Images at Librifly

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A text-book of mechanical drawing and elementary machine design : Reid, John S. (John Simpson), 1856

The technic of mechanical drafting; a practical guide to neat, correct and legible drawing : Reinhardt, Chas. William (Charles William), b. 1858

Teachers' manual for the Prang course in drawing for graded schools, books 1-6 : Clark, John Spencer

Pen drawing; an illustrated treatise : Maginnis, Charles Donagh, 1867-1955

Polite farces for the drawing-room : Bennett, Arnold, 1867-1931

Polite farces for the drawing-room : Bennett, Arnold, 1867-1931

Executioner's servant in moving front view, drawing the long sword, 1st half of the 16th century, feather in black, silhouetted, raised, picture: 25.4 x 16.6 cm, unsigned, Niklaus Manuel gen. Deutsch, (Kopie nach (?) / copy after (?)), Bern

Enwurf for a middle picture with the judgment of Cambyses, feather in dark gray, remains of a preliminary drawing with black pencil, mounted, sheet: 34 x 24.7 cm |, Picture: 32.2 x 23.9 cm, U. l., monogrammed: LR [lig.], inscribed on the

Dazzling of the hl., Bishop Leodegar, feather in black, above a preliminary drawing with a black pencil, sheet: 11.1 x 18.4 cm, unmarked, Hans Brand, Basel 1552–1577/78 (?) Basel

Perspective drawing of an interior with a window and an open door, a look into an arbor, pen and ink over a pencil, single-line rectangle edging, sheet: 33.3 x 45.5 cm, U. r., Signed in pencil: Kelterborn, Ludwig Adam Kelterborn, Hannover

Self-portrait by Johann Elias Ridinger on the drawing table, 1767, mezzotint (scrawp), sheet: 42 x 29.3 cm |, Plate: 39.4 x 26.9 cm, inscribed below: Dédié à Monsieur, Jean Elie Ridinger, Peintre et engraver and director of the Académie,

Cover drawing to Adelbert von Chamisso's story Peter Schlemihl's miraculous story, 1915, black inked lithograph, mounted on yellow paper, I, I, not numbered and limited, picture: approx. 26.8 x 21.5 cm |, Sheet: 30.3 x 24.7 cm, inscribed in

Two angels as a shield holder and the coat of arms of the abbot Simon Feunat of Bellelay, c. 1576, brush in dark gray, washed brown, remains of a preliminary drawing with a black pencil, sheet: 35.5 x 33 cm, unmarked, Hans Brand, (?), Basel

Unknown (Italian), after Agostino Carracci, Italian, 1557-1602, Satyr Chastising a Nymph, 17th century, pen and black ink over a preliminary drawing in graphite on cream antique laid paper, Sheet: 7 1/2 × 5 13/16 inches (19.1 × 14.8 cm

Designs for flanking figures with Fides, Caritas, Patientia, Spes and Putto with empty escutcheon, feather in black, traces of a preliminary drawing with black pencil, Journal: 29.3 x 19.1 cm /19.7 cm, Not indicated, Tobias Stimmer, (Umkreis

Slice tear with Maria and child, hl., Jakobus major and kneeling donor, below the coat of arms Bind, 1530, pen in black, preliminary drawing with black pencil, sheet: 32.5 x 21.5 cm |, Image: 29.2 x 20.4 cm, U. inscribed in the cartouche:

Unknown (Italian), after Michelangelo, Italian, 1475-1564, A Group of Soldiers from the Crucifixion of Saint Peter, after 1550, red chalk over a preliminary drawing in black chalk on cream antique laid paper, Sheet: 16 × 9 5/8 inches (40.6 ×

Reading in the Garden, c. 1868, pencil on light gray drawing paper, sheet: 12.6 x 22.6 cm, unmarked, Paul Cézanne, Aix-en-Provence 1839–1906 Aix-en-Provence

The hl., Georg in the Dragon Battle, c. 1500, quill in brown, over chalk drawing, sheet: 11.1 x 15.7 cm, unsigned, Anonym, Oberrhein, um 1500

