Images at Librifly

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The Telephone and the Ticker, Study for 'Electricity as Applied to Commerce, ' Manufactures and Liberal Arts Building, World's Columbian Exposition, Chicago, IL, J. Carroll Beckwith, American, 1852–1917, Black chalk, graphite on off-white

Study for Maximum Mass Permitted by the 1916 New York Zoning Law, Stage 1, Hugh Ferriss, American, 1889–1962, Black crayon, stumped; brush and black ink over photostat, varnish on illustration board, A back lit, dramatic dark sculptural

Study of landscape, Sorrento, Italy, William Stanley Haseltine, American, 1835–1900, Brush and watercolor, graphite on paper, Sketch of a hill with the Bay of Naples in the background., USA, 1858, landscapes, Drawing, Drawing

Design for a Tureen, Joseph Anton Seethaler II, German, 1799–1868, Pen and ink, brush and washes, The vessel rests on swans posed on columns. The handles are in the form of snakes, and the finial is composed of a recumbent lion. The base

Bust of a Model, Rome, Daniel Huntington, American, 1816–1906, Graphite, black chalk on off-white wove paper, Bust of a young woman in left profile. Verso: Three sketches of women: one seated, at center, looking away to the right; at left,

Design for Scalone della Corte, Palazzo Reale or Ducale Milan, Graphite, pen and black ink on paper, Vertical format architectural drawing. The building depicted is two stories. In the upper story is a window between two doors all having

drawing, USA, before 1914, drawing

Portrait of a Child, Samuel Worcester Rowse, American, 1822 - 1901, Pen and ink on paper, USA, 1822-1901, Drawing, Drawing

The Electric Light, Study for Manufactures and Liberal Arts Building, World's Columbian Exposition, Chicago, IL, J. Carroll Beckwith, American, 1852–1917, Charcoal and graphite on cream wove paper, Woman kneeling on right knee, drapery

Clubhouse and Golf Club, Newport, Rhode Island, Whitney Warren Jr., American, 1864–1943, Graphite, brush and watercolor on paper, Two-story building with pointed roof, balustrades, and greenery. The central part is projecting with a pair

Grand Manan Island, Graphite, Gouache on light brown paper, USA, September 1851, landscapes, drawing, drawing

Design for the Wall Decoration for Marie-Antoinette's Apartment at Fontainebleau Palace, Jean-Siméon Rousseau, 1747 – 1820, Pen and black ink, brush and watercolor, white gouache on off-white paper, An elevation of a wall. At the center, an

Alpine Lake, Bavaria or Switzerland, Frederic Edwin Church, American, 1826–1900, Brush and oil, pencil on cardboard, The end of a lake surrounded by woods. Rising around are steep mountain range., USA, 1868, landscapes, Drawing,

Ship Deck with Two Women Lashed to the Mast, Winslow Homer, American, 1836–1910, Charcoal, white chalk on brown cardboard, Horizontal view of the deck of a ship containing a cannonball, with two women lashed to a mast, at right, and men in

Stage Design, Men Constructing Building in Cave, Antonio Giuseppe Basoli, Italian, 1774–1843, Pen and gray ink, brush and gray and black wash, graphite on paper, Horizontal rectangle. Inside cave, workmen are constructing stairs and

Main Street, East Hampton, Long Island, Samuel Colman, American, 1832–1920, Graphite, brush and yellow-green, gray, brown, and black washes with white gouache on gray paper., Horizontal view of a road leading backwards, flanked by rows

Drawing, Nude, Domenico Corvi, Italian, 1721 - 1803, Red crayon on paper, Young man sitting, seen from the front., Rome, Italy, ca. 1740, figures, Drawing, Drawing

Design for a Fountain for the Palazzo Corsini, Rome, Italy, Ferdinando Fuga, Italian, 1699 - 1781, Pen and black ink, brush and gray wash, traces of graphite on off-white laid paper, An aedicule (small temple/shrine) with a broken pediment

Head of Athena (from a cast), Adile Marie Osborne, Charcoal on paper, Vertical rectangle. Head of Athena (from a cast) seen in right profile. She wears a helmet., USA, ca. 1895, classicism, Drawing, Drawing

