Images at Librifly

search results: Drawing clear search

JAN BOTH, Italian landscape with two men and a pack animal, sheet, 190 x 296 mm, brown pen on paper, Italian landscape with two men and a pack animal, JAN BOTH, 17TH CENTURY, BAROQUE, DRAWING, brown pen on paper, INK?, INK?, PAPER, PEN

PETER BECKER, motif from the Lahntal, 1857, sheet, 214 x 450 mm, pencil, heightened with white, on beige cardboard, motif from the Lahntal, PETER BECKER, 19TH CENTURY, DRAWING, pencil, heightened with white, on beige cardboard,

PETER BECKER, view from Montclair Castle, 1852, sheet, 419 x 582 mm, pencil on paper, view from Montclair Castle, PETER BECKER, MONTCLAIR CASTLE, METTLACH, 19TH CENTURY, DRAWING, pencil on paper, GRAPHITE TONE -MIXTURE, PAPER, PENCIL

PETER BECKER, Philippstein near Weilburg, 1877, sheet, 310 x 373 mm, pencil and watercolor on cardboard, Philippstein near Weilburg, PETER BECKER, BRAUNFELS-PHILIPPSTEIN, 19TH CENTURY, DRAWING, pencil and watercolor on cardboard,

PETER BECKER, hilly landscape, sheet, 142 x 238 mm, pencil on vellum paper, hilly landscape, PETER BECKER, 19TH CENTURY, DRAWING, pencil on vellum paper, GRAPHITE-CLAY MIXTURE, VELVET PAPER, PENCIL DRAWING, GERMAN, LANDSCAPE STUDY,

PETER BECKER, hilly landscape, tall trees in the foreground, sheet, 142 x 238 mm, pencil on vellum paper, hilly landscape, tall trees in the foreground, PETER BECKER, 19TH CENTURY, DRAWING, pencil on vellum paper, GRAPHITE-CLAY MIXTURE,

PETER BECKER, Wooded ravine with knights, sheet, 203 x 263 mm, pencil on cardboard, Wooded ravine with knights, PETER BECKER, 19TH CENTURY, DRAWING, pencil on cardboard, GRAPHITE-CLAY MIXTURE, CARDBOARD, PENCIL DRAWING, GERMAN,

PETER BECKER, high forest at the edge of a pond, sheet, 481 x 667 mm, black chalk on paper, high forest at the edge of a pond, PETER BECKER, 19TH CENTURY, DRAWING, black chalk on paper, CHALK, PAPER, CHALK DRAWING, GERMAN, LANDSCAPE

PETER BECKER, High forest moved by the storm, sheet, 449 x 575 mm, black chalk, heightened with white, on paper, High forest moved by the storm, PETER BECKER, 19TH CENTURY, DRAWING, black chalk, heightened with white, on paper, CHALK,

PETER FLÖTNER workshop, orPETER FLÖTNER circle, grotesque with sea horse and putto, ca. 1550, sheet, 77 x 92 mm, pen in black, reddish wash, on handmade paper, with blackened verso, grotesque with sea horse and putto, PETER FLÖTNER

NICOLAS POUSSIN ?, after RAFFAEL, study after Raphael's 'Expulsion of Heliodorus from the Temple' and female figures, ca. 1512 - 1514, sheet, 381 x 426 mm, black chalk, heightened with white, and gray pencil on vergé paper, study after

NICOLAS POUSSIN ?, after RAFFAEL, after GIULIO ROMANO, A soldier supports a dying man, approx. 1517 - 1524, sheet, 381 x 426 mm, brown pen, brown wash, heightened with white, on gilded paper, A soldier supports a dying man, NICOLAS

GERMAN, 19TH CENTURY, Italian mountain landscape near Subiaco, sheet, 201 x 283 mm, brown pen over pencil, break, on brownish tracing paper, Italian mountain landscape near Subiaco, German, 19th century, 19TH CENTURY, DRAWING, pen in

CARL ERNST MORGENSTERN, A hut by a pond, sheet, 158 x 216 mm, chalk on cream-colored cardboard, A hut by a pond, CARL ERNST MORGENSTERN, 19TH CENTURY, DRAWING, chalk on cream-colored cardboard, CHALK, CARDBOARD, CHALK DRAWING, GERMAN,

