Images at Librifly

search results: Drawing clear search

Diospyros mespiliformis A. DC. (African Ebony): finished drawing, Luigi Balugani, 1737–1770, Italian, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 15 15/16 × 12 5/16 inches (40.5 ×

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

Album Drawing, Thomas Bardwell, 1704–1767, British, Previously attributed: James Wills, Active 1740–died 1777, British, ca. 1730, Gray and brown wash with pen and brown ink over graphite on laid paper, Sheet: 5 1/8 x 3 1/2in. (13 x

Sketchbook Drawing, Charles Samuel Keene, 1823–1891, British, between 1846 and 1852, Graphite with pen and brown ink on ruled, medium, smooth, cream wove paper, Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm) and Binding: 6 1/2 inches (16.5 cm

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Sketchbook Drawing, George Romney, 1734–1802, British, ca. 1793, Graphite on moderately thick, slightly textured, cream wove paper, Sheet: 5 1/2 x 9 1/4 inches (14 x 23.5 cm) and Binding: 5 1/2 inches (14 cm), figure study, figures,

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Unidentified House for Giles Hudson, Putney, Surrey: Elevation of Drawing Room Fireplace, William Wickham, born ca.1750, British, undated, Graphite, pen and black and brown ink, watercolor on moderately textured, moderately thick, cream

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Brucea antidysenterica J. Miller (James Bruce's Tree): finished drawing with stem of fruits added, Attributed to James Bruce, 1730–1794, British, 1769–73, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper,

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Key to Life School at the Royal Academy, Print made by unknown artist, key after Johan Joseph Zoffany RA, 1733–1810, German, active in Britain (from 1760), 1794, Line engraving on medium, slightly textured, cream laid paper, Sheet: 10 1/8

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Cyperus papyrus L. (Papyrus Sedge): finished drawing of inflorescence, James Bruce, 1730–1794, British, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 20 3/4 × 14 inches (52.7 × 35.6

Sketchbook Drawing, Charles Samuel Keene, 1823–1891, British, between 1846 and 1852, Graphite with pen and brown ink on ruled, medium, smooth, cream wove paper, Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm) and Binding: 6 1/2 inches (16.5 cm

Portrait of a Group of Gentleman, with the Artist, Francis Hayman, 1707/8–1776, British, between 1745 and 1748, Oil on canvas, Support (PTG): 44 x 56 inches (111.8 x 142.2 cm), artist, chairs, conversation piece, drawing, drinking,

Album Drawing, Thomas Bardwell, 1704–1767, British, Previously attributed: James Wills, Active 1740–died 1777, British, ca. 1730, Gray and brown wash with pen and brown ink over graphite on laid paper, Sheet: 5 1/8 x 3 1/2in. (13 x

Fishermen Drawing a Net, David Cox, 1783–1859, British, ca. 1820, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 3 1/2 x 4 inches (8.9 x 10.2 cm), fisherman, fishing boats, genre subject, nets (objects

Album Drawing, Thomas Bardwell, 1704–1767, British, Previously attr: James Wills, Active 1740–died 1777, British, ca. 1730, Gray wash, pen and brown ink, and graphite on white laid paper, Sheet: 5 1/8 x 3 1/2in. (13 x 8.9cm

Sketchbook Drawing, Charles Samuel Keene, 1823–1891, British, between 1846 and 1852, Graphite with pen and brown ink on ruled, medium, smooth, cream wove paper, Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm) and Binding: 6 1/2 inches (16.5 cm

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Sketchbook Drawing, Charles Samuel Keene, 1823–1891, British, between 1846 and 1852, Graphite with pen and brown ink on ruled, medium, smooth, cream wove paper, Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm) and Binding: 6 1/2 inches (16.5 cm

'Sporting Incidents:' Drawing For the Soft-gound Etching of 'Panther Hunting', Henry Thomas Alken, 1785–1851, British, undated, Graphite and red chalk on medium, slightly textured, blued white, wove paper, Sheet: 7 7/8 × 12 3/8 inches (20

Capparis tomentosa Lam. (Caper): finished drawing of flowering and fruiting shoot, Luigi Balugani, 1737–1770, Italian, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 15 15/16 × 12 5/16

Architectural Drawing of a Temple, Sir Robert Smirke the younger, 1781–1867, British, 1802-1804, Graphite, pen and black ink on moderately thick, moderately textured, beige, wove paper, Sheet: 18 3/8 × 10 7/8 inches (46.7 × 27.6 cm

