Images at Librifly

search results: Drawing clear search

GIOVANNI BATTISTA TIEPOLO, orGIOVANNI BATTISTA TIEPOLO School, Rinaldo is enchanted by Armida and Rinaldo and the Wizard of Ascalon, ca. 1740 - 1742, sheet, 406 x 281 mm, black pen and brown pen on ribbed laid paper, Rinaldo is enchanted by

GIOVANNI BATTISTA TIEPOLO ?, Study for a stuccoed ceiling, sheet, 251 x 398 mm, brown pen over black pen, gray wash, on vergé paper, Study for a stuccoed ceiling, GIOVANNI BATTISTA TIEPOLO ?, 18TH CENTURY, BAROQUE ROCOCO, DRAWING, brown

GIOVANNI BATTISTA TIEPOLO ?, Psyche before Jupiter, sheet, 383 x 542 mm, brown pen, brown wash, on vergé paper, Psyche before Jupiter, GIOVANNI BATTISTA TIEPOLO ?, 18TH CENTURY, BAROQUE ROCOCO, DRAWING, brown pen, brown wash, on vergé

GIOVANNI BATTISTA TIEPOLO ?, Uninterpreted scene: men and women in clouds, sheet, 427 x 557 mm, brown pen over gray pen, gray wash, on vergé paper, Uninterpreted scene: men and women in clouds, GIOVANNI BATTISTA TIEPOLO ?, 18. CENTURY,

GIOVANNI BATTISTA TIEPOLO ?, Psyche before Jupiter, sheet, 471 x 614 mm, brown pen over gray pen, grey-brown wash, on vergé paper, Psyche before Jupiter, GIOVANNI BATTISTA TIEPOLO ?, 18TH CENTURY, BAROQUE ROCOCO, DRAWING, pen in brown

GIOVANNI BATTISTA TIEPOLO ?, The Last Supper, two adoring angels, sheet, 485 x 653 mm, brown pen over gray pen, grey-brown wash, on vergé paper, The Last Supper, two adoring angels, GIOVANNI BATTISTA TIEPOLO ?, 18th CENTURY, BAROQUE

GIOVANNI BATTISTA TIEPOLO ?, Three women around an oval, sheet, 377 x 553 mm, brown pen, brown wash, on vergé paper, Three women around an oval, GIOVANNI BATTISTA TIEPOLO ?, tree, 18th CENTURY, BAROQUE ROCOCO, DRAWING, Pen in brown,

GIOVANNI BATTISTA TIEPOLO, angels singing and making music, ca. 1726, sheet, min. 512 x min. 747 mm, height max, 515 mm, width max, 761 mm, pen in dark brown and watercolor over gray pen, border line with gray pen, on handmade paper,

GIOVANNI DOMENICO TIEPOLO ?, Ascension of a Saint, sheet, 406 x 533 mm, brown pen over gray pen, brown wash, on vergé paper, Ascension of a Saint, GIOVANNI DOMENICO TIEPOLO ?, 18TH CENTURY, BAROQUE ROCOCO, DRAWING, pen in brown over gray

GIOVANNI BATTISTA TIEPOLO ?, Annunciation to Mary, sheet, 454 x 303 mm, black pen on paper, Annunciation to Mary, GIOVANNI BATTISTA TIEPOLO ?, group of monks and magicians, 18TH CENTURY, BAROQUE, DRAWING, black pen on paper, INK?, INK?,

GIOVANNI BATTISTA TIEPOLO, group of monks and magicians, sheet, 454 x 303 mm, pen in black and brush in black and gray on paper, group of monks and magicians, GIOVANNI BATTISTA TIEPOLO, Annunciation to Mary, 18th CENTURY, BAROQUE ROCOCO,

PAOLO VERONESE ?, portrait of a boy, sheet, 255 x 199 mm, black pen, heightened with white, on handmade paper, old mounted, with gold frame, portrait of a boy, PAOLO VERONESE ?, 16TH CENTURY 18TH CENTURY 17TH CENTURY, DRAWING, black Pen,

JAN ASSELIJN, Roman ruin, sheet, 255 x 378 mm, brush in black and gray on vergé paper, Roman ruin, JAN ASSELIJN, 17TH CENTURY, BAROQUE, DRAWING, brush in black and gray on vergé paper, INK?, INK?, VERGET PAPER, BRUSH DRAWING, DUTCH,