FRANZ PFORR, coastal landscape with an approaching storm, approx. 1810, sheet, 195 x 302 mm, brush in black, gray-white heightened, on strong yellow-grey handmade paper, coastal landscape with an approaching storm, FRANZ PFORR, 19TH

FRANZ PFORR, Domestic Scene, Pestalozzi's Lienhard and Gertrud, before 1810, sheet, 274 x 217 mm, brush and pen in black, heightened with white, on gray-brown paper, Domestic Scene, Pestalozzi's Lienhard and Gertrud, FRANZ PFORR, 19TH

FRANZ PFORR, Henry II's dream, before 1810, sheet, 323 x 213 mm, pen and brush in black on paper, Henry II's dream, FRANZ PFORR, 19TH CENTURY, DRAWING, pen and brush in black on paper, INK?, INK?, PAPER, PEN DRAWING, BRUSH DRAWING,

JOANNES VAN DREGHT, Jupiter, in the form of Diana, approaches Callisto, 1780, sheet, 521 x 310 mm, red chalk, border line with red chalk on all sides, on beige vergé paper, Jupiter, in the form of Diana, approaches Callisto, JOANNES VAN

JOHANN WILHELM SCHIRMER, landscape, sheet, 365 x 505 mm, brown chalk on brownish paper, landscape, JOHANN WILHELM SCHIRMER, a forest path, a hiker is attacked by two men, 19th CENTURY, DRAWING, brown chalk on brownish paper, CHALK,

JOHANN WILHELM SCHIRMER, A forest path, a hiker is attacked by two men, sheet, 365 x 505 mm, black, brown and white chalk on brownish paper, A forest path, a hiker is attacked by two men, JOHANN WILHELM SCHIRMER, landscape, 19 CENTURY,

CAMILLE COROT, Resting woman under poplar trees by the river, 1866, sheet, 177 x 238 mm, pencil and pen in brown on cardboard, Resting woman under poplar trees by the river, CAMILLE COROT, 19TH CENTURY, DRAWING, pencil and pen in brown on

NICOLAS POUSSIN ?, Narcissus looks at himself in the source, sheet, 155 x 134 mm, brown pen over gray pen, brown wash, on paper, Narcissus looks at himself in the source, NICOLAS POUSSIN ?, 17TH CENTURY, BAROQUE FRENCH CLASSICISM, Drawing,

JOHANN CHRISTOPH ERHARD, landscape with church, May 1, 1917, sheet, 144 x 209 mm, pencil on vellum paper, landscape with church, JOHANN CHRISTOPH ERHARD, laundry is being dried under willow trees, underneath lies a woman with a child,

JOHANN CHRISTOPH ERHARD, Laundry is being dried under willow trees, underneath lies a woman with a child, behind a village, May 1, 1917, sheet, 144 x 209 mm, pencil on vellum paper, Laundry is being dried under willow trees, underneath lies

ADOLPH VON MENZEL, Two spectators for the painting 'Departure of King Wilhelm I for the army on July 31, 1870', approx. 1871, sheet, 190 x min. 118 mm, width max, 128 mm, pencil on dark beige vellum paper, two spectators for the painting

Attributed to CHARLES FRANÇOIS DAUBIGNY, Flat landscape with a church tower in rainy weather, 1860 - 1878, sheet, 280 x 440 mm, charcoal and black chalk on vellum paper, Flat landscape with a church tower in rainy weather, attributed to

KARL SANDHAAS, grinning woman, fragment, sheet, 283 x 353 mm, pencil on beige vellum paper, grinning woman, fragment, KARL SANDHAAS, farmers of the Kinzig Valley at a tavern table, 19th CENTURY, DRAWING, pencil on beige vellum paper,

KARL SANDHAAS, farmers of the Kinzig Valley at a tavern table, sheet, 283 x 353 mm, pencil on beige vellum paper, farmers of the Kinzig Valley at a tavern table, KARL SANDHAAS, grinning woman, fragment, KINZIGTAL, 19TH CENTURY, DRAWING,

KARL SANDHAAS, Two striding male figures, sheet, 222 x 312 mm, pencil and watercolor on beige vellum paper, Two striding male figures, KARL SANDHAAS, Zell am Harmersbach, 19TH CENTURY, DRAWING, pencil and watercolor on beige vellum paper,