The Morse Code, Study for 'Electricity as Applied to Commerce, ' Manufactures and Liberal Arts Building, World's Columbian Exposition, Chicago, IL, J. Carroll Beckwith, American, 1852–1917, Black chalk and graphite on off-white paper,

Sketches of Single Infantry Figures and Practice Signatures, Winslow Homer, American, 1836–1910, Graphite, charcoal on tan-colored paper, lined; stained., Horizontal view a series of single soldiers, with more detailed sketches of the two

Design for a Coffered Ceiling, with the Muses, Pen and brown and black ink, brush and rose, gray, blue and brown washes, graphite onwhite laid paper, lined, The depicted part of the ceiling shows nine coffers of various shapes (rectangular at

Design for a Coffee Urn, Joseph Anton Seethaler II, German, 1799–1868, Pen and black ink, brush and gray, black wash on wover paper, The handle formed by two snakes on the right. The spout and a ring as a supplementary handle are at left. A

Interior of St. Peter's Illuminated, Francesco Panini, ca. 1725 – ca. 1794, Brush and watercolor over pen and ink on tan laid paper, Interior of Basilica of St. Peter's on Holy Thursday. View is asymmetrical, from a position between the left

Study for 'Justice, ' Lunette in Hudson County Courthouse, Jersey City, NJ, Kenyon Cox, American, 1856–1919, Charcoal and graphite on off-white wove paper, laid down, Allegorical representation of Justice holding bowls of a scale in each

Cartoon for cotton printing: The Country Feast [La Fête Champêtre], Petitpierre & Compe., (Nantes, France, founded 1770, Pen and Ink with gray wash on white paper, The scenes show children taking part in county entertainments: at the top, a

Atrium and Staircase in Classical Style, Felice Giani, Italian, 1758–1823, Black chalk on laid paper, Group of persons on top of stairs, Italy, ca. 1825, architecture, interiors, Drawing, Drawing

Stage Design, View into Palace, Pen and brown ink, brush and gray and pink wash, brush and blue watercolor on laid paper, Vertical rectangle. View into palace showing huge substructure and vaulting. In the middleground, high hall with wooden

Study of Sweet Peas, Sophia L. Crownfield, (American, 1862–1929), Brush and watercolor on gray-green paper, Horizontal sheet depciting three clusters of sweet peas and one single blossom in bright pink and white, and bright green stems.,

Cross-section of the domed central part of a palace, Matthäus Daniel Pöppelmann, 1662 - 1736, Pen and black ink, with gray and rose watercolors on paper, Vertical rectangle. A two-storied structure, showing the vaulted entranceway on the

Academic Study of a Cast of a Bust of a Roman Senator, Giuseppe Longhi, Italian, 1766–1831, Black and white chalk on brown paper, A bust of a bearded Senator is turned one-quarter to his left. His shoulders are indicated in light outline

Deign for a Covered Tureen, Johann Alois Seethaler, 1796 – 1835, Pen and black ink, brush and wash, graphite on white laid paper, The tureen is composed of two separate design schemes: the left side includes banding of calyxes and the handle

Drapery Study for 'Jacob Wrestling with the Angel', Kenyon Cox, American, 1856–1919, Black chalk on cream laid paper, Drapery study for a standing figure, wrestling with another figure indicated by outlines of the right arm and leg over the

Design for an Embroidery or a Woven Fabric, of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and gouache on glazed tracing paper, The Napoleonic Eagle standing before a laurel and an ivy wreath. Three stars are over his

Calle de Commerce, Barranquilla, Colombia, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on cream colored wove paper, darkened to brown and pieced along right edge., An oblique view into the street, lined

Design for a Tureen, Joseph Anton Seethaler II, German, 1799–1868, Pen and ink, brush and wash on paper, The vessel is banded with a grapevine meander. The finial is in the form of a crouching lion, and coiled snakes, form the handles. The

Rendering for Bliss Family Mausoleum, Hughson Hawley, American, 1850–1936, Brush and watercolor, graphite on heavy drawing board, An octagonal domed mausoleum in the Renaissance style, stands on a terrace, approached by a wide flight of