GERRIT BATTEM, river landscape, sheet, 227 x 370 mm, pen in brown, watercolor and opaque color on ribbed handmade paper, old mounted, with gold frame, river landscape, GERRIT BATTEM, 17TH CENTURY, BAROQUE, DRAWING, pen in brown,

JAKOB BECKER, portrait of the musician Dresel from Geisenheim, sheet, 266 x 212 mm, pencil on cream-colored vellum paper, portrait of the musician Dresel from Geisenheim, JAKOB BECKER, 19TH CENTURY, DRAWING, pencil on cream-colored vellum

FERDINAND FELLNER, illustration for Hauff's fairy tale 'The Cold Heart', sheet, 153 x 114 mm, pen and brush in gray, heightened with white, on brownish wove paper, illustration for Hauff's fairy tale 'The Cold Heart', FERDINAND FELLNER, 19TH

ANTON BURGER, ornament, sheet, 245 x 190 mm, pen in black over pencil on brownish paper, ornament, ANTON BURGER, 19TH CENTURY, DRAWING, pen in black over pencil on brownish paper, INK?, INK?, GRAPHITE TONE -MIXTURE, PAPER, PEN DRAWING,

ANTON BURGER, dedication to Johann Friedrich Städel, sheet, 317 x 238 mm, pen in black and gray over pencil, gray wash, on paper, dedication to Johann Friedrich Städel, ANTON BURGER, 19TH CENTURY, DRAWING, pen in black and gray over

ANTON BURGER, man reading at a table, sheet, 173 x 274 mm, pen in black-brown, overlaid with charcoal, heightened with white, on brownish paper, fixed, man reading at a table, ANTON BURGER, 19TH CENTURY, DRAWING, pen in Black-brown,

JOHANN HEINRICH ROOS, shepherd mounting a donkey, with two sheep and a cow, right sketch of a shepherd boy, sheet, 174 x 268 mm, pen and brush in black over black chalk, gray wash, on ribbed handmade paper, shepherd, the one Donkey mounted,

CARLO FRANCESCO NUVOLONE ?, family portrait, company around a table, sheet, 176 x 262 mm, brown pen and gray pen, brown wash, border line on all sides with gray pen, on paper, family portrait, company around a table, CARLO FRANCESCO

WOLF HUBER, John the Evangelist with a cup of poison, 1518, sheet, 134 x 98 mm, pen and brush in brown, heightened with white, on red-brown primed handmade paper, John the Evangelist with a cup of poison, WOLF HUBER, 16TH CENTURY,

THOMAS COUTURE, head of a youth, sheet, 212 x 263 mm, black chalk on paper, head of a youth, THOMAS COUTURE, 19TH CENTURY, DRAWING, black chalk on paper, CHALK, PAPER, CHALK DRAWING, FRENCH, STUDY

THOMAS COUTURE, Seated Pierrot, ca. 1862, sheet, 245 x 177 mm, pencil on paper, Seated Pierrot, THOMAS COUTURE, 19TH CENTURY, DRAWING, pencil on paper, GRAPHITE-CLAY MIXTURE, PAPER, PENCIL DRAWING, FRENCH, FIGURE STUDY

THOMAS COUTURE, uniform study, sheet, 337 x 238 mm, black chalk, heightened with white, on blue paper, uniform study, THOMAS COUTURE, study of a hand, 19TH CENTURY, DRAWING, black chalk, heightened with white, on blue paper, CHALK,

THOMAS COUTURE, study of a hand, sheet, 238 x 337 mm, black chalk, heightened with white, on blue paper, study of a hand, THOMAS COUTURE, uniform study, 19TH CENTURY, DRAWING, black chalk, heightened with white, on blue paper, CHALK,

PETER VON HESS, Nightly rest in a church village, sheet, 248 x 385 mm, pen and brush in brown over pencil on vergé paper, Nightly rest in a church village, PETER VON HESS, 19TH CENTURY, DRAWING, pen and brush in brown over pencil on vergé

ERNST SCHALCK, geometric shapes and shades, sheet, 136 x 151 mm, pen and brush in black and gray on handmade paper, geometric shapes and shades, ERNST SCHALCK, shepherd boy with two goats, 19th CENTURY, DRAWING, pen and brush in black and