KARL SANDHAAS, Zell am Harmersbach, sheet, 222 x 312 mm, pencil on greenish vellum paper, Zell am Harmersbach, KARL SANDHAAS, two striding male figures, ZELL AM HARMERSBACH, 19TH CENTURY, DRAWING, pencil on greenish vellum paper,

CARL MORGENSTERN, little town with a castle, located by a river, sheet, 301 x 382 mm, lithograph and pencil, white highlights scratched or scraped out of the gray tint, on primed paper, little town with a castle, located by a river, CARL

GERMAN, 19TH CENTURY, depiction of a Jew, sheet, 252 x 162 mm, pencil on yellowish vergé paper, depiction of a Jew, German, 19th century, 19TH CENTURY, DRAWING, pencil on yellowish vergé paper, GRAPHITE-CLAY MIXTURE, VERGED PAPER,

CARL THEODOR REIFFENSTEIN, A tree, June 12, 1842, sheet, 546 x 428 mm, pen in gray-brown on brownish vellum paper, A tree, CARL THEODOR REIFFENSTEIN, 19TH CENTURY, DRAWING, pen in gray-brown on brownish vellum paper, INK?, INK ?, VELVET

CARL THEODOR REIFFENSTEIN, forest path leading over rocks, August 1842, sheet, 466 x 673 mm, pen in gray-brown on brownish vellum paper, forest path leading over rocks, CARL THEODOR REIFFENSTEIN, 19TH CENTURY, DRAWING, pen in gray-brown on

ALFRED RETHEL, The Good Samaritan, sheet, 185 x 249 mm, pencil on brownish paper, The Good Samaritan, ALFRED RETHEL, 19TH CENTURY, DRAWING, pencil on brownish paper, GRAPHITE-CLAY MIXTURE, PAPER, PENCIL DRAWING, GERMAN, FIGURE STUDY,

TEUTWART SCHMITSON, Tartar riding horses, on the right a rider with a rope, sheet, 244 x 350 mm, pencil on handmade paper, Tartar riding horses, on the right a rider with a rope, TEUTWART SCHMITSON, 19TH CENTURY, DRAWING, pencil on

LUCA CAMBIASO ?, Martyrdom of Saint Bartholomew, above in clouds the Madonna and Child, on either side the Saints John the Baptist and Luke, bottom left a kneeling nun, sheet, 482 x 337 mm, brown pen over black chalk, grey-brown wash,

FRIEDRICH PRELLER D. Ä., The resting Diana at the edge of a forest, sheet, 562 x 445 mm, brush in gray over black chalk on beige vellum paper, The resting Diana at the edge of a forest, FRIEDRICH PRELLER D. Ä., 19TH CENTURY, DRAWING, brush

KARL SANDHAAS, image of a right child's hand, sheet, 222 x 282 mm, pencil on paper, image of a right child's hand, KARL SANDHAAS, portraits of Messrs. Hyant and Koch from Copenhagen, 19th CENTURY, DRAWING, pencil on paper, GRAPHITE-TONE

KARL SANDHAAS, after CARL PHILIPP FOHR, portrait of the poet Friedrich Rückert, 1818, sheet, 211 x 147 mm, pencil on tracing paper, portrait of the poet Friedrich Rückert, KARL SANDHAAS, inventor, after CARL PHILIPP FOHR, ROME, 19TH

GASPARE DIZIANI, male nude, sheet, 250 x 207 mm, black pen on blue handmade paper, male nude, GASPARE DIZIANI, tavern scene, part number / total, 9 / 126, 18TH CENTURY, BAROQUE, DRAWING, black pen on blue handmade paper, CHALK ?,

VENETIAN, 18TH CENTURY, Male and female head, sheet, min. 168 x min. 263 mm, height max, 180 mm, width max, 277 mm, red chalk on laid paper, Male and female head, Venetian, 18th century, King, warrior and two women, The wives of Darius

GASPARE DIZIANI ?, robe study, sheet, min. 397 x min. 238 mm, height max, 400 mm, width max, 240 mm, black pen on ribbed handmade paper, robe study, GASPARE DIZIANI ?, battle scene, part number / total, 33 / 126, 18TH CENTURY, BAROQUE,

