Images at Librifly

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The Drawing of the Clyde, Etched by Joseph Mallord William Turner, 1775–1851, British, Engraved by Charles Turner, 1774–1857, British, after Joseph Mallord William Turner, 1775–1851, British, 1809, Etching and mezzotint, printed in

John Taylor, Print made by R. Clamp, fl.1789–1798, after Sylvester Harding, (drawing), 1745–1809, British, after John Taylor, (painting), 1739–1838, British, Published by Francis Harding, active 1730–1766, British, and Sylvester

Cobham Hall, Kent: Drawing for a Border for the Ceiling of the Vesibule, James Wyatt, 1746–1813, British, Published by Thomas McLean, 1788–1875, British, ca. 1790, Black ink over traces of graphite on medium, moderately textured, beige

Sepolcro di Absalon, Giovanni Battista Borra, 1713–1770, Italian, ca. 1750, Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper, Sheet: 21 7/16 x 14 13/16 inches (54.4 x 37.7 cm) and

Thomas Hearne Sketching at a Table, Dr. Thomas Monro, 1759–1833, British, undated, Graphite on medium, slightly textured, cream laid paper, Sheet: 7 11/16 × 6 1/8 inches (19.5 × 15.6 cm), artist, chair, coat, drawing (activity),

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

The Elevation of the Design of a Triangular House by Theodore Jacobsen Esqr., Paul Fourdrinier, French, after Theodore Jacobsen, died 1772, British, undated, Etching on moderately thick, slightly textured, cream laid paper, Sheet: 10 7/8 x

Mimusops kummel A. DC. : finished drawing with some flowers, James Bruce, 1730–1794, British, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 16 × 12 inches (40.6 × 30.5 cm

Sketchbook Drawing, Charles Samuel Keene, 1823–1891, British, between 1846 and 1852, Graphite with pen and brown ink on ruled, medium, smooth, cream wove paper, Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm) and Binding: 6 1/2 inches (16.5 cm

Phytolacca dodecandra L'Herit. (Pokeberry): finished drawing, Luigi Balugani, 1737–1770, Italian, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 15 15/16 × 12 5/16 inches (40.5 × 31.3

Preparatory drawing for Design 20, Plate 18 of A Collection of Designs for Rural Retreats, James Malton, 1761–1803, British, 1802, Graphite on medium, slightly textured, pink laid paper, Sheet: 3 3/16 × 7 3/8 inches (8.1 × 18.7 cm),

Portrait of Francis Seymour Haden, no. 2 (while Etching), Francis Seymour Haden, 1818–1910, British, 1862, Etching and drypoint on medium, moderately textured, cream laid paper, Sheet: 11 5/16 x 17 11/16 inches (28.7 x 45 cm), Plate: 7

Preparatory drawing for Design 19, Plate 31 of A Collection of Designs for Rural Rereats, James Malton, 1761–1803, British, 1802, Graphite on medium, slightly textured, cream wove paper, Sheet: 4 × 3 1/2 inches (10.2 × 8.9 cm),

Cyperus papyrus L. (Papyrus Sedge): finished drawing of steam and flowering head, with details of inflorescence left and right, Luigi Balugani, 1737–1770, Italian, after James Bruce, 1730–1794, British, undated, Watercolor, gouache,

Bersame abyssinica Fresen. : finished drawing, Luigi Balugani, 1737–1770, Italian, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 15 15/16 × 12 5/16 inches (40.5 × 31.3 cm) and

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Sketchbook Drawing, George Romney, 1734–1802, British, ca. 1793, Graphite on moderately thick, slightly textured, cream wove paper, Sheet: 5 1/2 x 9 1/4 inches (14 x 23.5 cm) and Binding: 5 1/2 inches (14 cm), figure study, figures,

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

Discopodium penninervium Hochst. : finished drawing, James Bruce, 1730–1794, British, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Sheet: 16 × 12 inches (40.6 × 30.5 cm

Fowl Skeleton, Lateral View (Outline drawing of the skeleton), George Stubbs, 1724–1806, British, 1795 to 1806, Graphite on thin, slightly textured, cream wove paper, Sheet: 20 3/8 x 15 1/2 inches (51.8 x 39.4 cm), anatomical study,

Sketchbook Drawing, Charles Samuel Keene, 1823–1891, British, between 1846 and 1852, Graphite with pen and brown ink on ruled, medium, smooth, cream wove paper, Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm) and Binding: 6 1/2 inches (16.5 cm

Rhus ? retinorrhoea Oliver: finished drawing, Luigi Balugani, 1737–1770, Italian, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 15 15/16 × 12 5/16 inches (40.5 × 31.3 cm) and Binding:

Drawing of a Hand, Sir Peter Lely, 1618–1680, Dutch, active in England (from 1643), 1650s-1660s, Black chalk, red chalk, and white chalk on thin, moderately textured, brown laid paper, Sheet: 4 × 3 3/4 inches (10.2 × 9.5 cm), figure