ERNST SCHACK, stagecoachman with four horses, sheet, 146 x 163 mm, pen in black over pencil, gray wash, on handmade paper, stagecoacher with four horses, ERNST SCHALCK, 19TH CENTURY, DRAWING, pen in black over pencil, gray wash, on

MORITZ VON SCHWIND, The artist's family, on the right a self-portrait, May 10, 1851 - June 4, 1851, sheet, 268 x 339 mm, pencil, partially wiped, border line in pencil on all sides, on chamois-colored handmade paper, The artist's family,

MORITZ VON SCHWIND, upper body of a woman leaning forward, repetition of her head and clothing studies, sheet, 170 x 233 mm, brown pen on yellowed paper, upper body of a woman bending forward, repetition of her head and clothing studies,

MORITZ VON SCHWIND, The Miracle of the Sea, August 24, 1851, sheet, 208 x 338 mm, pencil on vellum paper, The Miracle of the Sea, MORITZ VON SCHWIND, 19TH CENTURY, DRAWING, pencil on vellum paper, GRAPHITE-CLAY MIXTURE, VELVET PAPER,

MORITZ VON SCHWIND, Two owls in a tree, sheet, 345 x 216 mm, pencil on paper, Two owls in a tree, MORITZ VON SCHWIND, arts and crafts designs, in four fields: Symmetrical plant, donkey with backpack, donkey playing music and bear with Nose

MORITZ VON SCHWIND, arts and crafts designs, in four fields: symmetrical plant, donkey with backpack, donkey playing music and bear with nose ring, sheet, 345 x 216 mm, pencil on paper, arts and crafts designs, in four fields: symmetrical

MORITZ VON SCHWIND, designs for balustrades - fillings, animals in tendrils, sheet, 195 x 345 mm, brown pen on paper, designs for balustrades - fillings, animals in tendrils, MORITZ VON SCHWIND, 19TH CENTURY, DRAWING, pen in brown on

Attributed to MORITZ VON SCHWIND, study for 'Sabine von Steinburg', sheet, 252 x 201 mm, pencil on handmade paper, study for 'Sabine von Steinburg', attributed to MORITZ VON SCHWIND, 19TH CENTURY, DRAWING, pencil on handmade paper, GRAPHITE

MORITZ VON SCHWIND, part of the robe of the city of Worms in the picture of the Rhine, the first seated figure on the left, before 1848, sheet, 230 x 250 mm, pencil on paper, part of the robe of the city of Worms in the picture of the Rhine,

MORITZ VON SCHWIND, personification of the Murg river in the Rhine picture as a female half-nude, before 1848, sheet, 230 x 250 mm, pencil on paper, personification of the Murg river in the Rhine picture as a female half-nude, MORITZ VON

MORITZ VON SCHWIND, preliminary study of Heinrich von Ofterdingen in the fresco painting of the Wartburg Hall, approx. 1855, sheet, 237 x 305 mm, pencil on paper, preliminary study of Heinrich von Ofterdingen in the fresco painting of the

MORITZ VON SCHWIND, figure, approx. 1848, sheet, 389 x 247 mm, pencil on paper, figure, MORITZ VON SCHWIND, personification of the Neckar in the Rhine image as a male nude on the back, 19th CENTURY, DRAWING, pencil on paper,

MORITZ VON SCHWIND, personification of the Neckar in the image of the Rhine as a male nude on the back, approx. 1848, sheet, 389 x 247 mm, pencil on paper, personification of the Neckar in the image of the Rhine as a male nude on the back,

MORITZ VON SCHWIND, composition task: Four naked figures in an irregular field, sheet, 209 x 170 mm, black pencil on paper, composition task: four naked figures in an irregular field, MORITZ VON SCHWIND, 19TH CENTURY, DRAWING, black pencil

MORITZ VON SCHWIND, composition task: three figures in an irregular field, sheet, 202 x 278 mm, pencil on paper, composition task: three figures in an irregular field, MORITZ VON SCHWIND, 19TH CENTURY, DRAWING, pencil on paper, GRAPHITE