Sketchbook Drawing, Charles Samuel Keene, 1823–1891, British, between 1846 and 1852, Graphite with pen and brown ink on ruled, medium, smooth, cream wove paper, Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm) and Binding: 6 1/2 inches (16.5 cm

Sketchbook Drawing, Charles Samuel Keene, 1823–1891, British, between 1846 and 1852, Graphite with pen and brown ink on ruled, medium, smooth, cream wove paper, Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm) and Binding: 6 1/2 inches (16.5 cm

The Royal Academy of Arts, Print made by Richard Earlom, 1743–1822, British, after Johan Joseph Zoffany RA, 1733–1810, German, active in Britain (from 1760), Published by Robert Sayer, 1725–1794, British, 1773, Mezzotint on medium,

Album Drawing, Thomas Bardwell, 1704–1767, British, Previously attributed: James Wills, Active 1740–died 1777, British, ca. 1730, Gray wash, brown wash, pen and brown ink, and graphite on white laid paper, Sheet: 5 1/8 x 3 1/2in. (13

Unidentified House for Giles Hudson, Putney, Surrey: Drawing Room Ceiling Design, William Wickham, born ca.1750, British, undated, Pen and ink and watercolor on moderately textured, moderately thick, cream laid paper, Sheet: 10 13/16 × 10

Sketchbook Drawing, Charles Samuel Keene, 1823–1891, British, between 1846 and 1852, Graphite with pen and brown ink on ruled, medium, smooth, cream wove paper, Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm) and Binding: 6 1/2 inches (16.5 cm

Preparatory drawing for Design 19, Plate 17 of A Collection of Designs for Rural Retreats, James Malton, 1761–1803, British, 1802, Graphite on medium, slightly textured, cream laid paper, Sheet: 5 5/8 × 9 inches (14.3 × 22.9 cm),

Sketchbook Drawing, Charles Samuel Keene, 1823–1891, British, between 1846 and 1852, Graphite with pen and brown ink on ruled, medium, smooth, cream wove paper, Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm) and Binding: 6 1/2 inches (16.5 cm

The Artist's Bookplate and Pen Inscription from a Drawing Album, Rev. William Gilpin, 1724–1804, British, between 1745 and 1748, Etching (bookplate) with pen and brown ink (attached inscription) on thin, slightly textured, white wove paper

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Album Drawing, Thomas Bardwell, 1704–1767, British, Previously attributed: James Wills, Active 1740–died 1777, British, ca. 1730, Graphite on white laid paper, Sheet: 5 1/8 x 3 1/2in. (13 x 8.9cm

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

Sketchbook Drawing, Charles Samuel Keene, 1823–1891, British, between 1846 and 1852, Graphite with pen and brown ink on ruled, medium, smooth, cream wove paper, Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm) and Binding: 6 1/2 inches (16.5 cm

Album Drawing, Thomas Bardwell, 1704–1767, British, Previously attributed: James Wills, Active 1740–died 1777, British, ca. 1730, Watercolor with pen and brown ink over graphite on white laid paper, Sheet: 5 1/8 x 3 1/2in. (13 x 8.9cm

Merchant Taylors' School and St. Paul's School, Print made by Benjamin Cole, 1697–1783, British, after unknown artist, 1756, Line engraving and etching on moderately thick, slightly textured, beige laid paper, Sheet: 15 9/16 x 9 5/8 inches

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Sketchbook Drawing, Charles Samuel Keene, 1823–1891, British, between 1846 and 1852, Graphite with pen and brown ink on ruled, medium, smooth, cream wove paper, Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm) and Binding: 6 1/2 inches (16.5 cm

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Drawing for a Frontispiece: 'The Toast', Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45), 1735, Pen and black ink, pen and brown ink, and gray wash on medium, modertately textured, beige laid paper mounted on

Sketchbook Drawing, Charles Samuel Keene, 1823–1891, British, between 1846 and 1852, Graphite with pen and brown ink on ruled, medium, smooth, cream wove paper, Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm) and Binding: 6 1/2 inches (16.5 cm

Seven and a man, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9), Print made by George Bickham, 1683/4–1758, British, after unknown artist, Published by Henry Overton, 1675/6–1751, British, undated, Etching on