HUBERT ROBERT, wine storage in a niche hall with four statues of ancient deities, 1769, sheet, 241 x 314 mm, pen and brush in brown over red chalk on vergé paper, wine storage in a niche hall with four statues of ancient deities, HUBERT

GASPARE DIZIANI ?, Assumption of Mary, sheet, 268 x 163 mm, pen in brown and brush in gray over black pen on ribbed handmade paper, Assumption of Mary, GASPARE DIZIANI ?, part number / total, 59 / 126, 18TH CENTURY, BAROQUE, DRAWING,

KARL SANDHAAS, after CARL PHILIPP FOHR, portraits of Messrs. Hyant and Koch from Copenhagen, 1818, sheet, 197 x 259 mm, pencil, tracing, on tracing paper, mounted on strong paper, portraits of Messrs. Hyant and Koch from Copenhagen, KARL

KARL SANDHAAS, after CARL PHILIPP FOHR, the landscape painter Helmsdorf from Magdeburg, 1819, sheet, 216 x 145 mm, pencil, tracing, on tracing paper, mounted on strong paper, The landscape painter Helmsdorf from Magdeburg, KARL SANDHAAS,

KARL SANDHAAS, after CARL PHILIPP FOHR, half-length portrait of a beardless man, ca. 1817 - 1821, sheet, 202 x 130 mm, pencil, tracing, on tracing paper, mounted on strong paper, half-length portrait of a beardless man, KARL SANDHAAS,

KARL SANDHAAS, forearm grasping or picking up something, approx. 1818 - 1819, representation, height: 216 mm, sheet, width: 284 mm, pencil on strong paper, forearm grasping or picking up something, KARL SANDHAAS, portraits of Dr. Böhmer

KARL SANDHAAS, after CARL PHILIPP FOHR, portraits of Dr. Böhmer from Frankfurt and Abate Tomaso di Ariccia, 1818 - 1819, sheet, 163 x 240 mm, pencil, tracing, on tracing paper, mounted on strong paper, portraits of Dr. Böhmer from

KARL SANDHAAS, Gripping or picking hand, sheet, 289 x 219 mm, pencil on paper, Gripping or picking hand, KARL SANDHAAS, Dr. Carl Witt from Berlin, 19TH CENTURY, DRAWING, pencil on paper, GRAPHITE-CLAY MIXTURE, PAPER, PENCIL DRAWING,

KARL SANDHAAS, after CARL PHILIPP FOHR, Dr. Carl Witt from Berlin, ca. 1817 - 1821, sheet, 207 x 162 mm, pencil, tracing, on tracing paper, mounted on strong paper, Dr. Carl Witt from Berlin, KARL SANDHAAS, inventor, after CARL PHILIPP

NICOLAS POUSSIN ?, The Holy Family with Saint Elisabeth and the boy John in a landscape, sheet, 177 x 248 mm, brown pen on paper, old mounted, with gold frame, The Holy Family with Saint Elisabeth and the boy John in a landscape, NICOLAS

KARL SANDHAAS, after CARL PHILIPP FOHR, half-length portrait of the painter Adam Eberle from Düsseldorf, ca. 1817 - 1821, sheet, 250 x 175 mm, pencil, tracing, on tracing paper, mounted on strong paper, half-length portrait of the painter

KARL SANDHAAS, after CARL PHILIPP FOHR, portrait of Johann Joseph Görres, 1821, sheet, 193 x 138 mm, pencil, tracing, on tracing paper, mounted on strong paper, portrait of Johann Joseph Görres, KARL SANDHAAS, inventor, after CARL

KARL SANDHAAS, after CARL PHILIPP FOHR, portrait of the painter Carl Mosler from Koblenz, 1819, sheet, 177 x 108 mm, pencil, tracing, on tracing paper, mounted on strong paper, portrait of the painter Carl Mosler from Koblenz, KARL

KARL SANDHAAS, after CARL PHILIPP FOHR, portrait of Dr. Ringseis from Landshut, ca. 1817 - 1821, sheet, 163 x 147 mm, pencil, tracing, on tracing paper, mounted on sturdy paper, portrait of Dr. Ringseis from Landshut, KARL SANDHAAS,

