Images at Librifly

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George Robertson, Portrait by John Francis Rigaud, 1742–1810, French, active in Britain (from 1771), landscape by George Robertson, 1749–1788, British, 1776, Oil on canvas, Support (PTG): 44 1/4 x 34 5/8 inches (112.4 x 87.9 cm),

Elevation for the West Front of Parliament House, Dublin, James Gandon, 1742–1823, British, ca. 1787, Watercolor and pen and brown ink on medium, slightly textured, cream laid paper bar scale of 1/8 inch to 1 foot, Sheet: 9 7/8 x 15 1/16

Arundinaria alpina K. Schum. (African Bamboo): finished drawing of habit with roots, James Bruce, 1730–1794, British, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 14 1/4 × 10 3/8 inches (36.2 ×

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Design for a Chapel at Enfield: Transverse Sections of the East and West End, Lewis Vulliamy, 1791–1871, British, undated, Pen and black ink with watercolor on moderately thick, slightly textured, beige wove paper, Sheet: 12 5/8 x 18 9/16

Elevation of the Ordnance Office, unknown artist, after William Tyler RA, d.1801, British, after 1780, Watercolor with gouache and black ink on moderately thick, moderately textured, cream wove paper, Sheet: 13 11/16 x 21 9/16 inches (34.7 x

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

Architectural Drawing of a Temple, Sir Robert Smirke the younger, 1781–1867, British, 1802-1804, Graphite, pen and black ink on moderately thick, moderately textured, beige, wove paper, Sheet: 19 × 12 1/2 inches (48.3 × 31.8 cm

Mr. and Mrs. Fraser, Arthur William Devis, 1762–1822, British, 1785 to 1790, Oil on canvas, Support (PTG): 35 1/2 x 27 1/2 inches (90.2 x 69.9 cm), blanket, blue, conversation piece, couple, drawing, drawing (image-making), feathers,

A Drawing of a Part for the Map of the Moon, John Russell, 1745–1806, British, 1794, Graphite on medium, slightly textured, blued white wove paper, Sheet: 8 x 6 1/8 inches (20.3 x 15.6 cm), landscape, maps, moon

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Temple at Baalbec: Detailed drawing of a Doorway, James Bruce, 1730–1794, British, undated, Pen and brown ink, gray wash, graphite on moderately thick, moderately textured, cream laid paper, Sheet: 18 3/4 × 11 3/4 inches (47.6 × 29.8

Sketchbook Drawing, Charles Samuel Keene, 1823–1891, British, between 1846 and 1852, Graphite with pen and brown ink on ruled, medium, smooth, cream wove paper, Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm) and Binding: 6 1/2 inches (16.5 cm

Commiphora gileadensis (L.) C. Chr. (Balm of Gilead, Opobalsam): finished drawing of fruit, dissected fruits, and leaves, James Bruce, 1730–1794, British, ca. 1768, Watercolor and gouache over graphite on medium, slightly textured, cream

Tiger Body, Lateral View (Outline drawing for a key figure), George Stubbs, 1724–1806, British, 1795 to 1806, Graphite, and pen with iron gall ink on thin, slightly textured, cream wove paper laid down on cream, thick, moderately

Album Drawing, Thomas Bardwell, 1704–1767, British, Previously attributed: James Wills, Active 1740–died 1777, British, ca. 1730, Gray wash with pen and brown ink over graphite on laid paper, Sheet: 5 1/8 x 3 1/2in. (13 x 8.9cm

?Chloris (Rhodes Grass): finished drawing of flowering grass, Luigi Balugani, 1737–1770, Italian, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 15 15/16 × 12 5/16 inches (40.5 × 31.3 cm) and

Commiphora gileadensis (L.) C. Chr. (Balm of Gilead, Opobalsam): finished drawing of fruiting branch, Luigi Balugani, 1737–1770, Italian, Formerly James Bruce, 1730–1794, British, undated, Watercolor, gouache, and graphite on medium,

Millettia ferruginea (Hochst) Baker: finished drawing, James Bruce, 1730–1794, British, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Sheet: 16 × 12 inches (40.6 × 30.5 cm

Sketchbook Drawing, Charles Samuel Keene, 1823–1891, British, between 1846 and 1852, Graphite with pen and brown ink on ruled, medium, smooth, cream wove paper, Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm) and Binding: 6 1/2 inches (16.5 cm

Lottery Drawing, Coopers Hall, Joseph Constantine Stadler, active 1780–1812, British, after Augustus Charles Pugin, 1762–1832, French, and Thomas Rowlandson, 1756–1827, British, 1809, Aquatint, hand-colored