Luigi Gasparini, Italian, 1779-1814, Classical Landscape with a City, between late 18th and early 19th century, pen and black ink and gray wash over a preliminary drawing in graphite on buff wove paper, Sheet: 15 3/16 × 12 9/16 inches (38.6 ×

Blank blazon (Hans von Rispach?), Pen in black, brown washed, traces of a preliminary drawing with black pencil, Journal: 30.3 x 21 cm, Unmarked, Anonym, Schweiz, 2. Hälfte 16. Jh

Left half of a disc crack with Fides, around 1575/76, feather in black, brush in gray, gray washed, remains of a preliminary drawing with black pencil, irregular cut out, completely wound up, leaf: 41.3 x 15.8 cm, 19 cm, U. in the,

The Beloved, 1915, colored woodcut on blotting paper, colored print of sawn drawing plate and several color plates in black, red, brown, violet, blue and yellow, condition print, c, ., 2 II, II, not numbered and limited, sheet: 44.3 x

St. Catherine in landscape, around 1506, pen and brush in black, o. L., Traces of charcoal or chalk drawing, some traces of red chalk on the face, page: 30.2 x 21 cm, unmarked, Hans Schäufelein, (?), um 1480–1539/40 Nördlingen

Dr. Syntax Bound to a Tree by Highwaymen; Dr. Syntax Drawing... Gravy Tureen; Dr. Syntax Pursued by a Bull Gravy Tureen Cover, 19th Century, Transfer-printed glazed earthenware, 5 3/8 x 8 3/4 x 4 1/2 in. (13.7 x 22.2 x 11.43 cm

Disc rupture with Pope Clement VII and Emperor Charles V as shield attendants and the Basel coat of arms (for the law faculty of the University of Basel), feather in black, traces of a preliminary drawing with black pencil, page: 43.3 x 31.8 cm |,

Slice tear to comfort the sick, around 1545, feather in black and brown, brown and light brown watercolored, heightened in white, in some areas light brown tinted paper, corrections with white, remains of a preliminary drawing with black

Broken glass with two naked girls as shield attendants and the coat of arms of Solothurn, 1517/1519, feather in black, gray washed, in places brush in brown, traces of a preliminary drawing with black pencil, o. M. Stichlöchlein, mounted,

Felix Cavalli, Italian, Fantastic Landscape with Peddlars, 1793, gouache and watercolor with pen and black and brown ink over a preliminary drawing in graphite, with a decorative border of pen and black ink, on buff antique laid paper, Sheet:

Slice rupture with two lions as shield holders and lion coat of arms, in the Oberbild riding battle, feather in black, remains of a preliminary drawing with black pencil, sheet: 43 x 31.8 cm, unmarked, Anonym, Schweiz (Basel), 16. Jh

Disc tear with two empty coats of arms (later coat of arms hornlocher added), flanked above by Fides and Pax, in the upper picture David with the spear and jug of the Saul, 1593, feather in black, gray washed, later supplemented with feather in

Preparations for the Crucifixion of Christ, c. 1490, feather in black, over preliminary drawing with gray (left half) and brown ink (right half), two juxtaposed leaves, mounted, sheet: 21.2 x 29.7 cm, unsigned, Ludwig Schongauer, Colmar um

Left half of a disc crack with oval frame, feather in black, gray washed, remnants of a preliminary drawing with black pencil, sheet: 29.8 x 15.3 cm, inscribed in the empty middle section: This is a copbye if Ir es, vff dise man nir wolen have,

Drafts for corner paintings with Prudentia, Pax, Minerva and Patientia and ugly pair of fools, 1580/90, pen in black, remains of a preliminary drawing with black pencil, sheet: 31.4, 31.9 x 42.4 cm, inscribed in the picture: PAX, PICTOR,

Slice tear with the coat of arms of Austria, in the upper picture Putten in the fighting game, around 1511, feather in black, remains of a preliminary drawing with black pencil, verso: brush samples in green and purple, sheet: 43.9 x 30.9 cm,

In the corner picture David beheaded Goliath, around 1545, feather in black, partly gray washed, heightened in white, in some places gray and light brown tinted paper, corrections with white, remains of a preliminary drawing with black pencil,