KARL SANDHAAS, after CARL PHILIPP FOHR, portrait of Dr. Böhmer from Frankfurt, ca. 1817 - 1821, sheet, 156 x 95 mm, pencil, tracing, on tracing paper, mounted on sturdy paper, portrait of Dr. Böhmer from Frankfurt, KARL SANDHAAS,

KARL SANDHAAS, after CARL PHILIPP FOHR, The engraver Carl Barth and the architect Johannes Buck from Hildburghausen, 1817, sheet, 129 x 193 mm, pencil, tracing, on tracing paper, mounted on strong paper, The engraver Carl Barth and the

KARL SANDHAAS, after CARL PHILIPP FOHR, portraits of the painter Prof. Besel from Breslau and the architect Hübsch from Heidelberg, approx. 1817 - 1821, sheet, 135 x 210 mm, pencil, print, on tracing paper, mounted on sturdy paper,

KARL SANDHAAS, after CARL PHILIPP FOHR, an actor from Freiburg, sheet, 110 x 90 mm, pencil on tracing paper, An actor from Freiburg, KARL SANDHAAS, inventor, after CARL PHILIPP FOHR, 19TH CENTURY, DRAWING, pencil on tracing paper,

KARL SANDHAAS, after CARL PHILIPP FOHR, portrait of the painter Koch, 1818, sheet, 127 x 95 mm, pencil on tracing paper, portrait of the painter Koch, KARL SANDHAAS, inventor, after CARL PHILIPP FOHR, ROME, 19TH CENTURY, DRAWING, pencil

KARL SANDHAAS, Young farmer with a pipe, sitting at a table, sheet, 246 x 205 mm, pencil on vellum paper, Young farmer with a pipe, sitting at a table, KARL SANDHAAS, 19TH CENTURY, DRAWING, pencil on vellum paper, GRAPHITE TONE -MIXTURE,

KARL SANDHAAS, self-portrait of the artist in three-quarter profile to the left, sheet, 283 x 220 mm, pen in black-grey on ribbed handmade paper, self-portrait of the artist in three-quarter profile to the left, KARL SANDHAAS, 19TH CENTURY,

ARNOLD BÖCKLIN, Penitent flagellating himself with a raven, ca. 1857, sheet, 173 x 227 mm, black pen on beige sturdy vellum paper, Penitent flagellating himself with a raven, ARNOLD BÖCKLIN, 19TH CENTURY, DRAWING, black pen on beige

ARNOLD BÖCKLIN, The Gods of Greece, ca. 1859, sheet, 508 x min. 348 mm, width max, 370 mm, Black and white chalk on reddish-brown vellum paper, The Gods of Greece, ARNOLD BÖCKLIN, MUNICH, 19TH CENTURY, DRAWING, Black and white chalk on

GASPARE DIZIANI, angel's concert, sheet, 342 x 433 mm, pen and brush in brown over black pen on ribbed handmade paper, angel's concert, GASPARE DIZIANI, part number / total, 1 / 126, 18TH CENTURY, BAROQUE, DRAWING, pen and brush in brown

GASPARE DIZIANI, putti adoring the Holy Sacrament, sheet, 290 x 411 mm, pen in brown and brush in gray over gray pen on ribbed laid paper, Putti venerating the Holy Sacrament, GASPARE DIZIANI, part number / total, 2 / 126, 18TH CENTURY,

GASPARE DIZIANI ?, Hercules Farnese, sheet, 390 x max. 234 mm, min. width, 232 mm, red chalk on brownish handmade paper, Hercules Farnese, GASPARE DIZIANI ?, Saints Peter and John as spandrel figures, part number / total, 4 / 126, 18TH

GASPARE DIZIANI ?, Saints Peter and John as gusset figures, sheet, min. 232 x 390 mm, height max, 234 mm, pen in dark brown and brush in brown over gray pen, heightened with white, on brownish handmade paper, Saints Peter and John as gusset

GASPARE DIZIANI, Last Communion of a dying nun, or a monk?, sheet, 334 x 217 mm, pen in light brown, light brown wash, on ribbed handmade paper, Last Communion of a dying nun, or a monk?, GASPARE DIZIANI, part number / in total, 5 / 126,