MORITZ VON SCHWIND, The Landgravine Sophie in the Singers' War, approx. 1854 - 1856, sheet, 170 x 208 mm, brown pen on handmade paper, The Landgravine Sophie in the Singers' War, MORITZ VON SCHWIND, composition task: to bring three figures

MORITZ VON SCHWIND, composition task: to bring three figures into the specified space, solved at the same time with his students, approx. 1848 - 1849, sheet, 170 x 208 mm, pencil on handmade paper, composition task: to bring three figures into

MORITZ VON SCHWIND, composition task: to bring three figures into the specified space, solved at the same time with his students, approx. 1848 - 1849, sheet, 201 x 281 mm, brown pen on paper, composition task: to bring three figures into the

MORITZ VON SCHWIND, kneeling in the singing war, approx. 1854 - 1856, sheet, 194 x 185 mm, pencil on paper, kneeling in the singing war, MORITZ VON SCHWIND, ornamental designs, 19th CENTURY, DRAWING, pencil on paper, GRAPHITE-TONE

MORITZ VON SCHWIND, kneeling in the singing war, approx. 1854 - 1856, sheet, 246 x 178 mm, pencil on paper, kneeling in the singing war, MORITZ VON SCHWIND, kneeling in front of the Landgravine Sophie in the singing war, 19th CENTURY,

MORITZ VON SCHWIND, kneeling in front of the Landgravine Sophie in the Singers' War, approx. 1854 - 1856, sheet, 246 x 178 mm, pencil on paper, kneeling in front of the Landgravine Sophie in the Singers' War, MORITZ VON SCHWIND, kneeling in

MORITZ VON SCHWIND, study sheet: chariot in a triumphal procession, pulled by a female figure, sheet, 284 x 35 mm, brown pen on brownish paper, study sheet: chariot in a triumphal procession, pulled by a female figure, MORITZ VON SCHWIND,

MORITZ VON SCHWIND, hanging arm, a glove in the hand, to the portrait of Baron von Blittersdorff, 1845, sheet, 332 x 241 mm, black chalk on brownish paper, hanging arm, a glove in the hand, to the portrait of Baron von Blittersdorff,

MORITZ VON SCHWIND, after OTTO DONNER VON RICHTER, study sheet: Singers' War, 1845, sheet, 241 x 332 mm, black chalk, heightened with white, on brownish paper, study sheet: Singers' War, MORITZ VON SCHWIND, inventor, after OTTO DONNER VON

MORITZ VON SCHWIND, sleeping hermaphrodite, 'Hermaphroditus Borghese', sheet, 262 x 400 mm, pencil on vergé paper, sleeping hermaphrodite, 'Hermaphroditus Borghese', MORITZ VON SCHWIND, PARIS?, 19TH CENTURY, DRAWING, pencil on vergé

EDWARD VON STEINLE, A lady sitting at the window, in the background a cupid boy, with a bow and arrow, sheet, 323 x 251 mm, pencil on vellum paper, A lady sitting at the window, in the background a cupid boy, with a bow and arrow, EDWARD

PHILIPP VEIT, The Casting of Hagar, ca. 1835, sheet, 232 x 185 mm, pen in gray and brown and watercolor on cardboard, The Casting of Hagar, PHILIPP VEIT, 19TH CENTURY, DRAWING, pen in gray and brown and watercolor on cardboard, INK?,

PHILIPP VEIT, The good shepherd, sheet, 258 x 172 mm, pen in gray over pencil on cardboard, The good shepherd, PHILIPP VEIT, 19TH CENTURY, DRAWING, pen in gray over pencil on cardboard, INK?, INK?, GRAPHITE -CLAY MIXTURE, CARDBOARD, PEN

PHILIPP VEIT, Christ and Magdalena, Easter Morning, sheet, 205 x 135 mm, pencil on paper, Christ and Magdalena, Easter Morning, PHILIPP VEIT, 19TH CENTURY, DRAWING, pencil on paper, GRAPHITE-CLAY MIXTURE, PAPER, PENCIL DRAWING, GERMAN,

PHILIPP VEIT, Uninterpreted scene, possibly a secondary scene of the martyrdom of Saint Sebastian, sheet, 193 x 91 mm, pencil on paper, Uninterpreted scene, possibly a secondary scene of the martyrdom of Saint Sebastian, PHILIPP VEIT, 19TH