Levens, Westmoreland, The Small Drawing Room, Joseph Nash, 1808–1878, British, 1873, Watercolor, gouache, and pen, with black, ink, brown ink and red ink, with traces of graphite on thick, moderately textured, beige, wove paper,

Sketchbook Drawing, George Romney, 1734–1802, British, ca. 1793, Graphite on moderately thick, slightly textured, cream wove paper, Sheet: 5 1/2 x 9 1/4 inches (14 x 23.5 cm) and Binding: 5 1/2 inches (14 cm), figure study, figures,

Cassia Fistula (Purging cassia): finished drawing of leafy shoot with flowers, James Bruce, 1730–1794, British, undated, Watercolor. gouache, and graphite on medium, slightly textured, cream laid paper, Sheet: 19 1/4 × 13 1/2 inches (48.9

Title page for a 'New Drawing Book principally consisting of Beasts in various Actions' (1 of 6), Print made by George Bickham, 1683/4–1758, British, after unknown artist, Published by Henry Overton, 1675/6–1751, British, undated,

Sketchbook Drawing, Charles Samuel Keene, 1823–1891, British, between 1846 and 1852, Graphite with pen and brown ink on ruled, medium, smooth, cream wove paper, Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm) and Binding: 6 1/2 inches (16.5 cm

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Gardenia ternifolia Schum.& Thonn. (Jovis-Tonantis): finished drawing with additional detail of fruit, James Bruce, 1730–1794, British, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 16

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Sketchbook Drawing, Charles Samuel Keene, 1823–1891, British, between 1846 and 1852, Graphite with pen and brown ink on ruled, medium, smooth, cream wove paper, Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm) and Binding: 6 1/2 inches (16.5 cm

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Drawing of Temple Ruins and Figures, James Bruce, 1730–1794, British, ca. 1768, Graphite on moderately thick, moderately textured, cream, laid paper, Sheet: 17 3/4 × 25 inches (45.1 × 63.5 cm) and Image: 16 1/2 × 23 3/8 inches (41.9 ×

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Sketchbook Drawing, George Romney, 1734–1802, British, ca. 1793, Graphite on moderately thick, slightly textured, cream wove paper, Sheet: 5 1/2 x 9 1/4 inches (14 x 23.5 cm) and Binding: 5 1/2 inches (14 cm), figure study, figures,

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

The Artist's Studio, Henry Bernard Chalon, 1771–1849, British, undated, Graphite on medium, slightly textured, blued white, wove paper, mounted on thick, smooth, cream, wove paper, Sheet: 3 1/8 × 4 5/8 inches (7.9 × 11.7 cm),

Sketchbook Drawing, Charles Samuel Keene, 1823–1891, British, between 1846 and 1852, Graphite with pen and brown ink on ruled, medium, smooth, cream wove paper, Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm) and Binding: 6 1/2 inches (16.5 cm

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Two Crested cranes and four other birds, a Pl. for 'A New Drawing Book...of Various Kinds of Birds, Drawn from Life by Mr. Francis Barlow' 1731 (1 of 9), Print made by George Bickham, 1683/4–1758, British, after Francis Barlow, ca.

Two Putti, One Drawing the Other, Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99), after unknown artist, undated, Engraving

Human Skeleton, Lateral View, George Stubbs, 1724–1806, British, 1795 to 1806, Pen with iron gall ink, and graphite; verso: iron gall ink stain from an adjacent drawing on cream, thin, slightly textured, wove paper squared in graphite for

Album Drawing, Thomas Bardwell, 1704–1767, British, Previously attributed: James Wills, Active 1740–died 1777, British, ca. 1730, Watercolor with pen and brown ink over graphite on white laid paper, Sheet: 5 1/8 x 3 1/2in. (13 x 8.9cm

Preparatory drawing for The Waltz, Edward Francis Burney, 1760–1848, British, 1820s, Pen and brown ink, red chalk, pen and black ink, brown wash, and graphite, squared for transfer on thin, slightly textured, beige laid paper, Sheet:

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Senecio gigas Vatke (Tree Groundsel): finished drawing of budding shoot, Luigi Balugani, 1737–1770, Italian, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 15 15/16 x 12 5/16in. (40.5 x

A. Marlow Lock; B. Figures on a Barge, Possibly a Sketch Relating to This Drawing of Marlow Lock, William Alexander, 1767–1816, British, undated, Watercolor and graphite on medium, smooth, cream wove paper, Mount: 4 3/4 × 7 1/2 inches

Measured drawing of section of pediments of temple Baalbec, James Bruce, 1730–1794, British, undated, Graphite, pen and black and brown ink on moderately thick, moderately textured, cream laid paper, Sheet: 21 5/8 × 15 1/4 inches (54.9 ×