GASPARE DIZIANI ?, Madonna with saints, sheet, 326 x 185 mm, pen in brown and brush in gray over gray pen on brownish handmade paper, Madonna with saints, GASPARE DIZIANI ?, part number / total, 6 / 126, 18TH CENTURY, BAROQUE, DRAWING,

GASPARE DIZIANI, Time reveals the truth, sheet, 344 x 278 mm, brown pen over black pen, brown wash, on laid paper, Time reveals the truth, GASPARE DIZIANI, part number / total, 7 / 126, 18TH CENTURY, BAROQUE, DRAWING, pen and brown pen

GASPARE DIZIANI, sketch of a leg, sheet, 210 x 250 mm, black pen on blue handmade paper, sketch of a leg, GASPARE DIZIANI, tavern scene, 18th CENTURY, BAROQUE, DRAWING, black pen on blue handmade paper, CHALK?, CHARCOAL?, HAND PAPER,

GASPARE DIZIANI, tavern scene, sheet, 210 x 250 mm, pen and brush in brown over black pen on blue handmade paper, tavern scene, GASPARE DIZIANI, sketch of a leg, part number / total, 8 / 126, 18TH CENTURY, BAROQUE, DRAWING, pen and brush

GASPARE DIZIANI, tavern scene, sheet, 207 x 250 mm, pen and brush in brown over black pen on blue handmade paper, tavern scene, GASPARE DIZIANI, male nude, part number / total, 9 / 126, 18TH CENTURY, BAROQUE, DRAWING, pen and Brown brush

GASPARE DIZIANI, Escape to Egypt, sheet, min. 389 x 271 mm, height max, 391 mm, pen and brush in brown over black pen on ribbed handmade paper, Escape to Egypt, GASPARE DIZIANI, part number / total, 10 / 126, 18 .CENTURY, BAROQUE,

GASPARE DIZIANI ?, reclining male nude and male back nude, sheet, min. 258 x 413 mm, height max, 262 mm, black pen on ribbed handmade paper, reclining male nude and male back nude, GASPARE DIZIANI ?, Adoration of the Magi, part number /

VENETIAN, 18TH CENTURY ?, or SOUTH GERMAN, 18TH CENTURY ?, allegory, sheet, 232 x 231 mm, brown pen and watercolor over gray pen on ribbed laid paper, allegory, Venetian, 18th century ?, South German, 18th century ? alternatively, part

GASPARE DIZIANI, Two putti, sheet, 174 x min. 259 mm, width max, 262 mm, pen in brown on ribbed handmade paper, two putti, GASPARE DIZIANI, two allegorical female figures with putti on clouds, Virtù and Nobilità, part number / total, 13

GASPARE DIZIANI, Two allegorical female figures with putti on clouds, Virtù and Nobilità, sheet, 174 x min. 259 mm, width max, 262 mm, brown pen over black pen, brown wash, on ribbed handmade paper, Two allegorical female figures with

GASPARE DIZIANI, A monk with wings adores the Madonna, sheet, 196 x min. 134 mm, width max, 137 mm, pen in brown and brush in reddish brown over gray pen on laid paper, A monk with wings adores the Madonna, GASPARE DIZIANI, part number /

GASPARE DIZIANI ?, Assumption of Mary, sheet, 330 x 129 mm, pen and brush in brown over gray pen, border line on all sides with pen and brush in gray, on ribbed handmade paper, Assumption of Mary, GASPARE DIZIANI ?, part number / total, 15

NICOLAS POUSSIN ?, God the Father appears to Noah, sheet, 307 x 425 mm, pen in grey-brown, grey-brown wash, on paper, God the Father appears to Noah, NICOLAS POUSSIN ?, 17TH CENTURY, BAROQUE FRENCH CLASSICISM, DRAWING, pen in grey-brown,

GASPARE DIZIANI ?, Sacrifice of Iphigenia, sheet, 179 x 134 mm, brown pen over gray pen, brown wash, on ribbed handmade paper, Sacrifice of Iphigenia, GASPARE DIZIANI ?, part number / total, 16 / 126, 18TH CENTURY, BAROQUE, DRAWING, pen