PHILIPP VEIT, Christ and Magdalena, Easter Morning, sheet, 171 x 176 mm, pencil on cardboard, Christ and Magdalena, Easter Morning, PHILIPP VEIT, 19TH CENTURY, DRAWING, pencil on cardboard, GRAPHITE-CLAY MIXTURE, CARTON, PENCIL DRAWING,

PHILIPP VEIT, Uninterpreted scene, possibly a secondary scene of the martyrdom of Saint Sebastian, sheet, 100 x 220 mm, pencil on cardboard, Uninterpreted scene, possibly a secondary scene of the martyrdom of Saint Sebastian, PHILIPP VEIT,

PHILIPP VEIT, The Awakening Art, ca. 1832, sheet, 200 x 145 mm, pencil on cardboard, The Awakening Art, PHILIPP VEIT, 19TH CENTURY, DRAWING, pencil on cardboard, GRAPHITE-CLAY MIXTURE, CARDBOARD, PENCIL DRAWING, GERMAN, FIGURE STUDY,

PHILIPP VEIT, Italia, approx. 1832 - 1833, sheet, 203 x 150 mm, pencil on paper, drawn on cardboard, Italia, PHILIPP VEIT, 19TH CENTURY, DRAWING, pencil on paper, drawn on cardboard, GRAPHITE-CLAY MIXTURE, PAPER, PENCIL DRAWING,

PHILIPP VEIT, Saint Sebastian is tied up, sheet, 386 x 289 mm, pencil on brown paper, Saint Sebastian is tied up, PHILIPP VEIT, nude, dress and posture study, 19TH CENTURY, DRAWING, pencil on brown paper, GRAPHITE -CLAY MIXTURE, PAPER,

GOTTFRIED EICHLER D. J., The Death of Saint Franz Xavier, sheet, 156 x 102 mm, pen and brush in gray brown on vergé paper, The Death of Saint Franz Xavier, GOTTFRIED EICHLER D. J., 18TH CENTURY, BAROQUE ROCOCO, DRAWING, pen and brush in

JOSEF CHRIST, The death of Saint Joseph, sheet, 155 x 102 mm, pen and brush in gray on vergé paper, The death of Saint Joseph, JOSEF CHRIST, 18TH CENTURY, BAROQUE ROCOCO, DRAWING, pen and brush in gray on vergé paper, INK?, INK?,

GOTTFRIED BERNHARD GÖTZ, child with guardian angel and dragon, sheet, 126 x 87 mm, pen in gray-brown and brush in gray on handmade paper, the child's head is cut out and replaced by pasting, child with guardian angel and dragon, GOTTFRIED

GOTTFRIED BERNHARD GÖTZ, Denial of Petri, sheet, 133 x 89 mm, pen in brown and brush in gray, heightened with white, fluted contours, on handmade paper, Denial of Petri, GOTTFRIED BERNHARD GÖTZ, 18TH CENTURY, BAROQUE ROCOCO, DRAWING,

GEORG RAPHAEL DONNER, Standing Zeus with the thunderbolt in his right hand, next to him the eagle, sheet, 183 x 104 mm, brown pen, gray wash, on paper, Standing Zeus with the thunderbolt in his right hand, next to him the eagle, GEORG

JOHANN CONRAD SEEKATZ ?, Drummers in a village, surrounded by the village youth, sheet, 167 x 113 mm, black chalk and brush in gray, penciled through, traces, border line with black chalk on all sides, on ribbed handmade paper, with

JOHANN CONRAD SEEKATZ ?, Farmers' meeting while shooting birds, sheet, 167 x 114 mm, black chalk and brush in gray, penciled, traces, border line with black chalk on all sides, on ribbed handmade paper, with reddened verso, Farmers' meeting

GERMAN, 16TH CENTURY, after CHRISTOPH SCHWARZ, Mercury presents the apple to Paris, sheet, diameter: 202 mm, brown pen and watercolor on ribbed handmade paper, Mercury presents the apple to Paris, German, 16th century, inventor, after

MATTHÄUS GÜNTHER, draft for a calendar for the St. Moritz Abbey in Augsburg, approx. 1760, sheet, 416 x 192 mm, pen in brown and brush in gray and brown, heightened with white, figure of Chronos cut out and glued on, on ribbed handmade

