuel Palmer, 1805–1881, British, active in Italy (1837–39), 1868, Watercolor, gouache and gum arabic on London board: a high-quality pasteboard sheet made of Whatman's finest drawing paper, Sheet: 20 1/4 x 27 7/8

The Connoisseur, Benjamin West, 1738–1820, American, active in Britain (from 1763), undated, Black chalk and graphite on thick, rough, cream laid paper, Sheet: 14 3/4 × 19 inches (37.5 × 48.3 cm), bottle, cane, child, coat,

Musa x sapientum L. (Banana): preliminary outline drawing of habit of tree with fruit, James Bruce, 1730–1794, British, ca. 1769, Graphite on moderately thick, moderately textured, cream, laid paper, Sheet: 20 7/8 × 14 1/8 inches (53 ×

Two Turkeys, two hens and four doves a plate for 'A New Drawing Book...of Various Kinds of Birds, Drawn from the Life by Mr. Francis Barlow' 1731 (1 of 9), Print made by George Bickham, 1683/4–1758, British, after Francis Barlow, ca.

Sketchbook Drawing, Charles Samuel Keene, 1823–1891, British, between 1846 and 1852, Graphite with pen and brown ink on ruled, medium, smooth, cream wove paper, Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm) and Binding: 6 1/2 inches (16.5 cm

Antwerp Cathedral, Sir John Frederick William Herschel, first Baronet, 1792–1871, British, 1824, Graphite camera lucida drawing on medium, smooth, cream wove paper mounted on sheet of cream wove paper, Mount: 7 5/8 × 11 1/2 inches (19.4

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Dinton House, Wiltshire: Perspective View, Studio of Sir Jeffry Wyatville, 1766–1840, British, ca. 1812, Watercolor over graphite on medium, moderately textured, cream wove paper, Sheet: 15 1/4 × 22 3/4 inches (38.7 × 57.8 cm),

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Sketchbook Drawing, Charles Samuel Keene, 1823–1891, British, between 1846 and 1852, Graphite with pen and brown ink on ruled, medium, smooth, cream wove paper, Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm) and Binding: 6 1/2 inches (16.5 cm

An Architectural Drawing of One of the Pillars in the Interior of a Temple, Sir Robert Smirke the younger, 1781–1867, British, 1802-1804, Gray wash, graphite, pen and black ink on moderately thick, moderately textured, beige, wove paper,

No. 25 drawing of temple remains at Baalbec or Palmyra, James Bruce, 1730–1794, British, undated, Graphite on moderately thick, moderately textured, cream laid paper, Sheet: 15 3/4 × 20 3/4 inches (40 × 52.7 cm), architectural subject

Standing Female Figure, Henri Gaudier-Brzeska, 1891–1915, French, between 1910 and 1915, Pen and green ink on medium, smooth, cream wove paper, Sheet: 11 5/8 x 8 1/4 inches (29.5 x 21 cm), female, figure, figure study, life drawing,

A Lady Copying at a Drawing Table, Paul Sandby RA, 1731–1809, British, ca. 1765, Red chalk, black chalk, and graphite on medium, moderately textured, cream laid paper, Sheet: 7 5/8 x 6 inches (19.4 x 15.2 cm), copying, desk, drawing

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

The Happy Peasants, James Mason, 1710–1783, British, after painting Herman van Swanevelt, c.1600–1655, Dutch, after drawing Joseph Farington, 1747–1821, British, 1775, Engraving

Fowl Body, Lateral View (Outline drawing, related to Table XV), George Stubbs, 1724–1806, British, 1795 to 1806, Graphite on thin, slightly textured, cream wove paper, Sheet: 20 3/4 x 15 inches (52.7 x 38.1 cm), anatomical study,

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

Trade Card for Billinge and Edwards, Clock and Watchmaker of Snow Hill, Birmingham, Print made by unknown artist, (Cottrell), ca. 1770, Etching on moderately thick, slightly textured, cream wove paper, Sheet: 3 7/8 x 3 inches (9.9 x 7.6 cm)

No. 15 drawing of ornamental details of friezes of temple remains at Baalbec or Palmyra, James Bruce, 1730–1794, British, undated, Graphite on moderately textured, moderately thick, cream laid paper, Sheet: 13 3/8 × 21 1/2 inches (34 ×

Portrait of a Family, William Hogarth, 1697–1764, British, ca. 1735, Oil on canvas, Support (PTG): 21 x 29 1/2 inches (53.3 x 74.9 cm), bust, card table, cat (domestic cat), chairs, chandelier, Chinese vase, Chinese vase, conversation

'Sporting Anecodotes:' Drawing for the Soft-Gound Etching of 'The Sporting Butcher', Henry Thomas Alken, 1785–1851, British, undated, Graphite and red chalk on medium, smooth, blued white, wove paper, Sheet: 8 5/16 × 12 7/16 inches (21.1

Sketchbook Drawing, Charles Samuel Keene, 1823–1891, British, between 1846 and 1852, Graphite with pen and brown ink on ruled, medium, smooth, cream wove paper, Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm) and Binding: 6 1/2 inches (16.5 cm

Labiatae (indeterminate species): finished drawing of a leafy shoot, without flowers, James Bruce, 1730–1794, British, ca. 1769, Gouache over graphite on moderately thick, moderately textured, cream laid paper, Sheet: 21 1/2 × 15 1/8

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

Gardenia ternifolia Schum.& Thonn. (Wild Gardenia): finished drawing, James Bruce, 1730–1794, British, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Sheet: 16 × 12 3/8 inches (40.6 × 31.4

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

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