Two Studies of a Female Figure, Henri Gaudier-Brzeska, 1891–1915, French, between 1910 and 1915, Pen and green ink on medium, smooth, cream wove paper, Sheet: 11 3/4 x 8 1/4 inches (29.8 x 21 cm), female, figure, figure study, life

Sketchbook Drawing, George Romney, 1734–1802, British, ca. 1793, Graphite on moderately thick, slightly textured, cream wove paper, Sheet: 5 1/2 x 9 1/4 inches (14 x 23.5 cm) and Binding: 5 1/2 inches (14 cm), figure study, figures,

Sketchbook Drawing, Charles Samuel Keene, 1823–1891, British, between 1846 and 1852, Graphite with pen and brown ink on ruled, medium, smooth, cream wove paper, Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm) and Binding: 6 1/2 inches (16.5 cm

Alge indeterminate species (Seaweed): finished drawing of habit of weed, Luigi Balugani, 1737–1770, Italian, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 15 15/16 × 12 5/16 inches (40.5 × 31.3

Headfort House, Ireland: Elevations of the North and South Fronts, Sir William Chambers RA, 1723–1796, British, 1765, Graphite, pen and black and brown ink, and gray and brown wash on moderately thick, moderately textured, cream laid

Solanum incanum L. (Wild Egg Plant): finished drawing, Luigi Balugani, 1737–1770, Italian, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 15 15/16 × 12 5/16 inches (40.5 × 31.3 cm) and

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Rhamnus prinoides L'Herit. (African Buckthorn): finished drawing without details and with berries added, James Bruce, 1730–1794, British, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet:

Cobham Hall, Kent: First and Second Floor Plans, Print made by Henry Hulsberg, died 1729, Netherlandish, active in London, after Inigo Jones, 1573–1652, British, ca. 1790, Etching and (verso) graphite on slightly textured, medium, cream

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Drawing for Cope Decoration or Painted Wall, George Edmund Street, 1824–1881, British, undated, Pen and brown ink and watercolor on smooth, thin, brown wove paper, Sheet: 20 5/16 × 19 inches (51.6 × 48.3 cm), architectural subject,

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

A Mussalmaum Schoolmaster, Sir Charles D'Oyly, 1781–1845, British, active in India, Printed by The Behar Amateur Lithographic Press, 1781–1845, British, active in India, undated, Chromolithograph on medium, slightly textured, cream

Fox Hunting: Drawing the Cover, Richard Gilson Reeve, 1803–1889, after Henry Thomas Alken, 1785–1851, British, 1835, Aquatint, hand-colored, Sheet: 10 3/8 x 14 1/2in. (26.4 x 36.8cm

Sketchbook Drawing, George Romney, 1734–1802, British, ca. 1793, Graphite on moderately thick, slightly textured, cream wove paper, Sheet: 5 1/2 x 9 1/4 inches (14 x 23.5 cm) and Binding: 5 1/2 inches (14 cm), figure study, figures,

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

St. Martin's Church, Print made by unknown artist, Published by John Bowles, 1701–1779, British, between 1731 and 1754, Etching on moderately thick, slightly textured, cream laid paper, Sheet: 19 5/16 x 14 3/4 inches (49 x 37.5 cm),

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Hagenia abyssinica (Bruce) J.F. Gmel. : finished drawing, Luigi Balugani, 1737–1770, Italian, Formerly James Bruce, 1730–1794, British, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper,

Sketchbook Drawing, Charles Samuel Keene, 1823–1891, British, between 1846 and 1852, Graphite with pen and brown ink on ruled, medium, smooth, cream wove paper, Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm) and Binding: 6 1/2 inches (16.5 cm

Sketchbook Drawing, Sawrey Gilpin, 1733–1807, British, 1787, Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm), animal art

Ehretia cymosa Thonning: finished drawing of leafy, fruiting shoot, Luigi Balugani, 1737–1770, Italian, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 15 15/16 × 12 5/16 inches (40.5

Album Drawing, Thomas Rowlandson, 1756–1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm

Reclining Female Figure, Henri Gaudier-Brzeska, 1891–1915, French, between 1910 and 1915, Pen and green ink on medium, smooth, cream wove paper, Sheet: 8 1/4 x 11 3/4 inches (21 x 29.8 cm), female, figure, figure study, life drawing,

Grinling Gibbons, Print made by Thomas Chambars, ca. 1724–1789, British, after Sir Godfrey Kneller, 1646–1723, German, active in Britain (from 1676), undated, Etching on moderately thick, smooth, beige wove paper, Sheet: 11 11/16 x 9