Figure with umbrella, seen from behind, 1866/69, black chalk and heights with white chalk on brown drawing paper, verso: pencil, sheet: 14.3 x 16.9 cm, on the back o. l., inscribed in pencil: Ma gracieuse Marie, Je vous aime et vous prie, De

Waterfall with a drawing artist, oil on canvas, 105.5 x 89 cm, unmarked, Hubert Robert, Paris 1733–1808 Paris

Disc tear with shield companion and bear coat of arms, in the upper pictures Tell's apple shot and Gessler's death, feather in black, traces of a preliminary drawing with black pencil, mounted, sheet: 48.7 x 35.5 cm |, Image: 43.7 x 34.3 cm,

Large birdshow of the city of Basel from the northeast, 1617 (after a preliminary drawing from 1615), etching of four plates, composed of four arches, mounted, image: 70.5 x 105.5 cm |, 35 x 53.5 cm, O. inscribed, signed and dated: NOVA ET

Portrait of the Merian family, c. 1642/43, oil on canvas, 118.7 x 140 cm, signed on the reverse of the drawing in the middle of the picture: MMeri, Jün and inscribed on the obverse: 1641, Matthäus Merian d. J., Basel 1621–1687 Frankfurt a.

Disc break with guild meal (feast meal?), Around 1555, feather in dark gray, colored in watercolor, remains of a preliminary drawing with black pencil, lead lines, sheet: 31.2 x 41.3 cm, unsigned, David Joris (Jorisz.), Brügge (?) oder Gent

Disc break with four scenes from the story of Hugdietrich of Greece (embroidering queen and Hugdietrich in the dress, weeping queen, suspension of the son Wolfdietrich, queen with child and maid), 1604, feather in black, gray wash (middle

Disc tear with two blank escutcheons (Theodor Brand, Christina Kosin), in the upper picture Esther before Ahasver, 1558, feather in brown, remains of a preliminary drawing with black pencil, verso feathers and sketch with feather in purple,

Disc tear with shield holder and the coat of arms Jenner, 1518, pen in black, gray washed, heightened in white, traces of a preliminary drawing with black pencil, on brown primed paper, sheet: 31.4 x 20.3 cm, O. r., monogrammed and dated in

manner of Francesco Galli Bibiena, Italian, 1659-1739, Ruins of a Building with Two Women, 18th century, pen and brown wash over a preliminary drawing in graphite on cream laid paper, Sheet: 12 1/8 × 8 7/16 inches (30.8 × 21.4 cm

The Connétable of Bourbon, pursued by his conscience, 1835, brush in brown on chalk drawing, sheet: 30.6 x 22.1 cm /21.8 |, Image: 27.1 x 21.7 cm, Not marked, Eugène Delacroix, Charenton-Saint-Maurice/Val-de-Marne 1798–1863 Champrosay bei

Resurrection of Christ, feather (brush?) In black, over a preliminary drawing with a black pencil, sheet: 26.2 x 20.2 cm, unmarked, Hans Brand, Basel 1552–1577/78 (?) Basel

Dispenser at the sacrificial floor, standing between angel and devil (after Konrad Witz?), C. 1440/50, pen in black, gray wash, traces of chalk drawing (?), Sheet: 21.4 x 21.9 cm, unsigned, Anonym, Schweiz (Basel?), um 1440/50

Suburban Idyll (Gartenstadtidyll), 1926, 191 (T 1), oil and incised drawing on oil-putty sand primer on gypsum board, original frame borders, 42.5 x 39.5 cm, signed and dated lower left: KLEE, 1926 T. 1., Paul Klee, Münchenbuchsee/Bern

Calvary (fragment), fish louse, drawing with pen or brush in black, heightened with white, on transparent material (gelatin), Numerous juxtaposed fragments, on brownish-tinted paper, fixed, leaf: 24.6 x 14.7 cm (largest mass of the image

Broken glass with empty blazon, pen in black, partly orange-brown watercolored, remains of a preliminary drawing with a black pencil, page: 39.8 x 30.6 cm |, Image: 38 x 30 cm, Not marked, Hieronymus Vischer, (?), Basel 1564–1630 Basel,

Cocoon Lidded Cup, c. 1514, black paintbrush, over black pen drawing, sheet: 30.1 x 17.2 cm, unsigned, Urs Graf, Solothurn um 1485 – 1527/28

