Images at Librifly

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Presentation in the Temple, study for the frescoes in Maregg near Salzburg, Anton Faistauer, St. Martin near Lofer 1887 - 1930 Vienna, 1920, drawing, pencil, pastel, charcoal, passepartout cutout: 51.5 x 45.3 cm, 20 1 /4 x 17 13/16 in,

Tree in a park, Jean Egger, Hüttenberg 1897 - 1934 Klagenfurt, around 1928, drawing, pastel on paper, 61.9 × 45.2 cm, 24 3/8 × 17 13/16 in., r.r. 'Jean Egger

On the old city wall, Erwin Puchinger, Vienna 1875 - 1944 Vienna, drawing, watercolor, passepartout cutout: 32.5 x 43.2 cm, Austria

Past': Allegory of the encyclical 'Rerum Novarum' by Pope Leo XIII. 1891 ?, Anonymous, 1891 ?, drawing, pencil, passepartout cutout: 15.5 × 11.6 cm

Self-portrait, Josef Lanzedelly, the elder, Ampezzo 1774 - 1832 Vienna, around 1810, drawing, pencil, mount cutout: 24.6 x 22.8 cm, left below: 'Painter, draftsman, Viennese types Ia, and lithographer / born 1774 Ampazzo, Tyrol. + Vienna

Portrait of Conradin Kreutzer, bandmaster, song and opera composer, Josef Lanzedelly, the Elder, Ampezzo 1774 - 1832 Vienna, 1804-1810, drawing, chalk, heightened with white, brown natural paper, 28 x 21.7 cm, Austria

Sleeping child near a cross, Franz Kollarz, Josefstadt, Josefov, 1829 - 1894 Vienna, 1860-1890, drawing, charcoal, ink, heightened with white, 23.1 × 16.6 cm, Austria

Conversation of a soldier with a dying man, Franz Kollarz, Josefstadt, Josefov, 1829 - 1894 Vienna, 1860-1890, drawing, pencil, 23.4 × 16.5 cm, Austria

Knight scene, Franz Kollarz, Josefstadt, Josefov, 1829 - 1894 Vienna, 1860-1890, drawing, pencil, 23.7 × 16.5 cm, Austria

Country girl harassed by students, Franz Kollarz, Josefstadt, Josefov, 1829 - 1894 Vienna, 1860-1890, drawing, pencil, 23.5 × 16.6 cm, Austria

Hermit in the cave, Franz Kollarz, Josefstadt, Josefov, 1829 - 1894 Vienna, 1860-1890, drawing, pencil, 23.5 × 16.6 cm, Austria

Self-portrait as a template for the lithograph by Joseph Kriehuber from 1851, Franz Joseph Dobyaschofsky, Vienna 1818 - 1867 Vienna, 1851, drawing, pencil, 27.6 × 18.3 cm, M.u. 'N.F.1535, Austria

The singer Violante Lenzi, standing in front of a harpsichord, Anonymous, around 1810, drawing, pencil, heightened with white, watercolored, 22 × 15 cm, l.l. '24'; M.u. 'VIOLANT LENZI'; r.u. '15253H', check digits

Figure studies and architectural sketches, Heinrich Friedrich Füger, Heilbronn 1751 - 1818 Vienna, 1770-1772, drawing, black chalk, gray natural paper, according to Cahier: 45 x 57.5 cm, m.r. '26275', transverse, r.u. '59', landscape,

Schiele with nude model in front of the mirror, Egon Schiele, Tulln 1890 - 1918 Vienna, 1910, drawing, pencil on wrapping paper, 55.1 × 35.3 cm, Austria

Hercules at the crossroads, Vincenz Georg Kininger, Regensburg 1767 - 1851 Vienna, around 1790, drawing, black chalk, according to Cahier: 48.5 x 35.2 cm, Austria

Fallen deer chased by a dog, Anton Strassgschwandtner, Vienna 1826 - 1881 Vienna, around 1850, drawing, pencil, 17.4 × 15.6 cm, Austria

The Italian with fancy goods, the porter and a postilion, calls to buy, Georg Emanuel Opiz, Prague 1775 - 1841 Leipzig, 1804-1812, drawing, gouache, pencil, 33.8 × 26.3 cm