The Elevation of the Design for the Bank of England by Theodore Jacobsen Esqr., Paul Fourdrinier, French, after Theodore Jacobsen, died 1772, British, undated, Etching on moderately thick, slightly textured, cream laid paper, Sheet: 10 7/8

Cobham Hall, Kent: Elevation of the South Front of the Stables, James Wyatt, 1746–1813, British, 1789, Graphite, pen and black ink on moderately thick, moderately textured, cream laid paper, Sheet: 13 x 21 1/4 inches (33 x 54 cm),

Academy by Lamplight, Joseph Wright of Derby, 1734–1797, British, active in Italy (1773–75), 1769, Oil on canvas, Support (PTG): 50 x 39 3/4 inches (127 x 101 cm), academy, artists, Borghese Gladiator, ca. 100 BC, by Agasias of

Sketchbook Drawing, Charles Samuel Keene, 1823–1891, British, between 1846 and 1852, Graphite with pen and brown ink on ruled, medium, smooth, cream wove paper, Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm) and Binding: 6 1/2 inches (16.5 cm

Two Geese and four other birds, a Pl. for 'A New Drawing Book...of Various Kinds of Birds the Life by Mr. Francis Barlow' 1731 (1 of 9), Print made by George Bickham, 1683/4–1758, British, after Francis Barlow, ca. 1626–1704, British,

Peponium vogelii Engl. : finished drawing, Luigi Balugani, 1737–1770, Italian, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 15 15/16 × 12 5/16 inches (40.5 × 31.3 cm) and Binding: 16

Grewia ferruginea A. Rich. : finished drawing, including detail of leaf, Luigi Balugani, 1737–1770, Italian, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 15 15/16 × 12 5/16 inches

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

Aloe macrocarpa Todaro (Aloe): finished drawing without details, Luigi Balugani, 1737–1770, Italian, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 15 15/16 × 12 5/16 inches (40.5 ×

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Drawing for 'Specimens of Riding Near London:' Fancy - View Near Gray's Inn Road, Henry Thomas Alken, 1785–1851, British, between 1809 and 1823, Graphite and red chalk on medium, slightly textured, blued white, wove paper, Sheet: 6 5/16 ×

Sketchbook Drawing, Charles Samuel Keene, 1823–1891, British, between 1846 and 1852, Graphite with pen and brown ink on ruled, medium, smooth, cream wove paper, Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm) and Binding: 6 1/2 inches (16.5 cm

Six Snipe and four herons on two plates on one for 'A New Drawing Book..of various kinds of birds, Drawn from the Life by Francis Barlow', 1731 (1 of 9), Print made by George Bickham, 1683/4–1758, British, after Francis Barlow, ca.

Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot, with details of flowers, leaf, and fruits, Luigi Balugani, 1737–1770, Italian, ca. 1768, Pen and black ink, gray wash over graphite on meduim, slightly textured, cream

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Albizia gummifera (J.F. Gmel.) C.A. Sm. (Gummy Albizia Tree): finished drawing of flowering head of shoot, with details of inflorescence, florets, and leaf, Luigi Balugani, 1737–1770, Italian, Formerly James Bruce, 1730–1794, British,

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

View, Cross Section, and Other Details of Cheop's Pyramid at Giza, Giovanni Battista Borra, 1713–1770, Italian, ca. 1750, Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper, Sheet:

A View of the Great Cohoes Falls, on the Mohawk River, Print made by William Elliot, active 1774, died 1792, British, after Paul Sandby RA, 1731–1809, British, after drawing by Thomas Pownall, 1722–1805, British, Published by John

Cobham Hall, Kent: Full Size Drawing of Cross, James Wyatt, 1746–1813, British, 1798, Graphite, pen and black ink on medium, moderately textured, cream laid paper with four fold marks, Sheet: 27 7/8 x 23 inches (70.8 x 58.4 cm),

No. 6 Drawing of Ornamental detail of the entablature and capital of temple remains at Baalbec or Palmyra, James Bruce, 1730–1794, British, undated, Graphite on moderately thick, moderately textured, cream laid paper, Sheet: 21 1/2 × 15

Francis Smith, Architect, Alexander van Haecken, 1701–1758, Flemish, after William Winstanley, active 1793–1806, Published by Alexander van Haecken, 1701–1758, Flemish, ca. 1755, Mezzotint on moderately thick, slightly textured,