Woman with Lyre, Walter Shirlaw, American, b. Scotland, 1838–1909, Black and brown crayon, charcoal on on off-white laid paper, At center, within a circular frame, a bust of a woman holding the head of a lyre with her right hand. The

The Last Judgement, Pen and ink, brush and gray wash on laid paper, Germany, 1580–1595, religion, Drawing, Drawing

Design for the Embroidery of a Lady's Overskirt of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphite, brush and gouache on paper, Ruffled yellow edge along the rising part of which are two alternate three rings of a

Fallen Column of the Temple of Olympian Zeus, Athens, Frederic Edwin Church, American, 1826–1900, Graphite on green-gray paper, The drums of a fallen fluted Corinthian column, the lower part lies obliquely. A hill is shown in the

Design for a Textile, Louis-Albert DuBois, Swiss, 1752–1818, Pen and black ink, brush and gouache and watercolor, graphite, on gray laid paper, Textile design with variations. Two floral designs, upper and lower left, with central posie.

Ceiling Decoration, Teatro Valle, Rome, Felice Giani, Italian, 1758–1823, Pen and dark gray ink, watercolor, black chalk, Italy, 1821, Drawing, Drawing

Study for 'Courage, ' Lunette in Hudson County Courthouse, Jersey City, NJ, Kenyon Cox, American, 1856–1919, Charcoal and graphite on off-white wove paper, laid down, Seated allegorical female figure representing Courage, wearing a winged

Lithog: by C. Motte. Mohammed Aly, vice king of Egypt, lithographed after a drawing by Mr. le Comte de Forbin, made in Alexandria in March 1818

drawing by N.H. Jacob. drawing by H.R.H. Fr. d'Eichstädt. of the Imp. of Cte Lasteyrie. Lithog. of the King. S.M. Louis XVIII

Cornelis de Wit is lauded by putti, front the horn of plenty, rear view of Chatham. S. Fokke fec. Drawing of the Painting, placed on't Stadhuis te Dordrecht to commemorate the Victory by Chattam in't Year 1667, under't policy of KORNELIS DE WIT.

Junius's Letters. Sir William Draper. K.B. Engraved by E. Bocquet, From a Drawing by Gainsborough. Pub. by Sherwood, Neely & Jones, Paternoster Row

JOHN BARON ELDON, Lord High Chancellor. Engraved by W.Holl, from a Drawing by W.Behnes taken at Lincoln's Inn Hall 1817. LONDON. PUBLISHED APRIL 1, 1818, BY R. CRIBB & SON, NO. 288, HOLDORN

Engraved by T Holloway after a drawing by T Lawrence R.A. HENRY FUSELI ESQR.R.A. [greek text] Homer. Published as the Act directs by T.Holloway and the other Proprietors Octr. 28th. 1796

HENRY TRESHAM, ESQ. R.A. Engraved by A. Cardon from an original Drawing by A. Pope. PUBLISHED JAN. 27. 1814, BY T. CADELL & W. DAVIES, STRAND, LONDON

THE RIGHT HON.BLE WILLIAM BARON STOWELL, L.L.D. Judge of the High Court of Admiralty &c. &c. Engraved by W. Holl, from a Drawing by W. Behnes

EUGÈNE DEMOLDER (From a drawing by A. DANSE

Pinnoy lith. Picqué pinx.t. CHARLES VAN HULTHEM President of the Academy of Drawing, Painting and Architecture of Ghent, &c.&c.&c. born on April 17, 1764: died on October 16, 1832. This portrait of a good man, an enlightened scholar, an

Biography continues on reverse. LODEWIJK GERRITS. E.VERMORCKEN SC. DRAWING BY J. NAUWENS, WOODCUT BY ED.VERMORCKEN. THE FLEMISH SCHOOL. 139. [biography]. 18. 1873