The ink man, the basket and armchair weavers, calls to buy, Georg Emanuel Opiz, Prague 1775 - 1841 Leipzig, 1804-1812, drawing, gouache, pencil, 33.9 × 26.3 cm

The fishmonger, the light-pulling servant, calls to buy, Georg Emanuel Opiz, Prague 1775 - 1841 Leipzig, 1804-1812, drawing, gouache, pencil, 33.9 × 26.4 cm

The lemon man, the roaster, calls to buy, Georg Emanuel Opiz, Prague 1775 - 1841 Leipzig, 1804-1812, drawing, gouache, pencil, 33.8 × 26.4 cm

The rosary seller, the roaster and the sulfur thread seller, calls to buy, Georg Emanuel Opiz, Prague 1775 - 1841 Leipzig, 1804-1812, drawing, gouache, pencil, 34.3 × 26.9 cm

The straw cutter, the saw filer, calls to buy, Georg Emanuel Opiz, Prague 1775 - 1841 Leipzig, 1804-1812, drawing, gouache, pencil, 33.9 × 26.3 cm

The K.K. castle guard, the arcier guard and the castle house servant, calls to buy, Georg Emanuel Opiz, Prague 1775 - 1841 Leipzig, 1804-1812, drawing, gouache, pencil, 34.6 × 25 cm

Horse head, Joseph Heicke, Vienna 1811 - 1861 Vienna, 1830, drawing, watercolor, heightened with white, mount cutout: 17.5 × 20.3 cm, Austria

Horse head, Joseph Heicke, Vienna 1811 - 1861 Vienna, 1830, drawing, watercolor, heightened with white, mount cutout: 17.6 × 20.3 cm, Austria

Two female nude studies, Dutch master, 18th century?, around 1725, drawing, red chalk, 21.4 × 30.9 cm, l.o. 'N. 37

Franciscans in the dungeon, Anonymous, around 1900, drawing, chalk, brown natural paper, 41.3 × 32.2 cm

Austrian cuirassiers in front of a gate, Joseph Heicke, Vienna 1811 - 1861 Vienna, around 1850, drawing, watercolor, 35.6 × 27.2 cm, Austria

Coronation meal of Emperor Leopold II, Carl Schütz, Laibach 1745 - 1800 Vienna, drawing, ink, pen, gray wash, according to Cahier: 36.7 x 49.5 cm, m.u. 'Kais. Leopold II, Austria

Southern harbor scene with waiting men and a loaded boat, Anonymous, drawing, traces of chalk, brown pen, gray wash, passe-partout cutout: 15.9 x 28.1 cm

The port of Nettuno, Anonymous, France, 1st half of the 19th century, 1st half of the 19th century, drawing, brush, in brown, washed, opaque white, brown traces of paint at the top left, on blue paper, 22.4 x 33 .9 cm, M.u. barely

Sphiron; in the background the statue of Zeus from Olympia in a niche, anonymous, drawing, black chalk, red chalk, wiped, 42.4 x 28.4 cm

Young flute player, Felix Esterl, Austria, 1894 - 1931, drawing, pencil, mount: 394 x 332 mm

Mother, child, Felix Esterl, Austria, 1894 - 1931, drawing, charcoal, passepartout: 387 x 257 mm

Maria Saal, Felix Esterl, Austria, 1894 - 1931, drawing, charcoal, passepartout: 309 x 453 mm

Farming family with children and a donkey on the way through hilly country, Ludwig Richter, Dresden 1803 - 1884 Loschwitz, around or after 1865, drawing, pencil on greenish-yellow paper, 21.4 x 29.4 cm

Studies on variants of the motif on the front; rotated 90° to the left: further composition draft, Ludwig Richter, Dresden 1803 - 1884 Loschwitz, around or after 1865, drawing, pencil on greenish-yellow paper, 21.4 x 29.4 cm

Poet's coronation?, Johann Peter Nepomuk Geiger, Vienna 1805 - 1880 Vienna, drawing, pencil, brush, gray and black wash, according to Cahier: 26 x 18.2 cm, right. '26305, Austria

Girl with a big hat, Friedrich von Amerling, Vienna 1803 - 1887 Vienna, drawing, pen and brown, washed, pencil, 9.2 x 8.5 cm, l.l. '26306, Austria

Dutch landscape, Rudolf Ribarz, Vienna 1848 - 1904 Vienna, drawing, pencil, according to Cahier: 23.3 x 48 cm, right. 'Ribarz, Austria