Design for the Staircase at Stratford Place, James Wyatt, 1746–1813, British, undated, Pen and black ink, yellow and gray washes; (verso) graphite on moderately thick, moderately textured, cream laid paper with one fold mark, Sheet: 16 1/2

Musa x sapientum L. (Banana): finished drawing with details of inflorescence, James Bruce, 1730–1794, British, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 20 1/2 × 14 1/2 inches

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

Langford House, Dublin, Ireland: Elevations of Room Facing Mary Street, Robert Adam, 1728–1792, British, 1765, Pen and black ink with gray wash over graphite on moderately thick, moderately textured, cream laid paper mounted on canvas,

Album Drawing, Thomas Bardwell, 1704–1767, British, Previously attributed: James Wills, Active 1740–died 1777, British, ca. 1730, Gray and brown wash with pen and brown ink over graphite on laid paper, Sheet: 5 1/8 x 3 1/2in. (13 x

Sketchbook Drawing, Charles Samuel Keene, 1823–1891, British, between 1846 and 1852, Graphite with pen and brown ink on ruled, medium, smooth, cream wove paper, Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm) and Binding: 6 1/2 inches (16.5 cm

Classical Figures Drawing, Thomas Stothard, 1755–1834, British, undated, Graphite and pen and black ink on medium, moderately textured, cream laid paper, Sheet: 5 1/8 × 5 3/4 inches (13 × 14.6 cm), Classical, figure study, figures

Nuxia oppositifolia (Hochst.) Benth. : finished drawing without detail of leaf, Luigi Balugani, 1737–1770, Italian, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 15 15/16 × 12 5/16

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

Architectural Drawing of a Temple, Sir Robert Smirke the younger, 1781–1867, British, 1802-1804, Gray wash, brown wash, graphite, pen and black ink on thin, moderately textured, beige, wove paper, Sheet: 19 3/16 × 11 1/4 inches (48.7

Drawing for 'Specimens of Riding near London:' The Pleasure of Riding in Company. One Would Stop if the Other Could, Henry Thomas Alken, 1785–1851, British, between 1809 and 1823, Graphite and red chalk on thin, slightly textured, blued

Catha edulis Forssk. (Khath): finished drawing, Luigi Balugani, 1737–1770, Italian, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 15 15/16 × 12 5/16 inches (40.5 × 31.3 cm) and

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

Sketchbook Drawing, Charles Samuel Keene, 1823–1891, British, between 1846 and 1852, Graphite with pen and brown ink on ruled, medium, smooth, cream wove paper, Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm) and Binding: 6 1/2 inches (16.5 cm

Sketchbook Drawing, Charles Samuel Keene, 1823–1891, British, between 1846 and 1852, Graphite with pen and brown ink on ruled, medium, smooth, cream wove paper, Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm) and Binding: 6 1/2 inches (16.5 cm

Brucea antidysenterica J. Miller (James Bruce's Tree): finished drawing of part stem with flowering shoots and leafy shoots, Frederick P. Nodder, active 1773–1800, British, 1777, Watercolor, gouache, and graphite on vellum, Sheet: 18 13/16

Calotropis procera (Ait.) Ait. f. (Apple of Sodom, Auricular Tree): finished drawing of flowering and fruiting plant, James Bruce, 1730–1794, British, ca. 1769, Watercolor, gouache, and graphite on medium, slightly textured, cream laid

Sketchbook Drawing, George Romney, 1734–1802, British, ca. 1793, Graphite on moderately thick, slightly textured, cream wove paper, Sheet: 5 1/2 x 9 1/4 inches (14 x 23.5 cm) and Binding: 5 1/2 inches (14 cm), figure study, figures,

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Album Drawing, Thomas Bardwell, 1704–1767, British, Previously attributed: James Wills, Active 1740–died 1777, British, ca. 1730, Gray wash with pen and gray ink over graphite on laid paper, Sheet: 5 1/8 x 3 1/2in. (13 x 8.9cm

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Page 12, A Machine for a Drawing Book of Dry Coll for Travelling, Notes on Methods of Drawing, Alexander Cozens, 1717–1786, British, 1746, Graphite on medium, slightly textured, cream laid paper, bound in vellum, Spine: 7 5/8 inches

Sketchbook Drawing, Clarkson Stanfield, 1793–1867, British, 1863, Graphite on moderately thick, slightly textured, light blue wove paper, Sheet: 5 × 7 1/4 inches (12.7 × 18.4 cm) and Binding: 5 1/4 inches (13.3 cm

A New Drawing Book of Variety of Landskips, Print made by J. Carwitham, active 1720–1740, Printed by Thomas Bowles, ca. 1712–died 1753, British, ca. 1730, Etching on medium, slightly textured, beige laid paper, Sheet: 12 13/16 x 8 1/8