Drawing for Twelfth-Cake at St. Annes Hill!!, Isaac Cruikshank, 1756–1810, British, 1799, Etching, hand-colored, Sheet: 9 1/2 x 8 5/8in. (24.1 x 21.9cm

Albert Edelfelt, In the Drawing-room at Haiko, In the salon at Haiko, painting, 1888, oil on canvas, Height, 34.5 cm (13.5 inches), Width, 43 cm (16.9 inches

Salvator Rosa, The Abandoned Oidipus, drawing, Height, 65 cm (25.5 inches), Width, 45 cm (17.7 inches), Not signed

Johann Alexander Müller, Ferdinand Albrekt II, Ferdinand Albrecht II, 1680-1735, Duke of Braunschweig-Wolffenbüttel, painting, Pen drawing on paper, Signed, I A Muller fecit

Otto Holmström, A Man Drawing, A man who signs, painting, 1893, Oil on canvas, Height, 38 cm (14.9 inches), Width, 55 cm (21.6 inches), Signed, O, Holmström, 93

Prince Maximilian, Victory altar in landscape, 1732, Drawing with ink, Height, 17 cm (6.6 inches), Width, 22.5 cm (8.8 inches), Inscription, A.t, 'you Prince Maximilian, de Hessen Cassel, ce 19. Janvier 1732 - sur un mecredi

Jacob Coopman, Karl, 1654-1730, country count of Hessen-Kassel, painting, portrait, Charles I, Landgrave of Hesse-Kassel, 1739, Drawing pastel, Height, 27 cm (10.6 inches), Width, 20 cm (7.8 inches), Signed, von Jakob Coopman

Carl Fredrik Darell, Magnus Jakob Crusenstolpe, 1795-1865, married to Sofia Palmstruch, painting, Watercolored drawing, Oval, Height, 12 cm (4.7 inches), Width, 10 cm (3.9 inches

Hubert Robert, Dragonman Drawing the Wooden Bridge in the Park of Merville, painting, oil on canvas, Height, 65 cm (25.5 inches), Width, 81 cm (31.8 inches), Inscriptions, Signature, H Robert

Queen Hedvig Elisabet Charlotta, Hedvig Elisabet Charlotta, 1759-1818, Princess of Holstein-Gottorp, painting, Hedvig Elisabeth Charlotte of Holstein-Gottorp, Drawing, pastel, Height, 68 cm (26.7 inches), Width, 54 cm (21.2 inches

Jean-Baptiste-Siméon Chardin, Young Student Drawing, Cartoonist, Painting, Oil on oak, Oil on wood, Height, 18 cm (7 inch), Width, 15.5 cm (6.1 inch, Signed, Chardin

Carl Larsson, First Proposed Decoration of the Walls in the Lower Hall of the National Museum, Stockholm, First proposal for frescoes in NM's lower stairwell, painting, 1913, Watercolored pen drawing, Height, 32.5 cm (12.7, inch), Width,

Pehr Hilleström, Interior from an Art Collection, painting, oil on canvas, Height, 60 cm (23.6 inches), Width, 76 cm (29.9 inches), Signed, Hillström, , Hilleströms List 646, 'A Fruent, sits and rests as well as 2 nd, o that

Carl Larsson, Mother, painting, 1893, Watercolor and pencil, Watercolored pen drawing on paper, Height, 51 cm (20 inches), Width, 36 cm (14.1 inches), Inscription, MOTHER!, SUNDBORN AUG, 1893 Signed, C.L, monogram

Portrait of female artist with drawing, circa 1800, Oil on wood, Height, 59 cm (23.2 inches), Width, 49 cm (19.2 inches

Carl Fredrik Darell, Sofia Crusenstolpe, 1807-1865, born Palmstruch, married to Magnus Jakob Crusenstrolpe, painting, Watercolored drawing, Oval, Height, 12 cm (4.7 inches), Width, 10 cm (3.9 inches

Karl August Senff, Gustaf Magnus von Fersen (1749-1805), free master, country council in Livland, painting, Pastel, drawing in black chalk, Height, 30 cm (11.8 inches), Width, 24 cm (9.4 inches), Inscriptions, Inscription, Gustav Magnus

Ivar Nyberg, Vicke (Victor) Andrén, An Artist Drawing. Victor Andrén, painting, oil on cardboard, Height: 33 cm (12.9), Width: 24 cm (9.4

Johan Christian Dahl, Princess Caroline Amalie, Princess Caroline Amalie Sketching in Naples, Study, drawing in Naples, painting, 1820, Oil on paper mounted on wood, Height, 22 cm (8.6 inches), Width, 35 cm (13.7 inches), Signed, Naples