Sleeping child, pen in black, over preliminary drawing with graphite pencil, Sheet: 14 x 10.5 cm, Not marked, Hans Hug Kluber, Basel 1535/36–1578 Basel

Unknown (Italian), Head of a Man Wearing a Cap, ca. 1650, gouache and watercolor with pen and black and brown ink over a preliminary drawing in graphite, with a decorative border of pen and black ink, on buff antique laid paper, Sheet: 9 3/16

Small birdshow from Basel, from the southwest, drawing 1615, probably after 1620 etched in Holla, etching, sheet: 32.5 x 39.5 cm, marked O. M.: BASILÆA Basel ., u, ., l .: Mathæus Merian., Basiliensis fecit ., further inscriptions

Broken glass with driver in front of a tavern, below blank blazon, feather in black, partly gray washed, remains of a drawing with black pencil, on l., R., and u., Edged border, page: 31.8 x 39.7 cm, Not specified, Christoph Murer,

The encounter of Abraham and Melchizedek, red chalk, sheet: 48.3 x 42.1 cm, U. l., Inscribed: IOHE [wrong Heintz monogram, with brighter pencil than the drawing], Anonym, Italien (?), 17. Jh

The Holy Empress Kunigunde, c. 1500, quill in brown, on traces of charcoal drawing, gray wash, sheet: 31 x 20.9 cm, U. M. inscribed with pen in brown: H, Hans Holbein d. Ä., Augsburg um 1460/65–1524

Broken glass with oval frame and empty middle picture, in the corners putti, c. 1570/75, feather in black, brown washed, remains of a preliminary drawing with black pencil, sheet: 20.6 x 14.5 cm, unsigned, Hans Brand, Basel 1552–1577/78

Two sketches after the ceiling fresco Michelangelo in the Sistine Chapel: Seated woman and boy of the ancestors of Christ, slave, 1541/47, feather in brown, on preliminary drawing with red chalk, sheet: 21.4 x 24.3 cm, U. r., designated:

Slice with two warriors and Basler coat of arms, in the upper pictures Justitia and Fides, pen in black, gray washed, remains of a preliminary drawing with black pencil, mounted on blue paper, sheet: 53.3 x 52.7 cm |, Image: 51.8 x 51.7 cm,

Felix Cavalli, Italian, Fantastic Landscape with a Hermit, 1793, watercolor with pen and black and brown ink over a preliminary drawing in graphite, with a decorative border of pen and black ink, on buff antique laid paper, Sheet: 9 3/8 × 12

Design for a wall painting or a glass painting with the legendary founding of Basel, around 1517/18, feather in black, traces of a preliminary drawing with black pencil, gray washed, partly colored in watercolors, composed of two arches, cut

Broken glass with banner owner and coat of arms St. Ursanne (Ursitz), 1585, pen in black, some in gray, remains of a preliminary drawing with black pencil, sheet: 41 x 30.6 cm, U. inscribed in the cartouche with pen in brown and dated: Der,

Pontresina (recto), three small drawings and a larger drawing of a rock landscape (verso), 1876, pencil (recto), Pencil, watercolor (verso), sheet: 18.8 x 27.3 cm, recto a., r., designated and dated: Pontresina, July 23, 76, verso M.

Broken glass with two warriors and the Basel coat of arms, feather (brush?), In dark gray, over preliminary drawing with black pencil, sheet: 44 x 36 cm, not marked, Hans Brand, Basel 1552–1577/78 (?) Basel

Broken glass with sign accompanist and coat of arms of the Basel Guild of Heaven, c. 1470/80, feather in black, brush in gray and black, over preliminary drawing with black pencil, watercolored with green and in places with yellow, sheet: 42.6,

Broken glass with naked girl and not executed coat of arms (to Rhine?), In the upper pictures Trinkgelage and ball, feather in black, remains of a preliminary drawing with black pencil, sheet: 41.1 x 32.3 cm |, Image: 40.8 x 31.8 cm, Not