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

Headfort House, Ireland: Sections of the House and Offices, Sir William Chambers RA, 1723–1796, British, 1765, Graphite, watercolor and pen and brown ink on moderately thick, moderately textured, beige laid paper, Sheet: 15 7/8 x 24 5/16

Four dogs, a Pl. for 'New Drawing Book...of Beasts in Various Actions' (1 of 9), Print made by George Bickham, 1683/4–1758, British, after unknown artist, Published by Henry Overton, 1675/6–1751, British, undated, Etching on medium,

A Plan of a Triangular House Designed by Theodore Jacobsen Esqr., Paul Fourdrinier, French, after Theodore Jacobsen, died 1772, British, undated, Etching on moderately thick, slightly textured, cream laid paper, Sheet: 19 3/4 x 16 1/4

Erythrina abyssinica DC. (Lucky Bean): finished drawing but with many minor details altered, Luigi Balugani, 1737–1770, Italian, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 15 15/16

Angelica Kauffman, Print made by Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99), after Sir Joshua Reynolds RA, 1723–1792, British, Published by John Boydell, 1720–1804, British, 1780, Stipple engraving,

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Caernarfon Castle, Richard Wilson RA, 1714–1782, British, active in Italy (1750–56), ca. 1745, Oil on canvas, Support (PTG): 25 1/2 x 41 5/16 inches (64.8 x 104.9 cm), artist, bay (body of water), castle, costume, drawing, fortress,

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Page 71, Notes on Drawing Methods, Alexander Cozens, 1717–1786, British, 1746, Graphite on medium, slightly textured, cream laid paper, bound in vellum, Spine: 7 5/8 inches (19.4 cm) and Sheet: 7 3/8 x 5 1/8 inches (18.7 x 13 cm),

Album Drawing, Thomas Bardwell, 1704–1767, British, Previously attributed: James Wills, Active 1740–died 1777, British, ca. 1730, Gray and brown wash with pen and brown ink over graphite on laid paper, Sheet: 5 1/8 x 3 1/2in. (13 x

Sketchbook Drawing, George Romney, 1734–1802, British, ca. 1793, Graphite on moderately thick, slightly textured, cream wove paper, Sheet: 5 1/2 x 9 1/4 inches (14 x 23.5 cm) and Binding: 5 1/2 inches (14 cm), figure study, figures,

Robert Smirke, Esq., R. A., Charles Picart, c.1780–1837, British, after John Jackson, (drawing), 1778–1831, British, after Mary Smirke, (painting), 1779–1853, British, 1814, Stipple engraving, Plate: 17 5/8 x 13 3/8in. (44.8 x

Sketchbook Drawing, Charles Samuel Keene, 1823–1891, British, between 1846 and 1852, Graphite with pen and brown ink on ruled, medium, smooth, cream wove paper, Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm) and Binding: 6 1/2 inches (16.5 cm

The Drawing of the Clyde, Etched by Joseph Mallord William Turner, 1775–1851, British, Engraved by Charles Turner, 1774–1857, British, after Joseph Mallord William Turner, 1775–1851, British, 1809, Etching and mezzotint, printed in

Sketchbook Drawing, George Romney, 1734–1802, British, ca. 1793, Graphite on moderately thick, slightly textured, cream wove paper, Sheet: 5 1/2 x 9 1/4 inches (14 x 23.5 cm) and Binding: 5 1/2 inches (14 cm), figure study, figures,

Sepolcro di Zagaria, Giovanni Battista Borra, 1713–1770, Italian, ca. 1750, Gray wash with black ink over graphite on moderately thick, moderately textured, beige laid paper, Sheet: 21 7/16 x 15 inches (54.5 x 38.1 cm) and Image: 14 5/16 x

Elevation, Plan and Section of a Bell Tower, Augustus Welby Northmore Pugin, 1812–1852, British, Augustus Charles Pugin, 1762–1832, French, undated, Watercolor, pen and black ink, and graphite on moderately thick, moderately textured,

Sketchbook Drawing, Charles Samuel Keene, 1823–1891, British, between 1846 and 1852, Graphite with pen and brown ink on ruled, medium, smooth, cream wove paper, Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm) and Binding: 6 1/2 inches (16.5 cm

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Five Designs for a House in the Gothic Style: Plan of the Chamber Story, James Wyatt, 1746–1813, British, 1791, Pen and black ink on moderately thick, moderately textured, cream wove paper., Sheet: 23 3/8 x 17 5/8 inches (59.4 x 44.8 cm),

Sketchbook Drawing, George Romney, 1734–1802, British, ca. 1793, Graphite on moderately thick, slightly textured, cream wove paper, Sheet: 5 1/2 x 9 1/4 inches (14 x 23.5 cm) and Binding: 5 1/2 inches (14 cm), figure study, figures,

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