GASPARE DIZIANI ?, Three virtues floating in the clouds, sheet, 220 x 178 mm, brown pen and red-brown brush over gray pen on ribbed handmade paper, Three virtues floating in the clouds, GASPARE DIZIANI ?, part number / total, 17 / 126, 18th

FRANCESCO FONTEBASSO, concert, ca. 1743 - 1750, sheet, 220 x 279 mm, pen in light gray-brown and dark brown over gray pen, traces, gray-brown and reddish-brown wash, on ribbed handmade paper, concert, FRANCESCO FONTEBASSO, part number /

GASPARE DIZIANI, landscape, sheet, min. 328 x min. 208 mm, height max, 334 mm, width max, 210 mm, black pen on laid paper, landscape, GASPARE DIZIANI, circumcision of Christ, part number / total, 19 / 126, 18TH CENTURY, BAROQUE,

GASPARE DIZIANI, Circumcision of Christ, sheet, min. 328 x min. 208 mm, height max, 334 mm, width max, 210 mm, pen and brush in brown over black pen on laid paper, Circumcision of Christ, GASPARE DIZIANI, landscape, part number / overall,

GASPARE DIZIANI, Martyrdom of Saint John, sheet, 344 x 198 mm, pen and brush in brown over black pen on laid paper, Martyrdom of Saint John, GASPARE DIZIANI, part number / total, 20 / 126, 18TH CENTURY, BAROQUE, DRAWING, pen and brush in

GASPARE DIZIANI ?, Jesus drives the traders out of the temple, sheet, 415 x 563 mm, pen in black-brown and brush in gray over black pen on ribbed handmade paper, Jesus drives the traders out of the temple, GASPARE DIZIANI ?, part number /

VENETIAN, 18TH CENTURY, king, warriors and two women, The wives of Darius before Alexander?, sheet, min. 168 x min. 263 mm, height max, 180 mm, width max, 277 mm, pen in brown over black Pen, light brown wash, on laid paper, king,

VENETIAN, 18TH CENTURY, king, warriors and two women, The wives of Darius before Alexander?, sheet, 196 x 278 mm, brown pen over red chalk and black pen, light brown wash, on laid paper, king, warriors and two Women, The Women of Darius

GASPARE DIZIANI, Two putti with fish tails, sheet, 201 x 314 mm, brown pen over red chalk, grey-brown wash, on brownish handmade paper, Two putti with fish tails, GASPARE DIZIANI, playing putti, part number / total, 24 / 126, 18th

GASPARE DIZIANI, Putti playing, sheet, 201 x 314 mm, brown pen over red chalk, grey-brown wash, on brownish handmade paper, Putti playing, GASPARE DIZIANI, Two putti with fish tails, part number / total, 24 / 126, 18th CENTURY, BAROQUE,

GASPARE DIZIANI, A reclining male nude and the face of a boy in profile, sheet, 194 x 320 mm, brown pen and brush over gray pencil on brownish handmade paper, A reclining male nude and the face of a boy in profile, GASPARE DIZIANI, Playing

GASPARE DIZIANI, Putti playing, sheet, 194 x 320 mm, brown pen and brush over gray pen on brownish handmade paper, Putti playing, GASPARE DIZIANI, A reclining male nude and the face of a boy in profile, part number / total, 25 / 126, 18TH

NICOLAS POUSSIN ?, Adoration of the Golden Calf, sheet, 193 x 280 mm, brush in brown over gray pen, traces, on vergé paper, mounted, Adoration of the Golden Calf, NICOLAS POUSSIN ?, 17TH CENTURY, BAROQUE FRENCH CLASSICISM, DRAWING,

ANTONIO BELLUCCI, Lust seduces a genius, approx. 1695 - 1697, sheet, 178 x 262 mm, red chalk on ribbed handmade paper, Lust seduces a genius, ANTONIO BELLUCCI, part number / total, 26 / 126, 17TH CENTURY 18TH CENTURY, BAROQUE, DRAWING,

ANTONIO BELLUCCI, Susanna and the two old men, ca. 1690, sheet, 173 x 255 mm, red chalk on laid paper, Susanna and the two old men, ANTONIO BELLUCCI, part number / total, 27 / 126, 17TH CENTURY 18TH CENTURY, BAROQUE, DRAWING, red chalk

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