Preparatory Drawing for a Woodblock Print Depicting a Japanese Naval Officer during the Sino-Japanese War, Mizuno Toshikata, Japanese, 1866–1908, Meiji period, 1868–1912, 1894–1895, Black ink, red and black chalk, and graphite on

Cabinet on Stand, engraving by Giorgio Ghisi, Italian, 1520–1582, drawing by Giulio Romano, Italian, c.1499–1546, painting by Titian (Tiziano Vecellio), Italian, c.1485-90–1576, French, cabinet c.1640–60, stand 1850–70, Ebony,

Jug, engraving by Michelangelo Pergolesi, Italian, active 1760 - 1801, stipple engraving by Francesco Bartolozzi, Italian, 1727–1815, drawing by Giovanni Battista Cipriani, Italian, 1727 - 1785, English, c.1785, Glazed earthenware with

Secretary, from the drawing room, Pownall Hall, Cheshire, England, Arthur Heygate Mackmurdo, English, 1851–1942, and possibly Herbert Percy Horne, English, 1864–1916, Century Guild of Artists, England, 1882–c.1888, c.1887,

Death of Meleager, possibly after a drawing by Francesco Salviati, Italian, 1510–1563, attributed to Girolamo Faccioli, Italian, active c.1530, died 1573, 1543, Engraving with drypoint, Made in Italy, Europe, Prints, image: 11 5/8 x 16

The Artist Drawing from a Model, Rembrandt van Rijn, Dutch, 1606–1669, c.1639, Etching, drypoint, and engraving, Made in Amsterdam, Netherlands, Europe, Prints, plate: 9 3/16 x 7 1/4 in. (23.3 x 18.4 cm

Preparatory Drawing for a Woodblock Print Depicting a Japanese Naval Officer during the Sino-Japanese War, Mizuno Toshikata, Japanese, 1866–1908, Meiji period, 1868–1912, 1894–1895, Black ink, red chalk, and graphite on paper, Made in

Plague under, plague above, plague everywhere, James Ensor, 1888, drawing, 1888, Belgian Art

Don Quixote, James Ensor, circa 1870-1880, drawing, Belgian Art

Don Quixote, James Ensor, circa 1860-1949, drawing, Belgian Art

Don Quixote, James Ensor, circa 1870-1880, drawing, Belgian Art

Writing woman seen from behind, James Ensor, 1882, drawing, 1882, Belgian Art

Copy, James Ensor, circa 1860-1949, drawing, Belgian Art

Farmer with horse cart, Marie Colombier, James Ensor, circa 1880-1890, drawing, Belgian Art

Two women and a theologian, James Ensor, circa 1880-1890, drawing, Belgian Art

Monks at a ball game, James Ensor, circa 1880-1890, drawing, Belgian Art

Seated nude with crossed legs, James Ensor, circa 1860-1949, drawing, Belgian Art

Three gentlemen in conversation, James Ensor, circa 1880-1890, drawing, Belgian Art

Silhouettes and heads, James Ensor, 1880, drawing, between circa 1880 and circa 1883, Belgian Art

Trees, James Ensor, circa 1860-1949, drawing, Belgian Art

Silhouettes, James Ensor, circa 1860-1949, drawing, Belgian Art

Death and doctor at a tombstone, James Ensor, 1880, drawing, between circa 1883 and circa 1888, Belgian Art

The cuirassiers at Waterloo, James Ensor, 1891, drawing, 1891, Belgian Art

Arab rider attacked by lion, James Ensor, 1880, drawing, between circa 1885 and circa 1886, Belgian Art

Study of the lion hunt, James Ensor, circa 1880-1890, drawing, Belgian Art

Don Quixote, James Ensor, 1870, drawing, between circa 1877 and circa 1880, Belgian Art

Man with paint pot, James Ensor, 1880, drawing, between circa 1880 and circa 1885, Belgian Art

Soldiers and civilians, James Ensor, circa 1880-1890, drawing, Belgian Art

Don Quixote, James Ensor, circa 1870-1880, drawing, Belgian Art

Café concert in Munich, James Ensor, 1880, drawing, between circa 1880 and circa 1883, Belgian Art

Don Quixote, horse's head, James Ensor, circa 1870-1880, drawing, Belgian Art

search results: Drawing clear search