Two assistant farm boys with three girls, Johann Mathias Ranftl, Vienna 1805 - 1854 Vienna, around 1840, drawing, watercolor, 12.5 x 18.3 cm, right. 'Ranftl, Austria

View through a window onto Ischl, Joseph Höger, Vienna 1801 - 1877 Vienna, drawing, pencil, watercolored, 11.8 x 8.8 cm, l.l. 'Ischl on August 10, 1824, Austria

View of Mödling, drawing, watercolor, 17.7 x 24.5 cm, M.u. 'Tho Ender

Emanuel Graf Mennsdorff-Pouilly, Josef Kriehuber, Vienna 1800 - 1876 Vienna, drawing, ink, brush, pencil, 40.2 x 27.8 cm, mount: right. 'see. Lith. '1839, Austria

Three studies of Dürer's left hand, Albrecht Dürer, Nuremberg 1471 - 1528 Nuremberg, 1493/94, drawing, pen in brown and black-brown, 27 x 18 cm, no collector's stamp

Study sheet with portrait of Barbara Dürer, heads and feet, Albrecht Dürer, Nuremberg 1471 - 1528 Nuremberg, 1493/94, drawing, pen in black, 27 x 18 cm, no collector's stamp

The hands of Saint Dominic, detail from the 'Rosary Feast', Albrecht Dürer, Nuremberg 1471 - 1528 Nuremberg, 1506, drawing, brush in gray, heightened with opaque white, on blue paper, 23.8 x 18.3 cm, no Collector's stamp

The hands of Emperor Maximilian I with a pomegranate, study for the portrait of Emperor Maximilian I, Albrecht Dürer, Nuremberg 1471 - 1528 Nuremberg, 1519, drawing, black chalk; Pinholes at the top, right and bottom, 15.2 x 14.6 cm, no

Hand studies, Anonymous, second quarter of the 16th century, drawing, black chalk, 13.7 x 19.3 cm, no collector's stamp, pen, vertical, by an unknown hand

Back view to the left of a seated cavalier in the women's house, Gaspare Traversi, Naples 1722/1724 - 1769/1770 Rome, drawing, pen; brown and gray wash, 20.2 x 28.8 cm

The Spanish monastery of San Just, drawing, traces of red chalk, brown pen, gray wash, 30.4 x 41.7 cm, top left center: 'Vicus sanct Iuste / S. Salvador ou l'Empereur Charles de quint mort

Saint Martin gives the beggar his coat; in the background stigmatization of St. Francis of Assisi, anonymous, around 1600, drawing, pen in black-brown, gray-brown wash, squared, 24.7 x 17.4 cm, verso stamp CD, ? Kutschera documentation

The Annunciation of the Virgin Mary, 1st third of the 17th century, drawing, pen in gray-black, inked, 42 x 27.3 cm, no collector's stamp Duke Albert of Saxony-Teschen

Jesus healing a blind man, late 16th century, drawing, pen in light and blackish gray on gold ocher paper, heightened with white, 20.6 x 30.4 cm, l.o. in feather in black 'S. LVCA. XVIII CA

The Adoration of the Shepherds, late 16th century, drawing, pen in black-grey on preparatory drawing in black chalk, washed in ocher brown, carnation tinted red, heightened with white, sheet: 34.3 × 28.9 cm, blue stamp 'CJH' on verso,

Baptism of St. Genesius of Rome, drawing, pen in dark brown, inked in light gray, 42 x 31.2 cm, no collector's stamp, l.r. 'Jos. Stockamers.', erased

Medor and Angelica, drawing, red chalk and black chalk, 16.5 x 12.9 cm, no collector's stamp Duke Albert of Saxe-Teschen

Partial sketch of a burial of Christ, drawing, black chalk, 16.6 x 12.9 cm

Fantastic mountain valley with a view of a distant city, Anonymous, late 16th century, drawing, pen and black ink, dark gray ink and steel blue wash, 20.4 x 32.6 cm, 8 1/16 x 12 13/16 in

Emperor Otto enfeoffed Berengar with Italy in 952 at the Reichstag in Augsburg, design for a mural?, Lazarus Rötting, 1612, drawing, brown pen, washed and colored, 29.1 x 54.5 cm, 11 7/16 x 21 7/16 in., M.u. 'Rötting In. fecit 1.6.1.2.';