CLAES CORNELISZ. MOEYAERT ?, Merkur and Argus, sheet, 203 x 298 mm, red chalk on cream-colored vergé paper, Merkur and Argus, CLAES CORNELISZ. MOEYAERT ?, 17TH CENTURY, BAROQUE, DRAWING, red chalk on cream-colored vergé paper, RED chalk,

ANDREA ANSALDO, The Last Supper, sheet, 123 x 301 mm, pen and brush in brown over gray pen on handmade paper, The Last Supper, ANDREA ANSALDO, 17TH CENTURY, BAROQUE, DRAWING, pen and brush in brown over gray pen on handmade paper, INK?,

MICHELANGELO UNTERBERGER, Michael fights with the devil, sheet, 170 x 167 mm, red chalk, passed over with a wet brush, on vergé paper, Michael fights with the devil, MICHELANGELO UNTERBERGER, 18TH CENTURY, BAROQUE, DRAWING, red chalk,

GOTTLIEB WELTÉ, hunter, carrying two hunted hares, sheet, 156 x 122 mm, pen in brown and watercolor on paper, hunter, carrying two hunted hares, GOTTLIEB WELTÉ, 18TH CENTURY, BAROQUE ROCOCO, DRAWING, pen in brown and watercolor Paper,

SOUTH GERMAN, 18TH CENTURY, ornamental sketches, sheet, 152 x 214 mm, gray pen on vergé paper, ornamental sketches, South German, 18th century, death scene, 18th CENTURY, BAROQUE, DRAWING, gray pen on vergé paper, GRAPHITE, CHALK,

SOUTH GERMAN, 18TH CENTURY, death scene, sheet, 152 x 214 mm, pen in gray and brush in brown on vergé paper, death scene, South German, 18th century, ornamental sketches, 18TH CENTURY, BAROQUE, DRAWING, pen in gray and brush in brown on

MATTHÄUS MERIAN D. Ä., Upper Rhine landscape, approx. 1624, sheet, max. 207 x 311 mm, brown pen over gray pen, border line on all sides, on vergé paper, Upper Rhine landscape, MATTHÄUS MERIAN D. Ä., 17TH CENTURY, Baroque, drawing,

MELCHIOR MICHAEL STEIDL, Flagellation of Christ, sheet, 256 x 193 mm, pen in brown and brush in gray, heightened with white, on brown paper, old mounted, Flagellation of Christ, MELCHIOR MICHAEL STEIDL, 18TH CENTURY, BAROQUE, DRAWING,

JACOB WEYER, Standing officer with halberd and sword, in profile to the left, 1644?, sheet, 158 x 110 mm, brush in dark gray, heightened with white, on blue primed paper, old mounted, Standing officer with halberd and sword, in profile to

MICHAEL HERR, David beheads Goliath, on the right the victorious army of the Children of Israel, on the left the fleeing Philistines, 1625, sheet, 77 x 390 mm, pen in black, gray and blue wash, squared with gray pen, on paper, old mounted,

HANS HEINRICH WÄGMANN, Flagellation of Christ, sheet, 251 x 206 mm, pen in gray, gray wash, on laid paper, old mounted, with gold frame, Flagellation of Christ, HANS HEINRICH WÄGMANN, 16TH CENTURY, RENAISSANCE, DRAWING, pen in gray,

HANS VON AACHEN, Kephalos kills Procris, September 24, 1585, sheet, 203 x 296 mm, pen in dark brown over black chalk, gray and ocher wash, on vergé paper, Kephalos kills Procris, HANS VON AACHEN, VENICE, 16TH CENTURY, RENAISSANCE NORTH

BARTHOLOMEUS BREENBERGH, street with an ancient temple of the Ionic order, now a Christian church with added columns, sheet, 131 x 204 mm, brush in gray over graphite pencil, gray wash, on ribbed handmade paper, street with an ancient temple

BARTHOLOMEUS BREENBERGH, ruins of an ancient barrel-vaulted building, sheet, 131 x 204 mm, pen in black-brown and watercolor, border line on all sides with graphite pencil, on ribbed handmade paper, ruins of an ancient barrel-vaulted building,