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Human Skeleton, Lateral View, George Stubbs, 1724–1806, British, 1795 to 1806, Pen with iron gall ink, and graphite; verso: ink stain from another drawing on cream, thin, slightly textured, wove paper laid on cream, moderately thick,

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Phlomis herba-venti L. : finished drawing, James Bruce, 1730–1794, British, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 21 × 14 1/2 inches (53.3 × 36.8 cm

Design for a Chapel at Enfield: Transverse Sections, East and West End, Lewis Vulliamy, 1791–1871, British, undated, Pen and black ink with watercolor on moderately thick, slightly textured, beige wove paper, Sheet: 12 7/16 x 18 7/16

Sketchbook Drawing, George Romney, 1734–1802, British, ca. 1793, Graphite on moderately thick, slightly textured, cream wove paper, Sheet: 5 1/2 x 9 1/4 inches (14 x 23.5 cm) and Binding: 5 1/2 inches (14 cm), figure study, figures,

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Design for a Naval Monument: Elevation, Charles Heathcote Tatham, 1772–1842, British, 1799, Pen and black ink, gray wash on slightly textured, moderately thick, cream wove paper, Sheet: 11 5/8 × 8 5/8 inches (29.5 × 21.9 cm),

Unidentified Office or Stables: Front Elevation, James Gibbs, 1682–1754, British, ca. 1720, Watercolor with pen and ink and graphite on medium, slightly textured, white laid paper bar scale of 1/10 inch to 1 foot, Sheet: 8 1/8 x 14 1/2

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

Architectural Drawing, Sir Robert Smirke the younger, 1781–1867, British, 1802-1804, Pen and brown ink, and graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 9 × 11 3/8 inches (22.9 × 28.9 cm

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Album Drawing, Thomas Bardwell, 1704–1767, British, Previously attributed: James Wills, Active 1740–died 1777, British, ca. 1730, Graphite on white laid paper, Sheet: 5 1/8 x 3 1/2in. (13 x 8.9cm

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Sketchbook Drawing, Charles Samuel Keene, 1823–1891, British, between 1846 and 1852, Graphite with pen and brown ink on ruled, medium, smooth, cream wove paper, Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm) and Binding: 6 1/2 inches (16.5 cm

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

Preparatory drawing for Designs 12 and 13, Plate 10 of A Collection of Designs for Rural Retreats, James Malton, 1761–1803, British, 1802, Graphite on thin, slightly textured, cream laid paper mounted on medium, slightly textured, cream

Final Design for a Naval Monument: Plan and Elevation, Charles Heathcote Tatham, 1772–1842, British, 1799, Graphite, pen and black ink, and watercolor on slightly textured, moderately thick, white wove paper with one fold mark bar scale of

Scadoxus puniceus (L.) Friss&Nordal (Blood Lily): finished drawing with some detail, Luigi Balugani, 1737–1770, Italian, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 15 15/16 × 12

Thomas Alphonso Hayley, Half-Length Drawing, attributed to William Blake, 1757–1827, British, ca. 1800, Graphite and gouache on moderately thick, slightly textured, cream wove paper, Sheet: 6 3/4 x 5 1/4 inches (17.1 x 13.3 cm), book,

Dorking Hen Body, Lateral View (Outline drawing of the muscles), George Stubbs, 1724–1806, British, 1795 to 1806, Graphite, pen with iron gall ink, with traces of red ink on thin, slightly textured, cream wove paper laid down on cream

Drawing Room Ceiling, No. 3 Old Palace Yard, Charles James Richardson, 1806–1871, British, 1871, Graphite, pen and black and brown inks, with brush applied to brown ink on smooth, medium, white laid paper, Sheet: 14 7/8 × 10 5/8 inches

Drawing of a Skeleton, George Augustus Sala, 1828–1895, British, 1881, Pen and black ink on medium, slightly textured, cream wove paper, Sheet: 5 5/16 × 3 5/16 inches (13.5 × 8.4 cm), anatomical study, skeleton

Fowl Skeleton, Lateral View (Outline drawing of the skeleton prepared for the key figure to Table V), George Stubbs, 1724–1806, British, 1795 to 1806, Graphite on thin, slightly textured, cream wove paper, Sheet: 19 x 13 3/4 inches (48.3 x

Desmodium (ticktrefoil): finished drawing, Luigi Balugani, 1737–1770, Italian, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 15 15/16 × 12 5/16 inches (40.5 × 31.3 cm) and Binding: 16

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