C. VERMORCKEN. S Willems. DRAWING AND WOODCUT BY ED. VERMORCKEN. THE FLEMISH SCHOOL 193 [biography Willems]. 24. 1883

Colleye 18[8?]0. Drawing of ap nat.by Van Peteghem. Lith. by Granzella, in Brussels. Lith. by Colleye. Brimino & dilecto ARNOLDO TITS, S. Fac. P. J. Decan. Eccl. Cath. Leod. Can. hon. S. theol. doct. Theol. Dogn. Gen Prof. Ord. D.D.D. Lovani In

INDVTVS LORICAM CHARITATIS. Pen drawing by H.Wagon Amiens 1896. Monseigneur Renou ARCHEVÊQUE DE TOURS

Drawing of ap.nature and lith.by Monzen. Charles Archbishop of Tyre Count of Mercy Argenteau. Lith.de Cremetti Editeur, rue de l'Université à Liége

Colleye 1840. Drawing of ap nat.by Van Peteghem. Lith. by Granzella, in Brussels. Lith. by Colleye. Brimino & dilecto JOANNI FRANCISCO D'HOLLANDER, Eccl. Cath. Ghent. Can. Hon. S. Theol. Doct. Theol. Moral. Prof. Ord. D.D.D. Lovani In festo L.

H.I.Colleye. Drawing of ap.nat.by Van Peteghem. Lith. of Granzella, in Brussels. Lith. by Colleye. Brimino & dilecto HENRICO GUILLELMO WOUTERS, Eccl. Cath. Leod. Can. hon. S. theol.Doct. Hist. eccl.prof. ord. D.D.D. Lovanii In festo S. Josephi

Colleye. Drawing of ap.nat.by Van Peteghem. Lith. of Granzella, in Brussels. Lith. by Colleye. Brimino & dilecto JOANNI THEODORO BEELEN, Eccl. Cath. Leod. Can. hon. S. theol. doct. S.Script. & Lingg. Orient. Prof. Ord. D.D.D. Lovanii In festo S.

Van Dyke Pinxit. G. Farington delint. John Boydell excudit 1778. James Watson Sculpsit. Lord Chief Baron Wandesford. In the Drawing Room at Houghton. Size of the Picture, F3, I5 18 by F4, I4 12 high Published Decr. 1st, 1778 by John Boydell

The Genius of Sculpture, Bertel Thorvaldsen, 1770-1844, No later than March 24, 1844, Drawing, Sculpture, Relief, Stone, Slate, Color, Chalk, Drawn, Height 109 cm, Width 109 cm, Sculpture, European, Modernity (1800 - 1914

Danish Artists in the Roman Osteria La Gensola, Ditlev Blunck, 1837, Painting, Genre Painting, Thorvaldsen is here seen in a Roman hostelry, seated at the end of a well-laid table. On his right are the painters Ernst Meyer, Blunck himself in

Goddess of Peace, Bertel Thorvaldsen, 1770-1844, Ca. 1811, Drawing, Paper, Color, Chalk, Carbonpencil, Color, Graphite, Drawn, Height 150 mm, Width 108 mm, Recto: Raccolta, di Statue e Bassirilievi, sculp. [overstreget] invitata [sic]

Diana, Bertel Thorvaldsen, 1770-1844, 1839, Drawing, Paper, Color, Graphite, Drawn, Height 223 mm, Width 188 mm, A Thorvaldsen, 1839, Draftsmanship, Drawing, European, Modernity (1800 - 1914

Venus, Bertel Thorvaldsen, 1770-1844, Drawing, Paper, Color, Graphite, Drawn, Height 226 mm, Width 182 mm, Draftsmanship, Drawing, European, Modernity (1800 - 1914

The Silver Age. The Golden Age. The Iron Age. The Lead Age. Alexander and Diogenes, Bertel Thorvaldsen, 1770-1844, Drawing, Paper, Color, Graphite, Drawn, Height 207 mm, Width 267 mm, Det som stod paa Tavlen da Thorv. forlod Rom 1838, for

Hygieia, Bertel Thorvaldsen, 1770-1844, Drawing, Paper, Color, Graphite, Drawn, Height 191 mm, Width 138 mm, Draftsmanship, Drawing, European, Modernity (1800 - 1914