Self-portrait, Hans Gasser, Eisentratten, Carinthia, 1817 - 1868 Budapest, drawing, pencil, according to Cahier: 13.3 x 12.4 cm

The artist's mother, Hans Gasser, Eisentratten, Carinthia, 1817 - 1868 Budapest, drawing, pencil, according to Cahier: 20.4 x 16 cm

The artist's father, Hans Gasser, Eisentratten, Carinthia, 1817 - 1868 Budapest, drawing, pencil, according to Cahier: 21.1 x 16 cm

Four small bird studies, Jean-François Millet, Gruchy near Gréville 1814 - 1875 Barbizon, around 1863/64, drawing, pencil, 14.1 x 19.6 cm, recto: left. Estate stamp of Jean-François Millet's widow

Two girls at a dressing table, drawing, pencil, heightened with white, brush in black, on browned paper, 21 x 14.2 cm, right. by another hand with pen in black: 'Gavarni

Two girls, drawing, black chalk, 21 x 14.2 cm, recto: right. by another hand with pen in black: 'Gavarni

Interior of a dairyman's hut, Jakob Gauermann, Oeffingen near Stuttgart 1773 - 1843 Vienna, around 1830, drawing, watercolor, pencil, 18.5 x 29.7 cm, Austria

Iron bridge in a factory district, Robert Pajer-Gartegen, Austria, 1886 - 1944, 1931, drawing, colored pencil; Labeling: pencil, passepartout cutout: 30.5 x 47.5 cm

Naked woman embracing a kneeling man, Karl Rahl, the Younger, Vienna 1812 - 1865 Vienna, drawing, charcoal, according to Cahier: 44 x 33 cm, Austria

Studies of dancers, Karl Rahl, the younger, Vienna 1812 - 1865 Vienna, drawing, pencil, according to Cahier: 46 x 33.5 cm, Austria

Illustration for Gil Blas, August Xaver Karl von Pettenkofen, Vienna 1822 - 1889 Vienna, drawing, pen, pen, wash, pencil, according to Cahier: 10.9 x 15 cm, Austria

The enthroned Madonna with Saints John the Baptist and the Evangelist, adored by angels, late 16th century, drawing, pen in black-brown, light gray-brown wash, 22.6 x 32.9 cm, no collector's stamp Duke Albert of Saxe-Teschen, right. in pen in

Chicken and geese seller, the egg woman, calls to buy, Georg Emanuel Opiz, Prague 1775 - 1841 Leipzig, 1804-1812, drawing, gouache, pencil, passepartout cutout: 33.3 × 25.7 cm

pillared courtyard; in the center a pavilion with a round dome, Anonymous, drawing, pen; gray washed, 18 x 26.5 cm, right unidentified I.G.S. in a circle in green-blue color, L.1468, bottom right '357

Theater architecture, Josef Platzer, Prague 1751 - 1806 Vienna, drawing, pen and gray, watercolored, 22.5 x 17.1 cm, 8 7/8 x 6 3/4 in., r.r. '26367, Austria

Central building - Baroque, Josef Platzer, Prague 1751 - 1806 Vienna, drawing, lead pencil, 22.5 x 17.1 cm, 8 7/8 x 6 3/4 in., l.l. '42 / Burst, Austria

Two different architectural designs arranged one above the other, Antonio Galli Bibiena, Italy, 1700 - 1774, drawing, top: pen; tacked; bottom: feather; gray wash, 28 x 20 cm, in the middle between the two designs in old pen script 'Sala

palace architecture; in a niche crowned with an effigy medallion and coat of arms, a double statue, Antonio Galli Bibiena, Italian, 1700 - 1774, drawing, brush; Feather; gray wash, 28 x 20 cm

Four horses, Johann Matthias Weyer, Hamburg 1620 - 1690 Hamburg, drawing, red chalk, 15.8 x 29.9 cm

Saint Gregory, drawing, red chalk, 19.2 x 9.4 cm, l. and collector's stamp

Morsche Weide, Johann Georg Wille, Biebertal, Gießen 1715 - 1808 Paris, 1775, drawing, pen in brown, 21.5 x 16.4 cm

