Images at Librifly

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Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

A Horse and a dog, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9), Print made by George Bickham, 1683/4–1758, British, after unknown artist, Published by Henry Overton, 1675/6–1751, British, undated, Etching on

Design for an Altarpiece with a drawing of St. Luke mounted at the center, unknown artist, ( Italian School ), undated, Pen and brown ink, brown wash, gray wash, white gouache, graphite, and collage on medium, moderately textured, cream

Mussaenda arcuata Lam. ex Poir. : finished drawing without details, James Bruce, 1730–1794, British, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 16 × 12 inches (40.6 × 30.5 cm

The Artist and His Son Raphael, Benjamin West, 1738–1820, American, active in Britain (from 1763), 1773, Oil on canvas, Support (PTG): 25 x 24 7/8 inches (63.5 x 63.2 cm), artist, boy, child, costume, drawing, father, fatherhood,

Protea gaguedi J.F. Gmel. (Protea): finished drawing with floral details, Luigi Balugani, 1737–1770, Italian, Formerly James Bruce, 1730–1794, British, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream

James Thomson (1700-1748), Stephen Slaughter, 1697–1765, British, 1736, Oil on canvas, Support (PTG): 30 1/2 x 25 1/4 inches (77.5 x 64.1 cm), drawing, engageantes, man, playwright, poet, portrait, ruffles, Scottish

Sketchbook Drawing, Charles Samuel Keene, 1823–1891, British, between 1846 and 1852, Graphite with pen and brown ink on ruled, medium, smooth, cream wove paper, Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm) and Binding: 6 1/2 inches (16.5 cm

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

Preparatory drawing for Design 11, Plate 9 of A Collection of Designs for Rural Retreats, James Malton, 1761–1803, British, 1802, Graphite on thin, slightly textured, cream laid paper, Sheet: 8 x 9 1/4in. (20.3 x 23.5cm) and Sheet: 7 7/8

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Page 10, Notes on Methods of Drawing, Alexander Cozens, 1717–1786, British, 1746, Graphite on medium, slightly textured, cream laid paper, bound in vellum, Spine: 7 5/8 inches (19.4 cm) and Sheet: 7 3/8 x 5 1/8 inches (18.7 x 13 cm),

Jerusalem, 1838, Print made by Edward Francis Finden, 1791–1857, British, after drawing by Joseph Mallord William Turner, 1775–1851, British, after sketch by Sir Charles Barry, 1795–1860, British, 1838, Engraving, Sheet: 6 3/16 x 7

Album Drawing, Thomas Bardwell, 1704–1767, British, Previously attributed: James Wills, Active 1740–died 1777, British, ca. 1730, Gray and brown wash and watercolor with pen and brown ink over graphite on laid paper, Sheet: 5 1/8 x 3

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Sketchbook Drawing, Charles Samuel Keene, 1823–1891, British, between 1846 and 1852, Graphite with pen and brown ink on ruled, medium, smooth, cream wove paper, Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm) and Binding: 6 1/2 inches (16.5 cm

Jasminum dichotomun Vahl (African jasmine): finished drawing, Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Sheet: 15 15/16 × 12 1/16 inches (40.5 × 30.6

Design for an Unidentified House: Elevations and Plans, Augustus Welby Northmore Pugin, 1812–1852, British, Augustus Charles Pugin, 1762–1832, French, undated, Graphite on medium, smooth, cream wove paper, Sheet: 12 3/4 × 20 1/2

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Sketchbook Drawing, Charles Samuel Keene, 1823–1891, British, between 1846 and 1852, Graphite with pen and brown ink on ruled, medium, smooth, cream wove paper, Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm) and Binding: 6 1/2 inches (16.5 cm

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Drawing for the Frontispiece of Erasmus Darwin's 'The Botanic Garden', Henry Fuseli, 1741–1825, Swiss, active in Britain (1766–70; 1779 on), 1791, Graphite on medium, slightly textured, cream laid paper, Sheet: 8 3/4 x 6 3/8 inches (22.2

Album Drawing, Thomas Bardwell, 1704–1767, British, Previously attributed: James Wills, Active 1740–died 1777, British, ca. 1730, Watercolor with gouache with pen and brown ink over graphite on white laid paper, Sheet: 5 1/8 x 3 1/2in.