Woman wearing an Empire dress, Bertel Thorvaldsen, 1770-1844, Drawing, Paper, Color, Graphite, Drawn, Height 178 mm, Width 178 mm, Draftsmanship, Drawing, European, Modernity (1800 - 1914

Cupid Drinking from Bacchus's Cup, Bertel Thorvaldsen, 1770-1844, 1807 - 1810, Drawing, Paper, Color, Chalk, Carbonpencil, Color, Graphite, Drawn, Height 110 mm, Width 173 mm, Draftsmanship, Drawing, European, Modernity (1800 - 1914

Socrates and Alcibiades, Bertel Thorvaldsen, 1770-1844, 1813 - 1816, Drawing, Paper, Color, Graphite, Drawn, Height 120 mm, Width 93 mm, Draftsmanship, Drawing, European, Modernity (1800 - 1914

Angel of the Last Judgement, Bertel Thorvaldsen, 1770-1844, 1842, Drawing, Paper, Color, Graphite, Drawn, Height 178 mm, Width 114 mm, Rom 1842, Draftsmanship, Drawing, European, Modernity (1800 - 1914), Italy, Lazio, Rome

Flower, Bertel Thorvaldsen, 1770-1844, Drawing, Paper, Color, Graphite, Drawn, Height 178 mm, Width 114 mm, Draftsmanship, Drawing, European, Modernity (1800 - 1914

Three genii, Bertel Thorvaldsen, 1770-1844, November 17, 1842, Drawing, Paper, Color, Graphite, Drawn, Height 126 mm, Width 148 mm, Nysøe Udført paa Nysøe til C 4des Piedestal 1842, d.17 No, Draftsmanship, Drawing, European,

Angel of the Last Judgement, Bertel Thorvaldsen, 1770-1844, 1842, Drawing, Paper, Color, Graphite, Drawn, Height 176 mm, Width 124 mm, Rom 1842, Draftsmanship, Drawing, European, Modernity (1800 - 1914), Italy, Lazio, Rome

The Massacre of the Innocents, Bertel Thorvaldsen, 1770-1844, 1842, Drawing, Paper, Color, Graphite, Drawn, Height 172 mm, Width 225 mm, A Thorvaldsen, Roma 1842, Draftsmanship, Drawing, European, Modernity (1800 - 1914), Italy,

Caricatured male portraits, Drawing, Paper, Color, Graphite, Drawn, Height 246 mm, Width 189 mm, Draftsmanship, Drawing, European, Modernity (1800 - 1914

The Genius of Architecture, Bertel Thorvaldsen, 1770-1844, Drawing, Paper, Color, Graphite, Drawn, Height 122 mm, Width 208 mm, Draftsmanship, Drawing, European, Modernity (1800 - 1914

The Genius of Death and Life, or the Genius of Night and Day, Bertel Thorvaldsen, 1770-1844, 1843, Drawing, Paper, Color, Graphite, Drawn, Height 175 mm, Width 169 mm, Draftsmanship, Drawing, European, Modernity (1800 - 1914

Genii of Poetry and Harmony, Bertel Thorvaldsen, 1770-1844, 1843, Drawing, Paper, Paperboard, Color, Graphite, Drawn, Height 218 mm, Width 199 mm, Draftsmanship, Drawing, European, Modernity (1800 - 1914

Cupid with Bacchus and Ariadne. Funeral scene (?), Bertel Thorvaldsen, 1770-1844, Drawing, Paper, Color, Chalk, Carbonpencil, Drawn, Height 284 mm, Width 423 mm, Draftsmanship, Drawing, European, Modernity (1800 - 1914

Seated women with children, Bertel Thorvaldsen, 1770-1844, January 2, 1844, Drawing, Paper, Color, Graphite, Drawn, Height 172 mm, Width 217 mm, Draftsmanship, Drawing, European, Modernity (1800 - 1914

Italian flower girl, Bertel Thorvaldsen, 1770-1844, 1844, Drawing, Paper, Color, Graphite, Drawn, Height 200 mm, Width 167 mm, Thorvaldsen, Draftsmanship, Drawing, European, Modernity (1800 - 1914