Jean-Siméon Chardin: Woman Drawing Water from a Water Urn (The Water Urn), Jean-Siméon Chardin, 1732–1740, Oil on wood panel (later mounted to cradle), Overall: 15 3/8 x 17 3/8 in. (39 x 44.2 cm

Jean-Siméon Chardin: Woman Drawing Water from a Water Urn (The Water Urn), Jean-Siméon Chardin, 1732–1740, Oil on wood panel (later mounted to cradle), Overall: 15 3/8 x 17 3/8 in. (39 x 44.2 cm

William James Glackens: Then We All Went Home, William James Glackens, 1909, Black crayon, charcoal, ink washes, and white gouache on wove paper, Created in 1909 as an illustration for 'The Practical Joke, ' a story by Eden Phillpotts in

Pierre-Auguste Renoir: Young Mother (Jeune mère), Pierre-Auguste Renoir, 1881, Oil on canvas, Renoir painted this scene of a peasant girl holding a child during a trip to Naples in 1881. Dissatisfied with his drawing skills, he had travelled to

Pierre-Auguste Renoir: Young Mother (Jeune mère), Pierre-Auguste Renoir, 1881, Oil on canvas, Renoir painted this scene of a peasant girl holding a child during a trip to Naples in 1881. Dissatisfied with his drawing skills, he had travelled to

Amedeo Modigliani: Jeanne Hébuterne, Amedeo Modigliani, 1919, Oil on canvas, The model here is Jeanne Hébuterne, Amedeo Modigliani's lover during the last three years of his life. Hébuterne was an art student when she and Modigliani began

Paul Cézanne: Leda and the Swan (Léda au cygne), Paul Cézanne, c. 1880 (possibly later), Oil on canvas, This picture is unusual in Cézanne's oeuvre for its specific literary narrative. It represents the mythological story from Ovid's

Paul Cézanne: Leda and the Swan (Léda au cygne), Paul Cézanne, c. 1880 (possibly later), Oil on canvas, This picture is unusual in Cézanne's oeuvre for its specific literary narrative. It represents the mythological story from Ovid's

Jean-Siméon Chardin: Woman Drawing Water from a Water Urn (The Water Urn), Jean-Siméon Chardin, 1732–1740, Oil on wood panel (later mounted to cradle), Overall: 15 3/8 x 17 3/8 in. (39 x 44.2 cm

Amedeo Modigliani: Jeanne Hébuterne, Amedeo Modigliani, 1919, Oil on canvas, The model here is Jeanne Hébuterne, Amedeo Modigliani's lover during the last three years of his life. Hébuterne was an art student when she and Modigliani began

Drawing room, Royal Alexandra Hotel, Winnipeg. Photo B, 1907

Drawing room, vice-regal suite, Royal Alexandra Hotel, Winnipeg, Manitoba, 1907

An English Setter of the breed coming from the kennel of P.L. Llewellyn and sometimes termed the Llewellyn Setter [photograph of a drawing], 1904

The drawing is by architect J. Albert LaRue of Montreal for the construction of a group of buildings for the Dominicans on Grande-All�e in Quebec City. The group includes a monastery and a church. The construction is done in stages, from 1919 to

The drawing is by architect J. Albert LaRue of Montreal for the construction of a group of buildings for the Dominicans on Grande-All�e in Quebec City. The group includes a monastery and a church. The construction is done in stages, from 1919 to

Drawing room, Royal Alexandra Hotel, Winnipeg. Photo A, 1907

Ste. Anne de Beaupre, P.Q. [half tone of drawing], 1915

Drawing Room, Royal Alexandra Hotel, Winnipeg, 1907

Drawing room, Royal Alexandra Hotel, Winnipeg. Photo B, 1907

Drawing Room, Royal Alexandra Hotel, Winnipeg, 1907

Drawing room, Royal Alexandra Hotel, Winnipeg. Photo A, 1907

Ste. Anne de Beaupre, P.Q. [half tone of drawing], 1915

A course in mechanical drawing : Reid, John S. (John Simpson), 1856

An introduction to machine drawing and design : Low, David Allan, 1857

Linear drawing : showing the application of practical geometry to trade and manufactures : Davidson, Ellis A., d. 1878

Twenty minutes : drawing-room duologues, etc. : Childe-Pemberton, Harriet L. (Harriet Louisa

Practical engineering drawing and third angle projection, for students in scientific, technical and manual training schools and for ... draughtsmen .. : Willson, Frederick Newton, 1855-1939

First principles of mechanical and engineering drawing : Holt-Butterfill, H

Introductory course in mechanical drawing : Tracy, John C. (John Clayton), 1869

Architectural drawing for mechanics : Hicks, Isaac Perry, 1856

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