JOHANN MELCHIOR ROOS, cattle at the watering trough, sheet, 241 x 243 mm, representation, diameter: 221 mm, red chalk on cardboard, cattle at the drinking trough, JOHANN MELCHIOR ROOS, 17TH CENTURY, BAROQUE, DRAWING, red chalk on

LEENDERT VAN DER COOGHEN, Male back nude with suggested antique armor, sheet, 389 x 274 mm, red chalk on vergé paper, Male back nude with suggested antique armor, LEENDERT VAN DER COOGHEN, Ecce Homo, 17th CENTURY, BAROQUE, DRAWING, red

LEENDERT VAN DER COOGHEN, Ecce Homo, sheet, 389 x 274 mm, black chalk, blended into brown with the pen, on vergé paper, Ecce Homo, LEENDERT VAN DER COOGHEN, male nude with suggested antique armor, 17th CENTURY, BAROQUE, DRAWING, Black

THEODOR VAN THULDEN, Martyrdom of Saint Lawrence, sheet, 444 x 314 mm, brown pen and brush in brown and gray, heightened with white, on blue paper, Martyrdom of Saint Lawrence, THEODOR VAN THULDEN, 17TH CENTURY, BAROQUE, DRAWING, Pen in

GIUSEPPE PASSERI, A group of floating putti, 1681, sheet, 382 x 295 mm, brush in brown over red chalk, heightened with white, on vergé paper, old mounted, with gold frame, A group of floating putti, GIUSEPPE PASSERI, ROME, 17th CENTURY,

NIKOLAUS GOTTFRIED STUBER, In front of the Madonna surrounded by angels, a holy monk, Francis?, kneels on the right, sheet, 362 x 220 mm, red chalk on vergé paper, In front of the Madonna surrounded by angels, a holy monk, Francis?,

LAZZARO BALDI ?, Christ heals the sick, sheet, 322 x 226 mm, pen in brown and brush in gray, heightened with white, squared with black pen, on vergé paper, Christ heals the sick, LAZZARO BALDI ?, 17th CENTURY, BAROQUE, DRAWING, pen in

LAZZARO BALDI, Martyrdom of a Jesuit, sheet, 445 x 256 mm, pen and brush in brown, brown wash, heightened with white, on vergé paper, Martyrdom of a Jesuit, LAZZARO BALDI, 17TH CENTURY, BAROQUE, DRAWING, pen and brush in brown, brown

JOHANN GEORG BERGMÜLLER, Assumption of the Virgin Mary, 1714, sheet, 392 x 235 mm, brown pen and watercolor and gouache, overlaid with charcoal and red chalk, traces, on ribbed handmade paper, Assumption of Mary, JOHANN GEORG BERGMÜLLER,

EDWARD VON STEINLE, A Cardinal Penitenziario maggiore, in the Holy Week of St. Peter in Rome, sheet, 269 x 213 mm, pencil, squared in pencil, on beige vergé paper, A Cardinal Penitenziario maggiore, in the Holy Week of St. Peter in Rome,

EDWARD VON STEINLE, study sheet: Four grimacing heads, Shakespeare's Shylock?, sheet, 284 x 215 mm, pencil on brownish cardboard, study sheet: Four grimacing heads, Shakespeare's Shylock?, EDWARD VON STEINLE, 19TH CENTURY, DRAWING, pencil

JOHANN BAPTIST SCHOLL D. J., sketch-like composition study, ca. 1847, sheet, 436 x 563 mm, pencil on vellum paper, sketch-like composition study, JOHANN BAPTIST SCHOLL D. J., Moritz von Schwind's farewell party from Frankfurt, 19th CENTURY,

JOHANN BAPTIST SCHOLL D. J., Moritz von Schwind's farewell party from Frankfurt, ca. 1847, sheet, 436 x 563 mm, pen and gray over pencil, watercolored, squared, on vellum paper, Moritz von Schwind's farewell party from Frankfurt, JOHANN

HANS DEPAY, Argus sitting with his flock under a tree, 1602, sheet, 144 x 195 mm, pen in black and brush in gray on vergé paper, Argus sitting with his flock under a tree, HANS DEPAY, 17TH CENTURY, LATE RENAISSANCE, DRAWING, pen in black

search results: Drawing clear search