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Sketchbook Drawing, Charles Samuel Keene, 1823–1891, British, between 1846 and 1852, Graphite with pen and brown ink on ruled, medium, smooth, cream wove paper, Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm) and Binding: 6 1/2 inches (16.5 cm

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Fowl Skeleton, Lateral View (Outline drawing), George Stubbs, 1724–1806, British, 1795 to 1806, Graphite on thin, slightly textured, cream wove paper, Sheet: 20 1/2 x 14 7/8 inches (52.1 x 37.8 cm), anatomical study, anatomy, bird,

'Sporting Incidents:' Drawing For the Soft-ground Etching of 'Through the Wood', Henry Thomas Alken, 1785–1851, British, undated, Graphite and red chalk on medium, slightly textured, blued white, wove paper, Sheet: 8 5/16 × 12 1/2 inches

A Plan for the Bank of England Designed by Theodore Jacobsen, Esqr., Paul Fourdrinier, French, after Theodore Jacobsen, died 1772, British, undated, Etching on moderately thick, slightly textured, cream laid paper, Sheet: 16 1/4 x 10 13/16

Album Drawing, Thomas Bardwell, 1704–1767, British, Previously attributed: James Wills, Active 1740–died 1777, British, ca. 1730, Gray and brown wash with pen and brown ink over graphite on laid paper, Sheet: 5 1/8 x 3 1/2in. (13 x

Sterculia africana (Lour.) Fiori: finished drawing of stem with seed pods, some open showing seeds, James Bruce, 1730–1794, British, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 16 ×

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Detailed and Measured drawing of Column from Pedestal to Entablature of a Temple at Baalbec, James Bruce, 1730–1794, British, undated, Pen and ink over graphite on slightly textured, medium thick, white laid paper, Sheet: 15 1/4 × 9 7/8

Joseph Nollekens with His Bust of Laurence Sterne, John Francis Rigaud, 1742–1810, French, active in Britain (from 1771), 1772, Oil on canvas, Support (PTG): 30 x 25 inches (76.2 x 63.5 cm), artist, bust, clergyman, drawing, light,

Interior view of the Drawing Room, Stockton House, John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, 1812, Watercolor and pen and black ink on moderately thick, cream wove paper, Sheet: 14 × 19 3/4

Doves and Pheasants on two plates on one sheet for 'A New Kind of Drawing Book...of various kinds of Birds Drawn from Life by Mr. Francis Barlow' 1731 (1 of 9), Print made by George Bickham, 1683/4–1758, British, after Francis Barlow, ca.

Album Drawing, Thomas Bardwell, 1704–1767, British, Previously attributed: James Wills, Active 1740–died 1777, British, ca. 1730, Gray and brown wash with pen and brown ink, over graphite on laid paper, Sheet: 5 1/8 x 3 1/2in. (13 x

Architectural Drawing of a Building with Astrological Symbols, John Varley, 1778–1842, British, undated, Pen and black ink, pen and gray ink, graphite, watercolor and gray wash on medium, slightly textured, cream wove paper, Sheet: 12

Windermere During the Regatta, David Cox, 1783–1859, British, 1832, Watercolor, with pen, in red ink, brown ink, gray ink, gouache, graphite, gum arabic and scratching out on medium slightly textured cream wove paper laid to secondary

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Measured Drawing of Sculpture in Gymnasium at Ephesus, William Pars, 1742–1782, British, undated, Pen and black ink, gray ink, brown ink and graphite on medium, moderately textured, beige laid paper mounted on thick, smooth, brown, wove

Sketchbook Drawing, Charles Samuel Keene, 1823–1891, British, between 1846 and 1852, Graphite with pen and brown ink on ruled, medium, smooth, cream wove paper, Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm) and Binding: 6 1/2 inches (16.5 cm

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

Life School at the Royal Academy, Print made by Richard Earlom, 1743–1822, British, Print made by unknown artist, (eighteenth century), after Johan Joseph Zoffany RA, 1733–1810, German, active in Britain (from 1760), 1773, Mezzotint on

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Sketchbook Drawing, George Romney, 1734–1802, British, ca. 1793, Graphite on moderately thick, slightly textured, cream wove paper, Sheet: 5 1/2 x 9 1/4 inches (14 x 23.5 cm) and Binding: 5 1/2 inches (14 cm), figure study, figures,

Commiphora gileadensis (L.) C. Chr. (Balm of Gilead, Opobalsam): finished drawing if tree's habit (with roots), Luigi Balugani, 1737–1770, Italian, after James Bruce, 1730–1794, British, undated, Watercolor and gouache over graphite on

Pterolobium stellatum (Forssk): finished drawing, Luigi Balugani, 1737–1770, Italian, Formerly James Bruce, 1730–1794, British, undated, Watercolor over graphite on moderately thick, slightly textured, cream laid paper, Sheet: 12 3/8