Apollo as Sun God, Bertel Thorvaldsen, 1770-1844, Drawing, Paper, Color, Graphite, Drawn, Height 189 mm, Width 276 mm, A Thorvaldsen, Draftsmanship, Drawing, European, Modernity (1800 - 1914

Dante and Virgil Transported by the Monster Geryon, Bertel Thorvaldsen, 1770-1844, 1800 - 1803, Drawing, Paper, Color, Graphite, Drawn, Height 245 mm, Width 180 mm, Draftsmanship, Drawing, European, Modernity (1800 - 1914

Diana on a Biga, Bertel Thorvaldsen, 1770-1844, Drawing, Paper, Color, Graphite, Drawn, Height 186 mm, Width 286 mm, A Thorvaldsen, Draftsmanship, Drawing, European, Modernity (1800 - 1914

Man carrying a woman, Bertel Thorvaldsen, 1770-1844, 1841, Drawing, Paper, Color, Graphite, Drawn, Height 145 mm, Width 231 mm, Draftsmanship, Drawing, European, Modernity (1800 - 1914

Dancing Bacchante, Bertel Thorvaldsen, 1770-1844, Drawing, Paper, Color, Ink, Color, Graphite, Drawn, Height 100 mm, Width 171 mm, Draftsmanship, Drawing, European, Modernity (1800 - 1914

Monument to Johann Philipp Bethmann-Hollweg, Bertel Thorvaldsen, 1770-1844, 1813 - 1814, Drawing, Paper, Tracing paper, Color, Ink, Sepia ink, Drawn, Height 116 mm, Width 148 mm, Draftsmanship, Drawing, European, Modernity (1800 -

A lyre and a cithara, Bertel Thorvaldsen, 1770-1844, 1838 - 1841, Drawing, Paper, Color, Graphite, Drawn, Height 137 mm, Width 57 mm, Draftsmanship, Drawing, European, Modernity (1800 - 1914

Two children playing Terre, Bertel Thorvaldsen, 1770-1844, Ca. 1842, Drawing, Paper, Color, Graphite, Drawn, Height 146 mm, Width 114 mm, Draftsmanship, Drawing, European, Modernity (1800 - 1914

Genii and Signs of the Zodiac, Bertel Thorvaldsen, 1770-1844, 1839, Drawing, Paper, Color, Graphite, Drawn, Height 197 mm, Width 327 mm, 8, 2, 7, 3, 4, 5, 6, Draftsmanship, Drawing, European, Modernity (1800 - 1914

Genii and Signs of the Zodiac, Bertel Thorvaldsen, 1770-1844, 1839, Drawing, Paper, Color, Graphite, Drawn, Height 197 mm, Width 327 mm, Marzo, april, maj, Juni, Luglio, agusto, Settembre, octobre, novembre, Draftsmanship,

The Fall of Man, Bertel Thorvaldsen, 1770-1844, 1840 - 1843, Drawing, Paper, Color, Graphite, Drawn, Height 195 mm, Width 294 mm, Draftsmanship, Drawing, European, Modernity (1800 - 1914

Leda and the Swan. God the Father, Bertel Thorvaldsen, 1770-1844, Drawing, Paper, Color, Graphite, Drawn, Height 195 mm, Width 294 mm, Draftsmanship, Drawing, European, Modernity (1800 - 1914

Departure from Nysø, May 25, 1841, Bertel Thorvaldsen, 1770-1844, May 25, 1841, Drawing, Paper, Color, Graphite, Drawn, Height 196 mm, Width 261 mm, Draftsmanship, Drawing, European, Modernity (1800 - 1914

Dancing and Playing Bacchant and Bacchante, Bertel Thorvaldsen, 1770-1844, Drawing, Paper, Color, Graphite, Drawn, Height 182 mm, Width 321 mm, Draftsmanship, Drawing, European, Modernity (1800 - 1914

Monument to Pius VII, Bertel Thorvaldsen, 1770-1844, Drawing, Paper, Color, Graphite, Drawn, Height 247 mm, Width 194 mm, Draftsmanship, Drawing, European, Modernity (1800 - 1914

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