Fortitudo, partial design for a ceiling picture?, Anonymous, South German master, 1703, drawing, ink, pen, 17.6 x 20.3 cm, r.r. 'George Paul

Ruined House, José Clemente Orozco, Mexico, 1883 - 1949, drawing, ink, pen, brush, 294 x 438 mm

Triumph of the Ecclesia, Daniel Gran, Vienna around 1694 - 1757 St. Pölten, 1744, drawing, pen, gray wash, 36.7 x 14.9 cm, Austria

Masked ball by the Viennese artists, Josef von Führich, Kratzau 1800 - 1876 Vienna, around 1838, drawing, pencil, according to Cahier: Passepartout: 20 x 27.7 cm, detailed inscription, Austria

Original handwritten report on the drawing by J. N. Höchle, Anton Gräffer, after 1809, drawing, pen, mount cutout: 28 x 39.3 cm, 11 x 15 1/2 in

The Battle of Aspern, Johann Nepomuk Höchle, Munich 1790 - 1835 Vienna, 1809, drawing, pen in black, watercolored, 29 x 39.7 cm, right. '26383, Austria

Sketch, Johann Nepomuk Höchle, Munich 1790 - 1835 Vienna, 1809, drawing, ink, pen, 29 x 39.7 cm, l.l. 'La Bataille d'Aspern ', detailed caption, Austria

Portrait study: Marie von Ebner-Eschenbach, Ludwig Michalek, Temesvár 1859 - 1942 Vienna, 1914, drawing, pencil, silverpoint, according to Cahier: 31.5 x 28.2 cm, M.u. 'Marie von Ebner-Eschenbach, Austria

Eight drafts for the title page of 'The Animal in Decorative Art', Vienna 1896/1909, Rising sea dragon, Anton Johann Nepomuk Seder, Munich 1850 - 1916 Strasbourg, around 1896-1909, drawing, pencil, watercolor, body color, Gold paint, on

Studies on the jewelry of the chain of honor, ca., Div. Combinations of the motifs of a maiden with a sword and a heraldic shield in a tendril with a scroll and a coin pendant, Gothic style; Shown the upper sheet. standing upside down, Anton

Design for the abbess staff for Heiligengrabe Abbey, Cah., Anton Johann Nepomuk Seder, Munich 1850 - 1916 Strasbourg, 1900, drawing, watercolor, opaque color, silver and gold paint, pen in black, heightened with white brush, over pencil

Italian landscape with ruins of a round temple and lake, Anton Johann Nepomuk Seder, Munich 1850 - 1916 Strasbourg, 1877, drawing, watercolor, body color, over pencil; wide black border line around the image, 125 x 372 mm

Study from the Black Forest, Anton Johann Nepomuk Seder, Munich 1850 - 1916 Strasbourg, 1907, drawing, watercolor, opaque color, black pen, heightened with gold brush, 181 x 182 mm, right. bottom: 'ASeder 1907', pen in black

Heroic landscape, Joseph Rebell, Vienna 1786 - 1828 Dresden, 1808, drawing, pen, gray and brown wash, passepartout section: 36.6 x 50 cm, l.l. '26391, Austria

Codex Montenuovo, Draft 'C' of the Casino designs, Fischer sketchbook by Erlach Johann Bernhard; 30 paginated pages; so-called 'Codex Montenuovo', Johann Bernhard Fischer von Erlach, Graz 1656 - 1723 Vienna, drawing, pencil, gray pen, brown

Codex Montenuovo, Fischer sketchbook by Erlach Johann Bernhard; 30 paginated pages; so-called 'Codex Montenuovo', Johann Bernhard Fischer von Erlach, Graz 1656 - 1723 Vienna, drawing, pencil, gray pen, brown pen, gray wash; Leaves glued in,

Codex Montenuovo; Petit Pavillon de la maison de plaisance de Plinius à Laurentin, sketchbook Fischer by Erlach Johann Bernhard; 30 paginated pages; so-called 'Codex Montenuovo', Johann Bernhard Fischer von Erlach, Graz 1656 - 1723 Vienna,

Codex Montenuovo, Fischer sketchbook by Erlach Johann Bernhard; 30 paginated pages; so-called 'Codex Montenuovo', Johann Bernhard Fischer von Erlach, Graz 1656 - 1723 Vienna, drawing, pencil, pen in black, pink wash, pen in brown; Sheet glued

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