Album Drawing, Thomas Bardwell, 1704–1767, British, Previously attributed: James Wills, Active 1740–died 1777, British, ca. 1730, Gray and brown wash with pen and brown ink, over graphite on laid paper, Sheet: 5 1/8 x 3 1/2in. (13 x

Design for a Naval Monument: Elevation, Charles Heathcote Tatham, 1772–1842, British, 1799, Pen and black ink and brown wash on slightly textured, moderately thick, cream wove paper, Sheet: 11 1/8 × 7 inches (28.3 × 17.8 cm),

The Section of the Design of a Triangular House by Theodore Jacobsen Esqr., Paul Fourdrinier, French, after Theodore Jacobsen, died 1772, British, undated, Etching on moderately thick, slightly textured, cream laid paper, Sheet: 10 7/8 x 16

Maytenus arguta (Loes.) N. Robson: finished drawing, Luigi Balugani, 1737–1770, Italian, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 15 15/16 × 12 5/16 inches (40.5 × 31.3 cm) and

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

Finished Drawing of Unidentified Palladian Mansion, James Bruce, 1730–1794, British, undated, Graphite, pen and black ink, gray wash on moderately thick, moderately textured, cream laid paper, Sheet: 14 7/8 × 21 3/4 inches (37.8 × 55.2

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

View of a Garden seen through a drawing room window, unknown artist, between 1826 and 1866, Graphite, heightened with white gouache, Sheet: 7 3/16 x 9 1/4in. (18.3 x 23.5cm

James Grant of Grant, John Mytton, the Hon. Thomas Robinson, and Thomas Wynne, Nathaniel Dance RA, 1735–1811, British, ca. 1760, Oil on canvas, Support (PTG): 38 5/8 x 48 3/4 inches (98.1 x 123.8 cm), amphora, Classical, coliseums,

Sketchbook Drawing, Charles Samuel Keene, 1823–1891, British, between 1846 and 1852, Graphite with pen and brown ink on ruled, medium, smooth, cream wove paper, Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm) and Binding: 6 1/2 inches (16.5 cm

A New Book of Landskips, Pleasant & Useful for to Learn to Draw without a Master, Print made by Jean B. C. Chatelain, 1710–1771, French, Published by John Rocque, 1704?–1762, French, active in Britain, 1737, Etching on moderately thick,

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

Drawing made in Italy and Asia Minor during Grand Tour, Lewis Vulliamy, 1791–1871, British, between 1818 and 1822, Graphite and watercolor on slightly textured, medium cream wove paper, Sheet: 9 3/4 × 15 3/16 inches (24.8 × 38.6 cm),

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Hill Hall, Essex, unknown artist, ca. 1780, Pen and ink and watercolor on medium, slightly textured, beige laid paper, Sheet: 12 3/4 x 22 15/16 inches (32.4 x 58.3 cm), architectural subject, architecture, building, elevation (drawing),

Architectural Drawing, Sir Robert Smirke the younger, 1781–1867, British, 1802-1804, Graphite on thin, moderately textured, beige, wove paper, Sheet: 15 3/16 × 19 1/8 inches (38.6 × 48.6 cm

Design for Brocklesby Park, Lincolnshire: Bird's Eye View, Studio of Sir Jeffry Wyatville, 1766–1840, British, undated, Watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 13 5/16 x 20 5/8 inches (33.8 x 52.4

Two cows and a dog in a stream, Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 9), Print made by George Bickham, 1683/4–1758, British, after unknown artist, Published by Henry Overton, 1675/6–1751, British, undated,

Juniperus procera Endl. (African Pencil Cedar): finished drawing of trees's habit, James Bruce, 1730–1794, British, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 16 1/2 × 13 inches

Cottages at Chatsworth: Presentation drawing, Studio of Sir Jeffry Wyatville, 1766–1840, British, after 1818, Graphite, pen and black ink on slightly textured, moderately thick, cream wove paper, Sheet: 16 1/16 × 21 inches (40.8 × 53.3

Human Body, Posterior View (Outline Drawing for Table VII), George Stubbs, 1724–1806, British, 1795 to 1806, Graphite and red chalk; verso: graphite and red chalk on cream, thin, smooth, wove paper, Sheet: 19 1/8 x 12 5/8 inches (48.6 x

Drawing Room, St. James's, John Bluck, active 1791–1831, British, after Thomas Rowlandson, 1756–1827, British, And after Augustus Charles Pugin, 1762–1832, French, 1809, Aquatint hand colored, Image: 7 7/8 x 10 1/4in. (20 x 26cm)

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

Sketchbook Drawing, Charles Samuel Keene, 1823–1891, British, between 1846 and 1852, Graphite with pen and brown ink on ruled, medium, smooth, cream wove paper, Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm) and Binding: 6 1/2 inches (16.5 cm

Coccinia abyssinica (Lam.): finished drawing, the tuber and detail of fruit, James Bruce, 1730–1794, British, undated, Watercolor and gouache over graphite on moderately thick, slightly textured, cream laid paper, Sheet: 16 × 12 1/8

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Allegory of Drawing, Edward Francis Burney, 1760–1848, British, undated, Pen and black ink, graphite, and watercolor on medium, slightly textured, cream wove paper, Sheet: 3 1/4 x 4 3/4in. (8.3 x 12.1cm), allegory, books, carrying,

Sketchbook Drawing, Charles Samuel Keene, 1823–1891, British, between 1846 and 1852, Graphite with pen and brown ink on ruled, medium, smooth, cream wove paper, Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm) and Binding: 6 1/2 inches (16.5 cm

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

Album Drawing, Thomas Bardwell, 1704–1767, British, Previously attributed: James Wills, Active 1740–died 1777, British, ca. 1730, Watercolor with pen and brown ink over graphite on white laid paper, Sheet: 5 1/8 x 3 1/2in. (13 x 8.9cm

Drawing for a `Punch' Cartoon, John Tenniel, 1820–1914, British, undated, Graphite on medium, slightly textured, beige wove paper, Sheet: 11 1/4 × 7 9/16 inches (28.6 × 19.2 cm), genre subject, girl, paintings

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Five Designs for a House in the Gothic Style: Plan of the Chamber Story, James Wyatt, 1746–1813, British, 1791, Pen and black ink on moderately thick, slightly textured, cream wove paper, Sheet: 17 3/4 × 23 3/8 inches (45.1 × 59.4 cm),

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Queen Mary I, George Vertue, 1684–1756, British, after George Vertue, (drawing), 1684–1756, British, after Antonis Mor, 1517–1577, Flemish, 1732, Engraving

Five Studies of a Female Figure, Henri Gaudier-Brzeska, 1891–1915, French, between 1910 and 1915, Pen and green ink and graphite on medium, smooth, cream wove paper, Sheet: 11 3/4 x 8 1/4 inches (29.8 x 21 cm), female, figure, figure

Sir John Vanbrugh, Print made by Thomas Chambars, ca. 1724–1789, British, after Sir Godfrey Kneller, 1646–1723, German, active in Britain (from 1676), undated, Etching on moderately thick, smooth, beige wove paper, Sheet: 11 13/16 x 9

Drawing of a Column from Ekvera, Gangaram Chintaman Tambat, active 1790s, Anglo-Indian, undated, Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 15 1/4 × 11 1/4 inches (38.7 × 28.6 cm),

June - Society at the Drawing Room, Print made by Adelaide Claxton, 1858–1905, British, undated, Wood-engraving, Sheet: 6 1/2 x 9 1/2in. (16.5 x 24.1cm), costume, drawing room, dress, genre subject, leisure, men, party, society,

Sketchbook Drawing, Charles Samuel Keene, 1823–1891, British, between 1846 and 1852, Graphite with pen and brown ink on ruled, medium, smooth, cream wove paper, Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm) and Binding: 6 1/2 inches (16.5 cm

Album Drawing, Thomas Bardwell, 1704–1767, British, Previously attributed: James Wills, Active 1740–died 1777, British, ca. 1730, Gray wash with pen and gray ink, over graphite on laid paper, Sheet: 5 1/8 x 3 1/2in. (13 x 8.9cm

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

Cobham Hall, Kent: First and Second Floor Plans, Print made by Henry Hulsberg, died 1729, Netherlandish, active in London, after Inigo Jones, 1573–1652, British, ca. 1790, Etching and graphite on slightly textured, medium, cream wove

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Miss Johnson, Print made by Joseph Grozer, ca. 1755–1798, British, after Sir Joshua Reynolds RA, 1723–1792, British, ca. 1794, Mezzotint on moderately thick, moderately textured, cream laid paper, Sheet: 10 7/8 × 9 3/16 inches (27.6

Two Deer, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9), Print made by George Bickham, 1683/4–1758, British, after unknown artist, Published by Henry Overton, 1675/6–1751, British, undated, Etching on medium,

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